George Reeves Movies
In his youth, George Reeves aspired to become a boxer, but gave up this pursuit because his mother was worried that he'd be seriously injured. Attracted to acting, Reeves attended the Pasadena Playhouse, where he starred in several productions. In 1939, Reeves was selected to play one of the Tarleton twins in the Selznick superproduction Gone With the Wind (1939). He made an excellent impression in the role, and spent the next few years playing roles of varying sizes at Warner Bros., 20th Century Fox, and Paramount. He was praised by fans and reviewers alike for his performances in Lydia (1941) and So Proudly We Hail (1943); upon returning from WWII service, however, Reeves found it more difficult to get good roles. He starred in a few "B"'s and in the title role of the Columbia serial The Adventures of Sir Galahad (1949), but for the most part was shunted away in ordinary villain roles. In 1951, he starred in the Lippert programmer Superman vs. the Mole Men, playing both the Man of Steel and his bespectacled alter ego, Clark Kent. This led to the immensely popular Superman TV series, in which Reeves starred from 1953 through 1957. While Superman saved Reeves' career, it also permanently typecast him. He made an appearance as wagon train leader James Stephen in Disney's Westward Ho, the Wagons! (1956), though the producer felt it expeditious to hide Reeves behind a heavy beard. While it is now commonly believed that Reeves was unable to get work after the cancellation of Superman in 1957, he was in fact poised to embark on several lucrative projects, including directing assignments on two medium-budget adventure pictures and a worldwide personal appearance tour. On June 16, 1959, Reeves died of an apparently self-inflicted gunshot wound. The official ruling was suicide -- and, since he left no note, it was assumed that Reeves was despondent over his flagging career. Since that time, however, there has been a mounting suspicion (engendered by the actor's friends and family) that George Reeves was murdered. ~ Hal Erickson, All Movie Guide
- 1941
Wily Honolulu detective Charlie Chan (Sidney Toler) is summoned when Miss Nodbury (Ethel Gryffies), an elderly eccentric, is murdered just before taking part in a seafaring treasure hunt. Chan deduces that the old lady died of fright, brought on by the apparent visitation of the ghost of her ancestor, a notorious pirate. Suspecting that the ghost was actually one of Miss Nodbury's enemies in disguise, Chan tags along on the treasure hunt to pinpoint the real killer. Meanwhile, Number Two Son Jimmy Chan (Victor Sen Yung) seeks out suspects on the waterfront, only to be constantly dunked in the briny by a wild-eyed but essentially harmless lunatic (Milton Parsons). A lesser Charlie Chan entry, Dead Men Tell is redeemed by its atmospheric harbor scenes, a specialty of director Harry Lachman. ~ Hal Erickson, All Movie Guide
- Starring:
- Sidney Toler, Sheila Ryan, (more)
- 1941
Fresh from his contract-player duties at Warner Bros., future TV "Superman" George Reeves heads the cast of 20th Century-Fox's Man at Large. Reeves is cast as FBI agent Bob Grayson, working in collaboration with Max (Richard Derr), a British agent posing as a fugitive German aviator. Meanwhile, fearless girl reporter Dallas Dayle (Marjorie Weaver) is assigned by her editor to track down the enemy aviator and get an exclusive story. When she catches up with Grayson and Max, Dallas is under the impression that Grayson is a rival reporter and Max is the genuine fugitive, leading to the usual complications. All three protagonists ultimately pool their resources to expose a German spy ring operating in the United States. ~ Hal Erickson, All Movie Guide
- Starring:
- Marjorie Weaver, George Reeves, (more)
- 1941
Adapted from a French movie entitled Un Carnet de Bal, this is a story of love unrequited. In one of her best performances, Merle Oberon portrays an elderly woman who has spent her life waiting for a man whom she had a brief liaison with but who never returned for her as he had promised. Casting aside three suitors over a forty year period, she has spent her life in solitude. When a party is arranged and all three of her spurned suitors show up, a surprise fourth is also present--her original true love. Denouement is somewhat of a surprise in this romantic love story. ~ Tana Hobart, All Movie Guide
- Starring:
- Merle Oberon, Edna May Oliver, (more)
- 1941
Strawberry Blonde is the second, and by far the most well-regarded, of the three film versions of James Hogan's play One Sunday Afternoon. James Cagney stars as Biff Grimes, a turn-of-the-century dentist married to onetime suffragette Amy Lind (Olivia de Havilland). A former convict, Biff has great difficulty keeping his temper--and when alderman Hugo Barnstead (Jack Carson), the man responsible for Cagney's unjust prison term, shows up one Sunday afternoon to have a tooth pulled, the pugnacious dentist begins developing homicidal urges. In a lengthy flashback, we learn that Biff and Hugo, once the best of friends, were business partners in a construction firm. When one of their buildings collapsed due to shoddy materials, Biff was sent to jail for five years, while Hugo escaped scot-free. Even worse, Hugo stole Biff's girlfriend Virginia Brush (Rita Hayworth), the "strawberry blonde" of the title. The flashback over, Biff sharkishly welcomes Hugo into his office, fully intending to bump off his old enemy. But during a reunion with his "dream girl" Virginia, Biff realizes for the first time that Amy was the right girl for him all along, and that Hugo did him a favor by taking the strident, shrewish Virginia off his hands. Letting Hugo off with little more than a sore jaw, Biff takes Amy in his arms--but not before settling a few old accounts with his fists, just for old time's sake. ~ Hal Erickson, All Movie Guide
- Starring:
- James Cagney, Olivia de Havilland, (more)
Knute Rockne-All American was Pat O'Brien's finest hour: thanks to intensive rehearsals and numerous makeup applications, he so closely resembled the title character that, in the words of Rockne's widow, "I almost expected him to make love with me". The life of the legendary Notre Dame football coach is recounted from his childhood, when young Rockne (played by Johnny Sheffield) startles his Norwegian-immigrant parents by announcing at the dinner table that he's just been introduced to "the most wonderful game of the world." As an adult, Rockne works his way through Indiana's Notre Dame university, under the watchful and benevolent eye of Father Callahan (Donald Crisp) A brilliant student, Rockne is urged by Father Nieuwland (Albert Basserman) to become a chemist, or at the very least remain a chemistry teacher. Newly married to Bonnie Skilles (Gale Page), Rockne at first sticks to academics, but the call of the gridiron is too loud for him to ignore, and before long he has built his reputation as the winningest college football coach in America. One of his most significant contributions to the game is the invention of the tactical shift, inspired by the precision choreography of a team of nightclub dancers! Among the players nurtured by Rockne are the immortal Four Horsemen-Miller (William Marshall), Stuhlreder (Harry Lukats), Laydon (Kane Richmond) and Crowley (William Byrne), and of course the tragic George Gipp, superbly enacted by Ronald Reagan. His career continues unabated until his death in a plane crash in 1931. The screenplay of Knute Rockne-All American tends to be all highlights and little story, with several of the more dramatic passages telegraphed well in advance (just before her husband's death, Bonnie Rockne comments forebodingly "It's gotten cold all of a sudden"). Still, the film remains one of the best and most inspirational sports biographies ever made, with a heart-wrenching conclusion guaranteed to moisten the eyes of even the most jaundiced viewer. Ironically, the film's most famous scene, George Gipp's deathbed admonition to "Win one for the Gipper", was for many years excised from all TV prints due to a legal entanglement stemming from an earlier radio dramatization of Rockne's life; fortunately, this and several related scenes were restored to the film in the early 1990s. ~ Hal Erickson, All Movie Guide
- Starring:
- Pat O'Brien, Gale Page, (more)
- 1940
Poor Mr. Trippe, a spineless spouse, finds himself brow-beaten by his overbearing nag of a wife who constantly reminds him that she should have married her dashing, successful ex-boy friend Armstrong. Fortunately, Trippe's daughter Betty understands and tries to help him cope with his battle-axe wife. Betty has fallen in love with handsome Williams. One day, Trippe finally gets sweet revenge upon his constantly nattering wife when Armstrong shows up at their back door. Impoverished and fleeing from the law, he begs Trippe for shelter and help. ~ Sandra Brennan, All Movie Guide
- Starring:
- George Tobias, Lucille Fairbanks, (more)
- 1940
Warner Bros. Tear Gas Squad manages to pack thrills, comedy, romance and songs into a neat 55-minute package. Dennis Morgan plays cocky nightclub entertainer Tommy McCabe, who gets his jollies out of making fun of the local police force. This does not prove amusing to pretty Jerry Sullivan (Gloria Dickson), the daughter of a police lieutenant (Harry Shannon), nor to Jerry's flatfoot boyfriend Bill Morrissey (John Payne). Falling in love with Jerry himself, Tommy tries to prove his worth by joining the Boys in Blue, where he is subject to the rigorous training program applied by Morrissey. Thrown off the force because of his insouciance, Tommy gets back into everyone's good graces by saving Morrisey's life. Fans of TV's Superman series will get a special kick out of seeing George (Clark Kent) Reeves and John (Perry White) Hamilton in key supporting roles. ~ Hal Erickson, All Movie Guide
- Starring:
- Dennis Morgan, John Payne, (more)
- 1940
Ladies Must Live was based on George M. Cohan's play The Hometowners, prievious filmed in 1928. Wayne Morris plays the bumpkinish Lake, who tries to prevent his millionaire pal George (George Reeves) from marrying gold-digging nightclub thrush Pat (Rosemary Lane). As it turns out, however, Pat isn't as mercenary as she seems. In fact, it is through the auspices of Pat's inventor father Halliday (Ferris Taylor) that Lake ends up in the millionaire class himself. This outdated farce served only to keep several of Warner Bros.' young contract players busy. ~ Hal Erickson, All Movie Guide
- Starring:
- Wayne Morris, Rosemary Lane, (more)
- 1940
The Andrews Sisters made their screen debut in Argentine Nights, but the stars of the show are the Ritz Brothers, in the first of their four Universal vehicles. The wafer-thin plotline finds the Ritz boys showing up flat broke in Argentina with an all-girl band. Despite their utter lack of funds, the zany trio tries to save a local hotel from the clutches of a con man. Highlights include the Ritz Brothers' famous "hero sandwich" routine (repeated by the two surviving brothers in 1975's Blazing Stewardesses) and a perversely hilarious climax in which the Ritzes are called upon to impersonate the Andrews Sisters (which may have given rise to Patty Andrews' oft-quoted observation "We looked like the Ritz Brothers in drag"). As a bonus for fans of the Superman TV series, nominal romantic lead George Reeves warbles the deathless tune "Amigo We Go Riding Tonight". ~ Hal Erickson, All Movie Guide
- Starring:
- The Ritz Brothers [Al, Jimmy, Harry], The Andrews Sisters, (more)
Torrid Zone star James Cagney once described the film as "The Front Page among the bananas." Indeed, the screenplay diligently follows the Front Page plot device of a tough boss (Pat O'Brien) pulling every underhanded trick in the book to keep his top man (Cagney) from quitting. This time the setting is a Central American plantation owned by O'Brien, which supervisor Cagney would dearly love to leave behind. Complicating the plot is a nightclub singer (Anne Sheridan) over whom O'Brien and Tracy do battle; a bored married woman (Helen Vinson) with eyes for Cagney; and a gang of Latino bandits, led by George Tobias (providing comic relief). What Torrid Zone lacked in originality it made up for in sheer energy. ~ Hal Erickson, All Movie Guide
- Starring:
- James Cagney, Ann Sheridan, (more)
- 1940
Father is a Prince is a scaled-down remake of the 1934 comedy-drama Big Hearted Herbert, itself based on a play by Sophie Kerr Underwood. Grant Mitchell plays tyrannical paterfamilias Mr. Bower, who runs his home like he runs his carpet-sweeper factory: pinching pennies, turning off lights, and interfering in every aspect of his loved ones' private lives. What with trying to manage things at home and attempting to hoodwink the IRS at the factory, Bower is on the verge of a nervous breakdown. The limit comes when he humiliates his daughter Connie (Jan Clayton) at the home of his prospective in-laws with his obnoxious behavior. But Bowers' essential decency and humanity finally surfaces when his wife (Dora Bryant) is forced to undergo emergency surgery. The nominal leading man is future Superman star George Reeves, though perhaps the role should have gone to John Ridgely, who makes a meal of his bit part as a door-to-door vacuum cleaner salesman. ~ Hal Erickson, All Movie Guide
- Starring:
- Nana Bryant, Grant Mitchell, (more)
- 1940
Calling Philo Vance is a perfunctory remake of 1933's The Kennel Murder Case, which many aficionados consider the best of the "Vance" films. James Stephenson plays the titular gentleman sleuth, who must solve the murder of the inventor of a revolutionary new bombsight (the original film concerned a championship dog race). The principal suspect is the victim's brother, who is taken out of the running when he, too, is bumped off. The actual killer is in the employ of an unnamed foreign government-and, in the tradition of Kennel Murder Case, is also the least suspicious and most cooperative of the suspects. With Calling Philo Vance, mystery novelist S. S. Van Dine's dilettante detective bade farewell to the screen for seven years, returning in 1947 through the facilities of low-budget PRC Pictures. ~ Hal Erickson, All Movie Guide
- Starring:
- James Stephenson, Margot Stevenson, (more)
- 1940
This slightly laundered remake of the 1932 courtroom classic The Mouthpiece stars George Brent as brilliant but unprincipled DA Steve Forbes, a character based on legendary lawyer William Fallon. After railroading an innocent boy into the electric chair, Forbes goes on a bender, then cynically builds up a new practice as a criminal attorney. His underhanded legal tactics cause a rift between Forbes and his idealistic younger brother Johnny (William Lundigan), despite the fact that it was Steve's income that enabled Johnny to finish law school. Angered that his brother has enabled big-time gangster J.B. Roscoe (Richard Barthelmess) to continually elude the law, Johnny turns in damning evidence to the FBI. On Roscoe's orders, Steve frames Johnny on a murder charge, but reforms his ways in the nick of time. Based on a play by Frank J. Collins, The Man Who Talked too Much was remade in 1955 as Illegal, with Edward G. Robinson in the lead. ~ Hal Erickson, All Movie Guide
- Starring:
- George Brent, Virginia Bruce, (more)
- 1940
Stalwart Warner Bros. contract player George Reeves, better known as TV's Superman, was given an early opportunity to "carry" a picture in the 1940 quickie Always a Bride. Wealthy Rosemary Lane, dissatisfied with her dishwater-dull fiance John Eldredge, throws him over in favor of Reeves. To make certain that her new beau will be acceptable to her parents, Lane contrives to have Reeves enter a mayoral campaign. As election day draws close, criminals complicate matters (one of the "disreputables" is Ben Welden, later a frequent Superman guest star) The 58-minute Always a Bride was pared down from a three-act play by Barry Conners. ~ Hal Erickson, All Movie Guide
- Starring:
- Rosemary Lane, George Reeves, (more)
- 1940
'Til We Meet Again is an inflated remake of 1932's One Way Passage. As in the original, the hero is a convicted murderer en route to the death house by way of a merchant ship; the heroine is suffering from a terminal illness. Once more, hero and heroine fall in love, each keeping the facts of his or her imminent doom from the other. The principal difference this time is that instead of William Powell and Kay Francis, the stars are George Brent and Merle Oberon. This cast change does no damage to the basic storyline, but the decision in 'Til We Meet Again to expand upon the secondary romance between the arresting detective (Pat O'Brien) and an accomplice of the condemned man (Geraldine Fitzgerald) throws the focus of the film completely out of kilter. One decided benefit to both One Way Passage and 'Til We Meet Again is the comic presence of Frank McHugh, who plays the same role--a tipsy pickpocket--in both pictures. ~ Hal Erickson, All Movie Guide
- Starring:
- Merle Oberon, George Brent, (more)
Officially, America had no intention of entering the Second World War in 1940: Why, then, were there so many "preparedness" pictures like The Fighting 69th? This film, based on the experiences of military priest Father Duffy (Pat O'Brien), is set during World War I. The US 69th division was a national guard contingent comprised of Irish Americans, who fought with the Rainbow Division in the years 1917-1918. Into this Hibernian stronghold comes cocky Jerry Plunkett (Jimmy Cagney), a streetwise tough who is certain that he can lick the Germans single-handedly. But during his first taste of real combat, Plunkett turns coward and inadvertently reveals the 69th's position. Held responsible for the deaths of his companions, Plunkett is sentenced to a firing squad. Thanks to a conveniently dropped bomb that levels the stockade in which he is held, Plunkett redeems himself on the battlefield by sacrificing his life to save his fellow soldiers. The beauty of James Cagney's star performance is that he is as thoroughly convincing as a "yellow belly" as he is a hero. In addition to father Duffy, the real-life personages depicted in The Fighting 69th include future OSS leader Wild Bill Donovan (George Brent) and poet Joyce Kilmer (Jeffrey Lynn). Other Irish "regulars" include Alan Hale, Frank McHugh, Dennis Morgan, and Sammy Cohen. ~ Hal Erickson, All Movie Guide
- Starring:
- James Cagney, Pat O'Brien, (more)
- 1940
- NR
Promoted as a follow-up to the popular 1939 western Dodge City (which, indeed, was left wide open for a sequel in its closing scenes), Virginia City bears only surface resemblance to the earlier film. Indeed, the only discerning links between the two pictures are the western setting and the presence in the cast of Errol Flynn, Frank McHugh, Alan Hale and Guinn "Big Boy" Williams. After escaping from a Confederate prison during the Civil War, Union officer Flynn vows to stop a $5,000,000 gold shipment from reaching the South. He is challenged by Southern sympathizer Randolph Scott, whose interest in the gold is patriotic, and by outlaw Humphrey Bogart (complete with a Mexican accent that wouldn't convince a cow), whose interests are purely mercenary. Adding spice to the proceedings is Miriam Hopkins as a dance hall chanteusse-cum-Confederate spy. Better in individual components than sum total, Virginia City pleased the crowds in 1940, assuring that the Tasmanian-born Errol Flynn would continue appearing in westerns in the future. ~ Hal Erickson, All Movie Guide
- Starring:
- Errol Flynn, Miriam Hopkins, (more)
- 1940
This 55-minute remake of the 75-minute Warner Bros. crime drama Special Agent retains a surprising amount of the original's plotline. Wayne Morris plays crusading journalist Jim Carter, who hopes to get the goods on crime boss Greg Morella (Gilbert Roland), the owner of a posh gambling ship anchored just outside the 12-mile limit. Trouble is, every time a witness is lined up for the federal district attorney (John Litel), said witness is either bought off or killed off, thanks to a stool pigeon in the DA's office. Eventually, Carter must rely upon the eyewitness testimony of Laurie Ogden (Jane Wyman), Morella's bookkeeper. To prevent this, Morella has Laurie kidnapped and hidden away on his ship, but Carter comes to the rescue. The film's central gimmick, a roulette wheel with a concealed camera, evidently caught the fancy of director George Amy, since this particular prop is given more close-ups than the two stars. ~ Hal Erickson, All Movie Guide
- Starring:
- Wayne Morris, Jane Wyman, (more)
Gone With the Wind boils down to a story about a spoiled Southern girl's hopeless love for a married man. Producer David O. Selznick managed to expand this concept, and Margaret Mitchell's best-selling novel, into nearly four hours' worth of screen time, on a then-astronomical 3.7-million-dollar budget, creating what would become one of the most beloved movies of all time. Gone With the Wind opens in April of 1861, at the palatial Southern estate of Tara, where Scarlett O'Hara (Vivien Leigh) hears that her casual beau Ashley Wilkes (Leslie Howard) plans to marry "mealy mouthed" Melanie Hamilton (Olivia de Havilland). Despite warnings from her father (Thomas Mitchell) and her faithful servant Mammy (Hattie McDaniel), Scarlett intends to throw herself at Ashley at an upcoming barbecue at Twelve Oaks. Alone with Ashley, she goes into a fit of histrionics, all of which is witnessed by roguish Rhett Butler (Clark Gable), the black sheep of a wealthy Charleston family, who is instantly fascinated by the feisty, thoroughly self-centered Scarlett: "We're bad lots, both of us." The movie's famous action continues from the burning of Atlanta (actually the destruction of a huge wall left over from King Kong) through the now-classic closing line, "Frankly, my dear, I don't give a damn." Holding its own against stiff competition (many consider 1939 to be the greatest year of the classical Hollywood studios), Gone With the Wind won ten Academy Awards, including Best Picture, Best Director, Best Screenplay, Best Actress (Vivien Leigh), and Best Supporting Actress (Hattie McDaniel, the first African-American to win an Oscar). The film grossed nearly 192 million dollars, assuring that, just as he predicted, Selznick's epitaph would be "The Man Who Made Gone With the Wind." ~ Hal Erickson, All Movie Guide
- Starring:
- Clark Gable, Vivien Leigh, (more)
- 1939
In this drama, the sequel to Four Daughters, the daughters are now adults. Three of the sisters rally together to find a new love for the fourth sister whose husband recently committed suicide. The widowed woman then discovers that she is pregnant with her deceased husband's child and this causes her to refuse a marriage proposal. At the same time, another sister learns that she is barren, one sister adopts and then finds herself carrying twins, and a different sister gets married. All are very happy except for the pregnant widow who bears her child prematurely. The baby is saved by a blood transfusion from her recently rejected suitor, and the grateful mother promptly elopes with the gallant chap. ~ Sandra Brennan, All Movie Guide
- Starring:
- Claude Rains, Jeffrey Lynn, (more)
- 1939
In this entry in the long-running series, one of the Kids goes to military school and learns, with the help of his late father's friend who promised to watch over the lad, to be a real man. The kid is initially, quite rebellious. One boy tries to help him, but the kid throws him out a second story window. Eventually the kid grows up and becomes a hero by saving another boy's life during a dangerous fire. This was the final entry in the series. ~ Sandra Brennan, All Movie Guide
- Starring:
- Billy Halop, Leo Gorcey, (more)
