Bill Raymond Movies

Violence and voyeurism lurk beneath the surface of life at an exclusive prep school in this independent drama. Robert (Ezra Miller) is a high school student who has made a hobby out of dulling his senses with violent pornography that he finds on the Internet. While Robert doesn't have many friends, he does have a habit of documenting the habits of his classmates with a digital video camera, and he happens to be on hand when two girls from his class succumb to fatal drug overdoses. As the deaths leave the school's faculty at a lost for what to do and send many of the students into a state of depression and denial, Robert finds himself becoming even more alienated from the world around him. Afterschool was the first feature film from writer and director Antonio Campos, and was screened as part of the "Un Certain Regard" series at the 2008 Cannes Film Festival. ~ Mark Deming, All Movie Guide

David Simon's masterful social commentary went back to school, quite literally, in the fourth season, which focuses on Baltimore's crumbling education system. A relevant link to its first three seasons is supplied by Roland "Prez" Pryzbylewski (Jim True-Frost), who left the police department to become a teacher at Edward Tilghman Middle School, a hardscrabble institution on life support that services a low-income, drug-infested neighborhood. (Incidentally, Prez's career path is similar to one of the series' producers, Ed Burns). His eighth-grade math class includes a close-knit quartet of friends -- Randy Wagstaff (Maestro Harrell), Michael Lee (Tristan Wilds), Duquan "Dukie" Weems (Jermaine Crawford) and Namond Brice (Julito McCullum). The wisecracking Brice is ignominiously selected to be part of a university experiment studying at-risk kids, which counts a former police commander, Bunny Colvin (Robert Wisdom), as a consultant. Out on the corners, Marlo Stanfield (Jamie Hector) strengthens his grip on the city's West Side narcotics trade once dominated by the Barksdale gang, and with his cold-blooded lieutenants, Chris (Gbenga Akinnagbe) and Snoop (Felicia Pearson), devises an ingenious method to hide the collateral damage of his ascent from the law. This sleight-of-hand bedevils detectives Freamon (Clarke Peters), Greggs (Sonja Sohn) and Bunk (Wendell Pierce). The trio are flummoxed by the lack of victims that would surely coincide with Marlo's ever-widening domain, a savage power grab that also threatens the relative peace of the New Day Co-Op under East Side pooh-bah Proposition Joe (Robert F. Chew). Meanwhile, the Democratic primary in the city's mayoral campaign pits the entrenched African-American incumbent, Clarence Royce (Glynn Turman), against Councilman Tommy Carcetti (Aidan Gillen), a scrappy politico with a savvy campaign manager in Norman Wilson (Reg E. Cathey), but a long shot to become Charm City's first white chief executive in years. ~ Joe Friedrich, All Movie Guide

A Hole in One is set in 1950s America. Anna (Michelle Williams), a passive young woman living in a small town, where she is betrothed to a powerful local hoodlum, Billy (Meat Loaf Aday), is searching for a key to her unhappiness. Her younger brother came home from the World War II a different man, and was subjected to shock treatments in a mental hospital before his untimely death. Dr. Harold Ashton (Bill Raymond) has been selling his new book, intended to advance the cause of a new scientific "advancement" in psychiatric care, the transorbital lobotomy. Ashton promotes this procedure, done with an ice pick that he keeps tucked in his vest, as a cure for all kinds of mental illness, major and minor. After witnessing Billy commit a brutal murder, Anna reads a Life Magazine article on lobotomies, and soon decides that the procedure is right for her. She asks Billy for his permission. Billy, concerned about Anna's ability to function, convinces Tom (Tim Guinee), one of his employees, to pose as a doctor so he can tell Anna that she doesn't need a lobotomy. But when the two meet, they quickly find that they have a connection that will put their lives in imminent danger. A Hole in One marks the feature debut of writer/director Richard Ledes. The film had its world premiere at the 2004 Tribeca Film Festival. ~ Josh Ralske, All Movie Guide

Set in a small fictional town in the U.S. during the 1930s, Lars von Trier's Dogville was filmed in a studio with a minimal set and features narration by John Hurt. On the run from a group of gangsters, Grace (Nicole Kidman) arrives in the small mining town of Dogville. Town philosopher Tom Edison (Paul Bettany) takes her in and strikes a deal with her: She'll work for the townsfolk in exchange for a safe place to hide; after two weeks the people will vote for her to either stay or go. Grace agrees to the terms and ends up meeting the locals, including the town doctor (Philip Baker Hall), shopkeeper (Lauren Bacall), and apple farmer (Stellan Skarsgård). Eventually, Grace's standing in the town takes a downward shift as the search for her intensifies. ~ Andrea LeVasseur, All Movie Guide

Adapted from James Agee's posthumously published, Pulitzer Prize-winning novel, Death in the Family is set in Knoxville, TN, in 1915. The death of husband and father Jay Follett (John Slattery) in a car accident has profound and long-reaching effects upon his wife, Mary (Annabeth Gish), and his sensitive, seven-year-old son, Rufus (Austin Wolff). At the core of the crisis is Mary's prickly relationship with her own family, exacerbated by her late husband's unwillingness to "go with the flow" in terms of religion and race relations. The kindly intervention of Mary's free-spirited artist brother, Andrew (David Alford), enables her and her son to go on with their lives. Told from Rufus' point of view, the novel version of Death in the Family had previously served as the source for the Broadway play and film All the Way Home. This production, filmed on-location in Tennessee, was telecast by PBS on March 25, 2002 as part of Masterpiece Theatre's "American Collection." ~ Hal Erickson, All Movie Guide

Playwright and character actor Tom Gilroy made his feature directorial debut with this dialogue-driven character study set against the backdrop of the changing seasons. Liev Schreiber plays Paul, a short-fused ex-con who finds unlikely comfort, stability, and camaraderie when he takes an odd job in park maintenance. On his first day, he's teamed with Murph (Ned Beatty), a groundskeeping veteran who manages to defuse an outburst between Paul and their snide supervisor (Campbell Scott). Paul sticks with the job, and, as the months pass, he and Murph work their way through events both mundane and monumental, all the while sharing their hopes, regrets, and ambitions. Shot in sequence over a one-year period, Spring Forward received a third-place mention for best first feature at the 1999 Toronto Film Festival. ~ Michael Hastings, All Movie Guide

Jay Craven directed this post-WWII period drama adapted from a fact-based novel by Howard Frank Mosher. During the '50s, the service record of former Army chaplain Walter Andrews (Ernie Hudson) makes such an impression that he's hired over the telephone to serve as minister at a small town in rural Vermont. Only when Andrews arrives to begin work do the townspeople realize he's black. Despite some hostility from certain locals, he's accepted into the community. However, when young Claire LaRivierre (Jordan Bayne), is found murdered in the forest nearby, Andrews becomes the leading suspect because he gave her shelter. Contrasting accounts of Claire's final hours are revealed in the courtroom. Shown at the 1998 Hollywood Film Festival. ~ Bhob Stewart, All Movie Guide

Twenty-five years after the cult-television hit "The Junior Defenders" was abruptly cancelled, the washed-up former child stars who played adolescent superheroes in the series are kidnapped by an obsessive fan and forced at gunpoint to act in a brand new episode. Back in 1978, "The Junior Defenders" beat out such small screen hits as Happy Days and All In the Family in the ratings to become a nationwide phenomenon. Then, seemingly out of the blue, ABS suddenly cancelled the series. The fans, a young Norman Nields included, were devastated. Twenty-five years later, Norman (Fred Hazelton) continues to fume about the cancellation - until one day when he hatches a crazed plan to get "The Junior Defenders" back on the air. After stealing a Winnebago, Norman sets set out on the freeway in a cross-country race to collect the four stars of the series and hijack a Hollywood soundstage in order to shoot a brand new episode of "The Junior Defenders" that he hopes will prove effective in launching a revival of the series. As the media catches wind of the scheme, the former child stars are thrilled to learn that they have achieved folk-hero status among fans who can't wait to see the spandex-clad crime-fighters back in action. Ally Sheedy, Brian O'Halloran, Justin Henry, and Jason David Frank star in a wild story of obsessive fandom featuring special appearances by Kevin Smith, Pauly Shore, and Bill Raymond, and narration by independent film legend John Waters. ~ Jason Buchanan, All Movie Guide

Detective Logan (Chris Noth) is forced to reveal some painful, and long-suppressed, childhood memories when a longtime friend of his commits suicide. It is possible that the victim took his own life as the result of a chance meeting with former priest Father Joe Krolinsky (Bill Raymond). As the investigation proceeds, the ugly spectre of pedophilia looms large over the proceedings -- and over Logan's own childhood experiences. This episode was directed by Dann Florek, who also briefly reprises his old Law & Order role as police captain Don Cragen. ~ Hal Erickson, All Movie Guide

Jay Craven and Don Bredes adapted Howard Frank Mosher's novel about a 1920s Vermont logger who is being pressured to sell his land to a power company so the region can enjoy its first hydroelectric dam. ~ Nicole Gagne, All Movie Guide

Stacy Cochran's debut film is a black comedy about a yuppie couple (Diane Lane and Stephen Collins) whose lives are turned upside down by the purchase of a .38 revolver. ~ Jason Ankeny, All Movie Guide

This made-for-TV mini-series from the notorious horror writer centers upon a hapless old janitor who begins undergoing incredible physical changes after he is accidentally covered with experimental chemicals following a laboratory mishap. Now the government will stop at nothing to get him back. ~ Sandra Brennan, All Movie Guide

A city pulses with racial problems, political corruption, and small-time crime in this ambitious microcosm of urban life, written and directed by John Sayles. Nick Rinaldi (Vincent Spano), a lost soul usually high on drink and drugs, has spent his life in one New Jersey city, getting free rides from his connected father (Tony LoBianco) and hearing the locals talk of his brother's death in Vietnam. Searching for more control, Nick quits the cushy contractor's job provided by his Dad, feeling that major events are about to happen to him. That feeling proves accurate -- by film's end his life will change, as will the lives of many others. Nick is only the center of the movie's sprawling collection of people and plotlines; Sayles takes full advantage of this expansive landscape, as he often begins shooting one conversation, only to pull back and eavesdrop on another, in one smooth, intriguing shot. By listening in, we slowly learn about the citizens and their dilemmas, as the city's woes bubble to a narrative climax. Many of Sayles' regular players are on-screen (the movie features 52 roles), including Joe Morton as a frustrated councilman and David Strathairn as a disturbed street person. ~ Norm Schrager, All Movie Guide