Albert Ray Movies

A snooty blue-blooded English family learns a bitter lesson about the realities of lower class living in this British comedy. It all happens because the ditzy wife makes a terrible mistake with their money and loses a fortune. Her husband, a banker is at his wit's end as he scrambles about looking for much-needed cash. He tries his wife's wealthy, ailing uncle, but he has bequeathed his fortune to the actress he loved as a boy, (a woman he has never met). The aging star, who long ago disappeared from the screen, has no idea she is an heiress. Meanwhile, just before Christmas the daughter of the family brings home a boozy hambone of a fallen theater star who is short on cash. It is he who finds the missing actress and brings her into the house after convincing her that she and the family are related. Things go swimmingly and wealth is restored until the actor gets drunk and tells her the truth. ~ Sandra Brennan, All Movie Guide

With the 1939 Johnny Mack Brown western Desperate Trails, veteran B-flick director Albert Ray set up shop at Universal. Brown and comic sidekick Fuzzy Knight are cast as Steve Hayden and Cousin Willie, on the trail of cattle rustlers. The action highlights were exciting, if a bit hard to swallow: in one sequence, the hero shoots at a gang of outlaws, one-handed, with a repeating rifle, never missing his target! Desperate Trails represented a step down for singing cowboy Bob Baker, who after a year of starring in his own series was relegated to second lead in this Brown vehicle. Also on hand is Bill Cody Jr., son of the white-stetsoned cowboy hero of the silent era. ~ Hal Erickson, All Movie Guide

Sidney Toler made his second appearance as oriental sleuth Charlie Chan in the above-average Charlie Chan in Reno. It all begins when nervous young Mary Whitman (Pauline Moore) shows up in Reno to seek a divorce from husband Curtis Whitman (Kane Richmond). Before long, Jeanne Bentley (Louise Henry), another divorce-seeker, is found slain, and the police are certain that Mary, or her estranged husband, is responsible. It so happens that the Whitmans are from Honolulu, the stamping grounds of Charlie Chan, which is why our wily hero shows up in Nevada with son Jimmy (Victor Sen Yung) in tow. Every so often, the mystery slows down long enough for an amusing battle of wits between Chan and local sheriff Fletcher (Slim Summerville), who admittedly has only half the necessary ammunition. The billing order of the supporting cast is as usual a giveaway of the true killer's identity, but this doesn't lessen the enjoyment of this well-crafted programmer. Charlie Chan in Reno was based on Death Makes a Decree, a story by Philip Wylie. ~ Hal Erickson, All Movie Guide

In this sunny western, a mischievous young girl living in the Arizona territory during the 1870s, causes all kinds of trouble while trying to prove that her foster-daddy did not steal a gold shipment. Later, the step-dad, a former outlaw, re-gathers his gang to find the real culprit -- a shady sheriff. ~ Sandra Brennan, All Movie Guide

Gloria Stuart plays Carol Murdock, a champion golfer whose businessman husband Anthony (Michael Whalen) cares nothing for the game. Only when Carol teams up with handsome golf pro Philip Reeves (Lyle Talbot) does Anthony experience the "change of heart" of the title. As Carol and Philip win tournament after tournament, Anthony, partly out of jealous and partly out of self-preservation, takes to the golf links himself. Soon he's as adept at the game as Carol, who has her own change of heart and returns to her husband. A typical 20th Century-Fox programmer, Change of Heart has the advantages of slickness and professionalism, not to mention the amusing performance of 12-year-old Delmar Watson as a wise-cracking caddy. ~ Hal Erickson, All Movie Guide

While New York Sleeps is when fast-talking reporter Barney Callahan (Michael Whalen) prowls the night beat for a great metropolitan newspaper. At present, Callahan is trying to find out who's responsible for a series of baffling murders. The victims were all bond carriers, and the cops have already targeted the most likely suspects. With the help of photographer Snapper Doolan (Chick Chandler), Callahan bypasses the Obvious and goes after the least likely suspect-who, of course, is the guilty party. When not on the job, Callahan relaxes by romancing long-legged showgirl Judy King (Jean Rogers), as good an excuse as any for an extended nightclub musical number. ~ Hal Erickson, All Movie Guide

The 45 Fathers of the title are the elderly members of the Gun and Spear Club, all of whom jointly adopt mischievous orphan girl Judith Frazier (Jane Withers) and her pet monkey. Our heroine wastes no time patching up the various family problems of her new "daddies." Of utmost priority are the travails of Roger Farragut (Thomas Beck), the nephew of old codger Bunny Carrothers (Richard Carle). With Judith's help, Roger is able to straighten out his romantic difficulties with Judith's big sister Elizabeth (Louise Henry). Featured in the cast of 45 Fathers is the popular Broadway song-and-dance team of Paul and Grace Hartman, who perform a ventriloquist routine with the multitalented Jane Withers (Hartman would later play "fixit man" Emmett on TV's The Andy Griffith Show). ~ Hal Erickson, All Movie Guide

This above-average Johnny Mack Brown Western from A.W. Hackel's low-budget Supreme Pictures features the bizarre spectacle of an infant contentedly sucking on the barrel of Mack Brown's gun. The scene is played for warm-hearted comedy with Mack Brown and two wizened gunslingers (Frank Campeau and John Beck) all beaming at the clever toddler. The three gunfighters are hired by Sheriff Horace Murphy and cattle rancher Lloyd Ingraham to drive off the local homesteaders, but when they miss a rendezvous due to their baby-sitting endeavors, Roger Gray and his gang are deputized instead. Gray and company, however, robs both the sheriff and Ingraham before turning their attention toward pretty Beth Marion, the baby's presumed mother. Mack Brown, who reveals himself to be a Texas Ranger in disguise, manages to clear up the mess, arrest the guilty and make the valley safe for the homesteaders. Miss Marion on her part reveals herself to be the baby's aunt and a relieved Mack Brown promises to become a steady caller. Despite a rather complicated plot, Everyman's Law is engrossing most of the way and Mack Brown works well with the dour-looking Campeau and Beck. A scene where the three engage in a bit of target practicing on Miss Marion's laundry is played to the hilt and the entire baby-sitting sequence is an eye-opener, to say the least. The scruffy-looking Gray makes a particularly fiendish villain in his B-Western debut and his climactic fight with Mack Brown is well-staged by director Albert Ray. Johnny Mack Brown was to make 16 low-budget but slightly off-beat Westerns for Supreme Pictures 1935-1937 before moving on to Universal. ~ Hans J. Wollstein, All Movie Guide

A love triangle amidst the world of musical entertainment provides the basis for this drama. The trouble begins when a gigolo begins wooing a mother and daughter simultaneously. This creates family disharmony as the mother begins resenting her daughter who resents the gigolo himself. The mother is murdered and the gigolo is the prime suspect. The daughter hires a detective to investigate. He discovers that it was the mother's husband that did the deed, but before he can tell anyone, the daughter and the gigolo have gotten back together. ~ Sandra Brennan, All Movie Guide

The second of two low-budget murder melodramas starring Ginger Rogers and Lyle Talbot, A Shriek in the Night is not quite as good as the first (The Thirteenth Guest), but it far outclasses most other poverty-row thrillers of its period. The titular nocturnal shriek is heard just before a wealthy philanthropist falls from his penthouse balcony to his death. Virtually everybody in the apartment building comes under suspicion when it is determined that this "accidental" death was no accident. Rival reporters Pat Morgan (Rogers) and Ted Rand (Talbot) spend most of the picture snooping around where they don't belong, the better to outscoop one another. Meanwhile, the already baffled police become more flummoxed when three additional murders occur -- each preceded by a cryptic letter sent to the victim, stating "You Will Get It!" The method of execution turns out to be asphyxiation, but how is this being done? And better yet, why is this being done, and by whom? The solution was unfortunately tipped off in the film's lobby posters, which showed the unconscious heroine being carried off by the actor who turns out to be the killer. Even so, A Shriek in the Night remains an entertaining whodunit, with a pre-Fred Astaire Ginger Rogers doing a great job exhibiting stark, screaming terror. ~ Hal Erickson, All Movie Guide

Thirteen years after a dinner party where the wealthy host dropped, the thirteen guests are invited to reassemble at the dinner table. First to arrive is Ginger Rogers--who is promptly killed. It turns out that the dead woman was an impostor, hired to impersonate a real guest (Ginger Rogers again). Playboy detective Lyle Talbot is called in to investigate. It seems that the man who died 13 years ago was just about to announce the heir to his fortune, thus all the guests fall under suspicion. The culprit's true identity is hidden by a hood; the culprit's method of murder is a complex electrocution device. In an excitingly staged finale, Ginger is kidnapped by the hooded killer, but is rescued by Lyle Talbot. Made on a shoestring by Monogram Pictures, Thirteenth Guest is a marvelous "old house" mystery, with Ginger Rogers giving her all as the damsel in distress. ~ Hal Erickson, All Movie Guide

Thirteen years after a dinner party where the wealthy host dropped, the thirteen guests are invited to reassemble at the dinner table. First to arrive is Ginger Rogers--who is promptly killed. It turns out that the dead woman was an impostor, hired to impersonate a real guest (Ginger Rogers again). Playboy detective Lyle Talbot is called in to investigate. It seems that the man who died 13 years ago was just about to announce the heir to his fortune, thus all the guests fall under suspicion. The culprit's true identity is hidden by a hood; the culprit's method of murder is a complex electrocution device. In an excitingly staged finale, Ginger is kidnapped by the hooded killer, but is rescued by Lyle Talbot. Made on a shoestring by Monogram Pictures, Thirteenth Guest is a marvelous "old house" mystery, with Ginger Rogers giving her all as the damsel in distress. ~ Hal Erickson, All Movie Guide