Stanley Rauh Movies

Laurel & Hardy's second starring vehicle for 20th Century-Fox is arguably their weakest feature film, with the laughs few and far between. Broke as usual, the duo is given 24 hours to get out of town by the local constabulary. In dire need of travelling expenses, they take a job accompanying a coffin to Dayton, Ohio. Unbeknownst to our heroes, the coffin contains a live gangster: one Darby Mason (James Bush), who wants to get to Dayton to claim an inheritance without risking arrest by the Feds. Chugging towards their destination by train, Stan and Ollie lose their money to a pair of slick con artists but are bailed out by another passenger, Dante the Magician (played by "himself", aka Harry A. Janssen), who takes a liking to the boys and hires him as assistants for his magic act. It so happens that one of Dante's illusions involves a coffin -- and you guessed it, this coffin gets mixed up with the one bearing Darby Mason. Aside from a few slapstick contributions to Dante's stage act, Laurel & Hardy barely have any purpose in this picture at all: to paraphrase L&H buff Randy Skretvedt, the two comedians have been reduced to supporting players in their own film. A-Haunting We Will Go seemed much funnier when it was cut from 67 to 9 minutes and released to the 8-millimeter home movie market back in the mid-1960s. ~ Hal Erickson, All Movie Guide

This second entry in 20th Century-Fox's "Michael Shayne" series was a remake of the 1932 Fox romantic drama Sleepers East. In the original, the detective character was peripheral, but this changed once Michael Shayne (Lloyd Nolan) was written in as the leading character. Dogged by persistent girl reporter Kay Bentley (Lynn Bari), private detective Shayne tries his best to secretly escort murder-trial witness Helen Carlson (Mary Beth Hughes) by train from Denver to San Francisco. Helen's testimony will free a man falsely accused of murder, which will also effectively destroy the election chances of a machine politician. Thus, Mike has to protect Helen from any and all likely assassins, including hired torpedo Carl Izzard (Don Costello), who manages to inveigle Kay's wishy-washy fiance Tom Linscott (Don Douglas) into his camp. Meanwhile, the incognito Helen strikes up a clandestine relationship with fellow passenger Everett Jason (Louis-Jean Heydt), who is harboring a few secrets of his own. Based on a story by Frederick Nebel (or "Torchy Blaine" fame), Sleepers West is full of chock-full of fascinating characterizations and startling little surprises, and is considered by many to be the best of Fox's "Michael Shayne" installments. ~ Hal Erickson, All Movie Guide

The fourth of 20th Century-Fox's "Michael Shayne" mysteries finds private detective Shayne (Lloyd Nolan) anxiously preparing for his long-delayed marriage to showgirl Joanne La Mar (Mary Beth Hughes). Alas, Mike's pre-nuptual tete-a-tete with Joanne is interrupted by the sound of a scream. Rushing into a well-appointed hotel room, Shayne finds Emily the maid (Virginia Brissac) trembling beside the dead bodies of a washed-up Broadway producer and a faded stage actress. Noodling around the room a bit, our hero discovers that both murder victims had participated in a popular musical comedy some 25 years earlier. A souvenir program from that production provides a lengthy list of potential suspects, sending Shayne off on another clue-hunting expedition, while Joanne fusses and fumes in her apartment. Hired by two of the suspects, Phyllis Lathrop (Mae Beatty) and Julian Davis (Henry Daniell), to locate the real murderer, Mike has a high old time confounding police inspector Pierson (William Demarest) and reconstructing the crime with the reluctant aid of janitors Rusty (Ben Carter) and Sam (Mantan Moreland). This time around, however, Mike is just as surprised as the audience when the "mystery killer" is revealed, and for a few anxious moments it looks like curtains for Mr. Shayne. A dizzying blend of comedy and melodrama, Dressed to Kill benefits from a powerhouse supporting cast and the effectively moody cinematography of Glenn MacWilliams. The film was based on The Dead Take No Bows, a "Quinny Hite" mystery written by Richard Burke. ~ Hal Erickson, All Movie Guide

This domestic comedy is the final episode of the 17-film "Jones Family" series. The story begins as restless Father decides to leave the simplicity of small-town life for the sophistication and excitement of the city, so he sells the family drugstore and moves his family to the Big Apple. Soon they find themselves surrounded by con men, and sleazy women trying to steal everything they own. Mayhem ensues until they decide they've had enough and hightail it for the safety of home. ~ Sandra Brennan, All Movie Guide

Brett Halliday's flippant Irish-American private eye Michael Shayne was first brought to the screen by 20th Century-Fox in 1940, with Lloyd Nolan cast to perfection as Shayne. In dire financial straits as usual, Mike allows himself to be hired by his millionaire pal Brighton (Clarence Kolb) to keep the old man's chronic-gambler daughter Phyllis (Marjorie Weaver). This won't be easy, since Phyllis has been associating with such hardcase types as gambling boss Gordon (Douglas Dumbrille) and his handsome flunkey Harry Grange (George Meeker). To teach Phyllis a lesson, Mike knocks out Harry and makes it look as though the man was murdered. Unfortunately, Harry ends up murdered for real, and soon both Mike and Phyllis are high on the suspect list. Our hero manages to expose the real murderer with the assistance of Phyllis' maiden aunt Olivia (Elizabeth Patterson), an eccentric mystery-novel enthusiast. An expert blend of comedy and suspense, Michael Shayne, Private Detective (based on Halliday's novel Dividend for Death) bode well for the brief "Shayne" series that followed. ~ Hal Erickson, All Movie Guide

In this episode of the popular western series, Cisco stops a claim-jumping killer from the mine. He then makes sure the mine's rightful heir, an orphaned infant is cared for by the local school marm. Cisco has a brief tryst with her, but she loves another. Cisco soon finds a different love, a dance-hall girl. She saves him from being caught. ~ Sandra Brennan, All Movie Guide

Too Busy to Work is not a remake of the 1932 Will Rogers film of the same name-but it is a partial remake of Rogers' 1935 vehicle Doubting Thomas. This standard entry in the "Jones Family" series finds the Jones women trying to convince Pa Jones (Jed Prouty) that he's spending too much time at work and too little time at home. When Pa decides to run for mayor, the girls have had enough and vow to teach him a lesson. They involve themselves in a little-theater group, neglecting their household duties and forcing Pa and the other Jones menfolk to fend for themselves. "Guest star" Joan Davis provides a welcome jolt of fresh comic energy to the usual Jones Family shenanigans. Too Busy to Work was based on two stage plays, George Kelly's The Torch Bearers and Howard Lindsay and Bertrand Robinson's Your Uncle Dudley (previously filmed in 1935 with Edward Everett Horton). ~ Hal Erickson, All Movie Guide

Hold That Kiss is a cute story cutely played by the irresistably cute Maureen O'Sullivan. She plays working girl June Evans, who meets handsome Tommy Bradford (Dennis O'Keefe) at a society wedding. June assumes that Tommy is wealthy, and Tommy assumes same about June. Both keep up the artifice throughout their courtship until the inevitable revelation, remonstration and reconciliation. Most MGM programmers of the 1930s included at least on "offbeat" comedy setpiece, and this one is no exception: After attending a dog show, June is obliged to go home with a huge, slobbering Saint Bernard (one wonders whether Maureen O'Sullivan enjoyed the company of the dog any more than she did the companionship of Cheeta in the "Tarzan" pictures). Stealing every scene he's in is Mickey Rooney as June's obsteperous kid brother. ~ Hal Erickson, All Movie Guide

In this off-beat crime drama, a philandering husband murders his wife in the midst of a department store by skewering her with an arrow shot from a sporting goods department bow. He then flees to a Greyhound bus and takes off across the country. A determined cop is hot on his trail and together they traverse some of America's most scenic areas including Chicago and the Mormon Tabernacle in Salt Lake City. ~ Sandra Brennan, All Movie Guide