Judith Rascoe Movies

A cynical gambler reluctantly comes to the aid of a mysterious beauty in this interpolation of Casablanca and the real-life Cuban revolution. Big-stakes American gambler Jack Weil (Robert Redford) is comfortable in the anything-goes Havana of 1958. But with Fidel Castro out in the wilderness broadcasting revolutionary messages, it seems the good times may be on the way out. On a boat back to the island nation from the U.S. mainland, Weil agrees to help beautiful Bobby Duran (Lena Olin) smuggle in some contraband by trading vehicles with her on their way through the checkpoint. He's amused to discover not jewelry, but radio transmitters squirreled away in her car. Eventually, he learns that she's the European wife of monied Cuban communist Arturo Duran (Raul Julia), who believes his class and status will protect him from the ruling party. When that assumption turns out to be false, Jack finds himself sucked in by the plight of the suddenly widowed Bobby, who remains committed to her dangerous ideals. Risking his cushy lifestyle to protect Bobby from the coming tumult -- and from herself -- Jack must grapple with the dictates of his newfound conscience. With a supporting cast that includes Alan Arkin and Tomas Milian, Havana reunited director Sydney Pollack with Redford and David Rayfiel, star and co-screenwriter of The Way We Were. Rayfiel has also worked on a number of Pollack pictures, stretching from 1969's Castle Keep to 1995's remake of Sabrina. ~ Brian J. Dillard, Rovi

Out of Africa is drawn from the life and writings of Danish author Isak Dinesen, who during the time that the film's events occured was known by her married name, Karen Blixen-Flecke. For convenience's sake, Karen (Meryl Streep) has married Baron Bor Blixen-Flecke (Klaus Maria Brandauer). In 1914, the Baron moves himself and his wife to a plantation in Nairobi, then leaves Karen to her own devices as he returns to his womanizing and drinking. Soon, Karen has fallen in love with charming white hunter Denys Finch Hatton (Robert Redford), who prefers a no-strings relationship. A woman who prides herself on her independence, Blixen finds herself unhappily in thrall to a aloof man -- and doubly unhappy for living out such a cliché situation. Although Redford received a lion's share of criticism for his too-American performance, Streep has rarely been better, and the film's perfectly measured pace is offset by David Watkin's stunning location photography. The movie was nominated for 11 Academy Awards and won 7, including Best Picture, Best Director for Sydney Pollack, Best Adapted Screenplay for Kurt Luedtke, and Best Cinematography for Watkin. ~ Hal Erickson, Rovi

Producer/director Joseph Strick continues his long cinematic love affair with the works of Irish author James Joyce in Portrait of the Artist as a Young Man. Bosco Hogan plays Joyce's alter-ego Stephen Daedelus, an irrepressible boy at eternal odds with the strictures of his Catholic home and family. As in his earlier adaptation of Joyce's Ulysses, Strick manages to successfully convey the liquidity and ideology of Joyce's challenging literary style. Also like Ulysses, however, the director is stronger with monologues than with visuals. Joseph Strick's own son Terence plays the artist as an even younger man. ~ Hal Erickson, Rovi

After one of his peers apparently commits suicide, a doctor (Hiram Keller) discovers that the dead man had developed a drug which halts the aging process. ~ Jason Ankeny, Rovi