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Yvonne Rainer Movies

Dancer and avant-garde filmmaker Yvonne Rainer was a part of the New York minmalist/structural movement of the '70s. Like many experimental filmmakers, Ranier avoids the traditional Hollywood concept of straightforward storytelling, however, as she is deeply interested in human relationships, she does inform her films with some narrative structures. Her films also exhibit her post-Modernist concerns, utilizing a variety of art and media forms to create a multi-layered series of images and texts. Prior to becoming a director, Ranier had been a dancer, studying during the '50s under Martha Graham and Merce Cunningham. In 1962, she and Steve Paxton co-founded the Judson Dance Workshop in New York. She then became a prominent figure in dance. By 1968, she had begun to mix live performances with slides and short films. This integration of media provided the basis for her first feature film, Lives of Performers (1972). She has been steadily making films since 1975. ~ Sandra Brennan, Rovi
1996  
 
Containing romance, sex, and political musing spiced with generous amounts of black comedy, this non-narrative goulash from Yvonne Ranier looks at the lives, loves and concerns of post-menopausal lesbians living in conservative America. ~ Sandra Brennan, Rovi

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1990  
 
Done in a semi-documentary style, this is a discussion of women in menopause which is done in a trendy, 90s style that tends to be preachy, arty and more socially conscious than necessary for the format used. ~ Tana Hobart, Rovi

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Starring:
Alice SpivakNovella Nelson, (more)
 
1985  
 
In an avant-garde attempt to explore widely disparate, unconnected subjects dealing with topics as diverse as sex, a broken marriage, artists' housing in New York, and Central American politics, director Yvonne Rainer meanders through a lot of philosophical and rhetorical territory. In the end, the voyage may be too much for most viewers, although certain segments of the film stand out as quite successful. ~ Eleanor Mannikka, Rovi

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1980  
 
We first see Annette Michelson during one of her intensive sessions with her psychiatrist. For the next 125 minutes, we have a ringside seat to Michelson's stream-of-consciousness ramblings, augmented by fragmentary surrealistic shots culled from modern Berlin and revolutionary Russia. At one point, Leon Trotsky makes a "guest appearance" as an obscene phone caller! Filmmaker Yvonne Rainer invites the audience not only to observe but also to vicariously participate in Michelson's mental side trips, choreographing her imagery as deftly as she'd previously staged her numbers at San Francisco's Judson Dance Theater. Journeys From Berlin--1971 was the fourth of Rainer's feature length endeavors. ~ Hal Erickson, Rovi

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Starring:
Annette MichelsonGabor Vernon, (more)