Steve Railsback Movies

The crew of a spaceship fight for their lives after an alien energy source begins turning everyone aboard into rampaging mutants in this sci-fi shocker starring Steve Railsback. The year is 2241. Captain Holloway is the commander of the Pandora. She and her crew of six are transporting a form of alien fuel known as "Thanatos" to Earth when they receive a distress call from The Diana, a spacecraft that's become stranded amongst the stars. According to the distress call, space pirates have attacked the Diana, and the only remaining survivors are four nurses. But upon docking with the ship, Captain Holloway discovers the truth; the women who claimed to be nurses are in fact the pirates, and now they're about to take over the Pandora as well. Never one to go down without a fight, Captain Holloway instructs her crew to strike back with everything they've got. In the heat of battle, the container housing the "Thanatos" is ruptured, and one of the pirates is covered in the fuel. She's been infected, and now anyone she attacks will be infected, too. As the Pandora makes its way to Earth, Captain Holloway and her crew battle a horde of hungry mutants in a desperate effort to wipe out the "Plaguers" before they can wipe out all of humanity. ~ Jason Buchanan, All Movie Guide

By day, Ed Gein was a quiet man who kept watch over the farm left to him by his late mother in Plainfield, a small rural community in Wisconsin. But by night, Gein was one of the most bizarre and dangerous psychopaths in recorded history. Raised by a violent alcoholic father and a mother with an obsessive fear of sin and hatred of sex, Gein had very few friends, and after the death of his parents, Gein was left to his own devices on the family farm (where, under a government subsidy program, he was paid not to grow crops), and his unhealthy obsessions eventually became ugly realities. Gein's crimes included murder, necrophilia, cannibalism, and grave robbing, with Gein using the flesh and bones of his victims to construct household objects, including a suit and mask made from human skin that Gein used when he wanted to dress up as a woman (it's been suggested that some of Gein's crimes stemmed from a twisted attempt to deal with his desire to change his gender). In 1957, two murders committed by Gein attracted the attention of the police, leading to Gein's arrest; near the end of that year, he was declared criminally insane and was committed for life to Wisconsin's Waupan State Hospital, where he stayed until his death in 1984. Gein's grisly story inspired a number of horror films, including Psycho, The Texas Chainsaw Massacre, and Deranged, but Ed Gein is the first feature based strictly on the facts of Gein's case, using his real name as well as those of most of his victims. Ed Gein stars Steve Railsback in the title role, with Carrie Snodgrass as his mother Augusta, and Sally Champlin and Carol Mansell as two of his victims. ~ Mark Deming, All Movie Guide

A Desert Storm veteran with a 1970 Dodge Hemi Challenger and a need for speed incurs the wrath of authorities when he makes a cross-country dash to be by the side of his ailing, pregnant wife in this remake of director Richard Sarafian's 1971 cult classic. Jimmy Kowolski (Viggo Mortensen) is a troubled man and devoted husband, and when his pregnant wife is suddenly hospitalized with labor problems the ex-race car driver punches the gas without hesitation. With vengeful state trooper Sgt. Preston (Steve Railsback) and the entire FBI riding his back bumper, Jimmy's only ally is fearless radio DJ The Voice (Jason Priestley) whose outspoken support finds the desperate driver becoming a national folk hero. As Jimmy races ever-faster toward an impenetrable police roadblock with the single-minded goal of being there for his wife in her moment of need, the law closes in for one final showdown on the open highway. ~ Jason Buchanan, All Movie Guide

Sharon Gless does double duty in this made-for-TV drama, in which she plays Betty Gay Wilson and Peggy Joy Lowe, a pair of identical twin sisters who've always had an extremely close relationship. When Betty's husband is killed, a local eccentric steps forward with a shocking accusation: the sisters paid him to commit the murder so that they could get their hands on his estate. Inspired by a true story, Separated by Murder also stars Steve Railsback, Ed Bruce, and Bob Penny.
~ Mark Deming, All Movie Guide

In this made-for-cable outing, a woman desperately searches the Arizona desert for her kidnapped daughter. Falsely accused of murder and therefore avoiding the cops, she must go it alone until she meets a helpful but enigmatic wanderer who helps her. ~ Sandra Brennan, All Movie Guide

Not so much a sequel to the John Sayles-scripted Alligator as a shoddy remake, this sophomoric low-budget effort plays like a bad TV movie about a swamp-dwelling alligator mutated to monstrous size by toxic waste, munching on the screaming residents of a lakefront community. The naughty polluter who caused this mutation is the property developer himself (Steve Railsback, playing such a cookie-cutter villain that he might as well have a "BAD GUY" sign around his neck). An embarrassed Joseph Bologna plays the cop investigating the mutilation murders; an equally-ashamed Dee Wallace Stone plays the scientist assisting him, who is conveniently married to him as well. In an attempt to remedy the situation, a big-game hunter (Richard Lynch) is called in to bag the beast. When his efforts fail, it's left to Bologna to pick up the pieces -- literally -- and take charge of the situation when the big reptile decides to take in the grand opening of the local amusement park. From a nonsensical script to cheesy special effects that make the beast look like a pool toy, this film shows none of the cynical charm and sly wit that made Alligator so enjoyable. ~ Cavett Binion, All Movie Guide

This slick throwback to the giant-mutant-insect movies of the 1950's has built a small reputation solely on its irrelevant title -- the film contains no monkeys, blue or otherwise -- which confused both reviewers and viewers alike. (This dilemma was solved in its second video incarnation, under the more honest title Insect.) The story begins when a gardener becomes infected with a plant-borne insect larva, which he disgorges upon his arrival at the County Memorial Hospital. When the bug-baby ingests a large dose of growth hormone called NAC-5 (hospitals are always leaving that stuff around where bugs can get at it), it immediately bulks up to the size of a bulldozer. The plot quickly shifts into Alien mode, as scientists, police (namely wild-eyed cop Steve Railsback) and hospital personnel creep down the hospital's labyrinthine corridors in search of the insectoid monster, which they hope to destroy with conveniently-provided experimental laser equipment before it can test the capacity of the maternity ward with a few million larvae. Despite the lurid promotional materials (showing pretty nurses SCREAMING IN HORROR!!), the story is played quite straight -- more of an homage to films like Them! than a parody of same -- and benefits from good performances (John Vernon is great as the hospital director), a tight script and a strong emphasis on suspense and action from director William Fruet. ~ Cavett Binion, All Movie Guide

A Canadian-Australian coproducton which originally aired over Australia's 7 Network, the six-hour miniseries Spearfield's Daughter stars Kim Braden as the title character. The daughter of a prominent and powerful Australian politician (Chris Wiggins), Cleo Spearfield (Kim Braden) incurs her father's wrath by becoming a reporter, with the Vietnam war as her "beat." When not dodging bullets and negotiating rice paddies, Cleo is wooed by two attractive gentemen, gonzo American journalist Tom Border (Steve Railsback) and Murdoch-like British publishing mogul Lord Jack Cruze (Christopher Plummer. Adapted by Jon Cleary from his own novel, Spearfield's Daughter was syndicated to the US beginning the week of May 25, 1986. ~ Hal Erickson, All Movie Guide

First, a crazed and fighting Malcolm (Peter Jason) is hauled off to an asylum by two men just that much tougher than he is, and then this film jumps ahead several years to Halloween at Malcolm's old home. His wife, Joan (Carrie Snodgress), and her live-in lover, Richard (David Carradine), are about to go out, while son Christopher (Chris Graver) stays home with Linda (Jackelyn Giroux), a soon-to-be unhappy babysitter. When Linda and Christopher are alone, the chubby little devil decides to play endless practical jokes on the poor woman: he "chops" his finger off, he "kills" himself, and commits all sorts of make-believe mayhem until she sits him down and tells him the story of the hapless boy who cried wolf just a bit too often. Meanwhile, dressed as a nurse, the crazy Malcolm has managed to escape from his confinement in the asylum, and as he makes his way through the streets in drag (it is Halloween, who's to notice?) he finally arrives at his former house, lusting for vengeance, just when little Christopher's pranks are reaching their worst. ~ Eleanor Mannikka, All Movie Guide

This grim, violent Australian production is an artless mishmash incorporating elements of The Road Warrior, 1984 , and The Most Dangerous Game. The story is set in a dystopian future society where all "deviants" (i.e. anyone whose ideas don't jive with those of the government) are interred in nightmarish re-education camps where they are tortured, beaten, raped and put to death -- mostly on the whim of the psychotic commandant (Michael Craig). Periodically, a handful of particularly defiant inmates will be released unarmed to be hunted down (for the entertainment of the elite) in a free-for-all "Turkey Shoot" (the film's original Australian title). Among the latest batch of potential targets are strong-willed Steve Railsback and Olivia Hussey, who are confronted in the wilderness by the commandant and his goofy mutant cronies -- all of whom carry rocket-launchers, exploding arrows, and flamethrowers. This entire exercise is basically a prolonged excuse for a plethora of cheap, splattery makeup effects, made far more unpleasant by the blatant sadism of the proceedings. Unsuspecting viewers exposed to this film may wish to follow with My Brilliant Career to restore their faith in Australian cinema. ~ Cavett Binion, All Movie Guide

In this subpar Canadian film, Sophia Loren is Angela, a prostitute who has decided to become a waitress after she gets pregnant by Ben Kincaid (John Vernon) and needs a better way to support her baby. When Ben gets back from service in the Korean War, he does not believe Angela's little boy is his, and after he starts working for his old mob boss, he says he cannot continue as long as the boy is in the house. So his boss Hogan (John Huston) has the child kidnapped, which triggers Angela to seek revenge, and she informs the police about Ben's planned robbery. He is caught and goes to jail for more than two decades, and when he gets out, his only goal is to get even. Meanwhile, Angela has worked her way up to the ownership of an elegant restaurant and has fallen in love with handsome young Jean Labrecque (Steve Railsback), who delivers meat to the kitchen -- without either knowing at the time that they are mother and son. With dim lighting, a dim script, and dim chances, this turkey was quickly made into dim-sum and shelved in video cassettes. ~ Eleanor Mannikka, All Movie Guide

Filmmaker Mark Hartley explores Australia's hidden genre in this documentary that casually casts aside "official" film history to celebrate the demented genius of director Brian Trenchard-Smith, and the exciting wave of little-known but supremely entertaining films that entertained adventurous Australian filmgoers throughout the 1970s and '80s. Every film student worth his or her weight in celluloid has seen Breaker Morant and Picnic at Hanging Rock, but what about the lesser-known gems that didn't make the film-school textbooks? In his forward to Tim Lucas' book Mario Bava: All the Colors of the Dark, director Martin Scorsese states, "We have to keep resisting the idea of official film history, a stately procession of 'important works' that leaves some of the most exciting films and filmmakers tucked away in the shadows." In this documentary, director Hartley explores the films forgotten by "official film history" with the comprehensive eye of a true film buff. As a child watching such films as Snapshot and The Man from Hong Kong, Hartley immediately recognized how wildly disparate they were in tone and execution from the films that comprised Australia's traditional film library. Appearing like American genre films that just happened to be shot in Australia and cast with Australian actors, these so-called "Ozploitation" flicks flourished in the wake of relaxed censorship laws down under. Yet despite constant chatter about the "new wave" of Australian cinema, financially successful films like The Man from Hong Kong and Patrick that were popular both at home and abroad were never mentioned, sneeringly dismissed as "genre" films rather than Australian films. Perhaps in the wake of such successful Australian films as Wolf Creek and Undead -- and looking ahead to such films as the slasher shocker Storm Warning and the eagerly anticipated remake of Long Weekend -- curious filmgoers are finally prepared to discover what they've been missing all these years. ~ Jason Buchanan, All Movie Guide

Directed by the prolific Rob Zombie, The Devil's Rejects is a sequel of sorts to 2003's House of 1000 Corpses, and picks up several weeks after House left off. This time, the clash revolves around the tribe of violent lunatics and decidedly valueless family members of the original film, who have come to be known as the "Devil's Rejects." After learning of the extended family's horrific attacks, a SWAT team is sent to take them into custody; all but their crazed Mama escape. In addition to creating a full-fledged media circus, this sends the sociopath housemates on the run, and they initiate a deadly road trip. Meanwhile, Mama has to deal with a violent, vengeful sheriff (William Forsythe). The Devil's Rejects features Bill Moseley, Sid Haig, Sheri Moon, Michael Berryman, and Ken Foree, among other cult horror regulars. ~ Tracie Cooper, All Movie Guide