Esma Cannon Movies

A professor of astronomy, David Garrett (Ian Carmichael), is involved with a highly confidential project to develop missiles. He runs into an old friend from the Soviet Union who is now the world chess champion. As David soon discovers, the champion is with a team working for sinister businessman Hubert Marek (Curt Jugens). Marek intends to have David abducted while making it appear as if the professor has defected. Though he narrowly escapes one trap in England, David must continually ascertain who may be in on the group's scheme if he is to survive. Director Cy Endfield enjoyed much greater success earlier in 1964 with Zulu, his historical action feature about a native uprising in Africa. David Stone wrote the screenplay for Hide and Seek, adapted by Robert Foshko from Harold Greene's story. Stone and masterful cinematographer Gilbert Taylor (A Hard Day's Night, Dr. Strangelove, Star Wars) would soon have another project in common: Roman Polanski's psychological thriller, Repulsion. ~ Kristie Hassen, All Movie Guide

The star of this slapstick comedy is not a person but an antique Bentley sports car, the source of several misadventures. Murdoch Troon (Stanley Baxter) is a simple civil servant who has his heart set on romancing Claire (Julie Christie in an early role), the daughter of wealthy businessman Charles Chingford (James Robertson Justice). As a part of his scheme to appear irresistible, Murdoch takes driving lessons so he will be able to impress Claire in the Bentley. Both the lessons and his driving test produce moments of hilarity, and as might be expected, there cannot be a movie featuring a car without a wacky, wild chase. ~ Eleanor Mannikka, All Movie Guide

One's enjoyment of On the Beat rests solely upon one's tolerance of British comedian Norman Wisdom, who can be described as a Jerry Lewis without the discipline. Wisdom plays a Scotland Yard parking attendant who seemingly can't draw breath without breaking something or knocking someone down. He wants to become a detective, but the Yard isn't quite ready for such a catastrophe. He proves his worth--and wreaks more havoc--by going undercover and trapping a gang of jewel thieves. The slapstick is serviceable in On the Beat; as for the "serious" moments, Wisdom's notion of pathos is to scream at the top of his lungs. You may want to join him. ~ Hal Erickson, All Movie Guide

A familiar cast and crew -- which will continue carrying on for several more of these comedies by director Gerald Thomas -- once again star in well-established character types. This time around, the put-upon captain of a cruise ship (Sidney James) has five top positions suddenly needing to be filled by replacements, and unfortunately, he gets a rather inept lot. The quintet does not lack for trying, but then that attitude engenders the difficulties in the first place. The new and amateur cook, the sophisticated bartender, and the shapely femme fatale all make their appearance among the eccentrics on board. ~ Eleanor Mannikka, All Movie Guide

One of the many "B"-grade British comedies meant to fill the lower half of a double-billing, Over the Odds is about bookkeeper George Summers (Glenn Melvyn), who has opted to marry one more time after his first wife left him. Unfortunately, his ex-wife's harridan mother-in-law (Marjorie Rhodes) did not leave with her daughter. Now the new wife and the old mother-in-law are at loggerheads -- not a recipe for the beginning of a successful marriage. ~ Eleanor Mannikka, All Movie Guide

Director Gerald Thomas and most of the cast and crew that worked in his "Carry On...." series of comedies are all back again in the funny, sometimes slapstick Raising the Wind. The plot is no more than a situation which then invites multiple sidetracks -- it seems the students at the prestigious London Academy of Music and Arts are going all out to get a coveted award. Thrown into their competitive ambiance is the classic absent-minded professor (Eric Barker), the more commonly found bad-tempered professor (James Robertson Justice), and a host of subsidiary characters, all played with gusto by professionals known for their comedic talents. ~ Eleanor Mannikka, All Movie Guide

The "Carry On" gang take on law enforcement in this rude and crude slapstick comedy. When a flu epidemic leaves a British police station decimated with illness, three incompetent rookies are given the chance to prove themselves as police officers. The three screwy recruits are Tom Potter (Leslie Phillips), a two-bit lothario; Stanley Benson (Kenneth Williams), an uppity intellectual with unique views on law enforcement procedures; and Charlie Constable (Kenneth Connor), an obsessive type who is consumed with astrology. With the help of the swishy Special Officer Timothy Gorse (Charles Hawtrey), the stooges manages to mess up every assignment they are given. But when a criminal gang robs a payroll truck, the four nincompoops are forced to prove their worth. ~ Paul Brenner, All Movie Guide

Mania is the venerable Burke and Hare story, previously cinematized by producer Val Lewton as The Body Snatcher. Peter Cushing plays a respectable 19th-century Edinburgh doctor who needs fresh cadavers in order to continue his crucial research. Since the exhuming of bodies for medical purposes is illegal, Lee must rely upon grave-robbers George Rose and Donald Pleasance for his corpse supply. What Lee doesn't know is that Rose and Pleasance frequently cut out the middleman by "creating" their own corpses. The good doctor catches on when the latest cadaver turns out to be his own fiancee. Its excessively violent climax has prevented Mania from being shown completely intact on commercial television. ~ Hal Erickson, All Movie Guide

Set in the 1950s in Britain, this award-winning social comedy by director and co-writer John Boulting features Ian Carmichael as the inept Stanley Windrush, a hopeless twit with -- we are to believe -- an Oxford degree. Unlike others in his social circle, Stanley wants to work. When he tries out for jobs in industry with the full expectation of working his way into a management position, he sets off disasters and alienates his interviewers. So his uncle gives him a job in his munitions factory, knowing what an idiot he is, and relying on him to eventually cause a strike (the uncle needs this for his own reasons). Fred Kite (Peter Sellers in a performance that would launch him as an international star) takes Stanley under his wing yet that does not exactly turn out as expected either. Stanley screws up by accidentally being too efficient, and the entire British work force is affected. If one can accept a portrayal of factory workers as shiftless men unwilling to work, and managers as good 'ole boys whose jobs are gained only by networking, then this film will be all the more entertaining. ~ Eleanor Mannikka, All Movie Guide

In this witty music-business satire, Johnny Jackson (Laurence Harvey) is a talent agent down on his luck who thinks his tide may have turned when he spots a teenage rock & roll fan wailing away in a coffeehouse. Dubbing him "Bongo Herbert" (Cliff Richard, in a role the now knighted and born-again pop icon would probably prefer to forget), Johnny puts Herbert on the fast track to teenage stardom, using his record company and radio connections to make Herbert's first single a smash hit. Johnny then decides that a little image modification might make Herbert a bigger draw, so his follow-up is a treacly, inspirational tune, "The Shrine on the Second Floor," which hardly gibes with Herbert's newfound fondness for strippers and love-starved American actresses. But just when Johnny thinks he has a meal ticket for life, it's discovered that Herbert is really a minor, making his contract with Johnny null and void. Cliff Richard was at the height of his first wave of popularity as "The British Elvis" when Expresso Bongo was released, leading to a great deal of speculation about how closely it mirrored his own career (the answer probably is: not very much). ~ Mark Deming, All Movie Guide

Three Men in a Boat is the second film version of the comic novel by Jerome K. Jerome. The titular trio is played by popular British comedian Jimmy Edwards, up-and-coming leading man Laurence Harvey and stalwart character actor David Tomlinson. Escaping their dull weekday pursuit, the three pals take a pleasure excursion down the Thames in a small boat, encountering all sorts of comic and romantic complications. Jill Ireland makes an early screen appearance as a young lady who briefly bewitches the bookish Harvey. Though dated, Three Men in a Boat was just as capable of eliciting laughter as it had been in its first cinematic incarnation in 1933. ~ Hal Erickson, All Movie Guide

Sailor Beware was originally released in England as Panic in the Parlour. The panic begins when a sailor named Albert (Ronald Lewis) plans to get married to a gal named Shirley (Shirley Eaton). On the day of the ceremony, Albert gets cold feet when he discovers that Shirley's gorgonlike mother Emma (Peggy Mount) has bought a house just three doors away from their honeymoon cottage. The question now is: how long will it be before the worm turns and Emma is put in her place by both her prospective son-in-law and her henpecked husband? Based on a popular stage comedy, Sailor Beware is worth watching today to spot an unbilled Michael Caine in a bit part as one of Albert's fellow seamen. ~ Hal Erickson, All Movie Guide