Sarah Radclyffe Movies

The British Wish You Were Here served as the auspicious film debut for 16-year-old Emily Lloyd. The scene is a British seaside community of the 1950s, where the local adults are shocked and embarrassed by the libertine Lynda (Lloyd), who dresses provocatively, behaves outrageously, and swears like a sailor (her favorite epithet is "Up your bum"). Lynda's mother is dead, and her father has given up trying to do anything with her. She attempts to hold down several jobs, but messes them all up through insolence and carelessness. Excessively promiscuous, Lynda has an affair with a middle-aged friend of her father's. She becomes pregnant, only to use her "fallen" state to gleefully shock and annoy her elders even more. Despite her bravado, there's an underlying sadness about Lynda: the title Wish You Were Here refers to her feelings concerning her late mother. ~ Hal Erickson, Rovi

After the death of his wife and his subsequent descent into alcoholic near-agoraphobia, a crotchety Pakistani intellectual convinces his shady entrepreneur brother to provide work for his son in this multi-layered portrait of the immigrant experience in Great Britain. Young Londoner Omar (Gordon Warnecke) isn't sure what he wants out of life, but his uncle Nasser (Saeed Jaffrey) provides a corrupt, capitalist role model as Omar graduates from washing cars for the old crook to running his run-down laundromat. After a chance meeting with Johnny (Daniel Day-Lewis), an old school chum whose flirtation with fascism deeply wounded Omar's principled Papa (Roshan Seth), Omar hires the young thug to work for him. Soon, the pair begin a romantic relationship that remains as under wraps as the illicit drug-running and enforcement work they perform for Nasser's associate, Salim (Derrick Branche). On the domestic front, Omar must balance his knowledge of Nasser's long-running affair with posh Brit Rachel (Shirley Ann Field) with his own loyalty and attraction to Nasser's westernized daughter, Tania (Rita Wolf). After successfully transforming his laundrette into a vision of resplendent pastel suds and providing a bright spot in his otherwise squalid London neighborhood, Omar seems to have a bright future in Nasser's organization. The spectre of Johnny's past, however, combines with Omar's conflicted immigrant loyalties to threaten the sense of identity the young man has managed to stake out for himself. British-born, half-Pakistani playwright and novelist Hanif Kureishi won an Oscar nomination for his screenplay for My Beautiful Laundrette, which was originally filmed for BBC television. Kureishi collaborated again with director Stephen Frears on Sammy and Rosie Get Laid. ~ Brian J. Dillard, Rovi