Sarah Radclyffe Movies

Based on the popular series of books by Darren Shan, Cirque du Freak: The Vampire's Assistant tells the story of a small-town teen who inadvertently shatters a 200-year-old truce between warring factions of vampires. Sixteen-year-old Darren (Chris Massoglia) is your typical adolescent; he spends most of his time with his best friend, Steve (Josh Hutcherson), earns decent grades, and generally manages to stay out of trouble. But trouble finds Darren when he and Steve make the acquaintance of a vampire named Larten Crepsley (John C. Reilly) while attending a traveling freak show at a local theater. Transformed into a bloodsucker by Crepsley, Darren joins the Cirque Du Freak and quickly ingratiates himself with the unusual cast of characters who populate it, including Madame Truska the Bearded Lady (Salma Hayek) and the traveling sideshow's towering barker (Ken Watanabe). As Darren works to master his newfound powers as a budding member of the supernatural underworld, he becomes a valued pawn between the vampires and their deadlier rivals, the Vampaneze. With tensions between the two sects intensifying, Darren must figure out a means of keeping the coming war from destroying his last vestige of humanity. Patrick Fugit, Orlando Jones, Willem Dafoe, and Jane Krakowski co-star. ~ Jason Buchanan, Rovi

This Irish comedy focuses on a woman named Ellie, who despite her family reputation as the wild free spirit, is left in charge of her sister Kate's retirement home when Kate is called home to care for their ailing mother. Ellie already has an aversion to responsibility, and she's definitely not prepared for the downright rude "hardcore" residents at Woodlands rest home. Strangely enough, however, Ellie and the people in her care begin to learn from each other, and her unexpected journey doesn't seem like such a terrible burden after all. ~ Cammila Collar, Rovi

A drug-addled elephant is on the run from people who either want to help him or kill him in this dark computer-animated comedy that is decidedly not for children. Jimmy is a performing elephant who travels with a third-rate Russian circus run by ringmaster Stromowski (voice of Jim Broadbent). Jimmy's minder is a sleazy American expatriate, Roy Arnie (voice of Woody Harrelson), who keeps the nervous beast pacified with regular doses of heroin. Roy has also hidden a large stash of the drug under Jimmy's skin, but Roy's decided he wants out of circus life and plans to sell the dope and go his own way. However, in order to do that he has to put Jimmy out of his misery, and he recruits three stoner buddies -- Odd (voice of Simon Pegg), Gaz (voice of Phil Daniels) and Flea (voice of Jim Simpson) -- to help whack the elephant. However, it seems Roy is also in debt to some gangsters (voices of Reece Shearsmith, Mark Gatiss and Steve Pemberton) who happen to know that he's hidden the drugs in the elephant, and they're aiming to grab Jimmy before Roy and his pals can. As it happens, they're both beaten to the punch by a group of dim-witted animal rights activists led by Marius (voice of Kyle MacLachlan), who liberate Jimmy and the other circus animals, not realizing they've just sent a junkie pachyderm into the wilds as it's going cold turkey, with only a friendly moose for help. Free Jimmy also features the voice talents of Samantha Morton, Emilla Fox and Lisa Maxwell. Though it was produced in Norway, two versions exist, one with a mostly English-cast (referenced above) and one with a mostly Norwegian cast. ~ Mark Deming, Rovi

Noted actor Tim Roth made his directorial debut with this powerful drama about a family in crisis. Tom (Freddie Cunliffe) is an awkward and troubled 15-year-old boy whose isolation increases when his family moves from London to a remote community in the Devon countryside. Tom, his 18-year-old sister Jessie (Lara Belmont), his father (Ray Winstone), and his pregnant mother (Tilda Swinton) live in close quarters in a small cottage; they sometimes bathe in the kitchen, and they have grown used to casual nudity around the house. But one day, Tom sees his father in a sexual embrace with Jessie. He tries to discuss what he's seen with her, but she refuses to talk about it. Unable to stand the tension in the household after his mother takes the seriously ill baby to the hospital, Tom confronts his father, who angrily denies the truth. Tom is finally forced to take drastic action to stop his vengeful and violent father. Written by Alexander Stuart from his own novel, The War Zone received an enthusiastic response at the 1999 Sundance Film Festival and was named Best New British Feature at the 1999 Edinburgh International Film Festival. ~ Mark Deming, Rovi

Bille August directed this Rafael Yglesias adaptation of the 1862 classic by Victor Hugo (1802-1885) about the quest of Inspector Javert to capture escaped convict Jean Valjean, originally an honest man who was jailed for stealing a single loaf of bread to feed the family of his starving sister. This new interpretation of Hugo's epic begins with Valjean (Liam Neeson), released after 20 years of cruelties and hard labor, reporting for parole in Dijon. Stopping at a bishop's house, he's treated with respect, but even so, he steals silverware, flees, and is captured. However, the bishop says the silverware was a gift, proving Valjean's innocence by giving him two silver candlesticks. Valjean is free, but the bishop asks him to treat others with equal kindness. By 1822, Valjean has risen to mayor of the village of Vigau, where he also maintains a successful factory. Joining the local police, Inspector Javert (Geoffrey Rush) is suspicious of Valjean's identity and eventually recognizes him as a former convict, but Javert has no proof when he carries his accusations to Paris. Valjean develops a relationship with Fantine (Uma Thurman), who lost her factory job because of local attitudes about her illegitimate daughter. The starving Fantine turns to prostitution, is arrested and tortured by Javert, and becomes ill. As she dies, Valjean promises to raise her daughter Cosette. Focusing on Valjean's life with Cosette (Claire Danes), the story is set amid the action of the July 1832 Revolution, a time when Cosette falls in love with a militant student, Marius (Hans Matheson). On the banks of the Seine, Valjean and Javert have their final confrontation. ~ Bhob Stewart, Rovi

Acclaimed theater director Des McAnuff made his feature-film directorial debut with this period comedy-drama adapted from Honore de Balzac's novel La Cousine Bette (1846) about a jealous and bitter spinster who attempts to destroy the romance between her niece and a Polish sculptor. In Paris of the 1840s, spinster Bette Fisher (Jessica Lange) steps in to "take care" of her relatives after a decline in the Hulot family fortunes, mainly due to wastrel Hector Hulot (Hugh Laurie). After penniless sculptor Wenceslas Steinbach (Aden Young) marries Hector's daughter, Hortense (Kelly Macdonald), Bette schemes and plots, drawing Hector's mistress, music-hall star Jenny Cadine (Elisabeth Shue), into her web by arranging for wealthy Cesar Crevel (Bob Hoskins) to become Jenny's benefactor. Filmed at locations in and around Bordeaux. Shown at the 1998 Seattle Film Festival. ~ Bhob Stewart, Rovi

Actor William Hurt delivers one of his most acclaimed performances in this drama from Oscar-winning cinematographer-turned-director Chris Menges. Hurt stars as Graham Holt, a repressed Welsh postmaster who lives a reclusive bachelor's existence with his suicidal father (Alfred Lynch), who is in failing health and is still grieving from the recent death of Graham's mother. Knowing that he'll soon be alone, Graham applies to adopt a troubled ten-year-old boy, James (Chris Cleary Miles), whose own painful history mirrors Graham's. Throughout the long adoption process, supervised by wisecracking social worker Debbie (Jane Horrocks), Graham struggles to win James' affection and respect during weekend visits, while the boy dreams of reconciliation with his father, John (Keith Allen), who is currently serving prison time. Graham's father dies, drawing Graham and James closer, and Graham begins to feel like a real father to James. But when John is released, he appears in town with the shocking news that he is afflicted with AIDS -- and cannot care for his son. ~ Karl Williams, Rovi

Two years before director Derek Jarman died of AIDS, he directed this extremely ambitious variation on Christopher Marlowe's 16th-century play. While Marlowe is the root of this film, Jarman has taken a great deal of leeway with the manner of presentation. The story revolves around King Edward's open homosexuality, which eventually led to his murder and succession. Instead of lush historical settings, the film uses bare walls and dirt floors and puts the cast into smart suits. This "staginess" works to the advantage of Jarman's design, and he takes every opportunity to anachronize. (For example, Annie Lennox shows up to provide a lovely rendition of Cole Porter's "Every Time We Say Goodbye".) A striking film, and a high point of Jarman's career. ~ John Voorhees, Rovi

Initially conceived as a theatrical feature, but originally aired on television in the United States, Robin Hood puts slight, but effective, twists on the legendary tale. Starring Patrick Bergin in the title role, the film follows Robin and his group of bandits as they fight Prince John and save Maid Marion (Uma Thurman). This version is a little grittier than both Errol Flynn's classic movie or the contemporary extravaganza starring Kevin Costner, since Bergin is quite down-to-earth and Thurman makes Marion into a brat, not a helpless maiden. However, these qualities and the stately photography make the film quite entertaining, and it easily equals Costner's version, even if it can't match Flynn's timeless movie. ~ Stephen Thomas Erlewine, Rovi

Set in post-WW I Ireland, Fools of Fortune takes place on the huge estate of the aristocratic Quinton family. Sheltered from the economic and political travails all around them, the Quintons are shocked into the Real World when one of their workers is ritualistically murdered. This is but one more bloody chapter in the ongoing struggle between the IRA and the British Army. Previously noncommittal, the Quintons are thrust into the middle of the struggle, After a deadly confrontation in which most of his loved ones are killed, young Willie Quinton (Sean T. McClory as a youth, Ian Glen as an adult) vows revenge. He briefly forgets his new purpose in life during a romantic liaison with his cousin Marianne (Mary Elizabeth Mastrantonio), but a renewed cycle of tragedy galvanizes Willie into disastrous action. It is difficult to sort out the heroes and villains in Fools of Fortune; it is a certainty, however, that the true victims are the Innocent. Michael Hirst based his screenplay on a novel by William Trevor. ~ Hal Erickson, Rovi

Eleven-year-old Charlotte Burke, the neglected daughter of Ben Cross and Glenne Headley, passes out on the school playground and dreams of visiting a house she'd previously drawn in her composition book. She imagines another visit to her "paper house" while playing hide-and-seek. Experimenting, Burke draws a figure in the window of the house; the next time she dreams, she meets a young boy, as lonely as she. Convinced that she wields a large degree of power in her pencil, Burke draws a picture of her father, Cross, hoping that in doing so he will return home. But Burke is dissatisfied with the picture, and crosses it out--whereupon Cross shows up in her dreams as a murderous stalker. What happens next is a maelstrom of psychological horror, told completely from the child's point of view. Paperhouse is based on Marianne Dreams a novel by Catherine Storr. ~ Hal Erickson, Rovi

Cinematographer Chris Menges' first directorial effort, A World Apart was inspired by the lives of South African journalist Ruth First and her daughter Shawn Slovo (who wrote the film's screenplay). Barbara Hershey plays the fictional counterpart to Ms. First, Diana Roth, with Jodhi May as her daughter. Told from the daughter's viewpoint, the film shows us that Diana and her husband Jeroen Krabbe are so busy with their anti-Apartheid political activism that they totally shut May out of their lives. In 1963, Hershey is arrested by the South African police, becoming the first white woman to be held under the infamous 90-day-detention act. Left despondent and suicidal by two separate arrests and by constant harassment from the police, Diana still won't include her daughter in her life until the girl presses the issue in a climactic confrontation. Some critics felt that Shawn Slovo was using A World Apart to settle unresolved issues in her own life: Ruth First was killed under suspicious circumstances in 1982, without ever reconciling with her daughter. ~ Hal Erickson, Rovi