Richard Quine Movies

The beloved novel by Anthony Hope is shown here in its sixth film adaptation. In this story, Peter Sellers is Rudolf IV, the reigning monarch of the tiny nation of Ruritania. One day, while flying in a hot air balloon, a champagne cork sends him plummeting to his death. The rightful heir, who is to be crowned Rudolf V (also Peter Sellers), is kidnapped by Duke Michael (Jeremy Kemp), who is next in line for the throne. Luckily, the good guys find Syd (Peter Sellers once again), a London taxi-driver who closely resembles the kidnapped heir. While impersonating the monarch-to-be, Syd falls in love with the prince's fiancee Princess Flavia (Lynne Frederick). Neither a box-office nor a critical success, this amiable 1979 swashbuckler nonetheless features fine performances by Peter Sellers, who died in 1980. ~ Clarke Fountain, Rovi

In this film, also released under the title I Want Her Dead, Katie Lewis (Twiggy) and her husband Ben (Michael Witney) discover that they are the targets of a mysterious killer who leaves the letter W at the scene of their near-fatal "accidents." While trying to avoid death, the couple must struggle to discover where the source of these attacks stems from. This movie was Twiggy's first film appearance. ~ Iotis Erlewine, Rovi

Richard Widmark stars as a professional gambler who finds himself financially embarrassed. To bail himself out, Widmark marries into a wealthy Mexican household. What he doesn't know is that the family is cursed: its female members are compelled to love their men literally to death. Chaim Topol and Cesar Romero costar in the inconsequential but enjoyable comedy. ~ Hal Erickson, Rovi

A domineering mother and her sheltered son fly face first into love, murder, and the meaning of family in this black comedy based on Arthur Kopit's Broadway play. Wealthy Madame Rosepettle (Rosalind Russell) and 25-year-old Jonathan (Robert Morse) arrive at the Port Royal Hotel on a tiny Caribbean island with the man of the family in tow, literally; he's been dead for many years and his stuffed corpse travels with them in a coffin. Madame is the kind of woman who keeps piranhas and Venus Flytrap plants as pets, and controls her son's life down to deciding what meal he'll have for breakfast, lunch, and dinner (a hamburger and a maraschino cherry). Jonathan is kept indoors at all times and isn't allowed to mix with the outside world, though the hotel "babysitter," Rosalie (Barbara Harris), slips in through the window and flirts with the easily rattled young man. Madame is being courted by drunken millionaire Commodore Roseabove (Hugh Griffith), and while she welcomes his advances, her attention is diverted by trying to make sure that her son stays "pure." Rosalie isn't one to be put off by the meddling matriarch, so she doubles her efforts to get at Jonathan, who wants Rosalie too but might be pushed over the edge by the attention. ~ Fred Beldin, Rovi

The difficulties faced by drug addicts attempting to kick their habits provide the basis of this gritty, realistic drama that was filmed at a real rehab house in Santa Monica, California. The story centers on Zankie (Alex Cord), an ex-con who is having trouble following the strict rules of the house. Soon he finds himself involved in an affair with another inmate, an ex-hooker (Stella Stevens). She is only supposed to monitor and assist with his recovery, not get emotionally involved. When Zankie gets into a fight with another patient (Chuck Connors) both he and the girl leave the center. Soon after leaving, he begins looking for more drugs and dies of an overdose in a cheap hotel. The ex-hooker then returns to the rehab house to resume her own treatment. Synanon, the model for the rehab-house of this 1965 feature, was a large ex-addict-run (and ex-con-run) enterprise which expanded its operations steadily over the next decade. It was famous for its harsh "tough-love" policies and its high success rate and would have continued its high-profile role in the rehab industry except that it became embroiled in several scandals in the late 1970s, effectively closing its doors well before the Reagan era. ~ Clarke Fountain, Rovi

Helen Gurley Brown's self-help best-seller was the nominal source for this Hollywood sex romp, directed by Richard Quine, co-scripted by Joseph Heller and David R. Schwartz, and starring Tony Curtis and Natalie Wood. Tony Curtis plays Bob Weston, a writer for a scandal magazine who is working on an article on research psychologist Helen Gurley Brown (Natalie Wood) and her best-selling book Sex and the Single Girl. Bob needs to interview Helen, but she refuses to see him. Bob impersonates one of her neighbors, Frank Broderick (Henry Fonda), as a ruse in order to see her on the pretext of marital counseling. After several meetings, Bob attempts to seduce her, but she resists; then he phones her and claims he's about to commit suicide by jumping off a local pier. Horrified, she rushes out to save him, but the two accidentally fall off the pier together and then head back to Helen's apartment to dry out. Bob plies Helen with martinis. Rip-roaring drunk, Helen confesses her love for Bob. He assures her it's fine, since he's not legally married, but Helen doesn't believe him and asks to meet his wife, Sylvia (Lauren Bacall). This leads to an endless series of complications, capped off by a wild chase to the Los Angeles airport. ~ Paul Brenner, Rovi

William Holden stars as an American artist who becomes involved with the sordid underworld of prostitution in Hong Kong in The World of Suzie Wong, based on Paul Osborn's Broadway adaptation of the novel by Richard Mason. Holden is American architect Robert Lomax, who travels to Hong Kong to paint. He meets Suzie Wong (Nancy Kwan), an attractive woman who passes herself off as a high-society heiress. It is with great surprise that Robert spots her in a Hong Kong dive entertaining a bunch of sailors. It turns out that Suzie is a prostitute and Robert has observed her plying her trade. Suzie proposes that Robert put her up as a kept woman, but Robert will hear nothing of it, preferring to use her as a model for his paintings instead. Suzie then becomes involved with playboy Ben Marlowe (Michael Wilding), while Robert meets Kay O'Neill (Sylvia Syms), a British banker's daughter, who helps Robert to sell his paintings. But Ben breaks off his relationship with Suzie and Kay, uncomfortable with Suzie the prostitute posing for Ben, leaves him. Abandoned by their lovers and thrown together, the two become involved, with tragic consequences. ~ Paul Brenner, Rovi

Doris Day stars in a true-to-type performance as Jane Osgood, a spunky, pretty, wronged widow with two children. She manages her own lobster business, and the railroad has just trashed a shipment, killing them off before they could ever be properly boiled to death for someone's dinner. Jane commissions her lawyer (and potential romantic partner) George Denham (Jack Lemmon) to take on the railroad and its nefarious owner, Harry Foster Malone (Ernie Kovacs). Thus, the battle between the unjustly treated Jane and the arrogant railroad boss begins. ~ Eleanor Mannikka, Rovi

John Van Druten's stage comedy Bell Book and Candle starred Rex Harrison and Lilli Palmer on Broadway. The 1958 filmed version stars James Stewart and Kim Novak, fresh from their successful teaming in Hitchcock's Vertigo. Novak plays Gillian Holroyd, a genuine, bonafide witch. Falling in love with publisher Sheperd Henderson (Stewart), Gillian casts a spell on him, obliging him to dump his fiancee and rush to her side. All of this goes against the grain of Gillian's mentor Mrs. De Pass (Hermione Gingold), who does her best to counterract the love spell. Meanwhile, Gillian's wacky warlock brother Nicky (Jack Lemmon) courts disaster by coauthoring a book on black magic with pompous, bibulous novelist Sidney Redlitch (Ernie Kovacs). ~ Hal Erickson, Rovi

In this amiable imitation Guys and Dolls, Alan Reed plays a big-time 1920s gangster who is rubbed out by his enemies. In his will, Reed bequeaths his nightclub to chorus girl Lucy Marlow--which doesn't sit too well with Lucy's policeman boyfriend (Richard Long). Frankie Laine plays the tough-but-lovable nightclub manager who first squabbles with Marlow, then falls in love with her. To let us know that the story is all in fun and we shouldn't worry about the ultimate fate of hero and heroine, the film is related in flashback, narrated by Laine. He Laughed Last is directed by Blake Edwards in the buoyant spirit of Edwards' earlier musical-comedy collaborations with director Richard Quine. ~ Hal Erickson, Rovi

The Solid Gold Cadillac was adapted from the George S. Kaufman-Howard Teichmann Broadway hit of the same. Both the play and film were predicated upon the notion of a humble ten-share stockholder triumphing over a corrupt big-business board of directors, but there was one significant difference. In the stage version, septuagenarian Josephine Hull starred as Laura Partridge, a sweet little old lady who asks several embarrassing questions at a stockholder's meeting. In the film version, Laura's age is lowered by at least four decades to accommodate star Judy Holliday. In both versions, a romance develops between Laura Partridge and Edward L. McKeever, the owner of the corporation she takes on. McKeever (played in the film by Paul Douglas, Holliday's co-star in the Broadway version of Born Yesterday) is an honest man, which is more than can be said for his self-serving board of directors (Fred Clark, John Williams, Ray Collins et. al.) With McKeever's covert help, Laura, who has been given a dummy executive position in the corporation in hopes that she'll shut up, forms a stockholder's association intent upon throwing the rascals out. Though the dialogue in Solid Gold Cadillac is consistently entertaining, the film's best line goes to Judy Holliday: Describing her brief career as an actress in a Shakespearean troupe, she recalls ruefully that "No one's allowed to sit down unless you're a king." George Burns, taking over from the stage version's Fred Allen, provides the wry scene-setting narration. Currently available TV prints of The Solid Gold Cadillac have restored the original Technicolor final shot. ~ Hal Erickson, Rovi

Blake Edwards made his directorial debut in the bubbly musical comedy Bring Your Smile Along. The story, written by Edwards and his longtime associate-mentor Richard Quine, gets under way when New England schoolmarm Nancy Willows (Constance Towers) heads to New York, there to try her luck as a lyricist. Teaming with aspiring composer Martin Adams (Keefe Brasselle), Nancy pens several hit tunes for crooner Jerry Dennis (Frankie Laine). Martin would like to make his collaboration with Nancy a little more intimate, but she happens to have a fella back home, David Parker (William Leslie). Since David is as likeable as Martin, Nancy really has a problem. Lucy Marlow, who the previous year had shown up briefly in A Star is Born, is "introduced" as comedy-relief character Marge Stevenson. ~ Hal Erickson, Rovi