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Mario Puzo Movies

Academy Award-winning scriptwriter Mario Puzo openly confessed to having written The Godfather for money. He had been struggling to support his family and was in need of a commercial success when he sold the script adaptation of his novel to Paramount Pictures for 10,000 dollars. What happened next is Hollywood legend. The movie earned 11 Academy Award nominations and received three, including a 1973 Best Adapted Screenplay award for Puzo. Two years later, he won another Best Adapted Screenplay Oscar for The Godfather Part II.
Puzo was born October 15, 1920, in Manhattan's Hell's Kitchen to Italian immigrants. A military stint in Germany during WWII led the way, via the G.I. Bill, to studies at New York's New School for Social Research, as well as further study at Columbia University. Puzo's first novel, The Dark Arena, was published in 1955; his second and his best, in the opinion of many, The Fortunate Pilgrim, was printed in 1964. Both met with critical but not financial success, which led to the aforementioned fiscal difficulties that forced Puzo to write his third novel, The Godfather. Although the author was not connected with the Mafia (or so he claimed), the novel was extremely popular with the people whose lifestyles it portrayed, as well as the moviegoing public. It spawned two sequels, for which Puzo supplied the screenplays. He also acted as the screenwriter for Earthquake (1974), Superman: The Movie (1978) and Superman II (1980), as well as The Cotton Club (1984), The Sicilian (a 1987 film based on his 1984 novel of the same name), and Christopher Columbus: The Discovery (1992). In 1997, Puzo's 1996 novel The Last Don was made into a television miniseries starring Danny Aiello and Joe Mantegna, and the same year, his novel The Fortunate Pilgrim was reprinted. Puzo died at his home on Long Island, on July 2, 1999. ~ Ryan Shriver, Rovi
2006  
PG  
Reconstructed using archival film and sound elements long thought to be extinct, this special cut of Superman II pieces together unseen footage shot by Richard Donner in order to present the most comprehensive version of what was to be the original cut of the blockbuster sequel. As initially planned, the first two films were to be filmed back-to-back using the same sets and actors to save on production costs. However, with a budget escalating out of control and Warner Bros. breathing down the producers' necks, the decision was made to drop any further filming on the sequel in order to finish the first movie and usher it into theaters. Of course, the first Superman was a wild success, so then it was just a matter of ramping up production again, though this time, Donner was not asked back. Instead, producers went with Richard Lester, who had served them well with his Three Musketeers films. Decisions were made to drop most of the key scenes that were already in the can, including all of the footage featuring Marlon Brando as Jor-El, the Man of Steel's father. After completion, the sequel found much success in theatrical and home-video box-office returns, though that didn't stop die-hard fans from speculating what Donner's cut would have looked like. Once the Internet was spawned, Warner Bros. saw interest grow more and more for this alternate version, even prompting the company to send cease and desist letters to individuals who had posted a re-edit of the film using deleted footage taken from an alternate TV version from the U.K. With the release of Superman Returns, the company saw this as a chance to finally deliver what people had wanted for years and enlisted Michael Thau to oversee the restoration process. Under the tutelage of Donner's notes, scripts, storyboards, and the director himself, the new version was delivered to home audiences in 2006, thereby not only giving people a look into what could have been, but giving a director an unprecedented chance to realize a vision long thought lost in the annals of movie history. ~ Jeremy Wheeler, Rovi

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Starring:
Christopher ReeveGene Hackman, (more)
 
1997  
R  
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This crime drama, based on the best-selling novel by Mario Puzo, follows 20 years in the long reign of powerful Mafia kingpin Don Domenico Clericuzio (Danny Aiello). For years, the Clericuzios have been warring with a rival crime family, the Santadios, which is not helped when Domenico's daughter Rose Marie (Kirstie Alley) decides to marry the son of the head of the Santadio clan. On the night of Rose Marie's wedding, Domenico orders the execution of the entire Santadio family, including his new son-in-law. Rose Marie is pregnant as a result of her brief honeymoon, and her son Dante (Rory Cochrane) grows up to become a hired killer with a bitter hatred of his grandfather. Meanwhile, Pippi De Lena (Joe Mantegna), Domenico's key enforcer who carried out the slaughter of the Santadinos, has been grooming his son Croccifixio (Jason Gedrick) to take over as the Clericuzio's new trigger man. However, after he muffs a crucial execution, Croccifixio is sent to work with the family's operations in Las Vegas, where he becomes involved with starlet Athena Aquitane (Daryl Hannah). Soon Dante makes a risky bid to seize control of the Santadio family's crime empire. Originally produced as a television miniseries, the home video release of The Last Don is 262-min. long and it includes material not used for television broadcast. The video version features adult language and nudity and received an R rating. The Last Don co-stars Robert Wuhl, Penelope Ann Miller, Seymour Cassel, Burt Young, and k.d. lang. ~ Mark Deming, Rovi

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Starring:
Danny AielloJoe Mantegna, (more)
 
1992  
PG13  
John Glen directed this throwback to the costume dramas of the 1930s and 1940s, but without a smidgen of their energy and verve. George Corraface plays Christopher Columbus as a dynamic and muscular comic-book hero. He has a dream to set sail to find a new passageway to India, but he needs the backing of the Spanish government to do it. First, he must undergo a grilling by Tomas de Torquemada (Marlon Brando in, hands down, his worst performance). After passing muster with Torquemada, he gets the blessing of Queen Isabella (Rachel Ward) and King Ferdinand (Tom Selleck). Columbus then sets sail in a series of picture-postcard travelogue shots as he sails the ocean blue and discovers a new world of wonders -- particularly the Indian chief's well-endowed daughter. As a sop to revisionists, a rat is seen scampering down the plank as Columbus' vessel lands on "undiscovered" turf. ~ Paul Brenner, Rovi

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Starring:
Marlon BrandoTom Selleck, (more)
 
1990  
R  
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After a break of more than 15 years, director Francis Ford Coppola and writer Mario Puzo returned to the well for this third and final story of the fictional Corleone crime family. Two decades have passed, and crime kingpin Michael Corleone (Al Pacino), now divorced from his wife Kay (Diane Keaton), has nearly succeeded in keeping his promise that his family would one day be "completely legitimate." A philanthropist devoted to public service, Michael is in the news as the recipient of a special award from the Pope for his good works, a controversial move given his checkered past. Determined to buy redemption, Michael and his lawyer B.J. (George Hamilton) are working on a complicated but legal deal to bail the Vatican out of looming financial troubles that will ultimately reap billions and put Michael on the world stage as a major financial player. However, trouble looms in several forms: The press is hostile to his intentions. Michael is in failing health and suffers a mild diabetic stroke. Stylish mob underling Joey Zaza (Joe Mantegna) is muscling into the Corleone turf. "The Commission" of Mafia families, represented by patriarch Altobello (Eli Wallach) doesn't want to let their cash cow Corleone out of the Mafia, though he has made a generous financial offer in exchange for his release from la cosa nostra. And then there's Vincent Mancini (Andy Garcia), the illegitimate and equally temperamental son of Michael's long-dead brother Sonny. Vincent desperately wants in to the family (both literally and figuratively), and at the urging of his sister Connie (Talia Shire), Michael welcomes the young man and allows him to adopt the Corleone name. However, a flirtatious attraction between Vincent and his cousin, Michael's naïve daughter Mary (Sofia Coppola) develops, and threatens to develop into a full-fledged romance and undo the godfather's future plans. ~ Karl Williams, Rovi

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Starring:
Al PacinoDiane Keaton, (more)
 
1988  
 
Before striking gold with The Godfather, Mario Puzo published a pageant-like novel titled The Fortunate Pilgrim. Puzo's book was adapted into a two-part TV movie in 1988, with Sophia Loren as star. Ms. Loren plays a young Italian wife and mother, who emigrates to the US in 1915 in search of a better life for herself and her family. Widowed on the day she becomes a naturalized citizen, Sophia is faced with the task of raising her three children alone; she marries again, this time to Edward James Olmos, whose obvious affection for Sophia's children is tempered by his erratic behavior. Filmed in Yugoslavia, Part One of The Fortunate Pilgrim was first shown on April 3, 1988 (see also Part Two). ~ Hal Erickson, Rovi

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1987  
R  
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Adapted from Mario Puzo's novel, The Sicilian is an attempt to chronicle the life and times of Mafia leader, patriot and real-life Robin Hood Salvatore Giuliano, the infamous bandit who, together with his rag-tag band of guerillas, attempted to liberate 1940s Sicily from Italian rule and make it an American state. Giuliano (Christopher Lambert) robs from the rich conservative landowners to give to the poor, serf-like peasants, who in turn hail him as their savior. As his popularity grows, so does his ego, and he eventually thinks he is above the power of his backer, Mafia Don Masino Croce (Joss Ackland). The Don, in turn, sets out to kill the upstart by convincing his cousin and closest advisor Gaspare (John Turturro) to assassinate him. Nearly thirty minutes of screen time were haphazardly hacked off director Michael Cimino's original cut by the studio. ~ Jeremy Beday, Rovi

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Starring:
Christopher LambertTerence Stamp, (more)
 
1984  
R  
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Combining electric song and dance performances with drama (both on and off screen), Francis Ford Coppola's The Cotton Club (1984) looks back to the 1920s-1930s peak of the legendary Harlem nightclub where only blacks performed and only whites could sit in the audience. Mixing historical figures with characters loosely based on actual people, Coppola and co-writers William Kennedy and The Godfather's Mario Puzo create a panorama of love, crime, and entertainment centered on the Club. Among them are cornet player Dixie Dwyer (Richard Gere, playing his own solos), who escapes psycho gangster "benefactor" Dutch Schultz (James Remar) for a George Raft-type Hollywood career as a gangster film star; Schultz's nubile mistress Vera Cicero (Diane Lane), who loves Dixie against her mercenary instincts; Cotton Club Mob owner Owney Madden (Bob Hoskins) and close associate Frenchy Demarge (Fred Gwynne); Vincent (Nicolas Cage), Dixie's no-good Mad Dog Coll-esque brother; Club tap star Sandman Williams (Gregory Hines), who woos ambitious light-skinned Club singer Lila Rose Oliver (Lonette McKee); and cameos by Charles "Honi" Coles and Cab Calloway impersonator Larry Marshall. Complementing the period story, Coppola evokes the style of '30s gangster movies and musicals through an array of old-fashioned devices like montages of headlines, songs and shoot-outs. Conceived by producer Robert Evans as his crowning achievement and directorial debut, Evans had to hand over the troubled production to Coppola, but the budget spiraled out of control as the script was repeatedly re-written throughout the chaotic shoot. By the time it was released, The Cotton Club's epic production story of power struggles, financial bloat, and even a murder overshadowed the "reunion" of The Godfather's creative team. Neither a Heaven's Gate-sized failure nor a wallet-saving hit like Coppola's Apocalypse Now, The Cotton Club got some favorable critical notices (although it drew fire for subordinating the African American stories). It did not, however, find a large enough audience to justify its expense and controversy, becoming another mark against 1970s "auteur" cinema in increasingly blockbuster-driven 1980s Hollywood. ~ Lucia Bozzola, Rovi

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Starring:
Richard GereGregory Hines, (more)
 
1983  
R  
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In this mystery, a vengeful husband goes looking for the six people who tortured him and then killed his wife. The husband is a WW II vet and one of the killers is now a high-ranking German official. The plot is based on a Mario Puzo story. The film is also titled Seven Graves for Rogan. ~ Sandra Brennan, Rovi

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Starring:
Edward AlbertRod Taylor, (more)
 
1980  
PG  
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Between giving up his super powers, confronting criminals from outer space, and having problems with his girlfriend, it's a bad time to be the Man of Steel in this sequel to the 1978 blockbuster. When terrorists threaten to destroy Paris with a thermonuclear device as they hold reporter Lois Lane (Margot Kidder) hostage, Superman (Christopher Reeve) comes to the rescue and flings the weapon into space. However, its blast outside the earth's orbit awakens Zod (Terence Stamp), Ursa (Sarah Douglas), and Non (Jack O'Halloran), three villains from Superman's home planet of Krypton who were exiled to outer space for their crimes. Zod and his partners arrive on Earth and use their powers in a bid to take over the U.S., and then the world. However, when Lois realizes that mild mannered Clark Kent and Superman are actually the same person, he brings her to his Fortress of Solitude, where his decision to marry Lois costs him his remarkable strength. Without his super powers, how can Superman vanquish Zod and save the world? Gene Hackman, Ned Beatty, Susannah York, and Jackie Cooper return from the first film, which was shot at the same time as parts of the sequel. ~ Mark Deming, Rovi

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Starring:
Christopher ReeveGene Hackman, (more)
 
1978  
PG  
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Richard Donner's big-budget blockbuster Superman: The Movie is an immensely entertaining recounting of the origin of the famous comic book character. Opening on Krypton (where Marlon Brando plays Superman's father), the film follows the Man of Steel (Christopher Reeve) as he's sent to Earth where he develops his alter-ego Clark Kent and is raised by a Midwestern family. In no time, the movie has run through his teenage years, and Clark gets a job at the Daily Planet, where he is a news reporter. It's there that he falls in love with Lois Lane (Margot Kidder), who is already in love with Superman. But the love story is quickly sidetracked once the villainous Lex Luthor (Gene Hackman) launches a diabolical plan to conquer the world and kill Superman. Superman: The Movie is filled with action, special effects and a surprising amount of humor. ~ Stephen Thomas Erlewine, Rovi

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Starring:
Marlon BrandoGene Hackman, (more)
 
1974  
PG  
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Los Angeles is the natural site for a film about earthquakes: they happen there frequently, and the landscape is familiar to moviegoers from thousands of films. A huge number of ongoing vignettes which include cameos from numerous celebrities and stars are tied together by the ongoing efforts of architect Graff (Charleton Heston) to rescue his estranged spoiled-rich-girl wife (Ava Gardner), while helping out with the ongoing rescue efforts taking place around him and while trying to determine what has happened to his mistress Denise (Genvieve Bujold). The rumbling sound effect designed for this film (Sensurround) won a "Best Sound" Oscar for the film in 1975. ~ Clarke Fountain, Rovi

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Starring:
Charlton HestonAva Gardner, (more)
 
1974  
R  
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Francis Ford Coppola's legendary continuation and sequel to his landmark 1972 film, The Godfather, parallels the young Vito Corleone's rise with his son Michael's spiritual fall, deepening The Godfather's depiction of the dark side of the American dream. In the early 1900s, the child Vito flees his Sicilian village for America after the local Mafia kills his family. Vito (Robert De Niro) struggles to make a living, legally or illegally, for his wife and growing brood in Little Italy, killing the local Black Hand Fanucci (Gastone Moschin) after he demands his customary cut of the tyro's business. With Fanucci gone, Vito's communal stature grows, but it is his family (past and present) who matters most to him -- a familial legacy then upended by Michael's (Al Pacino) business expansion in the 1950s. Now based in Lake Tahoe, Michael conspires to make inroads in Las Vegas and Havana pleasure industries by any means necessary. As he realizes that allies like Hyman Roth (Lee Strasberg) are trying to kill him, the increasingly paranoid Michael also discovers that his ambition has crippled his marriage to Kay (Diane Keaton) and turned his brother, Fredo (John Cazale), against him. Barely escaping a federal indictment, Michael turns his attention to dealing with his enemies, completing his own corruption. ~ Lucia Bozzola, Rovi

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Starring:
Al PacinoRobert Duvall, (more)
 
1972  
R  
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Popularly viewed as one of the best American films ever made, the multi-generational crime saga The Godfather is a touchstone of cinema: one of the most widely imitated, quoted, and lampooned movies of all time. Marlon Brando and Al Pacino star as Vito Corleone and his youngest son, Michael, respectively. It is the late 1940s in New York and Corleone is, in the parlance of organized crime, a "godfather" or "don," the head of a Mafia family. Michael, a free thinker who defied his father by enlisting in the Marines to fight in World War II, has returned a captain and a war hero. Having long ago rejected the family business, Michael shows up at the wedding of his sister, Connie (Talia Shire), with his non-Italian girlfriend, Kay (Diane Keaton), who learns for the first time about the family "business." A few months later at Christmas time, the don barely survives being shot by gunmen in the employ of a drug-trafficking rival whose request for aid from the Corleones' political connections was rejected. After saving his father from a second assassination attempt, Michael persuades his hotheaded eldest brother, Sonny (James Caan), and family advisors Tom Hagen (Robert Duvall) and Sal Tessio (Abe Vigoda) that he should be the one to exact revenge on the men responsible.

After murdering a corrupt police captain and the drug trafficker, Michael hides out in Sicily while a gang war erupts at home. Falling in love with a local girl, Michael marries her, but she is later slain by Corleone enemies in an attempt on Michael's life. Sonny is also butchered, having been betrayed by Connie's husband. As Michael returns home and convinces Kay to marry him, his father recovers and makes peace with his rivals, realizing that another powerful don was pulling the strings behind the narcotics endeavor that began the gang warfare. Once Michael has been groomed as the new don, he leads the family to a new era of prosperity, then launches a campaign of murderous revenge against those who once tried to wipe out the Corleones, consolidating his family's power and completing his own moral downfall. Nominated for 11 Academy Awards and winning for Best Picture, Best Actor (Marlon Brando), and Best Adapted Screenplay, The Godfather was followed by a pair of sequels. ~ Karl Williams, Rovi

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Starring:
Marlon BrandoAl Pacino, (more)
 
 
R  
The Godfather
Popularly viewed as one of the best American films ever made, the multi-generational crime saga The Godfather is a touchstone of cinema: one of the most widely imitated, quoted, and lampooned movies of all time. Marlon Brando and Al Pacino star as Vito Corleone and his youngest son, Michael, respectively. It is the late 1940s in New York and Corleone is, in the parlance of organized crime, a "godfather" or "don," the head of a Mafia family. Michael, a free thinker who defied his father by enlisting in the Marines to fight in World War II, has returned a captain and a war hero. Having long ago rejected the family business, Michael shows up at the wedding of his sister, Connie (Talia Shire), with his non-Italian girlfriend, Kay (Diane Keaton), who learns for the first time about the family "business." A few months later at Christmas time, the don barely survives being shot by gunmen in the employ of a drug-trafficking rival whose request for aid from the Corleones' political connections was rejected. After saving his father from a second assassination attempt, Michael persuades his hotheaded eldest brother, Sonny (James Caan), and family advisors Tom Hagen (Robert Duvall) and Sal Tessio (Abe Vigoda) that he should be the one to exact revenge on the men responsible.

After murdering a corrupt police captain and the drug trafficker, Michael hides out in Sicily while a gang war erupts at home. Falling in love with a local girl, Michael marries her, but she is later slain by Corleone enemies in an attempt on Michael's life. Sonny is also butchered, having been betrayed by Connie's husband. As Michael returns home and convinces Kay to marry him, his father recovers and makes peace with his rivals, realizing that another powerful don was pulling the strings behind the narcotics endeavor that began the gang warfare. Once Michael has been groomed as the new don, he leads the family to a new era of prosperity, then launches a campaign of murderous revenge against those who once tried to wipe out the Corleones, consolidating his family's power and completing his own moral downfall. Nominated for 11 Academy Awards and winning for Best Picture, Best Actor (Marlon Brando), and Best Adapted Screenplay, The Godfather was followed by a pair of sequels. ~ Karl Williams, All Movie Guide

The Godfather Part II
Francis Ford Coppola's legendary continuation and sequel to his landmark 1972 film, The Godfather, parallels the young Vito Corleone's rise with his son Michael's spiritual fall, deepening The Godfather's depiction of the dark side of the American dream. In the early 1900s, the child Vito flees his Sicilian village for America after the local Mafia kills his family. Vito (Robert De Niro) struggles to make a living, legally or illegally, for his wife and growing brood in Little Italy, killing the local Black Hand Fanucci (Gastone Moschin) after he demands his customary cut of the tyro's business. With Fanucci gone, Vito's communal stature grows, but it is his family (past and present) who matters most to him -- a familial legacy then upended by Michael's (Al Pacino) business expansion in the 1950s. Now based in Lake Tahoe, Michael conspires to make inroads in Las Vegas and Havana pleasure industries by any means necessary. As he realizes that allies like Hyman Roth (Lee Strasberg) are trying to kill him, the increasingly paranoid Michael also discovers that his ambition has crippled his marriage to Kay (Diane Keaton) and turned his brother, Fredo (John Cazale), against him. Barely escaping a federal indictment, Michael turns his attention to dealing with his enemies, completing his own corruption. ~ Lucia Bozzola, All Movie Guide

The Godfather Part III
After a break of more than 15 years, director Francis Ford Coppola and writer Mario Puzo returned to the well for this third and final story of the fictional Corleone crime family. Two decades have passed, and crime kingpin Michael Corleone (Al Pacino), now divorced from his wife Kay (Diane Keaton), has nearly succeeded in keeping his promise that his family would one day be "completely legitimate." A philanthropist devoted to public service, Michael is in the news as the recipient of a special award from the Pope for his good works, a controversial move given his checkered past. Determined to buy redemption, Michael and his lawyer B.J. (George Hamilton) are working on a complicated but legal deal to bail the Vatican out of looming financial troubles that will ultimately reap billions and put Michael on the world stage as a major financial player. However, trouble looms in several forms: The press is hostile to his intentions. Michael is in failing health and suffers a mild diabetic stroke. Stylish mob underling Joey Zaza (Joe Mantegna) is muscling into the Corleone turf. "The Commission" of Mafia families, represented by patriarch Altobello (Eli Wallach) doesn't want to let their cash cow Corleone out of the Mafia, though he has made a generous financial offer in exchange for his release from la cosa nostra. And then there's Vincent Mancini (Andy Garcia), the illegitimate and equally temperamental son of Michael's long-dead brother Sonny. Vincent desperately wants in to the family (both literally and figuratively), and at the urging of his sister Connie (Talia Shire), Michael welcomes the young man and allows him to adopt the Corleone name. However, a flirtatious attraction between Vincent and his cousin, Michael's naïve daughter Mary (Sofia Coppola) develops, and threatens to develop into a full-fledged romance and undo the godfather's future plans. ~ Karl Williams, All Movie Guide

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