Edmund Purdom Movies

Joseph L. Mankiewicz directed this exquisite version of William Shakespeare's play. Louis Calhern is Julius Caesar, whose conquests have enabled him to rise to the status of Roman dictator. But his ascent to almost God-like status has given pause to influential members of the Roman Senate. Chief among them is Cassius (John Gielgud), who is troubled by Caesar's popularity and dictatorial status. Convinced that Caesar's assassination would be the best thing for Rome, he conspires with Casca (Edmond O'Brien) and the influential Brutus (James Mason) to plot Caesar's murder. Despite dark omens, Caesar walks confidently into the Roman Senate, where he is stabbed to death by the conspirators. His companion Marc Antony (Marlon Brando) is shocked and runs to the corpse of his beloved friend. He agrees to support Brutus while an unruly mob gathers in front of the Senate doors, having heard rumors of Caesar's assassination. Brutus convinces the mob that Caesar's death was for the good of Rome, preventing him from forming a monarchy. Then Antony appears, determined to destroy the conspirators; he delivers a speech that subtly damns the assassins. With the mob against them, the conspirators are forced to flee Rome and Antony organizes an army against them. ~ Paul Brenner, All Movie Guide

Based on the novel by Mika Waltari and helmed by Casablanca director Michael Curtiz, The Egyptian, a lavish period soaper, is set several centuries before the birth of Jesus Christ. Young Egyptian healer Sinuhe Edmund Purdom (ere accompanied by his servant, Kaptah, played by Peter Ustinov) draws the affection of barmaid Merit (Jean Simmons) who seeks his hand in marriage. Sinuhe provides medical assistance to the epileptic Pharoah, Akhnaton (Michael Wilding), who, meanwhile, becomes convinced that only one god exists, and thus infuriates all of his polytheistic priests, who secretly plot to assassinate him. Sinuhe has an affair with a Babylonian whore, Nefer (Bella Darvi), but grows listless with her and eventually ends the relationship, harkening back to Merit. However, she is soon extinguished, with an arrow through the heart, for also being monotheistic. Angered by this, and believing Akhnaton's ideas directly responsible for Merit's death,
Sinuhe and his muscular friend, the affable Horemheb (screen heartthrob Victor Mature) poison the Pharoah. Akhnaton then dies while Horemheb prepares to ascend to the throne.

Ingmar Bergman had a point when he admonished the idea of falling for one's lead actress, and it is a lesson one wishes producer Daryl Zanuck had learned; he purportedly had an extramarital affair with Darvi, taking her as a "plaything," but grew sick of her after casting her in seven films. Her career then torpedoed. (Little wonder - her horrendous performance in this film must be seen to be believed; Variety called it "less than believable or skilled.") This $4.2 million film (a massive amount for 1954) suffered from additional production problems as well, with Marlon Brando originally slated to star, but replaced, at the very last minute, by Purdom, a contract player for 20th Century-Fox.
~ Hal Erickson, All Movie Guide

Edmund Purdom plays Prince Karl, but Mario Lanza sings the bold tunes coming out of Purdom's mouth, in this MGM remake of the 1927 Ernst Lubitsch silent picture based on the renowned 1924 operetta by Sigmund Romberg and Dorothy Donnelly, which itself was based on the novel and play by Wilhelm Meyer-Foerster. Lanza was signed to play the German Prince of Heidelberg, but weight and temperament problems caused the director Richard Thorpe to use Purdom instead. Lanza's pre-recorded tenor tones come out of Purdom's lip-synching mouth in the many lusty tunes such as "Drink, Drink, Drink" and "Golden Days." Prince Karl's grandfather, the king (Louis Calhern), wants his sheltered grandson to see the world and sow a few wild oats before he returns to the marriage that has been pre-arranged with Princess Johanna (Betta St. John). The prince ends up in a tavern in Heidelberg and meets and falls in love with Kathie (Ann Blyth), the niece of the local innkeeper. But the King gets sick and dies, and Prince Karl must return to assume the throne. He can't have a peasant girl as his queen, so he must part with his secret lover. ~ Michael Betzold, All Movie Guide

Director Robert Z. Leonard brought his 31-year association with MGM to a rousing close with The King's Thief. Set in England during the reign of Charles II (drolly portrayed by George Sanders), the film stars Edmund Purdom as Michael Dermott, who sets about to steal the crown jewels on behalf of his king. The current possessor of the gems is the wicked duke of Brampton, played with relish by a cast-against-type David Niven. Ann Blyth is a decorative heroine, while one of Michael Dermott's cohorts is played by a young, muscular Roger Moore. The plot of The King's Thief, purportedly based on fact, is merely an excuse for the nonstop swashbuckling of star Edmund Purdom. ~ Hal Erickson, All Movie Guide

Director Riccardo Freda does not take this uninspired, turgid spy film very far in its story about a federal agent (Edmund Purdom) and his efforts at blasting apart an international drug cartel. In one of the more unlikely turns of a plotline, the agent falls in love with the daughter of the cartel's head honcho. Needless to say, he is not expecting his future father-in-law to give his blessings at any possible nuptials. Instead, the action pits the agent against his arch-enemy as circumstances plod along (unless racing through an action scene in speeded-up time) to a final and deadly confrontation. ~ Eleanor Mannikka, All Movie Guide

Sixth-century Italy is the setting for Fury of the Pagans. Edmund Purdom plays Toryok, the peace-loving ruler of a tranquil Northern province. Pagan leader Kovo (Livio Lorenzon) wreaks havoc upon Toryok's domain, raping and pillaging to a fare-thee-well. Years later, Toryok gets his chance to avenge his people. He intends to slay Kovo and claim the Pagan's bride Lianora (Rosanna Podesta). This being an Italian sword-and-sandal epic, there's nothing one-on-one about the final showdown; in fact, there must be ten thousand extras on that wide screen. ~ Hal Erickson, All Movie Guide

In this historical drama, a Viking prince returns to his homeland only to learn that his father has been murdered by King Sven of Norway. He then discovers that Sven is forcing his sister to marry in order to create an alliance with the Danes. The prince rallies his loyal fighters to storm the king's fortress in an attempt to rescue his sister. ~ Sandra Brennan, All Movie Guide

This routine crime drama with a dash of romance begins with a tense opening, a jewel theft is carried out almost without a word of dialogue. One of the thieves, John Bain (Trevor Howard) an expert locksmith plagued by a stint in prison, has been coerced into helping the master thief Peter Curran (Edmund Purdom) pull off the heist. Now that success is at hand, Peter double-crosses John and dumps his lover Gianna (Dorothy Dandridge) and takes off for Spain with the loot. Embittered and anxious for revenge, Gianna hooks up with John and the two of them head for Spain with an eye to getting even. As their quest brings them together, the two develop a special feeling for each other. Between their mutual libidinal interest and the intrusion of the search for Peter, the story itself becomes spread a little too thin. ~ Eleanor Mannikka, All Movie Guide

This undistinguished drama from Austrian director Arthur Maria Rabenalt overdoses on melodrama and clichés as it tells the story of a young girl who tries to help her father find happiness. He is an important conductor who has been living alone with his daughter since his wife died. The daughter knows what her father needs is the right woman and is not likely to sit back and let him handle his own romantic life. Even well-known actors like Linda Christian and Edmond Purdom cannot overcome the deficiencies in the script. ~ Eleanor Mannikka, All Movie Guide

In this Italian costume epic chronicles the exploits of an innocent maiden who lives near Thebes. She is in love with a sculptor but cannot marry him when a high-ranking reveals that he is her father and that she was betrothed at birth to a mentally ill prince slated to soon take over the country. The father then hands down a death sentence for the sculptor, but fortunately he escapes to find the prince, who happens to be a friend of his. There he asks for and is granted a pardon. Time passes and the prince becomes king; meanwhile, the maiden undergoes a ritual purification and changes her name to "Nefertiti." The sculptor is now with a gypsy. Unfortunately, he is again imprisoned by Nefertiti's father who threatens to kill him unless his unwilling daughter marries the new king. After the wedding, the sculptor does a bust of his beloved, and she tells him that while she still loves him, she fears for her husband's mind if she leaves. Her manipulative father is well aware of the king's instability and is hoping that eventually he will have all the power. To get closer, he kills the king's best friend, a rival priest, which pushes the king to suicide. Suddenly Nefertiti becomes queen. With the sculptor's help, she rallies the army and wins her power. In the end, the jilted gypsy gets her revenge by killing Nefertiti's father. ~ Sandra Brennan, All Movie Guide

In this drama, the daughter of the leader of Carthage falls in love with the mercenary leader of an angered band of soldiers who are out to get the pay they were cheated out of after they valiantly fought to save the city. The woman promises to give him her jewels to repay them, but then a dishonest local politician intervenes and exchanges the gems for rocks and keeps the valuables for himself. The mercenaries begin to attack the city in earnest until the dishonest fellow's actions are revealed and he is executed. After that the soldiers are paid, and the lovers reunited,. ~ Sandra Brennan, All Movie Guide

In this drama, from director Anthony Asquith, the lives and stories of three different people are linked together by their possession of an unusual car, a yellow Rolls Royce Phantom II. Lord Frinton (Rex Harrison) is a diplomat who purchases the exquisite auto as a gift for his wife (Jeanne Moreau). After Frinton's horse wins the Royal Gold Cup, Lady Frinton incurs the Lord's wrath when she is caught in the back seat of the Rolls with his underling John Fane (Edmund Purdom). In the 1930s, the car is bought by Italian gangster Paolo Maltese (George C. Scott), who is carrying on with the hatcheck girl Mae Jenkins (Shirley MacLaine). The two take a tour of Italy and see all the historic sights, but Mae is less than impressed. While Paolo is in the United States on one of his frequent hit-man assignments, Mae and a street photographer try out the back seat for comfort and carnal pleasure. Art Carney plays Paolo's associate Joey. In the final episode, Gerda Millett (Ingrid Bergman) is the married American woman who buys the car in 1942. With Hitler attacking Yugoslavia the brave and brazen beauty helps fight the Nazis by smuggling Davich (Omar Shariff) across the border, and this duo also find themselves in the back seat for a roll in the Rolls. Davich shows his gratitude by shipping the car along with Gerda back to the United States. ~ Dan Pavlides, All Movie Guide