Don Pugsley Movies

In this comedy-drama set in the late 1950s, Manny Singer (Ray Liotta) is a songwriter who makes his living penning jingles for radio and television commercials. Manny's wife has recently died, leaving him an emotionally broken man; Manny buries himself in his work rather than deal with his grief. His young daughter Molly (Tina Majorino) is taking it even harder; since her mother's passing, Molly has refused to speak. Manny realizes that he needs help taking care of the house and looking after Molly, so he places an ad looking for a maid who can double as a nanny. After a long series of unsuitable applicants, Manny meets Corrina Washington (Whoopi Goldberg), who isn't much on cooking, cleaning, or domestic chores -- but who strikes an immediate chord with Molly. Corrina gets the job, and her vivacious, unconventional personality brings the joy of living back to the Singer home. A romance also begins to bloom between Manny and Corrina, though Manny quickly discovers that being in an interracial relationship in 1959 is not always easy or pleasant. Joan Cusack and Don Ameche highlight the supporting cast. ~ Mark Deming, All Movie Guide

Edward J. Olmos made his directorial bow with the powerhouse crime saga American Me. Olmos stars as street-gang leader Santana, who during his 18 years in Folsom Prison rules over all the drug-and-murder activities behind bars. Upon his release, Santana goes back to his old neighborhood, intending to lead a peaceful, crime-free life. But his old gang buddies force him back into his old habits. The omniprescene of the "Mexican Mafia" in the southwest is sufficient to make this film a daunting, demoralizing experience. Upon its release, American Me received a lot of press play due to the fact that Olmos shot his Folsom sequences on location, using actual prisoners as extras and bit players. ~ Hal Erickson, All Movie Guide

Leslie Nielsen returns as the intrepid (and accident-prone) Lt. Frank Drebin in Naked Gun 2 1/2: The Smell of Fear, "un film de David Zucker." This second feature film from the "Police Squad!" series finds Drebin as a guest at a White House dinner, receiving an award for shooting his 1,000th drug dealer, although he admits to shooting only 998 -- he ran over the last two in his car. ("Luckily, they turned out to be drug dealers"). Also at the White House dinner is energy czar Dr. Albert S. Meinheimer (Richard Griffiths), whom President George Bush (John Roarke) has chosen to start a new national energy policy. Since Meinheimer believes in promoting alternative energy resources, the evil leaders of the polluting energy industries (coal, oil, and nuclear power--or the lobby groups SMOKE, SPILL and KABOOM) are horrified at Bush's choice. Joining together with arch-villain Quentin Hapsburg (Robert Goulet), they plan to kidnap the real Meinheimer and substitute a fake Meinheimer in his place who will enact energy policy according to the dictates of the energy lobby. Drebin becomes deeply involved in the conspiracy when he runs into his ex-girl friend Jane (Priscilla Presley), who is not only Meinheimer's public relations director but also Hapsburg's current paramour. ~ Paul Brenner, All Movie Guide

Another "based on fact" TV movie, Too Young to Die? stars Juliette Lewis as a benighted teenaged girl. She is married at 14, is deserted, and begins walking the streets at 15. Abused by virtually every man with whom she comes in contact (including her own father), Lewis commits murder--and finds herself on Death Row before reaching her 16th birthday. Michael Tucker is the attorney who pleads that his client not be tried as an adult. Despite all the horrendous wrongs piled upon Juliette Lewis in Too Young to Die?, her character fails to elicit audience sympathy. ~ Hal Erickson, All Movie Guide

A derivative rehashing of its predecessor (which itself owes a heavy debt to Trilogy of Terror), this sequel details the plight of young Andy (Alex Vincent), who in the previous film narrowly escaped losing his soul to make room for devil-doll Chucky (voice of Brad Dourif). Possessed by the spirit of serial killer Charles Lee Ray, Chucky had coveted Andy's body as a replacement for his own plastic shell... which ended up beaten and burned beyond recognition. At this film's outset, Andy's mom has suffered a nervous breakdown as a result of the prior human-vs.-doll battle, and Andy has been taken to a foster home. In the meantime, the makers of Good Guys dolls decide to reconstruct the scrappy little toy, hoping to prove the doll's harmlessness and sway public opinion. Alas, this is a major horror-movie no-no, and Chucky staggers obnoxiously back to life, with a renewed interest in body-swapping with Andy. Not awful as horror sequels go, this follows the standard horror-franchise formula (such as upping the gore quotient with each sequel) but manages to throw in a few appreciable scares, particularly at the climax (which echoes that of Stanley Kubrick's The Shining). ~ Cavett Binion, All Movie Guide

In this sequel to Watchers, an extremely intelligent dog attempts to warn his human buddy, Paul Ferguson (Marc Singer), that a deadly monster is on the loose. When the monster comes after the duo, they must find a way to stop it. ~ Iotis Erlewine, All Movie Guide

"Fat Man" and "Little Boy" were the nicknames given the atomic bombs that were dropped over Hiroshima and Nagasaki in the waning days of World War II. This elaborately assembled film is the story of the events leading up to the dawn of the atomic age. Paul Newman plays General Leslie Groves, a hard-nosed career soldier who in 1942 finds himself the reluctant "nursemaid" to a group of idealistic scientists in Los Alamos, New Mexico. As the military head of the top-secret Manhattan Project, Groves intends to have the operation run by the book--and failing that, to have things his way at all costs. The film's storyline narrows down to a battle of egos between Groves and atomic scientist J. Robert Oppenheimer (Dwight Schultz), in his own way as contentious and childishly single-purposed as the general. ~ Hal Erickson, All Movie Guide

In Kathryn Bigelow's tale of vampires in the American Southwest, the creatures of the night aren't elegant, cloaked aristocrats. They're a gun-toting gang that dresses and acts like a motorcycle gang. Caleb (Adrian Pasdar), a restless young man from a small farm town, meets an alluring drifter named Mae (Jenny Wright). She reveals herself to be a vampire, who "turns" Caleb into one of her kind rather than kill him. But the rest of her "family" is slow to accept the newcomer. The ancient leader, Jesse (Lance Henriksen), and his psychotic henchman Severen (Bill Paxton) lay down the law; Caleb has to carry his own weight or die. However, he can't bring himself to kill. He manages to win the gang's approval when he rescues them from certain death in a daytime gunfight during a spectacular motel shoot-out in which every bullet hole lets in a deadly ray of sunlight. When the vampires threaten Caleb's real family, he's forced to choose between life and death. The film avoids the complex vampire mythology of such films as Interview with the Vampire. Instead, it emphasizes the intense, seductive bond that forms between Caleb and the violent but tightly knit gang. Bigelow would later utilize this powerful dramatic device in her 1991 film Point Break. ~ Jonathan E. Laxamana, All Movie Guide

Russian director Andrei Konchalovsky's second American film may well be the only existential adventure flick in Hollywood history. Two prisoners, Manny (Jon Voight) and Buck (Eric Roberts), escape from a desolate Alaskan maximum-security facility. They hop aboard a speeding train, making a clean escape. But the engineer has suffered a heart attack, and the train goes out of control. To prevent a disastrous head-on collision, the railroad heads decide to derail the runaway train, killing its occupants to save the lives of hundreds of others. Once Manny catches on to what's happening, he tries to jump off the train, only to be talked out of such a foolhardy act by railroad employee Sara (Rebecca DeMornay). As doom approaches, Manny apparently goes mad, viciously preventing any attempts to stop the train or rescue its passengers: if he's to die, and if the others are to be saved, it will be on his terms, or no terms. Runaway Train was slated as a project for Akira Kurosawa in 1970, but for various creative and scheduling reasons, it remained on the back burner for 15 years. ~ Hal Erickson, All Movie Guide