Edward R. Pressman Movies

A graduate of both Stanford and the London School of Economics, Edward R. Pressman entered films as a partner of director Paul Williams (not Paul Williams the musician, though Pressman did produce the 1974 Williams vehicle Phantom of the Paradise). The first Pressman/Williams collaboration was Out of It, an up-close-and-personal look at what it's like to be a high school misfit. Made in 1967, Out of It lay on the shelf until it was released in 1969 to capitalize on the latter-day popularity of the film's co-star, Jon Voigt. Evidently more concerned with telling a good story than with box-office returns, Pressman has handled many a chancy, long-shot project, usually with salutary results. Among his riskier projects (at least in a financial sense) are Sisters (1973), directed by Brian DePalma; Badlands (1973), directed by Terence Malick and starring Martin Sheen and Sissy Spacek; and Talk Radio (1988), a virtual nonstop monologue performed by Eric Bogosian. In 1992 alone, Pressman offered Jack Nicholson in the title role of Hoffa and Harvey Keitel displaying his privates in The Bad Lieutenant. Edward Pressman's biggest international success as executive producer was the 1981 German film Das Boot. ~ Hal Erickson, All Movie Guide
1974  
PG  
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"He sold his soul for rock-n-roll," read the tagline for Brian De Palma's satirical Phantom of the Opera for the '70s rock scene. After hearing Winslow Leach (William Finley) perform a song from his Faust rock opera, Phil Spector-ish impresario Swan (Paul Williams) decides that Winslow's opera would be the perfect debut attraction for his new rock palace, the Paradise. Swan steals the music and has Winslow imprisoned -- but not before Winslow meets aspiring songbird Phoenix (Jessica Harper). Jumping prison, Winslow breaks into Swan's Death Records factory to ruin the recordings, but a record press accident grossly disfigures him. Winslow then sneaks into the Paradise to sabotage Swan's show, disguising himself as the Phantom. Swan, however, cuts a deal with the Phantom to finish his cantata; he promises that Phoenix will sing it but then reneges, hiring prissy glam rocker Beef (Gerritt Graham). Determined to have Phoenix sing, the Phantom soon discovers just how far Swan will go to give the people what they want. ~ Lucia Bozzola, All Movie Guide

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Starring:
Paul WilliamsWilliam Finley, (more)
1973  
PG  
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"He wanted to die with me and I dreamed of being lost forever in his arms." A young couple goes on a Midwest crime spree in Terrence Malick's hypnotically assured debut feature, based on the 1950s Starkweather-Fugate murders. Fancying himself a rebel like James Dean, twentysomething Kit (Martin Sheen) takes off with teen baton-twirler Holly (Sissy Spacek) after shooting her father (Warren Oates) when he tries to split the pair up. Once bounty hunters discover their riverside hiding place, Kit and Holly head toward Saskatchewan, leaving dead bodies in their wake. As the law closes in, however, Holly gives herself up -- but Kit doesn't hold it against her, as he basks in his new status as a momentary folk hero. Inaugurating the use of voice-over narration that he would continue in Days of Heaven (1978) and The Thin Red Line (1998), Malick juxtaposes Holly's flat readings of her flowery romance-novel diary prose with the banal and surreal details of their journey. Singularly inarticulate with each other, Kit and Holly are more intrigued by mythic celebrity gestures, as Holly peruses her fan magazines and Kit commemorates key moments before orchestrating a properly dramatic capture for himself (complete with the right hat). The sublime visuals lend a dreamlike beauty to the couple's trip even as their actions are treated casually; Malick neither glamorizes Kit and Holly nor consigns them to the bloody end of their fame-fixated predecessors in Bonnie and Clyde (1967). With the couple's opaque dialogue and Holly's fanzine dream narration, Malick further denies an easy explanation for their crimes. Made for under 500,000 dollars, Badlands debuted at the 1973 New York Film Festival, along with Martin Scorsese's Mean Streets, and was released within months of two other outlaw-couple road movies, Steven Spielberg's The Sugarland Express and Robert Altman's Thieves Like Us. Although Badlands did not make an impression at the box office, its pictorial splendor and cool yet disquieting narrative established Malick as one of the most compelling artists to come out of early-'70s Hollywood. ~ Lucia Bozzola, All Movie Guide

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Starring:
Martin SheenSissy Spacek, (more)
1973  
R  
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A reporter gets more than she bargained for when she tries to prove that a murder has occurred in Brian De Palma's disturbing thriller. Danielle (Margot Kidder) meets Phillip (Lisle Wilson) on a "Peeping Tom"-themed game show and, dodging her ex-husband Emil (William Finley), takes him back to her apartment. But Danielle has a separated Siamese twin sister, Dominique, who is not pleased about the overnight guest. Journalist neighbor Grace (Jennifer Salt) sees Phillip slaughtered by one of them through her window; the body vanishes before she can convince a skeptical detective (Dolph Sweet) to take a look. Determined to prove that she's right (and get a career-advancing story), Grace investigates, assisted by a private eye (Charles Durning), and becomes more involved in the relationships among Danielle, Dominique, and Emil than she ever expected. ~ Lucia Bozzola, All Movie Guide

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Starring:
Margot KidderJennifer Salt, (more)
1972  
R  
Years before Coma, Jurassic Park, and Twister made him a household name, Michael Crichton co-wrote this amiable drug-oriented comedy, based on a novel Crichton co-authored with his brother Douglas under the pen name Michael Douglas. Peter (Robert F. Lyons) is a shaggy but straightlaced Harvard law student who feels the need for some rebellion in his life (and could use some extra money), so he takes up the offer of mid-level drug dealer John (John Lithgow) to ferry a load of marijuana from California back to Boston. En route, Peter meets Susan (Barbara Hershey), a comely hippie with whom he falls in love. Peter helps Susan avoid a drug bust and she decides to head back to Boston with him, but she finances the trip by arranging to bring back a stash of her own. At the airport, Susan runs afoul of Murphy (Charles Durning), a crooked narcotics cop who steals half the pot and attempts to blackmail her. Dealing featured the screen debut of John Lithgow; Demond Wilson (who later starred in Sanford and Son) and musician Buzzy Linhart also
appear. ~ Mark Deming, All Movie Guide

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1970  
PG  
In this symbolic drama of social and political turmoil, Jon Voight plays an aspiring revolutionary (who is only known as "A") working in a print shop. He lives with his bohemian girlfriend (Collin Wilcox-Horne) and studies philosophy at the local university. Despard (Robert Duvall) is his alleged communist boss who spurns him on to political activity. When a strike turns violent, "A" the print-shop worker is pegged as the one who passed out the leaflets that encouraged the strike. He returns home where he receives his draft notice. His first Army assignment is to forcibly break up the striking workers and he goes AWOL. When Despard denies involvement in the unrest, the disillusioned "A" aligns himself with the radical bomb-maker Leonard II (Seymour Cassel), who is constructing two bombs for a judge who sentenced the striking workers to jail time. ~ Dan Pavlides, All Movie Guide

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Starring:
Jon VoightJennifer Salt, (more)
1969  
R  
High school students struggle for social status and acceptance from the opposite sex in Out Of It. Paul (Barry Gordon) is the shy boy who asks the blonde cheerleader Christine (Lada Edmund Jr.) for a date. The two see Romeo and Juliet, but Christine tells Paul she is feeling ill. After he brings her home, he discovers she made the excuse to keep a date with Russ (John Voight), the quarterback on the football team. As the rivalry between the two teenage boys heats up, Russ injures Paul during football practice and later burns his varsity jacket. Paul retaliates by grabbing a toy handgun and humiliating Russ in front of his friends. This feature was made in 1967 and purchased for release by United Artists in the wake of Voight's role in the massively successful Midnight Cowboy. Gretchen Corbett and Peter Grad also appear in the film. ~ Dan Pavlides, All Movie Guide

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Starring:
Barry J. GordonJon Voight, (more)

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