Leonard Praskins Movies

Billy (Jon Voight) is on the road with his son T.J. (Ricky Schroder), fighting low-end boxing matches for drinking money before moving on to the next town for another match. When his ex-wife (and T.J.'s mother) Annie (Faye Dunaway) shows up, it's to tell him that she wants custody of the boy. She has remarried and has risen to social prominence in her community. She wants the same for T.J. Determined to keep his son with him, Billy decides to train properly in order to be a success instead of just a washed-up punching bag. This gorgeously photographed drama is a remake of the 1931 film, which won its star Wallace Beery an Oscar. ~ Clarke Fountain, All Movie Guide

Although she insists upon calling him Bart, Bret (James Garner) is rather sweet on Ellen Johnson (Suzanne Storrs). When the girl disappears along with a cache of stolen diamonds, Bret heads to South America to retrieve them both. Upon arrival in Guatemala City, he is bedevilled by wide-eyed street urchin Angelita (Linda Dangcil), who refuses to leave his side. And oh yes, there's a murderer loose in the vicinity...to say nothing of a dead man who isn't quite dead yet. This episode is also known as "Tropical City". ~ Hal Erickson, All Movie Guide

Caught in a "goose-drownder" (a heavy rainstorm, that is), Bart Maverick (Jack Kelly) and his friend Gentleman Jack Darby (Richard Long in his last Maverick appearance) seek shelter in a strange town occupied by only one man. Then the stagecoach arrives, carrying four passengers--one of them Bart's former lover Stella Legendre (Fay Spain). As the rain continues to fall, the little party finds itself held captive by the Arapaho Kid (H.M. Wynant), a notorious outlaw. Can this be a western variation of the classic Humphrey Bogart film Key Largo--and what is the significance of supporting actor Robert Nichols' character name "Red Herring?" ~ Hal Erickson, All Movie Guide

Set in the American West after the Civil War, this drama is the pull-no-punches story of a lethal family feud. Colt Saunders (Charlton Heston) fought for the Confederacy in the war, and he returns to his family's Texas cattle ranch after impulsively marrying Lorna Hunter (Anne Baxter) following a very short courtship. During the war, Mexican foreman Innocencio (Gilbert Roland) and his sons have run the ranch. Colt's one-armed brother, Cinch (Tom Tryon), who hasn't been much of a help, wants Colt to give him money for his part of the land. When Colt refuses to give him gold in exchange for his share of the inheritance, Cinch launches a scheme to sell the place to a wealthy Northerner. Colt chafes at the notion of selling to a former enemy. Lorna gets pregnant with their first child, and Colt then discovers that she once worked as a prostitute. Soon after, a plot to kill Colt is unleashed. ~ Michael Betzold, All Movie Guide

An unofficial remake of The Champ, The Clown concerns Dodo Delwyn (Red Skelton), a down-and-out performer with abundant and obvious talent, but also a self-destructive tendency to overindulge his drinking and gambling habits. Once a Ziegfeld headliner, Dodo is now lucky to get jobs playing a clown at cheap amusement parks and even cheaper burlesque. Dodo's addictions cost him his marriage, but he somehow is able to maintain custody of his son Dink (Tim Considine), whose love for and faith in his father knows no bounds. Dink and Dodo's desperate need for each other is threatened when Dink's mother -- married again and capable of providing him with a better life -- reappears and explains that she wants to take care of the boy herself. Dink goes behind his father's back to locate his old agent, and begs him to help Dodo; but the agent cannot do anything. Dink goes away with his mother, but is miserable and runs back to his father. The agent, meanwhile, has managed to wrangle a TV show for Dodo -- and now that his son is back and needs him, Dodo resolves to find the courage to take up this offer and make a success of it. ~ Craig Butler, All Movie Guide

Irene Dunne made her final film appearance in the frothy fantasy It Grows on Trees. Looking at least two decades younger than her 52 years, Dunne plays Polly Baxter, the ebullient wife of Phil Baxter (Dean Jagger). Miracle of miracles, two of the trees in Polly's backyard garden begin sprouting paper currency! Assuming that it's genuine mazumah, Polly goes on a spending spree, and also pays off the long-standing mortgage on the house. The money-yielding trees soon become a nationwide sensation, drawing thousands of interested parties to the Baxters' tiny backyard. A major setback is inevitable, but the manner in which the dilemma is solved is both clever and logical. When it isn't concentrating on the plot proper, It Grows on Trees offers some amusing jibes at the U.S. Treasury Department, the IRS, and small-town pretentiousness. ~ Hal Erickson, All Movie Guide

Raymond Chandler's famed detective Philip Marlowe (George Montgomery) is hired by a rich, eccentric widow, Mrs. Murdock (Florence Bates) to find and return a stolen gold coin. Marlowe quickly finds himself involved an a case which includes robbery, blackmail and murder. Just as Marlowe begins to solve the mystery, he is savagely beaten by Vannier (Fritz Kortner). Marlowe finally puts all the pieces of the puzzle together when he discovers a blackmail scheme involving Murdock's mentally-ill secretary, Merle Davis (Nancy Guild) which leads him to suspect his employer. The Brasher Doubloon, adapted from Chandler's novel, The High Window, and beautifully photographed by Lloyd Ahern captures a proper film noir sensibility with its moody, low-key images and dense, dark background shots, while failing to capture the complexity of the novel. Director John Brahm, who also directed the excellent films The Lodger and Hangover Square, is disappointing, failing to create the depth of characterization and plot which he showed in these films. The Brasher Doubloon remains bland, with undistinguished acting by the entire cast. The only exception is Fritz Kortner, a veteran character actor molded in the expressionist cinema of pre-war Berlin, who creates the grotesque character of Vannier, bringing a sense of evil vitality to an otherwise bland production. ~ Linda Rasmussen, All Movie Guide

A servant with no experience ends up teaching the master of the house a thing or two in this comedy. Molly Barry (Gracie Fields) is a struggling actress who is short on money and needs paying work. When she learns that John Graham (Monty Woolley), a wealthy and respected former politician, needs a housekeeper, Molly figures that being a maid can't be that much different than playing one, and she takes the job. However, the straight-laced and prickly Graham has a habit of rubbing people the wrong way, having driven away his wife and seriously alienated his son Jimmy (Roddy McDowell). Graham's butler Peabody (Reginald Gardiner) is one of the only people willing to stand by him. But Molly tolerates no nonsense from Graham and teaches him how to better get along with people, including his son. Meanwhile, as various members of the staff quit, Molly begins to replace them with old friends from her days in the theater, until Graham's estate is practically a refuge for out-of-work thespians (Molly also makes a surprise discovery about Peabody's work history). Molly and Me also features several songs sung by Gracie Fields, a major musical comedy star in Great Britain. This proved to be her last feature film, though she remained active in television and on the stage. ~ Mark Deming, All Movie Guide

The Big Bonanza was a Republic Studios in-betweener: too elaborate for B picture, not expensive enough for an "A". Richard Arlen stars as an army deserter who heads back to his home town. Unable to hold down a legitimate job, Arlen falls in with childhood chum Robert Livingston, now a high-rolling crook. Jane Frazee is the dime-a-dance girl who acts as a redeeming force for the wayward Arlen. Gabby Hayes shows up as comic relief "Hap" Sweeney. At the bottom of the cast, billed as "Singer," is future Republic singing cowboy Monte Hale. The Big Bonanza was co-scripted by Dorrell and Stuart McGowan, later the leading lights of the TV series Death Valley Days. ~ Hal Erickson, All Movie Guide

So This is Washington is one of the better entries in the "Lum 'N' Abner" film series. Chester Lauck and Norris Goff recreate their popular radio characters of Lum and Abner, folksy general-store proprietors in the village of Pine Bluff, Arkansas. This time, the boys become convinced that they've developed a synthetic-rubber formula, so they head to the nation's capital to offer their invention to the government. Thanks to the wartime housing shortage, Lum & Abner are obliged to set up residence at a park bench. Before long they've transformed into a pair of backwoods Bernard Baruchs, dispensing sage wisdom to pedestrians and pundits alike. Very much a product of its times, So This is Washington seems more quaint than funny when seen today. ~ Hal Erickson, All Movie Guide

Stablemates is a typically treacly vehicle for Wallace Beery, who goes through his usual slobbery paces as an eternally inebriated ex-veterinarian named Tom Terry. Aspiring jockey Mickey (Mickey Rooney) idolizes Tom, who reciprocates by passing along horsemanship advice to the boy. The film's dramatic high point is the scene in which Tom, his judgement benumbed by years of alcohol abuse, tries to pull himself long enough to perform a delicate operation on Mickey's beloved horse Lady-Q. It goes without saying perhaps that the film culminates in the standard Big Race, with Mickey and Tom pinning their hopes on the obligatory "long shot." Just as Mickey Rooney has replaced Jackie Cooper as Beery's juvenile costar in Stablemates, so too has Margaret Hamilton supplanted the late Marie Dressler as Beery's romantic sparring partner. ~ Hal Erickson, All Movie Guide

The third screen version of Jack London's classic adventure story was also the first with sound, and it toyed with the original story a bit to add a love interest for leading man Clark Gable. Jack Thornton (Gable) is a would-be prospector who has headed to Alaska hoping to cash in on the gold rush. However, he loses most of his stake in a poker game and instead ends up buying a Saint Bernard named Buck. He's able to pick up Buck for a song because he's too ill-tempered to pull a sled; Smith (Reginald Owen), Buck's former owner, treated him with cruelty and the dog mangled Smith's hand in retaliation. Jack loves the dog, though, and treats him with care and kindness. Buck bonds with Jack and soon becomes a loyal companion and a good sled dog. Angry and astounded, Smith bets Jack that Buck can't pull a half-ton sled 100 yards; while the old Buck would never have done it, with Jack's urging the dog manages the feat and Jack now has the funds to set out with his friend Shorty (Jack Oakie) to stake their claim. While searching for gold, Jack and Shorty discover Claire Blake (Loretta Young), the wife of a miner who abandoned her to look for a fresh vein of gold. A warmth grows between Claire and Jack in the frozen North, but Jack is forced to help her husband when he runs afoul of thieves trying to steal his claim. Six more films based on The Call of the Wild would follow this to the screen. ~ Mark Deming, All Movie Guide