John Candy Movies

The late comedian John Candy directed this made-for-television black comedy. George Wendt stars as Warren Kooey, a poor slob with a vicious wife and a nasty boss. Wooey wants to escape his miserable existence, so he decides to stage his own kidnapping to get away from his tormentors and find some peace far, far away. ~ Bernadette McCallion, All Movie Guide

For many years, comedian John Candy was a staple of the prestigious Second City comedy troupe where he was known for creating such unforgettable characters as Johnny La Rue and Dr. Tongue. He was also a noted impressionist who had audiences rolling in the aisles with his take on such figures as Jake LaMotta, Divine and even Julia Child. This video presents only but a few of the most hysterical moments of the show. ~ Sandra Brennan, All Movie Guide

This HBO comedy special is a send-up of Martin Scorsese's The Last Waltz. Scorsese's film, it will be recalled, recorded the final concert of the rock group The Band. Polka deals with the rise and fall of that fabulous Lutonian twosome, the Schmenge Brothers. John Candy is Yosh Schmenge, and Eugene Levy is Stan Schmenge. "And ve are...der Happy Vanderers." This faux documentary traces the early lives of the Schmenge boys, their first successes on local Canadian television, and the ultimate dissolution of their accordian-dominated polka band. We are also permitted a few peeks at the Schmenges' private lives with their families, as they celebrate such venerated Lutonian customs as "The Exchanging of the Socks." An outgrowth of a recurring sketch on the old SCTV television weekly, The Last Polka also features veteran SCTVers Catherine O'Hara and Rick Moranis. ~ Hal Erickson, All Movie Guide

The second and final season of NBC's 90-minute comedy-variety series SCTV Network finds the show's familiar acting troupe short of three members: Dave Thomas, Rick Moranis, and Catherine O'Hara. Fortunately, John Candy, Eugene Levy, Joe Flaherty, and Andrea Martin are still on hand, as is relative newcomer Martin Short, who this season introduces a fresh new batch of brilliant comic characterizations, among them the ultra-geeky Ed Grimley and vainglorious Australian pop star Jackie Rogers Jr. And beginning with the sixth episode, Mary Charlotte Wilcox, heretofore seen in minor roles, is elevated to full regular status. Wilcox would remain with the troupe for their next TV venture, SCTV Channel -- which also featured Jim Hemphill, who appears sporadically throughout SCTV Network's second season. The second season's 12 episodes contain some of SCTV Network's all-time best material. Highlights include "Sammy Maudlin's 23rd Anniversary," which also incorporates dead-on spoofs of the hidebound, outdated programming typical of Canadian network television; "Bowery Boys in the Band," spotlighting guest star Robin Williams as an incongruously light-in-the-loafers Slip Mahoney; a takeoff of the Streisand-Kristofferson version of A Star Is Born, featuring musical guest Crystal Gayle; the benighted efforts by perennial talk show second banana William B. (Candy) to launch his own starring series; and best of all, the Emmy-winning episode "Sweeps Week," at once a devastating lampoon of pointless all-star TV variety specials and an affectionate bouquet to the golden days of black-and-white TV. ~ Hal Erickson, All Movie Guide

This is the last of three 90-minute NBC specials offering prized vignettes from SCTV's three seasons and the first season of SCTV: Network 90. Highlights include Gregory Peck and Woody Allen's versions of Taxi Driver; the 2-minute adaptation of Who's Afraid of Virginia Woolf; Doug and Bob McKenzie's discourse on Darth Vader; "Quincy: Cartoon Coroner"; "Lola Heatherton in Concert"; "Death Takes No Holiday"; and "Ingmar Bergman's Whispers of the Wolf." The Best of SCTV (3) originally aired in the time slot generally reserved for Saturday Night Live. ~ Hal Erickson, All Movie Guide

Expanding from 30 to 90 minutes per week in the process of "graduating" from Canada's Global Television Network to America's NBC, the popular sketch comedy series SCTV also boasts an expanded title -- SCTV: Network 90 -- as it launches its first NBC season. The "new" series' format is primarily the same as the "old" one, with each episode chronicling a typical broadcast day on SCTV's flagship station, Channel 109 in Melonville. Returning from the earlier series are John Candy, Joe Flaherty, Eugene Levy, Catherine O'Hara, Andrea Martin, Dave Thomas, and Rick Moranis; beginning with the 25th episode of season one, Martin Short joins the cast, adding his own unique comedy characterizations to the cast of "regulars" already established by his colleagues.
Among the recurring segments introduced during the shakedown season of SCTV: Network 90 are "Farm Film Report," with bucolic emcees Billy Sol (John Candy) and Jim Bob (Joe Flaherty) exhorting various ersatz celebrities to "blow up reeeal good"; "The Happy Wanderers," featuring Leutonian polka kings Stan and Yosh Schmenge (John Candy, Eugene Levy); "One on the Town," a fatuous investigative reporting series hosted by news anchor Earl Camembert (Levy); "Street Beef," the cheesy man-on-the-street interview show to which SCTV personality Johnny LaRue (Candy) is exiled after the failure of his first starring movie "Polynesiantown"; and "The Gerry Todd Show," a lampoonish music video disc jockey program that predated the debut of MTV by four months! Many of the sketches seen during SCTV: Network 90's first season are reruns, culled from three seasons' worth of the original SCTV (some of these, however, had not previously been seen on U.S. television). Of the new sketches, several are standouts, including "CCCP1," in which the SCTV satellite is hijacked by the Soviet Union; "Zontar," an extended parody of Invasion of the Body Snatchers; "The People's Golden Choice Awards," arguably the single most crooked awards show in TV history; and the hilariously self-explanatory "PBS Battle of the Network Stars." On orders from NBC, SCTV: Network 90 was obliged to accommodate musical guest stars, but for the most part these performers were smoothly integrated into the comic action. This season's crop of guests includes Levon Helm, Dr. John, Natalie Cole, Al Jarreau, The Tubes, Tony Bennett, Talking Heads, Roy Orbison, and even classical violinist Eugene Fodor and Johnny Puleo and His Harmonica Gang. Mention should also be made of non-musical guest Bill Murray, who -- to no one's surprise -- melded beautifully with the series' general zaniness. (DVD alert: Most of the aforementioned guest star turns have been removed from the half-hour syndicated versions of the individual SCTV Network episodes.) ~ Hal Erickson, All Movie Guide

This hour-long special features the Second City improvisational troupe as they present their off-the-cuff comedy. ~ All Movie Guide

An exceedingly complex plot with a few gaps in logic characterizes this uneven thriller by George Bloomfield. Photographer Michael (Michael Sarrazin) is now in a mental institution because after he got back from a dangerous assignment in the Middle East he found his wife raped and murdered. His mistress Paula West (Susan Clark) manages to get him released and then asks a private detective to keep an eye on him in case he flips out again. Trouble brews when the dead wife's lover (Anthony Perkins), who knows the truth about how she died, wants some remuneration for his silence. ~ Eleanor Mannikka, All Movie Guide

Although season two of SCTV appears to be higher-budgeted than season one, the series' strong suit is not its production polish but instead the brilliant ensemble work of John Candy, Joe Flaherty, Eugene Levy, Andrea Martin, Catherine O'Hara, and Dave Thomas (Harold Ramis is largely absent this season). The hilarity begins with "In Concert with Lola Heatherton, featuring Catherine O'Hara as the squeaky-voiced, immensely undertalented Lola. In the next episode, horror star Dr. Tongue (John Candy) gives us a few frights in 3-D. Soon afterward, a zany story arc commences as the dreaded Leutonian Liberation Front kidnaps station manager Moe Green (Harold Ramis), prompting a lachrymose "Solid Gold Telethon" with an all-star lineup including Sammy Maudlin (played "in all seriousness" by Joe Flaherty) and funnyman Bobby Bittman (played by Eugene Levy: "Howareyaaaa?"). Ultimately, the appropriately named Edith Prickley (Andrea Martin) emerges as the new manager. Subsequent season two highlights include "The Writers Strike," "1978 Melonville Municipal Elections," "Triple Feature Movie" (three pictures, one plot), "Chinese Fairy Tale" (with host Lin Ye Tang [Dave Thomas] having to apologize for program content before the show even begins); "SCTV's 30th Anniversary" (Don't miss that vintage clip of Kirk Douglas guesting on "What's My Shoe Size?"), "Sid Dithers, Private Eye," "Tax Advice With Liberace," and "The Flaming Turkey Ballet." ~ Hal Erickson, All Movie Guide

It's December of 1941, and the people of California are in varying states of unease, ranging from a sincere desire to defend the country to virtual blind panic in the wake of the Japanese attack on Pearl Harbor. Thus begin several story threads that comprise the "plot" of this strange period comedy, a sort of satirical disaster movie, from Steven Spielberg. The stories and story threads involve lusty young men, officers (Tim Matheson) and civilians (Bobby Di Cicco) alike, eager to bed the young ladies of their dreams; Wild Bill Kelso, a nutty fighter pilot (John Belushi) following what he thinks is a squadron of Japanese fighters along the California coast; a well-meaning but clumsy tank crew (including John Candy) led by straight-arrow, by-the-book Sgt. Tree (Dan Aykroyd), who doesn't recognize the thug (Treat Williams) in his command; and homeowner Ward Douglas (Ned Beatty), who is eager to do his part for the nation's defense and, despite the misgivings of his wife (Lorraine Gary), doesn't mind his front yard overlooking the ocean being chosen to house a 40 mm anti-aircraft gun. There is also a pair of grotesquely inept airplane spotters (Murray Hamilton, Eddie Deezen) who are doing their job from atop a ferris wheel at a beachfront amusement park; a paranoid army colonel (Warren Oates) positive that the Japanese are infiltrating from the hills; a big dance being held on behalf of servicemen, being attended by a lusty young woman of size (Wendie Jo Sperber) eager to land a man in uniform; and General Joseph "Vinegar Joe" Stillwell (Robert Stack), in charge of the defense of the West Coast, who can't seem to get anyone to listen to him when he says to keep calm. And, oh yes, there's also a real Japanese submarine that has gotten all the way to the California coast under the command of its captain (Toshiro Mifune) and a German officer observer (Christopher Lee), only to find itself without a working compass or usable maps. Its captain won't leave until the sub has attacked a militarily significant, honorable target, and the only one that anyone aboard ship knows of in California is Hollywood. By New Year's Eve, all of these characters are going to cross paths, directly or once-removed, in a comedy of errors and destruction strongly reminiscent of the finale to National Lampoon's Animal House (as well as several disaster movies from the same studio), but on a much larger and more impressive scale. ~ Bruce Eder, All Movie Guide