Dick Powell Movies

Warner Brothers was one of the big studios of the 30s and had many talented performers under contract. See some of their most outrageous mistakes, as well as previously unseen shots. ~ Rovi

The Enemy Below is a study of submarine warfare from the vantage point of both sides. Robert Mitchum plays the captain of an American destroyer, who despite having lost his family in the war endeavors to let his head rule his heart in combat. Curt Jurgens co-stars as a German U-boat commander, depicted as being as honorable and compassionate as Mitchum. The two men develop a grudging mutual respect as they pursue one another throughout the North Atlantic. Based on a novel by D. A. Rayner, The Enemy Below was the last theatrical film directed by Dick Powell, who hereafter concentrated on his extensive television work. ~ Hal Erickson, Rovi

You Can't Run Away From It is a musical remake of Frank Capra's Oscar-winning classic It Happened One Night, complete with same-named characters and word-for-word scene reconstructions. It all begins when spoiled heiress Ellie Andrews (June Allyson) is literally kidnapped from the altar by her wealthy father (Charles Bickford). Escaping from her daddy's yacht with only a handful of clothes and minimal finances, Ellie hops a bus, intending to travel cross-country to be reunited with her fortune-hunting husband. Reporter Peter Warne (Jack Lemmon), sensing a swell newspaper story, tags along. Though Peter and Ellie aren't terribly fond of one another (that's putting it mildly!), by the end of their journey they've fallen in love -- but there are still several last-minute complications before a happy ending can be reached. Most of the musical numbers in the remake are awkwardly inserted during the more famous scenes from the Capra original: the "Walls of Jericho," the impromptu singalong on the bus, the hitchhiking bit, etc. Benefiting from the breezy performances of Jack Lemmon and June Allyson, You Can't Run Away From It is easy to take, but hardly within shouting distance of the original film's brilliance. ~ Hal Erickson, Rovi

Actor Dick Powell made an impressive film debut with the taut atomic-age suspenser Split Second. Convicts Stephen McNally, Paul Kelly and Frank DeKova escape to a ghost town in the Nevada desert. Only it isn't exactly a ghost town, but a "dummy village" constructed for the purpose of A-bomb testing. The criminals hold several hostages, including reporter Keith Andes, nightclub singer Jan Sterling, selfish socialite Alexis Smith, her doctor-husband Richard Egan and her newest boyfriend Robert Paige. Andes suspects that the deserted town is at Ground Zero of the latest bomb test, but he can't convince the convicts until it's almost too late. The best and most horrifying sequence occurs near the end, when the criminals, accompanied by the duplicitous Ms. Smith, discover that they're driving towards the A-bomb target instead of away from it. Novelist Irving Wallace collaborated on the script of Split Second with Chester Erskine and William Bowers. ~ Hal Erickson, Rovi

Kirk Douglas plays the corrupt and amoral head of a major film studio in this Hollywood drama, often regarded as one of the film's industry's most interesting glimpses at itself. Actress Gloria Lorrison (Lana Turner), director Fred Amiel (Barry Sullivan), and screenwriter James Lee Bartlow (Dick Powell) are invited to a meeting at a Hollywood sound stage at the request of producer Harry Pebbel (Walter Pidgeon). Pebbel is working with studio chief Jonathan Shields (Kirk Douglas), whose studio is in financial trouble and needs a blockbuster hit. If these three names will sign to a new project, he's convinced that there's no way he can lose. But there's a rub -- all three of these Hollywood heavyweights hate Shields's guts. He dumped Gloria for another woman, he double-crossed Fred out of a plum directing assignment, and he was responsible for the death of James Lee's wife. All three are ready to tell Pebbel to forget it, until they hear the voice of Shields, calling from Europe to discuss the project by phone. The Bad and the Beautiful won five Academy Awards, including Best Screenplay and Best Supporting Actress for Gloria Grahame. ~ Mark Deming, Rovi

A video of two dramas from the early television series: "The House Always Wins" and "The Left Fist of David." ~ Rovi

Callaway Went Thataway is an amiable spoof of early television's "Hopalong Cassidy" craze. Fred MacMurray and Dorothy McGuire star as Mike Frye and Deborah Patterson, advertising copywriters who have pulled off quite a coup by purchasing the old "Smokey Callaway" Westerns for TV. Trouble begins when the sponsor wants to meet up with Callaway (Howard Keel) and sign him to a long-term contract. But Smokey, a notorious boozer and womanizer, has dropped out of sight and left for parts unknown. In desperation, Mike and Debbie hire a Callaway look-alike named Stretch Barnes (also Howard Keel), whom they give a crash course in the art of being a boyhood idol ("You're a cowboy star. You have two expressions: hat on and hat off"). Barnes not only pulls off the ruse with the greatest of ease, but also takes his responsibilities to his young fans quite seriously. The plot thickens when the real Smoky Callaway emerges from a ten-year bender to demand a piece of the action. Callaway Went Thataway is full of wonderful moments, not least of which is a climactic fistfight between Callaway and Barnes, adroitly edited and photographed so as to make it appear that Howard Keel is actually punching out himself! The supporting cast includes future TV favorites Jesse White, Stan Freberg, and Hugh Beaumont (unbilled), while several MGM stars make surprise cameo appearances. Perhaps to avoid potential lawsuits, the film ends with a timorous disclaimer, stating that most Western stars are generous, upstanding individuals -- and not at all like the bibulous, mercenary Smoky Callaway. ~ Hal Erickson, Rovi

The most delightful aspect of You Never Can Tell is the film's ability to successfully sustain its single joke for 78 minutes. The story begins when King, a German shepherd, falls heir to a fortune. Ellen Hathaway (Peggy Dow), trustee of King's estate, spends most of her time fending off would-be fortune hunters -- with the exception of personable Perry Collins (Charles Drake), who claims to have been King's "commander" in the wartime K-9 corps. Soon afterward, King dies of strychnine poisoning, and though no evidence exists, Ellen is held responsible. The film then shifts to the celestial way-station for animals known as "Beastatory." Here, the ghost of King implores a heavenly jury to be given an opportunity to return to earth and expose his genuine murderer. King gets his wish, and in a twinkling he is reincarnated in the form of private-eye Rex Shepard (Dick Powell). Shepard's girl Friday is Goldie (Joyce Holden), a reincarnated racehorse who insists upon outrunning buses just for the exercise. In his new human form, Rex returns to his mansion, where despite his animal instincts he can't help falling in love with Ellen as he endeavors to clear her name. To reveal more would rob the viewer of thoroughly enjoying this captivating piece of whimsy. ~ Hal Erickson, Rovi

MGM's The Reformer and the Redhead was the first directorial collaboration of longtime screenwriting partners Norman Panama and Melvin Frank. The reformer is Andrew Rockton Hale (Dick Powell), a mayoral candidate. Hale butts heads with a corrupt political machine, which has recently ordered the firings of several innocent city employees, including zookeeper Kevin Maguire (Cecil Kellaway). The redhead in the case is Maguire's daughter Kathleen (June Allyson), who joins Hale's election team, only to turn on him after a series of misunderstandings. The farcical proceedings culminate in a bit of Bringing Up Baby-style slapstick involving a ferocious lion. By the time Reformer and the Redhead was filmed, Dick Powell and June Allyson had been married for five years. ~ Hal Erickson, Rovi

Station West may look like a western, but it sure sounds like a contemporary film noir. Dick Powell stars as Haven, a government private investigator assigned to investigate the murders of two cavalrymen. Travelling incognito, Haven arrives in a small frontier outpost, where leggy saloon singer Charlie (Jane Greer) controls all illegal activities. After making short work of Charlie's burly henchman (Guinn Williams), Haven gets a job at her gambling emporium, biding his time and gathering evidence against the gorgeous crime chieftain Cast as a philosophical bartender, Burl Ives is afforded at least one opportunity to sing. Station West was one of a handful of RKO Radio films released to the 8-millimeter home-movie market in the mid-1970s. ~ Hal Erickson, Rovi

Even when decked out in a Foreign Legion uniform, Dick Powell looked, talked and acted like an urban private eye. In Rogues' Regiment, American secret agent Whit Corbett (Dick Powell) joins the Legion in order to track down Nazi war criminal Carl Reicher (Stephen McNally) in French Indo-China. Hampering his search is a native uprising which consumes most of the film's running time. Vincent Price contributes an amusingly despicable supporting role as Mark Van Ratten, an erudite art collector who sidelines in gunrunning. Though Dick Powell doesn't get to sing (not that he really wanted to!), leading-lady Marta Toren offers two sultry nightclub numbers. ~ Hal Erickson, Rovi

Three years after song-and-dance man Dick Powell reshaped his nice-guy image by playing hard-boiled gumshoe Phillip Marlowe in Murder My Sweet, he returned to film noir with this crime-based thriller. Johnny O'Clock (Dick Powell) and his partner Pete Marchettis (Thomas Gomez) operate a gambling casino that has seen better days. Chuck Blayden (Jim Bannon), a cop on the take, wants in on the casino, and he makes friends with Pete while trying to convince him that Johnny, the smarter of the two, should go. When Chuck's girlfriend Harriet (Nina Foch) is found dead, a supposed suicide, his sister Nancy (Evelyn Keyes) smells a rat, especially after Chuck skips town. Nancy is convinced that her sister was murdered, and she asks Johnny to help her prove it. Johnny, who already has a number of women in his life -- including Nelle (Ellen Drew), Pete's wife -- figures that one more can't hurt and agrees to help her. But Police Inspector Koch (Lee J. Cobb), convinced that Johnny and Pete were behind Harriet's death, is making it hard for Johnny to do much investigating, and matters get worse when Chuck's body is found floating in the river. Screenwriter Robert Rossen made his directorial debut with this film, 14 years later, he would return to this film's tough, gritty style for his best picture, The Hustler. ~ Mark Deming, Rovi