Enrique Posner Movies

It is not necessary to know that this story is based on a true incident in order to enjoy it; in real life, a man landed in a major European airport without the necessary papers, and while authorities worked (slowly, ever-so slowly) to resolve his citizenship status, he lived and worked there, unable to leave either by air or by foot. This situation lasted for years. In the current movie, Arturo (Jean Rochefort) has flown into France from Montreal. He holds dual French and Canadian citizenship, but all his papers were stolen from him while he was at the Canadian airport without his knowledge. He is married to a Spanish woman and lives in Rome. This confusion of visas and nationalities is too great for the authorities to sort out quickly, and he settles into a behind-the-scenes existence at the airport while he awaits developments. There, he discovers a whole international community of the stranded, a nation-within-a-nation. ~ Clarke Fountain, Rovi

Written and directed by Spanish filmmaker Pedro Almódovar, Tacones Lejanos is a murder mystery centering on flamboyant actress Becky del Paramo (Marisa Paredes) and her daughter Rebecca (Victoria Abril), a television anchorwoman. After being estranged for 15 years, Becky re-enters Rebecca's life when she comes to perform a concert. Rebecca, she finds, is now married to one of Becky's ex-lovers, Manuel (Feodor Atkine). As the mother and daughter begin making up for lost time, Manuel is suddenly murdered at his home. Unfortunately, which of the ladies is responsible for the homicide remains unclear, even after one of them confesses. Released in the U.S. under the title High Heels, Tacones Lejanos was nominated for several Goya Awards as well as the Best Foreign Language Film at the 1992 Golden Globes. ~ Matthew Tobey, Rovi

"I'll never love you . . . ever!" the sexy and attractive Marina (Victoria Abril) states emphatically to the love-struck Ricky (Antonio Banderas). You know she means what she says because when she makes this statement she is handcuffed and lashed to a bed, not exactly the proper way to warm anyone up for romance. Yet in Pedro Almodovar's Tie Me Up! Tie Me Down! the way to a woman's heart is depicted as being held in captivity until the Stockholm Syndrome kicks in. The film concerns the plight of Marina, a "B"-movie diva trying to adjust to her recent success after years of porno films and drug addiction. But then into her life comes Ricky, a part-time handyman and full-time mental patient, who, during one of his past escapes from the mental ward, had spent the night with Marina -- who gave in to him during one of her less-discerning moments. Since then, Ricky has been thinking of her constantly. Determined to win her affections, he kidnaps Marina, holding her captive in her own apartment and trying everything to convince her to love him -- then they could marry and have a big family. All Ricky's attempts to woo Marina fail. Finally, after taking a severe beating from some street thugs, he strikes a chord in Marina's nurturing heart so that when her sister Lola (Loles Leon) finally discovers her plight, Marina no longer wants to be rescued. ~ Paul Brenner, Rovi