Darryl Ponicsan

Two people who've known the pain of loss and the sting of betrayal are brought together under trying circumstances in this romantic drama. Dutch van den Broeck (Harrison Ford) is a police detective based in Washington D.C. whose wife works for an upscale department store; flying to Miami on business, she dies shortly after takeoff in one of the worst aviation disasters in the city's history. However, Dutch finds out that his wife wasn't actually traveling on business: Kay Chandler (Kristin Scott Thomas) is a prominent political figure whose husband was also killed in the crash, and Dutch and Kay discover that their spouses were on the plane together because they were having an affair. Random Hearts was directed by Sydney Pollack, who also worked with Harrison Ford on his previous film, Sabrina. ~ Mark Deming, All Movie Guide

An assemblage of young Hollywood actors poised for stardom marked this tale of anti-Semitism at a 1950s prep school. Brendan Fraser stars as David Greene, a working-class Jewish quarterback from Scranton, Pennsylvania, who is offered a senior year scholarship to a prestigious New England academy. It's David's ticket to an Ivy League education and a way out of his Rust Belt hometown, but there's one condition: the school's elders ask him to be discreet about his religion. At first willing to do so, David struggles with his silence about his faith as his popularity grows. David strikes up a friendship with his roommate Chris Reece (Chris O'Donnell) and a possible romance with Sally Wheeler (Amy Locane), a student at a nearby girls' school. When jealous classmate Charlie Dillon (Matt Damon) learns David's secret at an alumni party, he exposes the school's new gridiron hero, and David faces the full force of religious intolerance from the prejudiced WASP institution. Also featuring early performances from Ben Affleck, Anthony Rapp, and Cole Hauser, School Ties was loosely based on the real-life experiences of producer Dick Wolf, creator of TV's popular series Law & Order. ~ Karl Williams, All Movie Guide

High-priced hooker Barbra Streisand has been arrested for the murder of one of her clients. The attorney engaged by Streisand's parents hope to cop an insanity plea so that she can avoid a trial and manslaughter conviction. But she refuses this, citing a proviso in New York law which may result in her spending the rest of her life in an institution. Against all odds, struggling lawyer Richard Dreyfuss tries to prove that Streisand is not crazy and capable of standing trial. Dreyfuss certainly has his work cut out for him: from what we've seen in the film thus far, the violently impulsive Streisand is not only "nuts," but certifiably so. Though she has plenty of opportunity in Nuts to give out with her usual bravura Streisandisms, Streisand (who also produced the film and wrote the songs) is surprisingly restrained through most of the proceedings. And then there's that extended-monologue climax. Nuts was adapted by Tom Topor, Darryl Ponicsan and Alvin Sargent from Topor's stage play. ~ Hal Erickson, All Movie Guide

A blend of science fiction and noir detective fiction, Blade Runner (1982) was a box office and critical bust upon its initial exhibition, but its unique postmodern production design became hugely influential within the sci-fi genre, and the film gained a significant cult following that increased its stature. Harrison Ford stars as Rick Deckard, a retired cop in Los Angeles circa 2019. L.A. has become a pan-cultural dystopia of corporate advertising, pollution and flying automobiles, as well as replicants, human-like androids with short life spans built by the Tyrell Corporation for use in dangerous off-world colonization. Deckard's former job in the police department was as a talented blade runner, a euphemism for detectives that hunt down and assassinate rogue replicants. Called before his one-time superior (M. Emmett Walsh), Deckard is forced back into active duty. A quartet of replicants led by Roy Batty (Rutger Hauer) has escaped and headed to Earth, killing several humans in the process. After meeting with the eccentric Eldon Tyrell (Joe Turkel), creator of the replicants, Deckard finds and eliminates Zhora (Joanna Cassidy), one of his targets. Attacked by another replicant, Leon (Brion James), Deckard is about to be killed when he's saved by Rachael (Sean Young), Tyrell's assistant and a replicant who's unaware of her true nature. In the meantime, Batty and his replicant pleasure model lover, Pris (Darryl Hannah) use a dying inventor, J.F. Sebastian (William Sanderson) to get close to Tyrell and murder him. Deckard tracks the pair to Sebastian's, where a bloody and violent final confrontation between Deckard and Batty takes place on a skyscraper rooftop high above the city. In 1992, Ridley Scott released a popular director's cut that removed Deckard's narration, added a dream sequence, and excised a happy ending imposed by the results of test screenings; these legendary behind-the-scenes battles were chronicled in a 1996 tome, Future Noir: The Making of Blade Runner by Paul M. Sammon. ~ Karl Williams, All Movie Guide

First telecast by CBS on October 12, 1977, the made-for-TV A Girl Called Hatter Fox was adapted from a novel by Marilyn Harris. Joanelle Nadine Romero plays the title character, a sullen 17-year-old Navajo orphan girl who has been sent to a New Mexico reformatory. Endeavoring to save Hatter from a bleak future, dedicated doctor Teague Summer (Ronny Cox) butts up against the intractability of ancient Indian superstitions and sorcery, not to mention the girl's own "born loser" mindset. A Girl Called Hatter Fox has been syndicated under the title Lost Legacy. ~ Hal Erickson, All Movie Guide

Two Navy "lifers" and one military innocent briefly attempt to thumb their nose at Authority in Hal Ashby's The Last Detail (1973). "Badass" Buddusky (Jack Nicholson) and "Mule" Mulhall (Otis Young) are assigned to escort young sailor Meadows (Randy Quaid, who beat out John Travolta for the part) from their Virginia base to a New England military prison, where Meadows will serve an eight-year sentence for attempting to swipe the commander's wife's polio donation can. Buddusky thinks that the sentence is a waste of Meadows' formative years, and he convinces a skeptical Mulhall to show the hapless Meadows a good time by partying on their per diem for the rest of the detail's allotted week. As they head north, the comically posturing Buddusky leads Meadows through the masculinizing rituals of getting drunk, getting in a fight, and getting laid; and he teaches Meadows to stand up for himself so well that Meadows tries to escape. Despite his self-proclaimed "badass" rep, however, Buddusky is, as Mulhall tells him, "a lifer like me," and the two ultimately have a job that they were ordered to do. Taking full advantage of the new ratings system, writer Robert Towne adapted the Darryl Ponicsan novel with an ear for how Navy men really talk. Objecting to the wall-to-wall obscenities, Columbia put off releasing the movie, but, after Nicholson won the Best Actor prize at the Cannes Film Festival, finally opened it for Oscar consideration in December 1973 before a full release several months later. Even with nominations for Nicholson, Quaid, and Towne, and rave reviews despite the notorious cussing, The Last Detail failed to find an audience. ~ Lucia Bozzola, All Movie Guide