Bernie Pollack Movies

A businessman becomes the last line of defense for his family and his business in this thriller. Jack Stanfield (Harrison Ford) is an upper-echelon technology executive at Landrock Pacific Bank, a leading financial institution based in Seattle. Stanfield oversees security for Landrock, and has made sure that their online banking services are the best-protected in the world, and that the bank's data is safe from hackers and other intruders. However, Stanfield finds out the hard way that his system does indeed have a flaw when he's visited by Bill Cox (Paul Bettany), a cold and calculating man who has spent months learning everything there is know about Stanfield and his family. Cox's underlings have taken Stanfield's wife, Beth (Virginia Madsen), and their two children hostage, and they inform Jack that they will be released only when he uses his knowledge of the bank's security systems to deposit 100 million dollars in Cox's account in an offshore bank. Stanfield is deeply wary but willing to go along to ensure the safety of his family, but when he has reason to doubt that Cox and his cohorts will live up to their end of the bargain, he swings into action to exact justice against the criminals. Firewall also stars Alan Arkin, Robert Forster, and Mary Lynn Rajskub. ~ Mark Deming, All Movie Guide

In this supernatural thriller, a woman believes that a visitor from another dimension is trying to guide her into a sinister mystery. Feeling lonely after her daughter leaves home for college, Claire (Michelle Pfeiffer) begins to sense that something is wrong in her house, and feels a spirit is trying to contact her. At first her husband Norman (Harrison Ford), a scientist doing research in genetics, attributes her paranormal beliefs to stress or possibly a nervous breakdown, and sends her to a psychiatrist (Joe Morton) who puts no more stock in Claire's stories than does Norman. While Claire's contention that someone or something sinister is afoot leads her down a number of blind alleys, in time she becomes convinced that the mysterious happenings at her home are somehow connected to the disappearance of a woman who was a student at the nearby college -- and bore a striking resemblance to Claire. What Lies Beneath marked the debut of screenwriter Clark Gregg, whose script is based on a story by himself and Sarah Kernochan; the supporting cast includes Diana Scarwid as Claire's best friend Jody, and James Remar and Miranda Otto as a contentious couple living next door. ~ Mark Deming, All Movie Guide

Two people who've known the pain of loss and the sting of betrayal are brought together under trying circumstances in this romantic drama. Dutch van den Broeck (Harrison Ford) is a police detective based in Washington D.C. whose wife works for an upscale department store; flying to Miami on business, she dies shortly after takeoff in one of the worst aviation disasters in the city's history. However, Dutch finds out that his wife wasn't actually traveling on business: Kay Chandler (Kristin Scott Thomas) is a prominent political figure whose husband was also killed in the crash, and Dutch and Kay discover that their spouses were on the plane together because they were having an affair. Random Hearts was directed by Sydney Pollack, who also worked with Harrison Ford on his previous film, Sabrina. ~ Mark Deming, All Movie Guide

A policeman plays Good Samaritan to a visitor from Ireland, only to discover that he has a potentially deadly secret. Belfast-born Frankie McGuire (Brad Pitt) saw his father gunned down by enemy soldiers at the age of eight, and when he grew up he joined the Irish Republican Army, determined that one day his father's death would be avenged. An especially ruthless "volunteer," Frankie is responsible for the death of 13 British soldiers and 11 policemen. After a particularly bloody battle, Frankie sails to the United States in a ragged tugboat he has restored; with a huge bundle of cash, Frankie intends to buy a stock of Stinger missiles from an underground arms dealer in America, Billy Burke (Treat Williams). Upon arrival in New York, Frankie is met by a judge who is sympathetic to the IRA's cause and who arranges a place for him to stay. Using the name Rory Devaney, Frankie moves into the home of Tom O'Meara (Harrison Ford), a scrupulously honest cop. Tom is already in the midst of a personal crisis; his friend and partner Edwin Diaz (Ruben Blades) recently shot a man that he knew was unarmed in the line of duty, and while Edwin wants Tom to help him cover up the matter, Tom's conscience will not allow it. When Tom begins to realize that "Rory" is not simply a man running from the violence of his homeland, he's torn between his sympathy for Frankie's tragic childhood and his desire to see justice served and prevent needless death in Ireland. ~ Mark Deming, All Movie Guide

Blue Chips examines greed, cheating, and "winning at all costs" in the world of college basketball. Nick Nolte plays the stressed-out coach on the verge of his first losing season, who hits the road in search of new players not already signed by a bigger school. He finds three prospects: a precision Chicago shooter (Anfernee Hardaway), a giant farmboy (Matt Nover), and a talented troublemaker (Shaquille O'Neal). All three, wise to the ways of college basketball recruitment, make excessive financial and lifestyle demands before they can be persuaded to come to the school; the coach, already haunted by accusations of underhanded dealings, doesn't want to dig himself a deeper hole but has no choice. ~ Don Kaye, All Movie Guide

Adrian Lyne buffs the premise of Honeymoon in Vegas to a fine gloss in this yuppie melodrama that poses the conundrum of whether the loving husband of an equally loving wife will accept $1 million to allow his wife to spend one night with a billionaire who looks like Robert Redford. All the cynics please take a number and form a line at the right. Demi Moore and Woody Harrelson play Diana and David Murphy, high-school sweethearts who marry and who are doing very well -- Diana is a successful real-estate agent, and David is an idealistic architect who has built a dream house by the ocean -- until the recession hits. Suddenly, David loses his job, and they can't make the mortgage payments. Dead broke, they borrow $5000 from David's father and head to Las Vegas to try to win money to pay the mortgage on their house. At first, they get $25,000 ahead -- but inevitably the house always wins, and they end up losing it all. While Diana is in the fancy casino boutique trying to lift some candy, she is spotted by billionaire John Gage (Robert Redford), who is immediately attracted to her. John invites Diana and David to an opulent party, and it is there that John offers David $1 million for a night with his wife. David is wracked by this moral dilemma, but Diana finally makes the decision on her own, with ensuing consequences for their ideal marriage and their bank account. ~ Paul Brenner, All Movie Guide

Robert Redford's lyrical direction sets the tone for this evocative adaptation of author Norman MacLean's memoir of his idyllic Montana youth. The MacLean family is presided over by the strict but encouraging Rev. MacLean (Tom Skerritt) and his loving wife (Brenda Blethyn). Craig Sheffer stars as the young Norman, the older son in his family, who takes his school work and writing a bit too seriously for Paul (Brad Pitt), the impetuous younger son, to take much stock in. Paul would rather have a good time, drink and play cards than get involved with academic study. Where Norman wants to be a college literature professor, Paul would prefer to stay in Montana all his life and wrangle some kind of job writing for a local newspaper. But, ironically, Paul is the better fly fisherman and in this way attains a sense of perfection. The film also details the MacLean boys' involvement with a colorful group of town's people -- including a young Indian woman Paul decides to date and the defiant Jessie (Emily Lloyd), whom Norman later marries. ~ Paul Brenner, All Movie Guide

A cynical gambler reluctantly comes to the aid of a mysterious beauty in this interpolation of Casablanca and the real-life Cuban revolution. Big-stakes American gambler Jack Weil (Robert Redford) is comfortable in the anything-goes Havana of 1958. But with Fidel Castro out in the wilderness broadcasting revolutionary messages, it seems the good times may be on the way out. On a boat back to the island nation from the U.S. mainland, Weil agrees to help beautiful Bobby Duran (Lena Olin) smuggle in some contraband by trading vehicles with her on their way through the checkpoint. He's amused to discover not jewelry, but radio transmitters squirreled away in her car. Eventually, he learns that she's the European wife of monied Cuban communist Arturo Duran (Raul Julia), who believes his class and status will protect him from the ruling party. When that assumption turns out to be false, Jack finds himself sucked in by the plight of the suddenly widowed Bobby, who remains committed to her dangerous ideals. Risking his cushy lifestyle to protect Bobby from the coming tumult -- and from herself -- Jack must grapple with the dictates of his newfound conscience. With a supporting cast that includes Alan Arkin and Tomas Milian, Havana reunited director Sydney Pollack with Redford and David Rayfiel, star and co-screenwriter of The Way We Were. Rayfiel has also worked on a number of Pollack pictures, stretching from 1969's Castle Keep to 1995's remake of Sabrina. ~ Brian J. Dillard, All Movie Guide

Sylvester Stallone is a tough but essentially decent convict in a relatively humane prison. He's on such good terms with the authorities that he's occasionally allowed a weekend furlough. This idyllic situation ends abruptly when he's transferred to a nasty prison run by sadistic warden Donald Sutherland (remember way back when Sutherland played good guys and Stallone played secondary hoodlums?) Harboring a grudge against Sly over an unfortunate incident at another prison, Sutherland does everything he can to make Stallone's term a Hell on Earth. But in the end, it is Sutherland who is Stallone's prisoner--and, since Sly's name comes first on the credits, it is Sutherland who blubberingly confesses to a string of crimes perpetrated on the helpless inmates. ~ Hal Erickson, All Movie Guide

Self-centered, avaricious Californian Charlie Babbitt (Tom Cruise) is informed that his long-estranged father has died. Expecting at least a portion of the elder Babbitt's $3 million estate, Charlie learns that all he's inherited is his dad's prize roses and a 1949 Buick Roadmaster. Discovering that the $3 million is being held in trust for an unidentified party, Charlie heads to his home town of Cincinnati to ascertain who that party is. It turns out that the beneficiary is Raymond Babbitt (Dustin Hoffman), the autistic-savant older brother that Charlie never knew he had. Able to memorize reams of trivia and add, subtract, multiply, and divide without a second's hesitation, Raymond is otherwise incapable of functioning as a normal human being. Aghast that Raymond is to receive his father's entire legacy, Charlie tries to cut a deal with Raymond's guardian. When this fails, Charlie "borrows" Raymond from the institution where he lives, hoping to use his brother as leverage to claim half the fortune. During their subsequent cross-country odyssey, Charlie is forced to accommodate Raymond's various autistic idiosyncracies, not the least of which is his insistence on adhering to a rigid daily schedule: he must, for example, watch People's Court and Jeopardy every day at the same time, no matter what. On hitting Las Vegas, Charlie hopes to harness Raymond's finely-honed mathematical skills to win big at the gaming tables; but this exploitation of his brother's affliction compels Charlie to reassess his own values, or lack thereof. A longtime pet project of star Dustin Hoffman, Rain Man was turned down by several high-profile directors before Barry Levinson took on the challenge of bringing Ronald Bass' screenplay to fruition (Levinson also appears in the film as a psychiatrist). All three men won Oscars, and the movie won Best Picture. ~ Hal Erickson, All Movie Guide

Michael Keaton plays a famous Chicago-based hockey player who befriends trouble-prone teenager Ajay Naidu (after Naidu's gang has tried to mug him!) He also extends the hand of friendship to Naidu's mother Maria Conchita Alonso, a friendship that blossoms into a physical relationship. Too self-centered to make a commitment to Alonso, Keaton tries to break things off, but Naidu won't let him go so easily. This seemingly frivolous situation is underscored by the more serious efforts of Alonso to make a better life for herself and her son. The comic and dramatic elements of Touch and Go never quite jell, but the winning performances of the three main characters help gloss over the film's unevenness. ~ Hal Erickson, All Movie Guide

On the occasion of his 50th birthday, blue-collar family man Gene Hackman is possessed by our old friend, The Mid-Life Crisis. Visiting a local tavern, Hackman becomes enchanted by gorgeous barmaid Ann-Margret. In less time than it takes to down his beer, he has resolved to leave his wife Ellen Burstyn, and his daughters Ally Sheedy and Amy Madigan, in favor of a fresh start with his sexy new "conquest." The film deals not so much with Hackman's impulsive decision as with the genuine pain he leaves in his wake. Madigan's vituperative lash-out at her father is one of many heartbreaking moments of truth in this refreshingly cliché-free domestic drama. The perceptive screenplay for Twice in a Lifetime was written by Colin Welland; the film's theme music was composed by Paul McCartney. ~ Hal Erickson, All Movie Guide

The film version of The Natural pulls off the neat trick of conveying the spirit of the Bernard Malamud novel upon which it is based, even while changing both the outcome and the meaning of Malamud's closing chapters. In his first film appearance in four years, Robert Redford plays Roy Hobbs, a farm boy with a hankering to be a great baseball player. With his faithful homemade bat "Wonderboy" in hand, Roy heads to the big city. En route, he arouses the fascination of the mysterious Harriet Bird (Barbara Hershey). Luring the boy to a hotel room, Harriet asks Roy what he wants out of life. Roy brashly responds he wants to be "the best there is," whereupon Harriet whips out a gun and shoots Roy down. Sixteen years later, a humbler Roy Hobbs emerges from the bush leagues to become a 35-year-old "rookie" on the 1939 lineup of the New York Knights. He soon becomes the team's star player, and in so doing once more attracts enigmatic woman Memo Paris (Kim Basinger), the glamorous niece of the Knights' manager Pop Fisher (Wilford Brimley) and the mistress of Rothstein-like gambler Gus Sands (a curiously unbilled Darren McGavin). Roy's fascination with Memo compromises his ability to play, but this time he finds salvation in the form the angelic Iris Gaines (Glenn Close), his childhood sweetheart. From this point forward, the script for The Natural bears very little resemblance to the Malamud original. Without giving anything away, it can be said that Roy Hobbs is given a once-in-a-lifetime opportunity to compensate for the mistakes of his youth, despite the demonic intrusion of inexplicably spiteful sports writer Max Mercy (Robert Duvall). The Natural elevates the art of slow-motion photography to new heights; while this technique would become precious and boring in later baseball films, it works beautifully here, as does the decision by director Barry Levinson and cinematographer Caleb Deschanel to convey the symbolism inherent in the story in purely visual rather than blatantly verbal terms. (If the characters told you that the story was a retelling of the Camelot legend in baseball terms, would you have watched?) Another plus is the pastoral theme music by Randy Newman, which has been well utilized on sports broadcasts and "human interest" TV documentaries ever since. The baseball scenes in The Natural were staged at War Memorial Stadium in Buffalo, New York. ~ Hal Erickson, All Movie Guide