Sidney Poitier Movies

Sidney Poitier was to Hollywood what Jackie Robinson was to major league baseball: simply put, the man who broke the color barrier. An actor, director, and producer, he forever altered the racial perceptions long held by both motion picture audiences and executives, rising to superstar status in an industry forever dominated on both sides of the camera by whites while becoming the first African-American ever to take home an Oscar for Best Actor. Born February 20, 1927, in Miami, FL, Poitier grew up in poverty in the British West Indies. After quitting school at the age of 13, he later joined the U.S. Army, serving in World War II as a medical assistant. Upon his release from duty he relocated to New York City, where he auditioned for the American Negro Theater. When his heavy Bahamian accent prompted laughter from producers, Poitier spent the next six months honing his elocution skills, practicing his enunciation by repeating radio routines, and finally gaining admission to the theatrical troupe's ranks after his second audition.
Handsome and athletic, Poitier made his Broadway debut in 1946 in an all-black production of Lysistrata, and moved into films four years later with No Way Out. His impressive turn in 1955's gritty The Blackboard Jungle brought him closer to stardom, and in 1958 he earned his first Academy Award nomination opposite Tony Curtis in Stanley Kramer's social drama The Defiant Ones. The film's focus on racial politics, as well as his increasing popularity with audiences of all racial backgrounds, solidified Poitier's standing as a key figure in the burgeoning civil rights movement, as roles in features including 1959's Porgy and Bess and 1961's Raisin in the Sun established him as the premier black actor of his generation. For 1963's The Lilies of the Field, he made history as the first African-American actor to win an Oscar in a leading role, and with the mainstream success of 1965's A Patch of Blue and 1967's To Sir, With Love, his ascent to superstardom was complete.
Much to his credit, Poitier continued to make racially provocative films; in 1967 he appeared in Kramer's Guess Who's Coming to Dinner as the black fiancé of a white woman, while in the same year's Best Picture-winning In the Heat of the Night, he starred as a Philadelphia police detective facing prejudice while investigating a murder in the Deep South. In 1969, Poitier founded the First Artists Production Company, and in 1972 -- at the peak of the blaxploitation era which his earlier success made commercially viable -- announced his directorial debut with Buck and the Preacher. He directed and starred in his next three films (1973's Warm December, 1974's Uptown Saturday Night, and 1975's Let's Do It Again) before starring in Ralph Nelson's 1975 South African political thriller The Wilby Conspiracy, after which he returned to the director's chair with 1977's A Piece of the Action.
After directing the 1980 comedy Stir Crazy, Poitier began to decrease his workload; he helmed two more features, 1982's Hanky Panky and 1984's Fast Forward, but then disappeared from filmmaking for the next several years. In 1988, Poitier appeared onscreen for the first time in over a decade in Roger Spottiswoode's thriller Shoot to Kill, followed by a supporting turn in the espionage drama Little Nikita. Upon directing 1990's disastrous Bill Cosby comedy Ghost Dad, he starred as Supreme Court Justice Thurgood Marshall in the television feature Separate But Equal, and in 1992 appeared in the star-studded Sneakers. After another extended absence, Poitier returned in 1995 in the TV movie Children of the Dust, and in 1996 he starred in the long-awaited follow-up to his '67 success To Sir With Love, TV's To Sir With Love 2. ~ Jason Ankeny, All Movie Guide
1950  
 
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A pioneering film about racial tensions, No Way Out stars Richard Widmark as a criminal named Ray Biddle, who despises African-Americans. Sidney Poitier (in his screen debut) is the black doctor, Luther Brooks, assigned to take care of the wounded Ray. Dr. Brooks, hired by the police hospital as part of an overall program to integrate the staff, keeps his temper in check as Ray spouts his racist invective. When Ray's brother, also wounded, dies in the hospital, the blustering bigot holds Dr. Brooks responsible and sends word to his gang to wreak vengeance on the city's black community. But the blacks turn the tables on the whites and fight them off. Ray then breaks out of the hospital with Dr. Brooks as hostage. His plans to kill the doctor are thwarted by Ray's girlfriend (Linda Darnell), who finally becomes fed up with his blind hatred. No Way Out was considered potent stuff in 1950; it was still regarded as a hot potato in 1962, when NBC dropped plans to telecast the film on "Saturday Night at the Movies." ~ Hal Erickson, All Movie Guide

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Starring:
Richard WidmarkLinda Darnell, (more)
1951  
 
This deliberately paced British film about a black rural priest and a white landowner whose paths cross in 1940s South Africa remains one of the most powerful cinematic statements on racism. Based on Alan Paton's landmark novel, Cry the Beloved Country is, in hindsight, naïve in its belief that apartheid would be easier to overcome than history proved it to be, but its intentions are certainly in the right place and it never trivializes the importance of the issue. To the credit of both Paton and director-producer Zoltan Korda, the film maintains a dignity and relevancy that is not always true of other "message" movies from the 1940s and '50s. Partly, this is because the characters, both black and white, are much more fully developed than a Hollywood production would have allowed them to be. Another factor is that the filmmakers do not resort to heavy-handedness, and instead allow the story to speak for itself. Knowing that the film was actually shot on location in South Africa during the height of apartheid only compounds the impact of this film. Canada Lee, as the priest Kumalo, and Charles Carson, as the farmer Jarvis, give stunning, multi-layered performances as two men who must go through a wrenching emotional experience. The solid supporting cast includes Joyce Carey as Jarvis' wife and a twenty-something Sidney Poitier as a Johannesburg priest. More than forty years later, after apartheid's fall, Cry the Beloved Country was remade with James Earl Jones and Richard Harris. ~ Bob Mastrangelo, All Movie Guide

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Starring:
Canada LeeCharles Carson, (more)
1952  
 
Red Ball Express deals with the little-known activities of the U.S. Army Transportation Corps during WW II. It so happened that many of the Corps' most courageous drivers were black men, who otherwise would have been denied an opportunity for combat duty. Sidney Poitier plays Corporal Andrew Robinson, who resents his second-class-citizen status and chafes at the orders issued by his white commanding officer Lt. Chick Campbell (Jeff Chandler). Meanwhile, Campbell has his own cross to bear in the form of relentlessly hostile sergeant Ernest Kalek (Alex Nicol). All differences are conveniently forgotten in the climactic euphoria of providing ammunition for General Patton's tanks during the Allied push to Paris in 1944. Considered just another war picture in 1952, Red Ball Express has since taken on added stature by virtue of the presence of actor Sidney Poitier and director Budd Boetticher. ~ Hal Erickson, All Movie Guide

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Starring:
Jeff ChandlerAlex Nicol, (more)
1954  
 
The inspirational story of the famed basketball tricksters The Harlem Globetrotters is chronicled in this drama. The Trotters began in the 1920s when a manager catches a group of talented players on the basketball court. He becomes obsessed with getting these young black men the recognition he feels they deserve. He gathers them together as a team and they begin barnstorming a series of small towns. The film's climax takes on overtones of the Civil Rights Movement when it depicts a major game between them and an all-white team of champions. The Globetrotters beat the tar out of their opponents. One of the main storylines concerns the friendship between Saperstein and his wife, and player Inman Jackson and his wife. ~ Sandra Brennan, All Movie Guide

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Starring:
Dane ClarkPatricia Breslin, (more)
1955  
NR  
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In this gritty urban drama, war veteran Richard Dadier (Glenn Ford) wants to begin his career as a teacher and is given an assignment at a boys high school in inner-city New York. However, he soon discovers the school is overrun by delinquents, led by Artie West (Vic Morrow), an insolent hood who likes to call Richard "Mr. Daddy-O." Artie and his gang steal, destroy property, refuse to respect authority, and threaten the female teachers with rape. While most of the faculty have given up and meekly let the delinquents do what they want, Dadier is determined to bring order back to his classroom, even after Artie's thugs threaten Richard's pregnant wife. Keep your eyes peeled for a bit part by Jameel Farah, years before he would change his name to Jamie Farr. Blackboard Jungle was also the first major studio film to use rock & roll on the soundtrack; the film's success kick-started sales of "Rock Around the Clock" by Bill Haley & His Comets, which helped to spark the rock & roll boom of the 1950s. ~ Mark Deming, All Movie Guide

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Starring:
Glenn FordSidney Poitier, (more)
1956  
 
The focus of this heartfelt family film is Skeeter (Brandon de Wilde), a 14-year-old orphan who lives with his aged Uncle Jesse (Walter Brennan) in the swamps of the deep South. Their lives are brightened by a stray dog that Skeeter discovers and takes in. He makes the basenji his own, but eventually finds out that the dog is missing and its owner has posted a reward for its return. ~ Nicole Gagne, All Movie Guide

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Starring:
Walter BrennanPhil Harris, (more)
1957  
 
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Based on a novel by Robert Penn Warren, this Southern potboiler stars Yvonne DeCarlo as Amantha Starr, the daughter of a wealthy Louisiana plantation owner. When her father unexpectedly dies, Amantha discovers that her father was deep in debt and the family is penniless, and she is forced to drop out of the exclusive girls' school she was attending. What's more, it is discovered that Amantha has a small amount of African-American blood, and under the laws she is to be sold into slavery in New Orleans. Amantha is purchased by Hamish Bond (Clark Gable), a dashing, wealthy, but mysterious landowner. While Amantha is at first terrified by her new situation, in time she grows fond of Hamish and becomes romantically involved with him. However, the outbreak of the Civil War leads to Union forces taking New Orleans; RauRu (Sidney Poitier), Hamish's trusted overseer, joins the Northern forces as the Rebels go down in defeat. RauRu hates Amantha for literally sleeping with the enemy, and Hamish for the corrupt system he represents, but his last remaining threads of loyalty prevent him from taking them prisoner. With his crops destroyed, Hamish must rebuild his empire from the ground up, and, as he joins forces with his former associate Capt. Canavan (Torin Thatcher), he must reveal a shameful secret to Amantha: he once earned his living as a slave trader. ~ Mark Deming, All Movie Guide

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Starring:
Clark GableYvonne De Carlo, (more)
1957  
 
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Filmed on location in Africa, Mark of the Hawk stars Sidney Poitier as a London-educated African who returns to his homeland to take a political post. Poitier's brother Clinton Macklin is in charge of a rebel organization, determine to topple the white-dominated government. Poitier must choose between seeking out racial equality through peaceful means, or casting his lot with Macklin: it is (at least in this film) a struggle of Right against Right. Eartha Kitt is top-billed, but her role is decidedly secondary to Poitier's. Released in Britain as Accused, Mark of the Hawk has been retitled Shaka Zulu on video, though it should not be confused with the 1985 TV miniseries of the same name. ~ Hal Erickson, All Movie Guide

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Starring:
Eartha KittSidney Poitier, (more)
1957  
NR  
Edge of the City is a modern morality play, acted out in the railyards of New York. AWOL soldier John Cassavetes takes a job as a railroad worker, where he is taunted and bullied by supervisor Jack Warden, a union functionary appointed by the Mob. Cassavetes befriends his African-American co-worker Sydney Poitier, whose very presence enrages the bigoted Warden. Poitier dies in an "accident" arranged by Warden; Cassavetes knows the truth, but is frightened into silence by the corrupt union. Inspired by Poitier's widow to stand up for what is right, Cassavetes challenges Warden in a climactic one-on-one battle. Edge of the City was produced by David Susskind, who'd previously staged Robert Alan Aurthur's screenplay for television under its original title, A Man is Ten Feet Tall. ~ Hal Erickson, All Movie Guide

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Starring:
John CassavetesSidney Poitier, (more)
1957  
 
The literalism of writer-director Richard Brooks serves him well in this meticulously faithful adaptation of the Robert Ruark novel Something of Value. Filmed on location in Africa, this is the story of the Mau Mau uprising in Kenya, as seen through the eyes of a handful of protagonists. Virtually alone in a sea of racist British colonialism, gentleman farmer Peter McKenzie (Rock Hudson) strives to understand the demands of freedom and equality made by Kenya's black population in particular and his childhood friend Kimani (Sidney Poitier) in particular. Ultimately, however, McKenzie and Kimani find themselves on opposite sides of the fence when the latter aligns himself with the Mau Mau. Without advocating the terrorism of this controversial movement, the screenplay is careful to deal the ongoing iniquities and frustrations that forced men like Kimani to take arms against their white brethren. There were a few theatres in the American south who, feeling that the racial tensions inherent in Something of Value hit too close to home, refused to book this fascinating, thought-provoking, often startlingly brutal film. ~ Hal Erickson, All Movie Guide

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Starring:
Rock HudsonDana Wynter, (more)
1958  
 
Based on Robb White's novel 3DOur Virgin Island3D (the film's original title), this harmless location-filmed comedy boasts an unusually impressive cast. With their combined life savings of $85, fiercely independent archeologist Evan (John Cassavetes) and his wife Tina (Virginia Maskell) purchase an island in the tropics. They create an idyllic home-away-from-home with the help of resourceful islander Marcus (Sidney Poitier). All is serene until Tina becomes pregnant--but the fun 3Dreally3D begins when she goes into labor while stranded with her husband in a rickety boat in the middle of the ocean. The "Philip Rush" credited as screenwriter is actually a joint pseudonym for blacklisted Hollywood scriveners Ring Lardner Jr. and Ian McClellan Hunter. ~ Hal Erickson, All Movie Guide

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Starring:
John CassavetesVirginia Maskell, (more)
1958  
 
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Convicts Tony Curtis and Sidney Poitier escape from a chain gang. Curtis' character, John "Joker" Jackson, hates blacks, while Poitier's character, Noah Cullen, hates whites. However, the men are manacled together, forced to rely on each other to survive. Captured at one point by a lynch-happy mob, the convicts are rescued by Big Sam (Lon Chaney Jr.), himself a former convict. The men are later sheltered by a lonely, love-hungry widow played by Cara Williams, who offers to turn in Cullen if Joker will stay with her. By the time the two men are within hailing distance of a train that might take them to freedom, they have become friends. The script for The Defiant Ones is credited to Harold Jacob Smith and Nathan E. Douglas. The latter was really Nedrick Young, a blacklisted writer, whom producer Stanley Kramer hired knowing full well that Young was using an alias (when "Douglas"' credit appears onscreen, it is superimposed over a close-up of a truck driver -- played by Nedrick Young). Both the script and the photography by Sam Leavitt won Academy Awards. If you look closely, you'll notice that the actor playing Angus is former Little Rascal Carl "Alfalfa" Switzer, making his last screen appearance. The Defiant Ones was remade for TV in 1986, with Robert Urich and Carl Weathers in the leads. ~ Hal Erickson, All Movie Guide

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Starring:
Tony CurtisSidney Poitier, (more)
1959  
 
A stellar line-up of African-American actors and musical stars helped to bring DuBose Heyward and Ira Gershwin's classic operetta to this screen in this lavishly-produced adaptation. Porgy (Sidney Poitier) is a crippled man living in the shantytown of Catfish Row who has fallen in love with Bess (Dorothy Dandridge), a beautiful but troubled woman addicted to drugs. Bess is already being courted by several men, including Crown (Brock Peters), a muscular laborer, and Sportin' Life (Sammy Davis, Jr.), a sharp-suited hipster who deals narcotics. Crown gets in a fist fight with Robbins (Joel Fluellen) and ends up killing him; Crown goes on the lam, and Bess, needing companionship, takes up with Porgy. However, Crown soon returns, and Porgy kills him in a subsequent altercation, forcing him to hide from the police. Meanwhile, the fickle Bess follows Sportin' Life in search of the bright lights of New York City. Pearl Bailey, Diahann Carroll, Ivan Dixon, and Clarence Muse also highlight the cast; Robert McFerrin provided the singing voice of Porgy, and Adele Addison dubbed in Bess' musical numbers. ~ Mark Deming, All Movie Guide

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Starring:
Sidney PoitierDorothy Dandridge, (more)
1960  
 
Set right near the 38th Parallel, the dividing line between North and South Korea, this conventional wartime tale focuses on the relationships of some GI's caught without reinforcements in an old farmhouse. Although the house offers some protection, the men are outnumbered and little by little, casualties mount. After the lieutenant dies, black Sergeant Towler (Sidney Poitier) automatically assumes command, and that causes friction among the white soldiers underneath him. Knowing that racial tension can do much more damage than normal under these siege conditions, Sergeant Towler finally defuses the situation when his nemesis, Kincaid (Alan Ladd) is wounded. Kincaid gets a life-saving transfusion from the Sergeant which also shows up the stupidity of racial hatred -- but meanwhile, the enemy is still attacking and reinforcements are still needed. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Alan LaddSidney Poitier, (more)
1961  
NR  
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While this original movie version of Lorraine Hansberry's award-winning play may have dated somewhat, it was groundbreaking when first released in 1961, and a wealth of future plays, films, and TV productions have taken their lead from this socially conscious drama about a struggling African-American family. Lena Younger (Claudia McNeil) is a strong, proud woman who has raised a family in a crowded apartment on the South Side of Chicago. Her son Walter Lee (Sidney Poitier) works as a chauffeur; intelligent and ambitious but impulsive and often angry, he desperately wants to get ahead in a world that offers him few opportunities. His wife Ruth (Ruby Dee) takes in laundry to help make ends meet and watches over their son. Younger daughter Beneatha (Diana Sands) is a college student who wants to become a doctor and often speaks of searching for her cultural identity. On the death of her husband, Lena becomes the beneficiary of a $10,000 life insurance payment, and suddenly the family is in conflict over how the money should be spent. Lena wants to use the money for a down payment on a house. Beneatha is hoping that Lena will help her pay for medical school. And Walter Lee wants to go into business with friends who plan to open a liquor store, which he's convinced will be a sure money maker. The cast, nearly all reprising their roles from the original Broadway production, offers a collection of superb performances; also keep an eye peeled for a young Louis Gossett Jr. as George Murchison. While Daniel Petrie's direction never takes A Raisin in the Sun very far from its roots as a stage play, it captures the power and tension of a strong ensemble cast working with an intelligent and moving script. ~ Mark Deming, All Movie Guide

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Starring:
Sidney PoitierClaudia McNeil, (more)
1961  
 
The second film of director Martin Ritt with both Paul Newmanand Sidney Poitier, it's set in a city that has long been a haven for black musicians eager to escape the racism of the U.S. Newman is Ram Bowen, a trombone player who makes his living in a jazz group, which also includes tenor man Eddie Cook (Sidney Poitier), while studying music and aspiring to a career as a "serious" composer. Eddie stays in Paris to bask in the respect that its people feel for his music, a respect rarely accorded him in the States. A pair of tourists, Connie Lampson (Diahann Carroll) and Lillian Corning (Joanne Woodward) arrive in the city for a two-week vacation, and the two musicians lose no time in hooking up. Soon both relationships take a serious turn and the musicians are forced to make some important decisions about the possibility of returning to their native soil. ~ Michael Costello, All Movie Guide

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Starring:
Paul NewmanJoanne Woodward, (more)
1962  
 
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Unable to get through to a particularly hostile patient, psychiatrist Peter Falk goes to gray-haired senior shrink Sidney Poitier for advice. This prompts Poitier to recall his experiences during World War II. While working on behalf of the government, Poitier was assigned the case of psycho Nazi sympathizer Bobby Darin. A complex flashback structure reveals the various influences that led to Darin's warped state of mind and to his life of crime. Poitier perceives that Darin is potentially dangerous, and insists that he needs further treatment. The government sees things differently, and allows Darin, who on the surface shows signs of recovery, to leave the hospital. The horrible results of this decision serve to convince Poitier to follow his own gut feelings no matter what his fellow "experts" might advise, and to continue probing even the most recalcitrant or deceptively "cured" of patients. Essentially a conformist psychological melodrama, Pressure Point truly comes to life whenever Bobby Darin is on the screen. His performance was outstanding, far better than his Oscar-nominated turn in 1963's Captain Newman MD. Unfortunately, the critics were aligned against Darin, possibly because of the singer/actor's well-publicized arrogance; Judith Crist went so far as to compare Darin to Dr. Samuel Johnson's walking dog, quipping that the most remarkable aspect of Darin's performance was not that he did it well, but that he did it at all. ~ Hal Erickson, All Movie Guide

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Starring:
Sidney PoitierBobby Darin, (more)
1963  
NR  
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In this elaborately mounted seafaring adventure, Rolfe (Richard Widmark) is a Viking leader with the cunning and devious mind of a pirate. Rolfe tells others sailors of "The Mother of Voices," a mammoth bell made of gold and as tall as three men, but he adds enough incorrect details to throw them off the proper trail. However, Aly Mansuh (Sidney Poitier), the leader of a group of ambitious Moors, sees through Rolfe's story, and soon the two are in a breakneck race to be the first to capture the precious bell. The Long Ships also features Russ Tamblyn and Oscar Homolka. ~ Mark Deming, All Movie Guide

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Starring:
Richard WidmarkSidney Poitier, (more)
1963  
NR  
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Sidney Poitier plays Homer Smith, an aimless ex-GI who takes a temporary handyman job at a Southwestern farm maintained by five German nuns. It is the cherished dream of the Mother Superior (Lilia Skala) to build a chapel (or, as she says, a "shapel"). She is convinced that the personable Homer has been sent from Above to help her realize her dream. He protests loudly and rudely, but she will not be dissuaded. How Homer accomplishes her goal, endears himself to the surrounding townsfolk, and avoids an arrest for a previous crime, comprises the heart of Lilies of the Field. The film, adapted by James Poe from a novel by William E. Barrett, was later remade for television, and it won Poitier an Academy Award for Best Actor, the first time that award was given to an African-American. ~ Hal Erickson, All Movie Guide

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Starring:
Sidney PoitierLilia Skala, (more)
1965  
 
Sidney Pollack marked his feature film directing debut with this taut suspense drama, based upon an actual incident reported in Time Magazine. Sidney Poitier stars as Alan Nuell, a student volunteer at a medical clinic in Seattle who answers the phone to find Inge Dyson (Anne Bancroft) on the other end. Inge, depressed about her life, has just taken an overdose of sleeping pills. With Inge slowly dying, Alan tries to keep her talking on the phone while the police try to trace the call and save her life. Inge tells Alan that she has decided to end it all because her husband has discovered that he is not the father of her son. ~ Paul Brenner, All Movie Guide

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Starring:
Sidney PoitierAnne Bancroft, (more)
1965  
 
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Filmmaker George Stevens chose Monument Valley, Utah for his exterior sequences in The Greatest Story Ever Told, this ($20 million) adaptation of Fulton Oursler's best-selling book. The "Greatest Story" is, of course, the life of Jesus Christ, played herein by Max Von Sydow. The large supporting cast includes Dorothy McGuire as Mary, Claude Rains as Herod the Great, Jose Ferrer as Herod Antipas, Charlton Heston as John the Baptist, Donald Pleasence as Satan (identified only as "The Dark Hermit"), David McCallum as Judas Iscariot, Sidney Poitier as Simon of Cyrene, Telly Savalas as Pontius Pilate and Martin Landau as Caiaphas. Even Robert Blake as Simon the Zealot, Jamie Farr as Thaddaeus, and motorcyle-flick veteran Richard Bakalyan as Dismas, the repentant thief, are well-suited to their roles. Originally roadshown at 260 minutes, Greatest Story Ever Told was later available in a 195-minute version. ~ Hal Erickson, All Movie Guide

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Starring:
Max von SydowDorothy McGuire, (more)
1965  
NR  
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Shelley Winters won an Academy Award for her searing performance as Rose-Ann d'Arcy in A Patch of Blue. The star, however, is not Winters but Elizabeth Hartman, cast as d'Arcy's blind, sensitive daughter, Selina. A venomous prostitute, Rose-Ann treats both Selina and grandfather Ole Pa (Wallace Ford) like dirt. Fortunately, Selina finds a way out via the kindly Gordon Ralfe (Sidney Poitier), who befriends Hartman and tries to open up doors for her previously closed by her selfish mother. Despite the objections of the bigoted Rose-Ann and of Gordon's brother Mark (Ivan Dixon), a bond stronger than physical love is forged between Gordon and Selina. Brilliantly avoiding gooey sentiment throughout, A Patch of Blue was adapted for the screen by director Guy Green, from the novel Be Ready with Bells and Drums by Elizabeth Kata. ~ Hal Erickson, All Movie Guide

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Starring:
Sidney PoitierShelley Winters, (more)
1965  
NR  
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The Bedford Incident was an attempt by Columbia Pictures -- which had previously made Dr. Strangelove and released Fail-Safe -- to tap the well of public anxiety surrounding nuclear weapons and the Cold War one more time. Reporter Ben Munceford (Sidney Poitier) is allowed aboard a navy ship on patrol near the Arctic Circle, under the command of Captain Eric Finlander (Richard Widmark). His job is to observe the ship in action and do an article on Finlander, a hard-as-nails sailor and a dedicated anti-Communist with a patriotic zeal that's extraordinary even in a man of his rank and position. Finlander's main problem, however -- when he's not sparring with the reporter -- is tracking and hunting a Soviet sub that he knows is patroling the same waters. What alarms Munceford (and the audience) is that Finlander acts like there is an actual "hot" war going on; he drives his men mercilessly, up to and past the breaking point, trying to hunt down the submarine and force it to surface, and nothing -- not the questions of the reporter, the angry protests of the newly-arrived medical officer (Martin Balsam), or the quietly voiced concerns of retired U-Boat commander Commodore Shrepke (Eric Portman), aboard as an observer, can get him to relent. Then, when it looks like Finlander has been proved right and has gotten away with his provocation of the "enemy," a mistake by one over-tired young officer (James MacArthur) suddenly unleashes all of the destructive power with which Finlander has been flirting. ~ Bruce Eder, All Movie Guide

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Starring:
Richard WidmarkSidney Poitier, (more)
1966  
 
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Frontier scout Jess Remsberg (James Garner) is crossing the desert when he spots a dead army scout and group of Apaches pursuing someone -- it turns out to be a white woman, Ellen Grange (Bibi Andersson); he gets her away from them and returns her to her home and her husband Willard (Dennis Weaver), who seems much more upset that the horse she was riding when she left is dead than he is glad that she is back. Ellen was kidnapped by the Apaches two years before and rescued a year after that, and had fled a town where her husband and everyone else had treated her as an outcast since her return. Apart from preventing her from being raped by some drunken townsmen, however, Remsberg barely has time to worry over what goes on between them, as he has a mission of his own -- tracking down the men who murdered his wife, a Comanche woman. A key clue is in the hands of the town marshal in Fort Conchos and to get there he has to scout for a cavalry unit bringing horses, ammunition, and fresh recruits to the fort, with Grange and his wife -- and the infant son she had by the Indian chieftain who took her as his squaw -- going along, with ex-buffalo soldier-turned-horse wrangler Toler (Sidney Poitier). Their party ends up under siege by Chata (John Hoyt), the Apache Indian chief and grandfather to Ellen Grange's baby, who has jumped the reservation; he wants his grandson back, and the ammunition the troop was carrying, and also intends on killing Ellen for inadvertently causing the death of his son. They all end up trapped in a box canyon while Remsberg tries to survive to get help from Fort Conchos. If this all sounds complicated, it's not, especially as told by director Nelson, in a straightforward, unpretentious, brisk, and decidedly violent fashion that anticipates his own Soldier Blue, made four years later. Every plot element links up neatly in this script, which quite effectively recalls (and weaves together) elements of the book and the movie Hondo as well as any number of revenge westerns of the 1960's. ~ Bruce Eder, All Movie Guide

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Starring:
James GarnerSidney Poitier, (more)
1967  
NR  
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Old-line liberals Matt and Christina Drayton (Spencer Tracy and Katharine Hepburn) have raised their daughter Joey (Katharine Houghton) to think for herself and not blindly conform to the conventional. Still, they aren't prepared for the shock when she returns home from a vacation with a new fiancé: African-American doctor John Prentice (Sidney Poitier). While they come to grips with whatever prejudices they might still harbor, the younger folks must also contend with John's parents (Roy Glenn Sr. and Beah Richards), who are dead-set against the union. To complicate matters, the older couple's disapproving maid (Isabel Sanford) and Christina's bigoted business associate (Virginia Christine) put in their two cents' worth. While Joey is determined to go ahead with the wedding no matter what people think, John refuses to consider marriage until he receives the unqualified approval of all concerned. The closing monologue delivered by Spencer Tracy turned out to be the last scene ever played by the veteran film luminary, who died not long after the production. The film was a success in the racially volatile year of 1967 and was nominated for 10 Academy Awards, including Best Picture, and won for Hepburn and screenwriter William Rose. ~ Hal Erickson, All Movie Guide

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Starring:
Spencer TracyKatharine Hepburn, (more)

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