Mary Kay Place Movies

University of Tulsa graduate Mary Kay Place hightailed it to Hollywood in hopes of becoming a writer and performer of comedy material. She was hired for 1970s The Tim Conway Comedy Hour as a production assistant to both star Conway and producer Norman Lear. It was Conway who gave her her first on-camera break, while Lear saw to it that Place received her first writing credit on his subsequent All in the Family. Lear displayed her to even better advantage in the role of senseless, tactless, and eminently lovable would-be C&W star Loretta Haggers on the satirical soap opera Mary Hartman, Mary Hartman (1976-1977). She won an Emmy for her work as Loretta, and was later nominated for a Grammy for her spin-off musical album, Tonight! At the Capri Lounge...Loretta Haggers. She wrote scripts for such TV sitcoms as The Mary Tyler Moore Show, Phyllis, and MASH, usually in collaboration with her professional partner (and future Designing Women producer), Linda Bloodworth. In films since 1976's Bound for Glory, Place has only occasionally been given a chance to shine on the big screen; the best of her movie roles include the washout nightclub singer who briefly replaces Liza Minnelli in New York, New York (1976), and the reconstituted "child of the '60s" who eagerly volunteers for surrogate motherhood in The Big Chill (1983). Place then continued to work on a variety of projects throughout the 80's and 90's, playing family friend Camille Chersky on the tragically-cancelled dramatic series My So-Called Life, and directing episodes of TV shows like Friends and Arli$$. With the new millennium, Place turned once again towards the big screen, enjoying appearances in films like Being John Malkovich and Girl, Interrupted, but she continued to work in TV as well, with a recurring role on the Showtime series Big Love. ~ Hal Erickson, All Movie Guide
1973  
 
Archie has often overstepped his bounds in expressing his dismay over Gloria's marital relationship with a "liberal meathead" like Mike. But never before has he expressed his mistrust of Mike in so extreme a manner as in this episode. Considering himself within his rights to search Mike and Gloria's room, Archie succeeds only in nearly tearing his family asunder -- and this time, even Edith lowers the boom on her husband. Written by Austin and Irma Kalish, "Archie Goes Too Far" first aired on January 27, 1973. ~ Hal Erickson, All Movie Guide

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Starring:
Carroll O'ConnorJean Stapleton, (more)
1972  
PG  
Add Kansas City Bomber to QueueAdd Kansas City Bomber to top of Queue
While Raquel Welch was a household name and an international sex symbol through much of the 1960s'and 1970s, Hollywood didn't seem sure about what to do with her; this was one of her more unusual vehicles from this period, in which Welch plays K.C. Carr, a divorcee with two children who becomes romantically involved with Burt Henry (Kevin McCarthy). Burt is the owner of a roller derby team, the Kansas City Bombers, and convinces K.C. that a career on the rink might be just the thing for her. K.C. soon discovers that the sport is rougher than she imagined, and her teammate Jackie (Helena Kallianiotes) is convinced that K.C. is out to replace her as the Bombers' star attraction. But another member of the team, Horrible Hank Hopkins (Norman Alden), shows K.C. the ropes and stands up for her. When Hank gets traded to another team, K.C. has to learn to fend for herself against Jackie as well as Burt. Raquel Welch did all her own skating for this film; an accident while filming one of the derby sequences left her with a broken wrist that shut down production for six weeks. Legendary singer and songwriter Phil Ochs was tapped by the producers of Kansas City Bomber to write a theme song for the film; it wasn't used, though it was released as a single and appeared on the compilation CD The War is Over: The Best of Phil Ochs. ~ Mark Deming, All Movie Guide

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Starring:
Raquel WelchKevin McCarthy, (more)

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