Mary Kay Place Movies
University of Tulsa graduate
Mary Kay Place hightailed it to Hollywood in hopes of becoming a writer and performer of comedy material. She was hired for 1970s The Tim Conway Comedy Hour as a production assistant to both star Conway and producer
Norman Lear. It was Conway who gave her her first on-camera break, while
Lear saw to it that Place received her first writing credit on his subsequent
All in the Family.
Lear displayed her to even better advantage in the role of senseless, tactless, and eminently lovable would-be C&W star Loretta Haggers on the satirical soap opera
Mary Hartman, Mary Hartman (1976-1977). She won an Emmy for her work as Loretta, and was later nominated for a Grammy for her spin-off musical album, Tonight! At the Capri Lounge...Loretta Haggers. She wrote scripts for such TV sitcoms as
The Mary Tyler Moore Show, Phyllis, and
MASH, usually in collaboration with her professional partner (and future Designing Women producer), Linda Bloodworth. In films since 1976's
Bound for Glory, Place has only occasionally been given a chance to shine on the big screen; the best of her movie roles include the washout nightclub singer who briefly replaces
Liza Minnelli in
New York, New York (1976), and the reconstituted "child of the '60s" who eagerly volunteers for surrogate motherhood in
The Big Chill (1983). Place then continued to work on a variety of projects throughout the 80's and 90's, playing family friend Camille Chersky on the tragically-cancelled dramatic series My So-Called Life, and directing episodes of TV shows like Friends and Arli$$. With the new millennium, Place turned once again towards the big screen, enjoying appearances in films like Being John Malkovich and Girl, Interrupted, but she continued to work in TV as well, with a recurring role on the Showtime series Big Love -- which earned her an Ammy nomination for Outstanding Guest Actress on a Drama Series in 2010. ~ Hal Erickson, Rovi

- 1976
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- 1976
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- 1974
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Col. Blake (McLean Stevenson) organizes a search party for the dog that bit his clerk, Radar (Gary Burghoff). Blake can't be sure, but the pooch may have been rabid -- and if so, the consequences for Radar are too unpleasant to imagine. Meanwhile, the staff wonders why the usually compassionate Hawkeye (Alan Alda) is treating a paralyzed soldier (Michael O'Keefe) in so brusque and cold a fashion. "Mad Dogs and Servicemen" originally aired on December 10, 1974. ~ Hal Erickson, Rovi
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- 1974
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Everyone in the 4077th has spring fever, and few are more "feverish" than Col. Henry Blake (McLean Stevenson), who decides to take advantage of a lull in hostilities by shooting a few rounds of golf. Elsewhere, Father Mulcahy (William Christopher) relies upon a balky short-wave radio to perform a marriage ceremony between Klinger and his Toledo-based sweetheart; a grateful patient (Alex Karras) inextricably attaches himself to a bewildered Hawkeye (Alan Alda); and Radar falls for a nurse who shares his love of poetry. Said nurse is played by comedienne Mary Kay Place, who also co-wrote the script. "Springtime" first aired on October 15, 1974. ~ Hal Erickson, Rovi
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- 1973
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Fed up with practically everything -- the lack of decorum at the 4077th, the irreverence of Hawkeye (Alan Alda) and Trapper (Wayne Rogers), and especially her dead-end romance with Frank Burns (Larry Linville) -- Maj. Margaret "Hot Lips" Houlihan (Loretta Swit) demands a transfer out of the unit. This momentous occasion demands a farewell party, during which Margaret gets good and sloshed. An unexpected crisis not only sobers up the heroine, but changes her mind as well. The first of several episodes written by actress Mary Kay Place and future sitcom producer Linda Bloodworth, "Hot Lips and Empty Arms" originally aired on December 15, 1973. ~ Hal Erickson, Rovi
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- 1973
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Archie has often overstepped his bounds in expressing his dismay over Gloria's marital relationship with a "liberal meathead" like Mike. But never before has he expressed his mistrust of Mike in so extreme a manner as in this episode. Considering himself within his rights to search Mike and Gloria's room, Archie succeeds only in nearly tearing his family asunder -- and this time, even Edith lowers the boom on her husband. Written by Austin and Irma Kalish, "Archie Goes Too Far" first aired on January 27, 1973. ~ Hal Erickson, Rovi
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- Starring:
- Carroll O'Connor, Jean Stapleton, (more)

- 1972
- PG
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While Raquel Welch was a household name and an international sex symbol through much of the 1960s'and 1970s, Hollywood didn't seem sure about what to do with her; this was one of her more unusual vehicles from this period, in which Welch plays K.C. Carr, a divorcee with two children who becomes romantically involved with Burt Henry (Kevin McCarthy). Burt is the owner of a roller derby team, the Kansas City Bombers, and convinces K.C. that a career on the rink might be just the thing for her. K.C. soon discovers that the sport is rougher than she imagined, and her teammate Jackie (Helena Kallianiotes) is convinced that K.C. is out to replace her as the Bombers' star attraction. But another member of the team, Horrible Hank Hopkins (Norman Alden), shows K.C. the ropes and stands up for her. When Hank gets traded to another team, K.C. has to learn to fend for herself against Jackie as well as Burt. Raquel Welch did all her own skating for this film; an accident while filming one of the derby sequences left her with a broken wrist that shut down production for six weeks. Legendary singer and songwriter Phil Ochs was tapped by the producers of Kansas City Bomber to write a theme song for the film; it wasn't used, though it was released as a single and appeared on the compilation CD The War is Over: The Best of Phil Ochs. ~ Mark Deming, Rovi
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- Starring:
- Raquel Welch, Kevin McCarthy, (more)