Harold Pinter Movies
It is difficult to determine what was in the psychological makeup of Briton Harold Pinter that resulted in a playwriting style distinguished by tension-filled pregnant pauses. Possibly this minimal use of wordage stemmed from Pinter's own communication problems with his Portuguese-born Jewish father. In the 1950s, Pinter attended RADA and hoped to be an actor under the Anglo-Saxon professional name David Baron. Instead he turned to writing, penning his first play, The Room, for the Bristol University drama department. After a lukewarm response to his first professionally produced play, The Birthday Party (1958), Pinter rose to fame with the 1960 stage production The Caretaker. With 1963's The Servant, Pinter made his bow as a screenwriter, and also essayed his first film role (he has since acted in other films, such as 1985's Turtle Diary, but hasn't declared any intention of making this his life's work). While many of his films (The Caretaker, The Birthday Party, the Oscar-nominated Betrayal) are adapted from his own plays, just as many have been screen originals. Pinter's film scripts aren't quite as enigmatic or confusing as his plays, in fact many have been models of clarity and succinctness, notably his Oscar-nominated adaptation of John Fowles' complex The French Lieutenant's Woman (1981). For a man who wasn't overly fond of excess verbiage, Pinter had considerable success on BBC radio, but here again it's what is not said in Pinter's plays that's most important. In 1974, Harold Pinter ventured into film directing with Butley, an over-the-top comedy by Peter Gray that's as far removed from the usual Pinter style as a Marx Brothers film. ~ Hal Erickson, All Movie Guide
The Anthony Shaffer play originally brought to the screen in 1972 gets the remake treatment in this updating that finds Michael Caine stepping into the role of the brilliant thriller writer portrayed by Laurence Olivier in the original, and Jude Law following in Caine's footsteps as the young hairdresser who steals the literary giant's wife, only to find himself subsequently swallowed up in an elaborate revenge scheme. Kenneth Branagh directs a script adapted from Shaffer's original play by screenwriter Harold Pinter. ~ Jason Buchanan, All Movie Guide
- Starring:
- Michael Caine, Jude Law, (more)
Set amidst the controversy of the handover of the Panama Canal from America to Panama in late 1999, this espionage thriller follows seductive British spy Andrew Osnard (Pierce Brosnan), who has found himself recently banished to Panama. When Osnard stumbles into a tailor shop, he meets Harry Pendel (Geoffrey Rush), a garrulous sort with an unmatched penchant for "fluence" -- that is, fabricating wild tales with real-life details. Osnard threatens to expose his shady past, until Pendel agrees to provide him with information about the political situation in Panama. Pendel's wife Louisa (Jamie Lee Curtis) tries to remain unscathed by her husband's constant follies, which escalate and put him in the midst of international discord, while also threatening the shaky relationship between himself and Osnard, who cannot escape each other's grasp. Based on John le Carré's popular 1996 novel, the film also features Catherine McCormack, David Hayman, and young Daniel Radcliffe, who completed this film before his starring role in Harry Potter and the Sorcerer's Stone, released later in the year. ~ Jason Clark, All Movie Guide
- Starring:
- Pierce Brosnan, Geoffrey Rush, (more)
Mike Nichols directs Emma Thompson in this made-for-cable adaptation of the Pulitzer Prize-winning drama by Margaret Edson. Thompson plays Vivian Bearing, a college professor who teaches a course on English poetry. Vivian learns that she has advanced ovarian cancer and only a short time to live, which gives her a sudden and dramatic insight into the importance of kindness and compassion. Wit also features Christopher Lloyd, Eileen Atkins, Audra McDonald, and Jonathan Woodward as Dr. Jason Posner, a former student of Vivian's who helps treat her. ~ Mark Deming, All Movie Guide
- Starring:
- Emma Thompson, Christopher Lloyd, (more)
Freely adapted from a novel by Jane Austen, this period drama is set in the early 1800s, as a girl named Fanny (Hannah Taylor Gordon) is being raised by loving but desperately poor parents. Wanting a better life for Fanny, they send her away to live with her aunts, high-minded Mrs. Norris (Sheila Gish) and drug-addicted Lady Bertram (Lindsay Duncan), who share an estate called Mansfield Park. Fanny joins the family at Mansfield Park, which includes Lady Bertram's husband Sir Thomas (Harold Pinter), who made his money in slaves and West Indian plantations; Sir Thomas's son Tom (James Purefoy), an alcoholic; Tom's intelligent younger brother Edmund (Jonny Lee Miller); and his two sisters, Julia (Justine Waddell) and Maria (Victoria Hamilton). Fanny soon makes friends with Edmund, though she's shown little respect by the rest of the family. In time, Fanny grows to adulthood (now played by Frances O'Connor) and gains skill and poise as a horsewoman while developing her skills as an author. When the stylish but secretive siblings Henry and Mary Crawford (Alassandro Nivola and Embeth Davidtz) arrive at Mansfield Park, romantic sparks begin to fly; the two sisters fight over Henry, while Mary is soon engaged to wed Edmund -- to the disappointment of Fanny, who has fallen in love with him. ~ Mark Deming, All Movie Guide
- Starring:
- Frances O'Connor, Jonny Lee Miller, (more)
- 1997
Jez Butterworth directed this adaptation of his own play about the 1958 rock scene in London's Soho. Silver Johnny (Hans Matheson) performs at the Atlantic Club where he catches the eye of big-shot Sam Ross (Harold Pinter). Ross invites Johnny and Johnny's manager Ezra (Ricky Tomlinson) for a meeting to discuss Johnny's jump to a bigger plateau. Skinny (Ewan Bremner), a member of Johnny's group, discovers Ezra sawed in half, and Ezra's associate Mickey (Ian Hart) announces that Ross intends to take over the Atlantic Club, setting the stage for major power struggles. Shown at the 1997 Venice Film Festival. ~ Bhob Stewart, All Movie Guide
- Starring:
- Ian Hart, Ewen Bremner, (more)
- 1996
Originally produced for the BBC and Masterpiece Theatre, Breaking the Code tells the life story of the famed mathematician and computer science pioneer Alan Turing, the primary designer of the Turing Machine, an early computer used to solve the German Enigma code during World War II, a solution many believe was instrumental in the Allied victory. The title refers to both the solution of the Enigma code and Turing's open admission to his homosexuality, which at the time violated not only the codes of polite society but British law. Hugh Whitemore's screenplay, based upon his play and Andrew Hodges' book Alan Turing: The Enigma, frames Turing's life as a puzzle, beginning in 1952 with the mysterious robbery of some of the mathematician's few possessions. The rest of the film travels backwards and forwards through time, providing associative glimpses of Turing's past and present, including his school days, his wartime efforts, and his post-war experiences. Discussions of his mathematical and logical work alternate with glimpses of his turbulent personal life, including his boyhood love, the unrequited attentions of his female assistant, and his later relationships with younger men, drawing connections between his theoretical work and his personal traumas. ~ Judd Blaise, All Movie Guide
- Starring:
- Derek Jacobi
Filmed with the usual meticulous attention to period and detail of films from Ismail Merchant and James Ivory, The Remains of the Day is based on a novel by Kazuo Ishiguro. Anthony Hopkins plays Stevens, the "perfect" butler to a prosperous British household of the 1930s. He is so unswervingly devoted to serving his master, a well-meaning but callow British lord (James Fox), that he shuts himself off from all emotions and familial relationships. New housekeeper Miss Kenton (Emma Thompson) tries to warm him up and awaken his humanity. But when duty calls, Stevens won't even attend his own dying father's last moments on earth. The butler also refuses to acknowledge the fact that his master is showing signs of pro-Nazi sentiments. Disillusioned by Hitler's duplicity, the master dies an embittered man, and only then does Stevens come to realize how his own silence has helped bring about this sad situation. Years later, regretting his lost opportunities in life, he tries once more to make contact with Miss Kenton, the only person who'd ever cared enough to seek out the human being inside the butler's cold veneer. ~ Hal Erickson, All Movie Guide
- Starring:
- Anthony Hopkins, Emma Thompson, (more)
- 1993
Franz Kafka's classic tale of Josef K., a bank clerk who is placed on trial for an unnamed, unknowable crime, is given a faithful, if not overly literal, treatment in this drama. Knowing only that he has been charged, Josef naturally sets out to defend himself, but soon finds himself deeply mired in a battle against an incomprehensible government bureaucracy. Following Orson Welles's adaptation of the book by some three decades, director David Jones chooses to avoid the earlier film's expressionistic approach. Instead, he sets Josef's travails against a realistic background that specifically recalls Eastern Europe during the early 20th century, the time of the book's writing. Similarly, the screenplay by famed British playwright Harold Pinter, whose own darkly absurd vision owes much to Kafka, hews closely to the original text. This faithful approach helps ground the story in historical reality, and allows for a good use of brooding Prague locations. However, many critics have found this approach less effective than the low-budget abstraction of Welles' version, which is more successful at highlighting the universality and symbolic nature of the tale. ~ Judd Blaise, All Movie Guide
- Starring:
- Kyle MacLachlan, Anthony Hopkins, (more)
In this erotic thriller, a young English couple on vacation in Venice find themselves seduced by a mysterious older couple. Mary (Natasha Richardson) and Colin (Rupert Everett) have come to Italy to chart the future of their troubled relationship. They soon meet Robert (Christopher Walken), the enigmatic owner of a picturesque watering hole. He entertains them with copious vino and colorful stories of a childhood spent with a brutal, domineering father. Later, drunk and lost in the maze-like city, the couple once again encounter Robert, who puts them up at his gorgeous villa. They also meet his wife, Caroline (Helen Mirren), who suffers from crippling back pain and obvious emotional instability. Fascinated by the glamorous older couple but disturbed by their dysfunctions, Colin and Mary find themselves slowly drawn into sexual and emotional games that culminate in sudden violence. Directed by Paul Schrader, The Comfort of Strangers was adapted by playwright Harold Pinter from the novel by Ian McEwan. Richardson previously starred in Patty Hearst, Schrader's portrait of the newspaper heiress-turned-terrorist. ~ Brian J. Dillard, All Movie Guide
- Starring:
- Christopher Walken, Rupert Everett, (more)
In this dystopian fable, a librarian wife and mother becomes the childbearing pawn of a Christian theocracy. In the near future, as war rages across the fictional North American Republic of Gilead and pollution has rendered 99 percent of the female population sterile, Kate (Natasha Richardson) sees her husband killed and her daughter kidnapped while trying to escape across the border. Kate herself is transformed into a handmaid -- a surrogate mother for one of the privileged but barren couples who run the country's fundamentalist regime. Although she resists being indoctrinated into the bizarre cult of the handmaids, which mixes Old Testament orthodoxy and misogynist cant with 12-step gospel and ritualized violence, Kate soon finds herself ensconced at the home of the Commander (Robert Duvall) and his frosty wife, Serena Joy (Faye Dunaway). Forced to lie between Serena Joy's legs and be penetrated impersonally each month by the Commander, Kate longs for her vanished earlier life; she soon learns that since many of the nation's powerful men are as sterile as their wives, she may have to risk the punishment for fornication -- death by hanging -- in order to sleep with another man who can provide her with the pregnancy that has become her sole raison d’être. When that other man turns out to be Nick (Aidan Quinn), the Commander's handsome, sympathetic driver, Kate grows attached to him -- and eventually pregnant with his child. Only the mysterious rebel affiliations of her fellow handmaid, Ofglen (Blanche Baker), seem to offer any chance of giving her unborn child a life of freedom -- or finding the daughter she already lost. Loosely adapted by Harold Pinter from the novel by Margaret Atwood, The Handmaid's Tale also features Elizabeth McGovern in a small but pivotal role as Moira, a "gender traitor" who befriends Kate at the handmaids' reprogramming center. ~ Brian J. Dillard, All Movie Guide
- Starring:
- Natasha Richardson, Robert Duvall, (more)
- 1989
- PG13
Jason Robards plays an older Jewish man who returns to Stuttgart, Germany which he left in 1933 during the onslaught of the Third Reich. He reunites with a German man who, as a boy, was his childhood friend. ~ All Movie Guide
- Starring:
- Jason Robards, Jr., Christien Anholt, (more)
- 1985
- PG
Adapted by Harold Pinter from the novel by Russell Hoban, Turtle Diary stars Glenda Jackson as a famed author/illustrator of children's books. In the midst of her success, Jackson suffers from writer's block. While casting about for new ideas, she makes several visits to the turtle tank at the local aquarium, where she becomes acquainted with shy bookstore clerk Ben Kingsley. From this point on, nothing is in the least predictable. What can one say that's sensible about a plotline that climaxes with a turtle hijacking? Screenwriter Pinter has a cameo role as "Man in Bookshop." Turtle Diary was the maiden effort of United British Artists, a consortium consisting of Glenda Jackson, Harold Pinter, and producer Richard Johnson (who also appears in the film). ~ Hal Erickson, All Movie Guide
- Starring:
- Glenda Jackson, Ben Kingsley, (more)
- 1983
Director David Jones adapted Harold Pinter's play of the same name -- with the help of Pinter himself -- to better fit this chronologically reversed drama of love and betrayal to the medium of film. The action starts with a scene in a London pub in which Jerry (Jeremy Irons) and Emma (Patricia Hodge) hold a subtly sardonic conversation on the nature of human failings as they meet for the first time after the end of their affair. The next scene, introduced by an intertitle, details how their romance fizzled and is followed by the next vignette, one year earlier, on how Jerry broke the news to Emma's husband Robert (Ben Kingsley) that he and Emma were lovers. And so it continues, through a total of nine scenes, back to the beginning of a complex, interpersonal drama. The film benefits considerably from Kingsley and Irons as the lead males, and the backwards story is in no way hard to follow. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Jeremy Irons, Ben Kingsley, (more)
John Fowles' original novel The French Lieutenant's Woman was distinguished by a literary technique that involved telling a story of Victorian sexual and social oppression within the bounds of a 1970s viewpoint. How does one convey this time-frame dichotomy on film? The decision made by director Karel Reisz and Harold Pinter was to frame Fowles' basic plot within a "modern" context of their own making. While we watch as Sarah (Meryl Streep), a 19th-century Englishwoman ruined by an affair with a French lieutenant, enters into another disastrous relationship with principled young Charles (Jeremy Irons), we are constantly made aware that what we're seeing is only a film. This is done by surrounding the story with a modern narrative, focusing on a movie production company which is on location--filming The French Lieutenant's Woman. Meryl Streep doubles in the role of Sara and the American actress who plays her, while Jeremy Irons essays the dual role of Charles and the handsome Briton playing Charles. Likewise, everyone else in the cast is seen as "themselves" and as their French Lieutenant's Woman characters. Not surprisingly, the "real" Streep and Irons enter into an affair which closely parallels their characters' relationship. The commercial TV version of French Lieutenant's Woman eliminates 30 minutes' worth of "extraneous" scenes. ~ Hal Erickson, All Movie Guide
- Starring:
- Meryl Streep, Jeremy Irons, (more)
Years before they became two of the most celebrated British actors of their generation, Jeremy Irons and Judi Dench were paired up for this dramatic tale of love and betrayal, produced for British television. Imogen Langrishe (Judi Dench) is a woman in her early thirties who lives with her sisters Helen (Annette Crosbie) and Lily (Susan Williamson) in a decaying mansion in rural Ireland as the men in her once-wealthy family are off at war. Struggling to keep herself and her siblings afloat, Imogen takes in a boarder, Otto Beck (Jeremy Irons), a moody graduate student working on his master's thesis. Spinster Imogen is quickly captivated with Otto's scruffy good looks, and he is more than willing to satisfy her sexual longings. It doesn't take long, however, for the relationship to turn sour, with dire consequences for Imogen, as well as her sisters. Langrishe, Go Down was adapted for the screen by Harold Pinter and was based on a novel by Aidan Higgins. ~ Mark Deming, All Movie Guide
- Starring:
- Jeremy Irons, Judi Dench, (more)
Elia Kazan directed this curiously constipated film adaptation of F. Scott Fitzgerald's unfinished final novel, about Monroe Starr, a brilliant and efficient studio executive (based upon Fitzgerald's experiences with MGM wunderkind Irving Thalberg). Robert De Niro plays Monroe Starr in a cool and detached manner, and as Kazan pans around the Hollywood Dream Factory of the 1930s, Starr juggles several productions, deals with nervous actors and recalcitrant directors, stays afloat in the Hollywood corporate battlefields, and secretly carries on a love affair with an even cooler and more detached English girl, Kathleen Moore (Ingrid Boulting). ~ Paul Brenner, All Movie Guide
- Starring:
- Robert De Niro, Tony Curtis, (more)
- 1976
Based on the film Man Hunt, the BBC-produced Rogue Male stars Peter O'Toole as a British aristocrat who attempts to assassinate Hitler. After he fails, he is hunted down by the German Gestapo. ~ Stephen Thomas Erlewine, All Movie Guide
- 1975
Listed variously as a 1975 and 1978 release (it was actually produced in 1976), The Collection is a videotaped staging of the play by Harold Pinter. Described by one observer as the theatrical equivalent to a musical chamber work, this production stars Alan Bates, Malcolm McDowell, Helen Mirren and Laurence Olivier. Little is said, but much is implied, in this story of an unorthodox romantic triangle. Running 64 minutes, The Collection was coproduced by Olivier for Britain's Granada Television. It was one of six works selected by the eminent actor for his "Best Plays of the Century" series: others included Cat on a Hot Tin Roof, Hindle Wakes, Come Back Little Sheba, Daphne Laureola and Saturday, Sunday, Monday. ~ Hal Erickson, All Movie Guide
The American Film Theatre has made movies of a number of significant theatrical performances, including Laurence Olivier's Othello. Another of these filmed theatricals is Simon Gray's Butley, which was brought to the screen by playwright Harold Pinter, and which features an astonishing performance by Alan Bates. The story focuses on one very bad day in the life of Butley (Bates), a feisty, sharp-tongued, lazy and pathetic professor of English. His professional ascendancy is challenged by a slick, accomplished woman many years his junior; his ex-wife gives him conniptions when she announces her remarriage to someone he cannot bear; and his male lover of several years chooses this time to announce that he is leaving him for a sweeter-tempered but very ordinary man of the sort Butley despises. Bleak though this sounds, Butley's unconquerable wit and biting repartee transform this otherwise tragic tale into something of a celebration of survival. ~ Clarke Fountain, All Movie Guide
- Starring:
- Alan Bates, Jessica Tandy, (more)
In The Homecoming, adapted from the play by Harold Pinter, Michael Jayston brings his wife Vivien Merchant home to visit his long-estranged family. Jayston's father Paul Rogers is a washout, his uncle Cyril Cusack is on the edge of senility, and his brothers Ian Holm and Terence Rigby are, respectively, a slimy pimp and a brutish boxer. The sparser the dialogue, the thicker the tension in the air. Though British in origin, The Homecoming was presented as part of the American Film Theatre series. ~ Hal Erickson, All Movie Guide
- 1971
The third collaboration between director Joseph Losey and writer Harold Pinter, following The Servant and Accident, continues their exploration of class rituals and the darker recesses of desire. Pinter's script adapts the 1953 L.P. Hartley novel about Leo Colston, a middle-aged man (Michael Redgrave), recalling a summer of his early adolescence at a country estate. Young Leo (Dominic Guard) observes the machinations of the adults in the household, all but two of whom conveniently ignore his presence. Marion Maudsley (Julie Christie) is promised in marriage to another aristocrat, but she is secretly in love with farm worker Ted Burgess (Alan Bates). They enlist Leo as their messenger, with tragic consequences for all concerned. The older Leo has never married, and as the story winds on, it becomes clear that his own infatuation with Marion irrevocably altered his life. The Go-Between won several British Academy Awards, including one for Pinter's screenplay, and was one of four films awarded a grand prize at the 1971 Cannes Film Festival. ~ Tom Wiener, All Movie Guide
- Starring:
- Julie Christie, Alan Bates, (more)
- 1970
- R
Like Socrates of ancient Athens, Michael Rimmer (Peter Cook) of modern England believes the key to success is to ask the right questions. Lots of questions. So he gets a job with an advertising agency that conducts polls, rises swiftly through the ranks, and eventually runs the agency. Then he bombards England with questions. His ingenious system enables him to predict the outcome of a general election. (Every voter in England had received a questionnaire.) So accomplished is Rimmer at asking questions that he finds his future wife through market research. To insure that he gets the right answers, Rimmer is not above manipulating the polls. For example, when he asks residents of Coventry their religion, 95 percent identify themselves as Buddhists, thanks to an influx of Rimmer stooges. Then he enters politics. In a short time, he gets himself elected to Parliament, becomes a cabinet minister and eventually moves into Ten Downing Street as prime minister after pushing the incumbent prime minister off an oil platform. By this time, every eligible voter in Britain can cast ballots with a television remote control. Alas, the electorate tires of the endless referendum questions that they must answer as part of their daily routine. This development serves only to catapult Rimmer to further success, for the people decide to place all decisions in his hands as dictator of England. So Rimmer keeps rising and rising and rising. And asking questions. ~ Mike Cummings, All Movie Guide
- Starring:
- Peter Cook, Denholm Elliott, (more)
- 1968
- G
Harold Pinter's theatrical piece The Birthday Party was committed to celluloid in 1968 by future Exorcist director William Friedkin. Robert Shaw plays a boarder in a sleazy British seaside-resort rooming house. The landlady (Dandy Nichols) holds a cheerless birthday party for Shaw, which is invaded by a couple of shady characters named Goldberg (Sidney Tafler) and McCann (Patrick Magee). No one knows why they're there except for Shaw, who after being repeatedly humiliated by the despicable duo is taken away by them to parts unknown. The Birthday Party ends with 30 seconds of a totally blank screen. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Shaw, Patrick Magee, (more)
