Tullio Pinelli Movies
Italian screenwriter and playwright Tullio Pinelli was born in Turin and originally worked as a practicing attorney. He began co-penning screenplays in the mid-'40s and is best known for having worked closely with Fellini through the mid-'60s. ~ Sandra Brennan, All Movie Guide- 1962
Based on a Anton Chekhov short story, this slight tale has some good moments as the drama of a young boy's journey unfolds. The lad comes from peasant stock, and one day his family decides it would be best for him to go live with his uncle in the city. The only problem is that the city is all the way across the Russian steppes, and at this time in history, that arduous journey could only be undertaken by horse and carriage. Reminiscent of the American pioneer wagon trains heading West, the tale lacks any attacks from hostile forces but is filled with charming vignettes. In one part of the journey, the boy comes across some fishermen along a river, harpooning their catch for the day. In another segment, he is entertained when some folk dancers do a lively show. But in general, it is too long and unmomentous a journey to hold attention well for nearly two hours. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Charles Vanel, Marina Vlady, (more)
Released in the US by 20th Century-Fox, Boccaccio '70 is a compendium of short subjects directed by three of Italy's top filmmakers. Each story is written in the style of the famed Italian essayist Boccaccio, albeit told in contemporary terms. First up is "The Raffle", written by Cesare Zavattini and directed by Vittorio De Sica: Sophia Loren (wife of Boccaccio '70 producer Carlo Ponti) plays the sexy operator of a shooting gallery, who offers herself as first prize to the best shot. In "The Job", written by Suso Cecchi D'Amico and directed by Luchino Visconti, Romy Schneider carries a torch for her philandering boss Tomas Milian. The final segment is "The Temptation of Dr. Antonio", directed by Federico Fellini and scripted by Fellini, Ennio Flaiano and Tullio Pinelli; in this one, Anita Ekberg is an image on a poster who comes to life for the benefit of a drooling middle-aged professor (Peppino De Filippo). A fourth episode, "Renzo and Luciana", directed by Mario Monicelli, was cut from U.S. release. ~ Hal Erickson, All Movie Guide
- Starring:
- Sophia Loren, Luigi Giuliani, (more)
- 1960
Four unemployed prostitutes attempt to open a restaurant in this comedy. They look all over Rome for a restaurant they can afford. When they find a ramshackle cafe. The landlord is willing to let them have it; they can even use his name to buy the food license, but he has one condition: they must also run a little cathouse upstairs. Their restaurant becomes quite successful, but when their personal lives intervene, the business threatens to fold. ~ Sandra Brennan, All Movie Guide
- Starring:
- Simone Signoret, Gina Rovere, (more)
In one of the most widely seen and acclaimed European movies of the 1960s, Federico Fellini featured Marcello Mastrioanni as gossip columnist Marcello Rubini. Having left his dreary provincial existence behind, Marcello wanders through an ultra-modern, ultra-sophisticated, ultra-decadent Rome. He yearns to write seriously, but his inconsequential newspaper pieces bring in more money, and he's too lazy to argue with this setup. He attaches himself to a bored socialite (Anouk Aimée), whose search for thrills brings them in contact with a bisexual prostitute. The next day, Marcello juggles a personal tragedy (the attempted suicide of his mistress (Yvonne Furneaux)) with the demands of his profession (an interview with none-too-deep film star Anita Ekberg). Throughout his adventures, Marcello's dreams, fantasies, and nightmares are mirrored by the hedonism around him. With a shrug, he concludes that, while his lifestyle is shallow and ultimately pointless, there's nothing he can do to change it and so he might as well enjoy it. Fellini's hallucinatory, circus-like depictions of modern life first earned the adjective "Felliniesque" in this celebrated movie, which also traded on the idea of Rome as a hotbed of sex and decadence. A huge worldwide success, La Dolce Vita won several awards, including a New York Film Critics CIrcle award for Best Foreign Film and the Palme d'Or at the Cannes Film Festival. ~ Hal Erickson, All Movie Guide
- Starring:
- Marcello Mastroianni, Yvonne Furneaux, (more)
Nights of Cabiria opens with Cabiria (Giulietta Masina) and her boyfriend playfully embracing by the seaside -- and then he shoves her into the water and steals her purse. Cabiria is revived by some local boys and runs off by herself, shouting. What follows is a series of similarly humiliating episodes, in which the defiantly positive prostitute Cabiria is hurt, but never broken. She gets picked up by movie star Alberto Lazzati (Amedeo Nazzari, doing a self-parody) and taken to his palatial estate. However, his mistress shows up and Cabiria gets locked in the bathroom all night with the dog. She then joins her fellow prostitutes for a blessing from the Virgin Mary, and ends up getting drunk and wandering into a local show, where the hypnotist invites her to join him on-stage. The audience heckles her, and she toughly reminds them of her independence and that she owns her own house. There she meets Oscar (François Perier), an accountant who romantically pursues her. Despite the warnings of her fellow prostitute friend, Wanda (Franca Marzi), she prepares to sell all her belongings and accept Oscar's proposal of marriage. After being ruthlessly taken advantage of once again, Cabiria walks off alone with a smirk of hope. ~ Andrea LeVasseur, All Movie Guide
- Starring:
- Giulietta Masina, Amedeo Nazzari, (more)
Swindle and The Swindlers are both English-language titles for 1955's Il Bidone, a lesser-known effort from Federico Fellini. Broderick Crawford, Richard Basehart, and Franco Fabrizi play a trio of con artists who victimize the Italian bourgeoisie (who are shown to be no better than the crooks). Giueletta Masina (Fellini's wife), who had previously costarred with Richard Basehart in La Strada, here plays Basehart's wife. Humphrey Bogart had been intended for the role played by Broderick Crawford; one wonders how Crawford's self-deprecating curtain speech about the hollowness of his existence would have played in Bogart's hands. Swindle was not released to the US until nine years after its completion. ~ Hal Erickson, All Movie Guide
- Starring:
- Broderick Crawford, Richard Basehart, (more)
Acclaimed Italian filmmaker Federico Fellini drew on his own circus background for the 1954 classic La Strada. Set in a seedy travelling carnival, this symbolism-laden drama revolves around brutish strongman Zampano (Anthony Quinn), his simple and servile girlfriend Gelsomina (Giulietta Masina, Fellini's wife), and clown/aerialist Matto (Richard Basehart). Appalled at Zampano's insensitive treatment of Gelsomina, the gentle-natured Matto invites her to run off with him; but Gelsomina, like a faithful pet, refuses to leave the strong man's side. Eventually Zampano's volcanic temper erupts once too often, leading to tragic consequences. Written by Fellini and Tullio Pinelli and scored by Nino Rota, La Strada was the winner of the first official Academy Award for Best Foreign-Language Film, awarded in 1956. ~ Hal Erickson, All Movie Guide
- Starring:
- Giulietta Masina, Anthony Quinn, (more)
- 1953
Seven top Italian filmmakers pooled their talents on the omnibus "reality" feature Amore in Citta (Love in the City). The film is divided into six separate episodes; the first of these, "Paid Love", is a straightforward study of prosititution written and directed by Carlo Lizzani. In the second, Michelangelo Antonioni's "Attempted Suicide", several would-be suicides discuss the reasons for their despair. Dino Risi's "Paradise for Four Hours" is a humorous glance at a provincial dance hall. Federico Fellini's "Marriage Agency" finds an investigative reporter posing as a husband-to-be. Cesara Zavattini and Umberto Maselli's "Story of Caterina" dramatizes the true story of a young unwed mother. And "Italians Stare", written and directed by Alberto Lattuada, illustrates the various "girl-watching" techniques of Italian males. Among the actors particpating in the six vignettes are Ugo Tognazzi, Maressa Gallo, and Caterina Riogoglioso. Originally intended as the first installment in a "movie magazine" titled "The Spectator", Amore in Citta was released at 110 minutes; most American prints are bereft of the opening "Paid Love" segment. ~ Hal Erickson, All Movie Guide
Italian maestro Federico Fellini's first international success is a nakedly autobiographical film that bears many of the formal and thematic concerns that recur throughout his work. Set in the director's hometown of Rimini, I Vitelloni follows the lives of five young vitelloni, or layabouts, who while away their listless days in their small seaside village. Fausto (Franco Fabrizi), the leader of the pack, marries his sweetheart, but finds himself constantly distracted by other women. Meanwhile, would-be playwright Leopoldo (Leopoldo Trieste) continues work on his dreary plays, dreaming of staging them one day. Clownish Alberto (Alberto Sordi) still lives at home with his mother and sister, Olga (Claude Farell), while boasting of preserving the family honor by watching over her. While the movie seems to pay little attention to Riccardo (Riccardo Fellini) and Moraldo (Franco Interlenghi), the latter eventually emerges as its key character, plainly serving as Fellini's alter ego. Stuck in adolescence, the five friends stumble into various misadventures, as they seek to spice up their uneventful provincial lives. Ultimately, one of them breaks free from their self-imposed paralysis and moves on, leading to one of the most poignant farewell sequences in film history. A hit in Italy upon its release, I Vitelloni secured Fellini's reputation as an up-and-coming talent, while also introducing its title into Italian vernacular. ~ Elbert Ventura, All Movie Guide
- Starring:
- Alberto Sordi, Franco Interlenghi, (more)
The White Sheik (Lo Sceicco Bianco), Fellini's first solo flight as director, is a gentle lampoon of the idolatry heaped upon movie stars. An impressionable young bride, Wanda (Brunella Bovo) accompanies her husband Ivan (Leopoldo Trieste) on a dull honeymoon, full of meetings with family members and the papal father. Bovo fantasizes over matinee idol Fernando Rivoli, AKA The White Sheik (Alberto Sordi), the hero of a photo strip comic. She repeatedly drifts away from her husband and back, in periodic attempts to find The Sheik, ultimately repairing to the location site where Sordi's latest film, The White Shiek, is in production. Her inevitable disillusionment with the vainglorious Sordi is intercut with her husband's comic (and desperate) attempts to explain his wife's absences at family gatherings to his disgruntled relatives. After a comically inept suicide attempt, Bovo and Trieste are reunited. Featured in the cast is Fellini's wife Giuletta Masina as a prostitute named Cabiria, who'd be given a vehicle of her own, Nights of Cabiria, in 1955. Based on "an idea" by Michelangelo Antonioni, The White Sheik was the main inspiration for Gene Wilder's The World's Greatest Lover (1977). ~ Hal Erickson, All Movie Guide
- Starring:
- Alberto Sordi, Brunella Bovo, (more)
- 1952
Il Brigante di Tacca del Lupo represented another move away from neorealism into sheer commercialism by Italian filmmker Pietro Germi. The story is set in the 1860s, when the Northern and Southern regions of Italy were forcibly assembled into a unified whole. A bandit loyal to the idea of Southern sovereignty wreaks havoc upon the forces of Northern Italy. In depicting the exploits of the bandit and the diligence of his military pursuers, director Germi is careful not to take sides, mirroring the political confusion rampant in Italy at the time of the story. When distributed to the U.S., Il Brigante di Tacca del Lupo was advertised along the lines of a Civil War epic --which, for all intents and purposes, it was. ~ Hal Erickson, All Movie Guide
- Starring:
- Amedeo Nazzari, Cosetta Greco, (more)
Federico Fellini's directorial debut (co-directed with veteran Alberto Lattuada), Luci del Varietà is a bittersweet drama about a bunch of misfits in a traveling vaudeville troupe. The group of actors, dancers, and performers struggle to make it from town to town, playing to minimal crowds. Their comedic leader, Checco Dal Monte (Peppino De Filippo) just wants his act to be a success. His longtime sweetheart, Melina Amour (Fellini's wife Giulietta Masina), keeps the business end of things together and saves up money with plans of buying a business. Stumbling into one small town for another show, Checco meets beauty queen Lily (Carla Del Poggio) and puts her in the show as a dancer. When it appears that her sex appeal is drawing in large crowds of enthusiastic spectators, she quickly becomes the star of the show. Checco soon becomes infatuated with her, casting aside Melina and breaking up the troupe in order to put on a showcase for Lily instead. The loyal group of outcast performers are left without a leader, while star-eyed Lily proves to be relentless in her quest for fame. ~ Andrea LeVasseur, All Movie Guide
- 1951
This episodic Italian comedy follows the misadventures of housemaid Maria (Elsa Merlini). Her various employers include a salesman (Aldo Fabrizi) who values peace and quiet, but never gets it, and a vainglorious actor (Vittorio de Sica) with woman trouble. Through it all, Maria survives with a little help from her friends, including best pal Ermelinda, played by the future star of Stromboli and Juliet of the Spirits, Giulette Masina. Among the screenwriters for this film was Masina's husband Federico Fellini. Cameriera Bella, Presenza Offresi marked the return to the screen of Elsa Merlini, one of the most popular personalities of the prewar Italian cinema. ~ Hal Erickson, All Movie Guide
- Starring:
- Elsa Merlini, Vittorio De Sica, (more)
- 1950
The Ways of Love grew from an unfinished film: Jean Renoir's A Day in the Country, of which 46 minutes had been completed before funds ran out. In this French/Italian compendium, Country is combined with Marcel Pagnol's 1933 short subject Jofroi and Roberto Rosselini's 1948 character study The Miracle. It was this last component, the story of an impressionable woman who is seduced by a man whom she thinks is Jesus Christ, that prevented The Ways of Love from being released in the US in 1950. In a landmark court decision, the US Justice Department decreed that The Miracle was not the dire threat against morals that its detractors made it out to be, and permitted the film to be shown in New York. For the record, A Day in the Country is based on a Guy de Maupassant story of unrequited love during a family picnic, while Jofroi tells the tale of a peasant who sells his land--but not the trees on that land. ~ Hal Erickson, All Movie Guide
- Starring:
- Sylvia Bataille, Gabriel, (more)
- 1950
Disciples of Italian filmmaker Pietro Germi have noted the stylistic influence of Hollywood's John Ford in Germi's neorealist Il Camino Della Speranza. The story concerns the plight of illegal immigration, as experienced by a pair of Sicilian miners. Unable to find work in their own country, the protagonists embark on a long and arduous journey to the French border, with immigration officials nipping at their heels every step of the way. Structurally, the film resembles Ford's Stagecoach, right down to the upbeat denouement, wherein one sympathetic authority figure decides "to heck with the rules." Heading the cast is Italian movie favorite Raf Vallone. Germi co-wrote the film with Federico Fellini and Tullio Pinelli. ~ Hal Erickson, All Movie Guide
- Starring:
- Raf Vallone, Elena Varzi, (more)
- 1950
Valentina Cortese's star continued to rise with the period melodrama Bullet for Stefano (Il Passatore). Cortese plays Barbara, whose wedding is interrupted when dashing brigand Stefano (Rossano Brazzi) kills the groom and abducts the bride. Eventually, Stefano tires of Barbara, and casts her aside. But she is not to be dispensed with so easily. Rallying the peasantry, Barbara sets the wheels in motion for Stefano's destruction. Curiously, despite his wretched behavior, there is a certain amount of sympathy for Stefano, who is a thief only because he wishes to help the poor. ~ Hal Erickson, All Movie Guide
- Starring:
- Valentina Cortese, Rossano Brazzi, (more)
- 1949
Filmed in 1948 as Senza Pieta, this Alberto Lattuada-directed effort came to America the following year as Without Pity. The film's sensitive subject matter caused problems in distribution and approval; Lattuada was never known to shirk from a sociopolitical statement, even when it meant loss of revenue overseas. The plot is based on an actual postwar dilemma: in Northern Italy, dozens of black American GIs chose to go AWOL rather than return to a racially divided United States. John Kitzmiller plays an occupation soldier named Jerry, who decides to remain in Italy when he falls in love with a blonde, Caucasian local girl named Angela (Carla Del Poggio). Reviewers in 1949 felt that Lattuada exercised poor taste in depicting the interracial romance: while these scenes cannot realistically be described as offensive when seen today, they are still quite frank by 1940s standards. A "regular" in Italian neorealist films, Michigan-born black actor John Kitzmiller went on to win a Cannes Film Festival award for his performance in 1957's Sergeant Jim; James Bond fans will remember Kitzmiller as "Quarrel" in Dr. No (1962). ~ Hal Erickson, All Movie Guide
- Starring:
- Carla Del Poggio, John Kitzmiller, (more)
- 1949
Il Mulino del Po was based on a novel by Riccardo Baccheli. Essentially an elaborate retelling of the old one about a pair of young lovers kept separated by family rivalries, the film is distinguished by its evocative location photography and tight, mathematically precise editing. Director Alberto Lattuada also manages to insert what one historian has labelled his "progressive ideology" into the proceedings. The romantic plotline is placed in context within the events leading up to the famous Po Valley farmers' strike of 1876; characteristically, Lattuada offers a topical political slant to the facts at hand. As in his other neorealist exercises, Lattuada manages to bridge the gap between "art" and box-office appeal in Il Mulino del Po. ~ Hal Erickson, All Movie Guide
- Starring:
- Carla Del Poggio, Jacques Sernas, (more)
- 1948
Both controversial and compelling, this is the story of a naive peasant girl who becomes pregnant after being seduced by a shepherd and believes that she is carrying a specially blessed child. ~ Tana Hobart, All Movie Guide
- Starring:
- Anna Magnani
- 1945
His Young Wife is a genteel Italian comedy about the pitfalls of romance. Middle-aged clerk Travet (Carlo Campanini) is the husband of young and very pretty Rosa (Vera Carmi). When Rosa begins a harmless flirtation with Travet's boss (Gino Cervi), rumors begin flying. The upshot of this tempest in a teapot is a fistfight between Travet and his "rival," culminating in the clerk's dismissal. But salvation is at hand in the form of Travet's son-in-law (Domenico Gambino) whom the clerk had previously dismissed as a low-life. Realizing that he's been too hasty in all his judgments, Travet willingly accepts a job at his son-in-law's bakery. ~ Hal Erickson, All Movie Guide
- Starring:
- Carlo Campanini, Vera Carmi, (more)
