Howard Pine Movies

It took nearly two years after its completion for Big Trouble to reach the big screen. Peter Falk and Alan Arkin are respectively cast as a shady wheeler-dealer and an uptight family man. Strapped for the cash necessary to send his son to Yale, Arkin reluctantly enters into a murder scheme with Beverly D'Angelo. She is married to Falk, who, though he hasn't got long to live due to a heart ailment, may very well spend every penny D'Angelo has before he expires. Arkin is persuaded to kill Falk before this happens, then split the money with D'Angelo. To Arkin's amazement he finds himself the victim of a carefully prepared confidence scam engineered by Falk and D'Angelo. Now that he has a hold over Arkin, Falk gets the poor fellow mixed up in yet another "perfect crime". ~ Hal Erickson, All Movie Guide

Can two prodigies fall in love and stay in love, even when they are competing against one another in an international piano competition? Richard Dreyfuss and Amy Irving attempt to answer that question in The Competition. Richard Dreyfuss plays Paul Dietrich, a shabby prodigy slouching past the thirty year mark. Embittered at never having won an international competition and being pushed and prodded by his parents, Paul decides to enter one last time and, if he fails, he will devote himself to teaching. Since this is his last chance, he throws himself into the competition with an energy and determination comparable to Duddy Kravitz. During preparations for the competition he meets Heidi (Amy Irving), a natural talent who is does not have Paul's drive to succeed. Heidi takes one look at Paul and immediately falls in love with him. Paul feels an attraction for her but holds his feelings in check, trying to center himself on winning the competition. Looking at the burgeoning love affair with dread is Heidi's possessive music teacher Greta Vandemann (Lee Remick), who sees Heidi's relationship with Paul as compromising her talent and jeopardizing her standing in the competition. ~ Paul Brenner, All Movie Guide

Paroled criminal Max Dembo (Dustin Hoffman) is compelled to withstand the calculated cruelties of slimy parole officer Earl Frank (M. Emmet Walsh). The more Max tries to go straight, the more he is defeated by circumstance or hectored by the sadistic Frank. It becomes clear after a while that neither Max nor his fellow ex-cons will be able to survive looking for legitimate work. Max is too "far gone" as a human being to succeed at anything other than crime. He goes back to his old thieving ways, inveigling reformed crook Jerry Schue (Harry Dean Stanton) into helping him. A climactic "big caper" goes tragically awry, thanks in great part to the tragic flaws in Max's personality. Based on a novel by Edward Bunker, Straight Time is possibly the most realistic cinematic probe into the sociopathic psyche of the career criminal. Famed theatrical director and instructor Ulu Grosbard directed, with an uncredited assist from star Hoffman; it was their second film together, after Who Is Harry Kellerman and Why Is He Saying Those Terrible Things About Me? ~ Hal Erickson, All Movie Guide

Obviously inspired by such films as The Asphalt Jungle and The Killing, The Big Caper takes place in a small town with a large bank. James Gregory plays the leader of a gang of thieves who intends to knock over the bank--but not without meticulous pre-planning. In the months prior to the holdup, gang members Rory Calhoun and Mary Costa (a popular opera star making her dramatic film debut) gain the confidence of the townspeople by posing as the husband-and-wife owners of a local gas station. When Gregory makes it clear that he plans to blow up a school to create a diversion, Calhoun and Costa decide to go straight in a hurry. The Big Caper was directed by Robert Stevens, best known for his work on such TV anthologies as Alfred Hitchcock Presents and The Twilight Zone. ~ Hal Erickson, All Movie Guide

Jazz musician Stan Grayson (Kevin McCarthy) wakes up from a dream in which he has killed a man during a struggle in a bizarre mirrored room. However, thumbprints on his neck, a strange key in his pocket, and a haunting, otherworldly musical riff in his head quickly convince him that it was not just a dream. Afraid that he might be a murderer, yet not recalling the events of the nightmare, he confides in his brother-in-law (and New Orleans homicide detective) René Bressard (Edward G. Robinson), who tells him that he's been working too hard and drinking too much. But as Grayson is almost magnetically drawn back to the scene of the apparent crime, Bressard angrily comes to believe that Stan was lying and knew exactly what he had done. Grayson, paralyzed by his guilt, can barely find the strength to try to clear himself. McCarthy portrays a sense of overwhelming panic almost as well as he does in Invasion of the Body Snatchers (1956), and Robinson's tough cop is warmly textured with a sly sense of humor. Nightmare is a far superior remake of director Maxwell Shane's own first adaptation of the Cornell Woolrich story, Fear in the Night (1947). With a larger budget and better cast, Shane creates a shadowy, hypnotic world of seedy urban nightclubs and cheap hotels; even a picnic on the bayou evokes a feeling of dread. Woolrich would have felt right at home. ~ Steve Press, All Movie Guide

A too-tough Army major gets himself sent to run an ROTC program at a Santa Barbara military school after he calls unwanted attention to the military by mouthing off to a prominent news magazine. When he arrives to his new post, the major is shocked to find it run by nuns and that his new troops are school children. His assignment is to make "men" out of the rambunctious recruits so that the school can keep from losing its ROTC certification. At first the hard-as-nails major treats his young charges with all the tenderness of a old army boot and the boys, tired of his constant barrage of insults and demands, come to hate him. Further complicating matters is the major's disconcerting romantic feelings for the school's lovely doctor. Unfortunately, she isn't about to put up with his ultra-macho guff anymore than the children are and before this romantic comedy is through, the major learns important lessons about the value of humanity in dealing with others. ~ Sandra Brennan, All Movie Guide

One of the earliest examples of the hot rod/juvenile delinquency flick, Running Wild featured William Campbell as a rookie cop infiltrating a gang of teenagers that are stealing cars for Ken Osanger (Keenan Wynn), a nasty type who uses a gas station as a front for his nefarious purposes. Going undercover as a teenage rebel, Ralph Barclay (Campbell) not only saves pretty Leta Novak (Kathleen Case) from being ravaged by Osanger, but wins the love of voluptuous Irma Bean (Mamie van Doren), the former girlfriend of teenage gang leader Scotty Cluett (Jan Merlin). John Saxon, Walter Coy, and teen flick regular Kenny Miller also appeared in this highly exploitative crime drama from Universal directed by character actor Abner Biberman. ~ Hans J. Wollstein, All Movie Guide