Don Phillips Movies

Hands on a Hard Body director S.R. Bindler directs this wave-twisting tale of a soul-searching surfer (Matthew McConaughey) in the midst of an existential crisis. Steve Addington (McConaughey) is an herb-toking long-boarder with a keen sense of balance and a mellow outlook on life. Upon returning to his hometown of Malibu to spend the summer with old friends, Steve begins to sense that the good vibes he remembers as a boy have been hopelessly corrupted by the powers that be. When the earthen surfer is faced with the prospect of expanding into virtual-reality video games and reality television or risk being rendered irrelevant, he opts to keep riding the majestic Southern California waves rather than participate in this new digital reality. Fate seems to intercede, however, when the ocean simply ceases to produce any suitable waves. His finances dried up, his sponsored expense accounts suddenly canceled, and his friends flocking off to bluer pastures, the surfer without a wave suddenly realizes that he has but two choices in life: he can either sit tight and try to keep his sanity until the waves come rolling in again, or finally give in to the Man and his intoxicating world of artificial amusements. Perhaps with a little wisdom from his trusted manager (Woody Harrelson), his aging mentor (Scott Glenn), his guardian angel (Willie Nelson), and his newfound muse (Alexie Gilmore), Addington can somehow manage to maintain his mellow just long enough to put it all into perspective and get back to the basics. ~ Jason Buchanan, Rovi

Sean Penn directed this tense drama of loyalty, honor, and obsession, based on a novel by Friedrich Durrenmatt. Jerry Black (Jack Nicholson) is a veteran police detective who lives and works in a small Nevada town. On the day of his retirement, it falls to Jerry to handle an especially unpleasant assignment -- a seven-year-old girl has been brutally murdered, and Jerry has to check out the crime scene, and then tell the girl's parents the awful news. The girl's mother (Patricia Clarkson), understandably distraught, demands to know if the killer will be brought to justice, and Jerry promises her that he will personally see to it, "on my soul's salvation." A younger detective also on the case, Stan Krolak (Aaron Eckhart), thinks he's traced the crime to Toby Jay Wadeneh (Benicio Del Toro), a mentally retarded man who confesses to the murder shortly before killing himself. Stan considers the case closed, but Jerry can't shake his belief that Toby Jay wasn't actually the murderer, and Jerry begins to investigate the case on his own time, over the objections of his former boss, Eric Pollack (Sam Shepard), who reminds Jerry that he's no longer an official member of the police force. Before long, Jerry's personal investigation has taken over his life, and he uncovers evidence that suggests the girl's murder was just one in a series of killings involving young girls and a mysterious man called "the Wizard." When Jerry becomes close to a young single mother, Lori (Robin Wright-Penn), he feels he has reason to believe the murderer may be targeting her eight-year-old daughter, and finds himself using her as a decoy in order to bring the killer to justice. The Pledge marked Jack Nicholson's second starring role in a film directed by Sean Penn following 1995's The Crossing Guard; The Pledge's stellar supporting cast includes Vanessa Redgrave, Helen Mirren, Harry Dean Stanton, and Mickey Rourke. ~ Mark Deming, Rovi

Dean Koontz scripted this adaptation of his fantasy novel. The tale begins when two sisters, Lisa (Rose McGowan) and Jenny (Joanna Going) arrive for a ski vacation in the mountain resort town of Snowfield, Colorado, where they discover their landlady is dead and the town is deserted except for a single dead police officer. Lisa and Jenny are soon joined by Sheriff Bryce Hammond (Ben Affleck) and his deputies Stu Wargle (Liev Schreiber) and Steve Shanning (Nicky Katt). The five conclude that the entire town is missing or dead, but after they head for a local hotel, they hear a Patsy Cline tune emanating from the second floor -- where a scribbled message mentions "Timothy Flyte" and the "Ancient Enemy." After Wargle is attacked by a bizarre creature that sucks out his brain, Hammond radios for help. The Feds find Flyte (Peter O'Toole), a British professor who explains his theory of an Ancient Enemy, periodically emerging from inside the Earth to decimate civilizations. Human extinction looms, but Flyte and an Army commando unit arrive in Colorado with a plan of action. Directed by Joe Chappelle, who made Thieves Quartet (1994). ~ Bhob Stewart, Rovi

Director David Fincher followed the success of his dark and atmospheric crime thriller Seven (1995) with another exercise in stylish film noir, this time lifting the pallid atmosphere a notch to indulge in a fast-paced trip through the cinematic funhouse. Michael Douglas plays Nicholas Van Orton, a Scrooge-like San Francisco investment banker following in his father's Scrooge-like footsteps. On Nicholas's 48th birthday (the age at which his father committed suicide), his younger, free-spirited brother Conrad (Sean Penn) blows into town and gives Nicholas a special gift for "the man who has everything" -- a ticket to CRS (Consumer Recreation Services), a company that constructs games custom-fit for each participant to provide, as CRS salesman Jim Feingold (James Rebhorn) cryptically puts it, "whatever is lacking." Nicholas's secure life begins a downhill slide as CRS masterminds a series of elaborate pranks, harmless at first, that quickly become malicious and life-threatening. Stripped of financial resources and convinced that he can trust no one, Nicholas begins to wonder if CRS is a front for a more covert operation, and if the game is in fact an attempt to steal his fortune and leave him for dead. Determined to fight back alone, Nicholas infiltrates CRS in order to "pull back the curtain and meet the wizard." ~ Anthony Reed, Rovi

This direct-to-video thriller stars Jason London as a grungy-looking Seattle psychopath setting off bombs so as not to lose his Japanese sweetheart. Lori Petty, sporting a truly odd coiffure which must be her hair growing back from Tank Girl, plays a hard-bitten FBI agent determined to take London down. Subplots include Petty's squabbles with her boss and a visiting Japanese policewoman whose interests conflict with those of the Bureau. Despite its low budget and somewhat cliched plot, the film is well-directed by Keoni Waxman and should please mad-bomber buffs.
~ Robert Firsching, Rovi

The directorial debut from Highlander screenwriter Gregory Widen stars Christopher Walken as the angel Gabriel, who, fed up with God giving all of his attention to humans, decides to stage a sort of coup. With plans of killing all of the good angels, Gabriel decides to enlist the help of a recently deceased and inhumanly malevolent army general. In order to prevent Gabriel from obtaining the help of the vicious Korean War vet, good angel Simon (Eric Stoltz) stashes the general's soul in an unsuspecting young Native American girl named Mary (Moriah Snyder). As Gabriel gets closer to finding Mary, an ex-seminary-student-turned-cop and a school teacher, played by Elias Koteas and Virginia Madsen, team together to protect her. Meanwhile, Satan (Viggo Mortensen) enters into the mix, concerned over the implications the heavenly war may have on his dominion. Later spawning a series of sequels, The Prophecy was released in the U.K. under the title God's Army. ~ Matthew Tobey, Rovi

In this crime thriller, a hit man with the yakuza (Japanese Mafia) is in the midst of a public execution of the leader of a rival group when a woman named Gena Hayes (Virginia Madsen) happens by with her son. The child is killed in the crossfire, and Gena is determined to get revenge. About all she can remember about the killer is he had a blue tattoo of a tiger; after she asks several tattoo artists about it, she's unable to track down the shooter simply on the basis of his body art, but she ends up getting a similar tattoo herself. She gets a job as a cocktail waitress at a bar favored by members of the yakuza, and her tattoo catches the attention of Seiji (Toru Nakamura), a handsome gangster. Gena is interested in him as well, and a torrid romance develops, but she doesn't realize that her new lover is the same man who killed her son. Virginia Madsen's brother Michael Madsen makes a cameo appearance as a gun salesman. ~ Mark Deming, Rovi

Like George Lucas' American Graffiti, Richard Linklater's Dazed and Confused is an affectionate look at the youth culture of a bygone era. While Lucas took aim at the conservative 1950's, Linklater jumps ahead a generation to the bicentennial year of 1976 to celebrate the joys of beer blasts, pot smoking and Frampton Comes Alive. Set on the last day of the academic year, the film follows the random activities of a sprawling group of Texas high schoolers as they celebrate the arrival of summer, their paths variously intersecting at a freshmen hazing, a local pool parlor and finally at a keg party. ~ Jason Ankeny, Rovi

"Saying 'no' to Melanie could lead to murder--and more." Thus did the CBS Network publicity department lure the viewer into watching the made-for-TV Seduction in Travis County. Based liberally on fact, the film stars Lesley Ann Warren as an accused murderer. Peter Coyote is the dynamic, married young attorney whom Warren twists around her little finger. He wins her acquittal, and also her eternal deadly vigilance. Coyote says "no" to Warren--and we all know where it will lead. With traces of the 1950 Barbara Stanwyck film The File on Thelma Jordon, Seduction in Travis County delivers a few chills but very little believable motivation for the characters' actions. ~ Hal Erickson, Rovi

In this provocative drama, an auto repairman compensates for his deafness with an ingenious computer which allows him to both speak and hear. He created the device himself and shows it to his speech therapist who enthusiastically suggests he try to get the machine manufactured. The mechanic goes to the computer salesman the therapist recommended. The self-serving salesman then exploits the hapless inventor. ~ Sandra Brennan, Rovi

Jonathan Demme's breakthrough movie featured the shaggy energy and affection for marginal American eccentrics that marked his earlier Citizens Band (1977) and such later films as Something Wild (1986) and Married to the Mob (1988). Melvin Dummar (Paul LeMat) is a barely-getting-by Nevada milkman. One day in the early 1970s, while driving down a lonely highway, Melvin picks up a shaggy, bearded bum (Jason Robards Jr.) and offers him a ride into town. Melvin gives the bum a quarter at the end of the ride, and that, so far as Melvin is concerned, is that. The story goes off on a new tangent, involving the on-and-off marriage between Dummar and his contest-happy wife Lynda (Mary Steenburgen). During one of the multitude of financial crises endured by the Dummars, Melvin discovers that the tramp he picked up was none other than billionaire Howard Hughes -- and when Hughes dies, Melvin inherits $150 million. The movie's wide acclaim included Oscars for Steenburgen and Goldman's script and New York Film Critics Awards in almost all major categories, including Best Picture and awards for Demme, Goldman, Steenburgen, and Robards. Demme would gain even greater attention in the 1990s as the director of The Silence of the Lambs (1991) and Philadelphia (1993). ~ Hal Erickson, Rovi

Based on a true 1972 story, Sidney Lumet's 1975 drama chronicles a unique bank robbery on a hot summer afternoon in New York City. Shortly before closing time, scheming loser Sonny (Al Pacino) and his slow-witted buddy, Sal (John Cazale), burst into a Brooklyn bank for what should be a run-of-the-mill robbery, but everything goes wrong, beginning with the fact that there is almost no money in the bank. The situation swiftly escalates, as Sonny and Sal take hostages; enough cops to police the tristate area surround the bank; a large Sonny-sympathetic crowd gathers to watch; the media arrive to complete the circus; and police captain Moretti (Charles Durning) tries to negotiate with Sonny while keeping the volatile spectacle under control. When Sonny's lover, Leon (Chris Sarandon), tries to talk Sonny out of the bank, we learn the robbery's motive: to finance Leon's sex-change operation. Sonny demands a plane to escape, but the end is near once menacingly cool FBI agent Sheldon (James Broderick) arrives to take over the negotiations. ~ Lucia Bozzola, Rovi

Excellent Technicolor photography, principally in the aerial scenes, is the main asset of the cliché-ridden Fighter Squadron. Set in the months just prior to D-Day, the plot zeroes in on Marjor Ed Hardin (Edmond O'Brien) leader of a squadron of fearless combat pilots. In keeping with the conventions of the era, the training and flying sequences are counterbalanced with comic byplay involving wheeler-dealer Sergeant Dolan (Tom D'Andrea), whose flippant attitudes towards the opposite sex are a bit hard to take today. Far more effective is the performance of 15-year-old Jack Larson, making his screen debut in the role of a rookie pilot who grows up in a hurry after scoring his first kill (Larson later gained TV immortality as Jimmy Olsen on Superman). Also making his first screen appearance, in a role so small it isn't even billed, is a former truck driver named Rock Hudson. ~ Hal Erickson, Rovi