Michael Phillips Movies

In the waning days of World War II, enemies must become allies in order to deliver a message that could change the world. Fighting on the Eastern Front is fierce as the Western Allies and the Russian Red Army continue their advance toward Berlin. For the moment the Allies are united, but a British Officer attached to the Russian Red Army is about to uncover a secret with the power for shatter that coalition should it fall into the wrong hands. When Stalin's notorious Intelligence Service manages to capture the officer, he finds an unlikely ally in the form of an imprisoned German captain. Bound by honor, oath, and secrets, the two soldiers are joined by beautiful Polish nurse Anna in their attempt to reach the Allied Command. With a relentless Russian Intelligence Officer hot on their trail, the trio prepares to deliver a message that will alter the course of the war, and the lives of millions. ~ Jason Buchanan, All Movie Guide

Based upon Peter Biskind's book of the same name, this BBC-produced documentary traces the rise of a generation of Hollywood filmmakers who briefly changed the face of movies with a more personal approach that pushed the boundaries of what was acceptable onscreen. Influenced by such European directors as Jean-Luc Godard, François Truffaut, and Federico Fellini, the movement kicked off in the mid-'60s with two films directed by Arthur Penn: Mickey One and Bonnie and Clyde. (The latter had been offered to both Godard and Truffaut before it wound up with producer/star Warren Beatty and Penn.) What really kicked it into gear was the unexpected success of Easy Rider, a biker-road movie that became that rare film phenomenon: acclaimed at the Cannes Film Festival and a huge commercial success. Film school graduates, the first generation brought up with movies as their main cultural reference, flooded the studios (whose own regimes were changing) with production chieftains such as Robert Evans of Paramount and David Picker at United Artists; they approved risky-looking projects and allowed relatively untested filmmakers like Francis Ford Coppola to take on heavyweight movies such as The Godfather or Hollywood newcomers like Britain's John Schlesinger to make quirky stories like Midnight Cowboy. Enriched by success with their TV show The Monkees, producer Bert Schneider and director Bob Rafelson formed a company that produced not only Easy Rider but seminal '70s films such as Five Easy Pieces and the Oscar-winning Vietnam War documentary Hearts and Minds. Another godfather to the new movement was producer Roger Corman, who gave early career opportunities to Coppola, Martin Scorsese, Peter Bogdanovich, and Jonathan Demme on low-budget projects that allowed them to learn their craft.

Two things brought this movement to an end: Some individual filmmakers' personal excesses (such disastrous flops as Dennis Hopper's follow-up to Easy Rider, appropriately titled The Last Movie, and Scorsese's New York, New York), and the studios growing fascination with special effects-driven B-movies. An outgrowth of two box-office and marketing juggernauts -- Jaws and Star Wars -- the resulting films became entertainments rather than personal statements of the directors. Narrated by William H. Macy, Easy Riders, Raging Bulls features vintage clips of Coppola, Scorsese, Beatty, George Lucas, Sam Peckinpah, Roman Polanski, Robert Altman, and Pauline Kael. It also includes original interview material with Penn; Corman; Bogdanovich; Hopper; Picker; writer/directors John Milius and Paul Schrader; actresses Karen Black, Cybill Shepherd, Margot Kidder, and Jennifer Salt (the latter two shared a house in Malibu, a social center for young filmmakers); actors Peter Fonda, Kris Kristofferson, and Richard Dreyfuss; producers Jerome Hellman, Michael Phillips, and Jonathan Taplin; editor Dede Allen; production designer Polly Platt; writers David Newman, Joan Tewksbury, Gloria Katz, and Willard Huyck; cinematographers Laszlo Kovacs and Vilmos Zsigmond; agent Mike Medavoy; and former production executive Peter Bart. Among the films discussed are Rosemary's Baby, The Wild Bunch, Mean Streets, American Graffiti, The Rain People, Midnight Cowboy, M*A*S*H, McCabe and Mrs. Miller, The Last Picture Show, Shampoo, Taxi Driver, and Raging Bull. (Three interviewees -- cinematographer Gordon Willis, critic Andrew Sarris, and writer-director Monte Hellman -- listed in the Variety review of this film, were not included in this version from a screening on Bravo.) ~ Tom Wiener, All Movie Guide

The sixth and final season of Hercules: The Legendary Journeys begins as female criminal Arciana (Katie Holmes) breaks out of prison in search of the all-powerful Sword of Hera. Arciana is inexorably linked to the demon Xerxos (Jeremy Roberts), who long ago murdered the family of Hercules' friend and traveling companion Iolaus (Michael Hurst). In their efforts to track down Arciana, Iolaus and especially Hercules (Kevin Sorbo) face an additional challenge in the form of the sinister lookalike of Hercules' lost love Serena (Sam Sorbo). ~ Hal Erickson, All Movie Guide

This often ironic, metaphorical drama offers insight into identity questions faced by many contemporary Australians. The story centers on the expatriate Tessa who has come back to her country after a long absence. She originally left the country when her father found out that she was pregnant and that the father of the child was an Aborigine. She later had the child aborted. Now her mother has died and she has returned to the family home to pay her respects. Living in the home is her sister and their volatile father who has given up control of the house. The sisters fight over ownership of the house. ~ Sandra Brennan, All Movie Guide

The Pulitzer Prize-winning novel The Killer Angels by Michael Shaara becomes this sprawling historical epic. As in Shaara's novel, director Ronald Maxwell focuses on a handful of major players to dramatize the events of July 1863, when the armies of the Union and Confederacy clash at the small Pennsylvania town of the title. Among them are Martin Sheen as General Robert E. Lee, who disagrees with his top advisor, General James Longstreet (Tom Berenger) over battle strategy, and Jeff Daniels as Colonel Joshua Lawrence Chamberlain, a college professor whose unorthodox techniques save the day (and possibly the war) for his beleaguered army. Other cast standouts include Richard Jordan in his final film appearance as the ill-fated General Lewis Armistead, and cameo roles for Civil War buff Ken Burns and media mogul producer Ted Turner. Filmed on-location at Gettysburg National Military Park, Gettysburg was shot as a television miniseries for Turner's TNT cable channel, but earned a limited theatrical release. ~ Karl Williams, All Movie Guide

This 1993 film adaptation of Percy Mtwa's South African play Bopha was rendered anachronistic by late-breaking events, though it still contains plenty of food for thought. Danny Glover stars as a black police officer in the waning days of apartheid. Though dedicated to his job, Glover has mixed feelings concerning his loyalty to the white status quo. His self-doubt is further intensified by the rabidly racist remarks of his new superior, Malcolm McDowell. Making things even more difficult for Glover is the increasing radicalization of his own son (Maynard Eziachi). Percy Mtwa's "never forgive, never foreget" subtext will be unsettling for some viewers-just as it was intended to be. Alfre Woodard, who previously played Winnie to Danny Glover's Nelson in the 1987 TV biopic Mandela, is again cast as Glover's wife. Bopha was coproduced by talkshow host Arsenio Hall, and directed by Oscar-winning actor Morgan Freeman. ~ Hal Erickson, All Movie Guide

Director Michael Mann based this lushly romantic version of the James Fenimore Cooper novel more on his memory of the 1936 film version (starring Randolph Scott) than on Cooper's novel (in fact, Philip Dunne's 1936 screenplay is cited as source material for this film). Set in the 1750s during the French and Indian War, the story concerns Hawkeye (Daniel Day-Lewis), the European-born adopted son of Mohican scout Chingachgook (Russell Means). Hawkeye and his party, which also includes the Mohican Uncas (Eric Schweig), joins up with a group of Britons who have recently arrived in the Colonies. The group consists of Cora Munro (Madeleine Stowe) and her younger sister, Alice (Jodhi May), who are rescued from a Huron war party by Hawkeye. Hawkeye's band accompanies them to the British Fort William Henry, which is being besieged by a French and Huron force. The fort falls to the French, and Colonel Munro (Maurice Roeves) surrenders to French General Montcalm (Patrice Chéreau). The terms of the surrender are that the British merely abandon the fort and return to their homes. However, the French's bloodthirsty ally, the Huron warrior Magua (Wes Studi), has made no such agreement, and, as the British retreat from the fort, he plans to massacre them in a terrible Huron attack. ~ Paul Brenner, All Movie Guide

Christina Applegate stars in this convoluted comedy that comes across as a teen fantasy combination of Home Alone and Working Girl. The premise is all in the title -- when the mother (Concetta Tomei) of a sniveling group of surly kids goes on a much-deserved summer vacation, she leaves her kids under the charge of an elderly distaff granny (Eda Reiss Merin). When granny ups and dies, the kids load her dead body in a trunk and deposit the package on the steps of the local funeral home. The kids are ecstatic thinking that with the big wad of cash Mom has left, they can have a summer of consumer madness. But when they find out that the money has been buried with the baby-sitter, the kids have to fend for themselves to make ends meet. Dream teen Sue Ellen (Christina Applegate) tries working at a fast food restaurant but she can't stand the grease. So, she puts together a false resume and, posing as a twenty-eight-year old, she applies for a job as a receptionist at a garment manufacturing company. The company vice president, Rose (Joanna Cassidy), is so impressed by her resume that she hires her on the spot as her executive assistant. Her deception looks to be working out great -- Sue Ellen manages to hold off the office lady killer Gus (John Getz), avoids exposure by the embittered receptionist, borrows money from the company's petty cash box for household incidentals, and continues her relationship with restaurant employee Bryan (Josh Charles). But suddenly, the clothing firm is set to go under, and Sue Ellen must use her teen fashion sense to save the company and her job . . . and she has to get the rest of the brood involved. ~ Paul Brenner, All Movie Guide

Cinematographer Chris Menges' first directorial effort, A World Apart was inspired by the lives of South African journalist Ruth First and her daughter Shawn Slovo (who wrote the film's screenplay). Barbara Hershey plays the fictional counterpart to Ms. First, Diana Roth, with Jodhi May as her daughter. Told from the daughter's viewpoint, the film shows us that Diana and her husband Jeroen Krabbe are so busy with their anti-Apartheid political activism that they totally shut May out of their lives. In 1963, Hershey is arrested by the South African police, becoming the first white woman to be held under the infamous 90-day-detention act. Left despondent and suicidal by two separate arrests and by constant harassment from the police, Diana still won't include her daughter in her life until the girl presses the issue in a climactic confrontation. Some critics felt that Shawn Slovo was using A World Apart to settle unresolved issues in her own life: Ruth First was killed under suspicious circumstances in 1982, without ever reconciling with her daughter. ~ Hal Erickson, All Movie Guide

An adventure tale for movie buffs, Jake Speed deftly lifts scenes from detective films of the '40s through the '70s to bring an added dimension to its spoof of the detective and adventure genres. When a family gets word that their daughter has been kidnapped in Paris, her father comments that they should get "Jake Speed" to find her. However, Jake is a comic strip character, and the reaction is that he might as well ask for Batman. But lo-and-behold, the other daughter Margaret (Karen Kopins) gets a message to meet Speed (Wayne Crawford) and his author, Remo (Dennis Christopher), and the men tell her they must go to Africa, where her sister is being held. After a certain amount of trial and error, they eventually find the nation where she's being held -- which happens to be in the middle of a revolution. ~ Eleanor Mannikka, All Movie Guide

This highly anecdotal film centers upon Doc (Nick Nolte), a self-employed marine biologist who lives by the ocean and interacts with the neighborhood denizens, trying to conceal a troubled past. Across from Doc's digs stands the local bordello, the Bear Flag Restaurant. Across the entrance ambles Suzy (Debra Winger), a drifter who tries to become one of the girls and fails miserably. However, she does set her sights on Doc and acts accordingly. ~ Paul Brenner, All Movie Guide

Steven Spielberg followed Jaws (1975), his first major box-office success, with this epic science fiction adventure about a disparate group of people who attempt to contact alien intelligence. Roy Neary (Richard Dreyfuss) is an electrical lineman who, while sent out on emergency repairs, witnesses an unidentified flying object, and even has a "sunburn" from its bright lights to prove it. Neary's wife and children are at first skeptical, then concerned, and eventually fearful, as Roy refuses to accept a "logical" explanation for what he saw and is prepared to give up his job, his home, and his family to pursue the "truth" about UFOs. Neary's obsession eventually puts him in contact with others who've had close encounters with alien spacecraft, including Jillian (Melinda Dillon), a single mother whose son disappeared during her UFO experience, and Claude Lacombe (celebrated French filmmaker François Truffaut), a French researcher who believes that we can use a musical language to communicate with alien visitors. Lacombe's theory is put to the test when a band of government researchers and underground UFO enthusiasts (including Neary) join for an exchange with alien visitors near Devil's Tower, Wyoming. In 1980, a "Special Edition" was released. While its primary selling point was the addition of scenes inside the alien spaceship, Spielberg claimed that he also cleaned up some choppy editing in the second act. ~ Mark Deming, All Movie Guide