Lee Philips Movies
Lee Philips studied playwriting at Adelphi College, and later with Harold Clurman. Originally a stage actor, Phillips made his stage debut in the early '50s and appeared on Broadway in dramas such as Paddy Chayefsky's Middle of the Night, with Edward G. Robinson, Gena Rowlands, Anne Jackson, and Martin Balsam, and The Mandragola, directed by Sanford Meisner and starring Albert Paulsen, John Fiedler, and Mark Rydell. He followed this with television work on Armstrong Circle Theatre, and other dramatic anthology shows, and feature film appearances in movies such as Peyton Place (1958), in which he distinguished himself with an impassioned performance as the earnest school principal. Additionally, he appeared in the television productions of Marty and 12 Angry Men. Phillips turned to directing in the early '60s on sitcoms such as The Dick Van Dyke Show, and followed this with numerous TV movies and occasional feature films, most notably The Girl Most Likely To (1973), a black comedy about a formerly homely girl (Stockard Channing), transformed by plastic surgery, who decides to revenge herself on the high school classmates who tormented her. ~ Bruce Eder, Rovi- 1991
The made-for-television thriller Silent Motive is about a screenwriter (Patricia Wettig) whose recent script is being used for a series of murders of film-industry executives. Consequently, a police detective (Mike Farrell) immediately assumes that she is the chief suspect behind these gruesome crimes. ~ Stephen Thomas Erlewine, Rovi
- 1990
Garr Hagar's Gerald McRaney son is killed by white supremacists. Expecting justice from the usual legal channels, Hagar is outraged when the jury acquits his son's murderers. Though the audience is primed to expect violence, this doesn't happen: Hagar opts for an insidious, psychological cat-and-mouse game to exact vengeance on the criminals. And he's always in the shadows -- always watching. Sustaining its subtlety and restraint throughout, Blind Vengeance is infinitely preferable to the usual USA Cable Network mayhem-fests. The film was first telecast on August 22, 1990. ~ Hal Erickson, Rovi
- 1989
As a reporter investigates the disappearance of an anchorwoman, his important characters are being killed by an "avenging angel." ~ Rovi
- 1988
The two-part King of the Olympics was released during the 1988 Summer Olympic games. David Selby stars as Avery Brundage, the 19th century sports enthusiast who spearheaded the movement to revive the Olympic games in modern times. We all know the outcome, so there's really no necessity to sit through the film's wearisome four hours. For the record, Part One of King of the Olympics finds Brundage running up against obstacle after obstacle in realizing his dream--and wooing and winning several young ladies along the way. So, for that matter, does Part Two. ~ Hal Erickson, Rovi
- 1988
Part One of the made-for-TV King of the Olympics recounted the efforts of Avery Brundage (David Selby) to mount the first modern Olympic contest of 1896. Part Two re-recounts what we've already seen. While the rare film clips of the pre-20th century games are fascinating, the surrounding story is a four-hour yawnfest. The full title of this top-heavy effort was King of the Olympics: The Lives and Loves of Avery Brundage, which frankly promised more than it could (or would) deliver. ~ Hal Erickson, Rovi
- 1988
Windmills of the Gods was adapted for television by John Gay from a best-selling novel by Sidney Sheldon. Jaclyn Smith plays an American college professor, appointed US ambassador to Romania. While attending a peace conference, Jaclyn's life is placed in jeopardy by an all-powerful secret organization. Whom can she trust: American president Michael Moriarty, Rumanian top dog Franco Nero, fellow scholar David Ackroyd, or confrence chairman Ian McKellan? Or none of the above? This wide-ranging romantic adventure was lensed in several exotic locales, from Bucharest to Chile. Originally presented in two parts, Windmills of the Gods debuted February 7, 1988, directly opposite the ratings-busting TV-movie Elvis and Me. ~ Hal Erickson, Rovi
- 1986
The made-for-television American Geisha was based on the published reminiscences of real-life anthropologist Liza Dalby. Pam Dawber stars as the Dalby counterpart, here renamed Gillian Burke. As part of the research for her Stanford University grad-school thesis, Gillian heads to the Japanese town of Kyoto, there to work as an authentic geisha girl. Richard Narita costars as the Japanese gentleman with whom Gillian falls in love. Less than a year before American Geisha's September 11, 1986 premiere, Narita essayed a similar role in the white-slavery melodrama Girls of the White Orchid. ~ Hal Erickson, Rovi
Blue Lightning stars Sam Elliot as an American private eye operating in the Australian outback. Robert Culp is co-starred as a super-criminal in search of a valuable opal. Culp is forced to fight the ethically suspect Elliot for possession of the gem, while Rebecca Gilling vacillates as the heroine. Written by William P. Kelley, who won an Oscar for Witness but no awards for this, Blue Lightning has the distinct aroma of a busted TV pilot. It was first telecast May 7, 1986. ~ Hal Erickson, Rovi
- 1986
This made-for-television film chronicles the life of 19th-century American showman P. T. Barnum. Using flashbacks (and flash forwards) the earliest efforts of his career are shown, through the formation of the "Greatest Show on Earth" with his partner Bailey, with many interesting things in between. ~ Forest Ray, Rovi
- Starring:
- Burt Lancaster, Hanna Schygulla, (more)
- 1985
This mammoth five-part, 13-hour CBS miniseries was based on the best-selling novel by James A. Michener. Covering the U.S.-Soviet "space race" from the end of WWII to the landing on the moon, the program stars James Garner as Norman Grant, a former war hero turned senator who tirelessly promotes the American space program despite almost insurmountable opposition. Other principal players include John Pope (Harry Hamlin), who matriculates from shavetail West Pointer to pioneering astronaut in the company of fellow space-traveler Randy Claggett (Beau Bridges); Leopold Strabismus (David Dukes), a hedonistic wheeler-dealer who hopes to capitalize on the 1947 UFO scare; German rocket scientist Dieter Kolff (Michael York), whose ideals (or lack thereof) are put to the test when he shifts his allegiance from the Nazis to the Americans; and Stanley Mott (Bruce Dern), an aeronautical engineer whose secret assignment is to make certain that men like Kolff aren't snatched up by the Soviets after the fall of Germany. The winner of three Emmy awards, James A. Michener's Space originally aired from April 14 through 18, 1985; in subsequent showings, the miniseries was cut from 13 to nine hours. ~ Hal Erickson, Rovi
- Starring:
- James Garner, Harry Hamlin, (more)
- 1984
This lavish retelling of the story of the Hebrew strong man and history's most famous lady barber was based in part on the Old Testament, in part on Eric Linkletter's book Husband of Delilah, and in great part on the same-named 1949 Cecil B. DeMille movie epic. Newcomer Anthony Hamilton stars as Samson, who uses his awesome strength--not to mention the jawbone of an ass--to safeguard his fellow Hebrews from the persecution of the Philistines in the 11th Century BC. Fascinated by Samson, Philistine harlot Delilah (Belinda Bauer) pretends to fall in love with him so that she may learn the source of his muscle power. Upon discovering that his mightiness stems from his flowing mane of hair, Delilah drugs Samson's wine and pulls out the shears. Bald and blinded, Samson is transformed from the savior of his people into an enslaved object of Philistine ridicule. But redemption is at hand, and by film's end practically the entire cast has been entombed in the rubble wrought by Samson's final, desperate feat of strength. Victor Mature, who of course played Samson in the 1949 film, was coaxed out of retirment to portray Samson's father, while Max Von Sydow, who Biblical-movie credits include the part of Jesus in The Greatest Story Ever Told, delivers an impressively subtle performance as the Philistine governor. Filmed in Mexico, Samson and Delilah originally aired April 1, 1984, on ABC. ~ Hal Erickson, Rovi
Roger Hanover (Dom DeLuise) once enjoyed TV stardom as "Happy the Clown." Now, however, Roger is a has-been, reduced to private parties and store openings. Even so, he remains a hero in the eyes of his adoring son Roger Jr. (played, appropriately enough, by David DeLuise). To prove his true worth to his boy, Roger personally investigates the murder of his partner Bernie Nelson (Jack Gilford), thereby placing himself and his family in dire peril. Virtually a DeLuise family reunion, Happy also featured Dom's wife, comedienne Carol Arthur, and his other two sons, Michael and Peter. Made for television, the film debuted October 26, 1983. ~ Hal Erickson, Rovi
- 1982
Loretta Swit was still appearing on a weekly basis in MASH when she starred in the made-for-TV Games Mother Never Taught You. She plays Laura Bentells, the first female executive in a traditionally "good ole boy" office. Refusing to be patronized or disregarded, Laura quickly learns the ropes of corporate gamesmanship. Sam Waterston and Eileen Heckart co-star as, respectively, Laura's husband and mother. And that's an uncredited Madlyn Rhue as the wife of skirt-chasing executive David Spielberg. Based on the "from the front lines" book by Betty Lehan Harrigan, Games Mother Never Taught You first aired November 27, 1982. ~ Hal Erickson, Rovi
- Starring:
- Loretta Swit, Edward Grover, (more)
- 1982
A Wedding on Walton's Mountain has no John-Boy (Richard Thomas) or Olivia (Michael Learned),but does feature five regulars from the long-running TV series: Ralph Waite as John Walton, Ellen Corby as Grandma, Mary Elizabeth McDonough as Erin, Jon Walmsley as Jason and Judy Norton-Taylor as Mary Ellen. The year is 1947, and the wedding is Erin's, about to tie the knot with lumberman Paul Northridge (Morgan Stevens). Erin's ex-boyfriend (Louis Welch) threatens to gum up the works, but with the help and support of her family the girl is successfully wed. The first of several Waltons TV movies following the demise of the series in 1981, The Wedding on Walton's Mountain turned out to be an unexpected ratings magnet. It assured the Faithful that there would be many minings of the Waltons vaults for future made-for-TV specials--the most recent of these appearing in early 1995. ~ Hal Erickson, Rovi
- 1981
- PG
In this drama, a homeless shoeshine boy who lives in a locker at the train station finds himself quite popular after he reveals a talent for picking winners at the racetrack. ~ Sandra Brennan, Rovi
- Starring:
- Gary Coleman, Michael Lembeck, (more)
- 1981
In this socially conscious drama, set in 1955, three tough New York youths must learn to deal with a troubled world. ~ Sandra Brennan, Rovi
- 1980
Made for television and initially telecast February 9, 1980, Hardhat and Legs is a new-fashioned romance from the old-fashioned writing team of Garson Kanin and Ruth Gordon. The "hardhat" is pugnacious construction worker Kevin Dobson. The "legs" is Sharon Gless, a high-class NY divorcee who responds to Dobson's wolf-whistle in a most unusual way. Once they get to know one another, Kevin and Sharon help to straighten out each other's problems: his battle with bookies, her custody bout with her ex-husband. Though the film's characters are neatly divided into "good" and "bad", the Hardhat and Legs is set in a user-friendly New York, the like of which hasn't been seen much since the films of the 1930s and 1940s. ~ Hal Erickson, Rovi
- 1979
In this feature-length TV series pilot, Andy Griffith stars as maverick junk dealer Harry Broderick (evidently a pun on Harry Brock, the junk-king villain of Garson Kanin's play Born Yesterday. Figuring that NASA has left millions of dollars' worth of discarded equipment on the moon, Harry hits upon a scheme to retrieve the paraphernalia and turn over a huge profit. Together with his youthful assistants Skip (Joel Higgins) and Melanie (Trish Stewart), Harry assembles his own ramshackle space ship and blasts off to the moon. Though the takeoff, landing, and Lunar scavenger hunt prove to be successful, getting back to Earth may not exactly be a bowl of cherries--or even scrap iron. Salvage made its ABC network bow on January 20, 1979, one week before the official premiere of the weekly series (renamed Salvage 1). ~ Hal Erickson, Rovi
- 1979
Valentine stars Mary Martin, making her TV movie debut as a septuagenarian, terminally ill widow. She falls in love with Jack Albertson, a 70 year old charmer with a history of breaking female hearts. Casting propriety to the four winds, Martin and Albertson shack up together, then take a picaresque cross-country trip. While there's opportunity aplenty for sticky sentimentality, Mary Martin and Jack Albertson cagily avoid the Obvious in their marvelous portrayals. Unfortunately, they are let down by the condescending script of Valentine, which suggests that the only way for old folks to "think young" is to behave like irresponsible schoolchildren. ~ Hal Erickson, Rovi
- 1978
Jack Albertson stars as an old-time Borscht Belt comic who owns his own nightclub. Albertson's public has been dwindling for years, and his club is in danger of folding. He decides to renovate his business by changing his establishment into a Comedy Store-like operation, opening his doors to aspiring young comedians, then inviting show-biz biggies (including George Burns, playing himself) to watch the parade of new talent. Coincidentally, this film was originally telecast opposite another TV movie titled Telethon, in which a washed-up comic (Red Buttons) desperately tries to sign celebrities for an all-night fundraiser. Despite its title, this is pure drama in its staging, characterizations and resolution. ~ Hal Erickson, Rovi
- 1978
This heart-warming made-for-television drama chronicles a widowed father's struggle to keep his family intact. He has three sons, and one of them is mentally retarded. The boy has a gift for sports and his father enrolls him in the Special Olympics. ~ Sandra Brennan, Rovi
- 1976
The War Between the Tates is a diluted but still enjoyable TV-movie adaptation of Alison Lurie's satirical novel. Elizabeth Ashley plays Erica Tate, a middle-aged suburban homemaker. Richard Crenna is her professor husband Brian Tate. When Erica runs across evidence that Brian is conducting an affair with a nubile co-ed (Annette O'Toole), Brian promises he'll cease and desist, but doesn't. Already suffering an ego crisis due to the affair, Erica finds her emotions churned up further when she meets her husband's pregnant girlfriend--an eminently likable creature whom Erica cannot bring herself to despise. Though set in a midwestern college town, The War Between the Tates was filmed in Toronto. ~ Hal Erickson, Rovi
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