Sarah Campbell Movies

Nathaniel Hawthorne's classic novel of hypocrisy among America's pilgrims was brought to the screen by director Roland Joffe in this 1995 feature. Demi Moore stars as Hester Prynne, a new arrival to the Massachusetts Bay Colony in 1666. Prynne, who interacts freely with slaves and Quakers and wears revealing garb, is something of a free thinker and off-putting to the uptight locals. She awaits the arrival of her husband, Roger (Robert Duvall), but he is reported killed. One person who does not find Prynne unsettling is the new preacher, Arthur Dimmesdale (Gary Oldman). A torrid encounter between them produces a child, Pearl, and Hester is condemned by the colony, forced to wear a scarlet letter "A" (for "adultery"). Roger reappears; he had been living with a native tribe -- an experience that has driven him mad. He masquerades as "Roger Chillingsworth," trying to discover the identity of Pearl's father. When Hester is about to be executed, Dimmesdale confesses, but a timely Indian raid intervenes, saving him and Hester. The Scarlet Letter was widely derided by critics for sexualizing and changing Hawthorne's novel to an absurd degree. ~ Karl Williams, Rovi

When prison psychiatrist Bill Chrushank (Jeff Fahey) loses an arm in a car accident, he receives a revolutionary new transplant from an unknown donor, who is later discovered to have been a recently-executed psycho-killer. During his recovery, Bill is tormented by violent nightmares and aggressive new impulses -- and his limb seems to have developed a malevolent will of its own, acting independently and lashing out beyond his control. He eventually discovers that an artist named Remo Lacey (Brad Dourif) -- whose work is influenced by the same nightmares -- is the recipient of the killer's other arm. Before long, the same donor's legs turn up on yet another man, who harbors the same violent mood swings... and the inevitable "reunion" culminates in a violent, gory finale. Written and directed by Eric Red (based on the novel Choice Cuts by Pierre Boileau & Thomas Narcejac), this is a stylish and tightly-paced film (the harrowing car chase is a definite nail-biter), but the ball is sadly dropped by a weak script that discards the twisted potential of its premise (is the donor arm influencing Chrushank's mind, or vice versa?), lapsing instead into standard slasher-think. ~ Cavett Binion, Rovi