Nicholas Campbell Movies

Satan's son has arrived on Earth and He's not about to let human parents get in the way. When his wife Katherine's (Lee Remick) pregnancy ends in a stillbirth in a Rome hospital, U.S. diplomat Robert Thorn (Gregory Peck) substitutes another baby, whose mother died. Little Damien (Harvey Stephens) thrives, but, at his fifth birthday party, his nanny mysteriously dies; Father Brennan (Patrick G. Troughton) also expires after warning Thorn that he has adopted Lucifer's son. While sinister new nanny Mrs. Baylock (Billie Whitelaw) assiduously protects Damien, Thorn's fears escalate when photographer Jennings (David Warner) shows him pictures from Damien's party with marks suggesting how the nanny and Brennan would die. Thorn seeks out Bugenhagen (Leo McKern), an exorcist who confirms Damien's identity and tells Thorn that the only solution is to kill his adopted son. As the bodies pile up, Thorn tries to do his duty, but trust the law to get in the way of saving the world from future Armageddon. ~ Lucia Bozzola, All Movie Guide

Burt Lancaster was too young to play alcoholic, disillusioned Doc Delaney in the 1952 film version of William Inge's Come Back Little Sheba. At age 70, Laurence Olivier was too old for the part, yet Olivier's performance is far more persuasive than Lancaster's in this 1977 TV-movie remkae of Sheba. Inge's basic plot is left intact: Delany feels trapped by his marriage to the whining, slovenly Lola (Joanne Woodward, in the role created on Broadway by Shirley Booth). Doc can't appreciate the fact that, despite her inadequacies, Lola sincerely loves him; his emotional blindness stirs up a lot of trouble when a beautiful young woman (Carrie Fisher) rents a room in the Delany home. Despite American subject matter and setting, Come Back Little Sheba was produced in Britain by Granada Television. It was one of six plays coproduced for TV by Laurence Olivier as part of his "Great Plays of the 20th Century" series. Sheba was first seen by American viewers on December 31, 1977. ~ Hal Erickson, All Movie Guide

This is a remake of a 1936 sci-fi, future dystopia tale by H.G. Wells, but the drama, as interpreted by director George McCowan and scripter Martin Lager is not altered to accommodate today's more demanding audiences. As a result, the story, characters, and dialogue are a little weak. After a nuclear holocaust has forced people on earth to set up house on the moon (covered by an insulating, glass-like bubble), their continuing existence depends on some medication to fight off the effects of radiation (!). The trouble is that this medicine is now controlled by the villainous Omus (Jack Palance) who lives on the planet where the miracle drug is made. He is in the process of blackmailing the earth people into accepting him as a dictator when a group of them sneak out in a rocket to defeat him and save the day, whatever the day is on the moon. ~ Eleanor Mannikka, All Movie Guide

Canadian director David Cronenberg followed his graphic vampire variation Rabid with this multi-layered, speculative horror film which addresses the way the repressed demons of the psyche can force their way to the surface. Psychologist Dr. Raglan (Oliver Reed), director of the controversial Psychoplasmic Institute and author of the book "The Shape of Rage," encourages his patients to outwardly manifest their anger and fear (aided by some experimental drugs), which then takes physical shape as actual sores, cancers, or strange new organs. One of Raglan's more successful patients (from his point-of-view, anyway) is Nola Carveth (Samantha Eggar), who is undergoing therapy following a painful divorce from her husband, Frank (Art Hindle). When Frank discovers evidence that Nola may have injured their daughter, Candice (Cindy Hinds), he begins to suspect Raglan's techniques but is unprepared for the most horrifying by-product of her rage: a progeny of sexless, dwarflike mutants who are born for the sole purpose of acting out her violent fantasies of revenge. Containing only enough energy to carry out their murderous tasks, the brood is dispatched to kill Nola's parents, then a woman she believes is having an affair with Frank. By the time Frank discovers the origins of the tiny offspring, they have already abducted Candice and taken her to the institute, where Frank must confront Nola in person. Although it contains one of the most visceral and nauseating scenes in movie history (during the film's climax), this nevertheless remains the most subtle of Cronenberg's early horror projects, with a strong subtext about the devastating effects of divorce. ~ Cavett Binion, All Movie Guide

A Quaker family is terrified when the mother and daughters are taken hostage. ~ All Movie Guide

After a Harvard professor (Elliott Gould) comes into possession of a letter by George Washington, he finds that criminals are after the valuable document as well. A young reporter (Kate Jackson) just might save him, in this Canadian production. ~ John Bush, All Movie Guide

Cult horror director William Fruet (Death Weekend, Spasms) teams with My Bloody Valentine screenwriter John Bearid for this backwoods shocker about a group of backpackers who do battle with a psychotic hillbilly. Four young university students are out camping in the woods when they witness an enraged Henry Chatwell (Henry Silva) stalking, torturing, and killing his wife's lover. With no means of calling the local sheriff, the students retreat back to their campsite. There, Henry takes them captive and declares they all must die. Realizing that old Henry has finally gone too far, two locals attempt to release the students, who are promptly recaptured by their crazed abductor. Later, desperate student Roger (Nicholas Campbell) acquires an axe and attempts to save his friends from certain death. ~ Jason Buchanan, All Movie Guide

After accidentally killing a rock group's manager, a destitute musician (George Segal) falls in love with the girlfriend (Irene Cara) of the man accused of the murder. ~ Jason Ankeny, All Movie Guide

This drama chronicles the good deeds of a sociology student who after doing research into feminine crimes begins taking in teen-age hookers. It is based on a true story. ~ Sandra Brennan, All Movie Guide

In a weak mix of too many ingredients -- a dash of West Side Story, a pinch of Breakin', and sprinkles of references to other teen gang films -- this saga of one gang at odds with another is more like warmed-up leftovers than an original creation. Troy, Mookie, and Joey (Leon Isaac Kennedy, John Mengati, and Nicholas Campbell) belong to a gang at war with the nasty punks of the Mechanix. Troy and Mookie are into rapping and rock music and after some failed attempts to break into recording, they take dance lessons and win a coveted talent contest that puts them ahead for a change. Meanwhile, the Mechanix are not interested in what these guys won and are preparing for their long-awaited showdown with the would-be entertainers. ~ Eleanor Mannikka, All Movie Guide

In this action movie an investigative journalist joins a survivalist camp and finds himself in danger. ~ Sandra Brennan, All Movie Guide

A strong-willed woman loses her will to resist a TV cooking show host. ~ Kristie Hassen, All Movie Guide