Ivo Perilli Movies
Ivo Perilli penned scripts for a number of important early Italian films. In 1933, Perilli had the dubious distinction of directing the first feature film to be banned by the fascist government. Considered by many to be the forerunner of the neorealist movement, Perilli's Ragazzo was deemed politically unacceptable for public viewing. Perilli's best-known work includes contributions to Bitter Rice (1948) and Roberto Rossellini's The Greatest Love (1951). Perilli also collaborated on a few international films, including War and Peace (1956) and The Bible: The Beginning (1966). ~ Sandra Brennan, All Movie Guide- 1974
Frustrated desire motivates the Sicilian newlyweds in this improbable sex comedy when they are discovered to be brother and sister just before their marriage can be consummated. They receive this news in a very unwelcome telegram, and spend much of the rest of the film trying to alleviate their frustration by various stratagems. Some of them are fairly innocent, such as novel-reading and pious works; others include seriously considering the option of incest. They have a number of embarrassing sexual encounters outside their relationship, but are saved from even more demeaning situations when a second telegram informs them that the first was definitely a mistake. ~ Clarke Fountain, All Movie Guide
The Bible was intended by producer Dino De Laurentiis as the first in a series of films which would eventually cover the Old and New Testament in their entireties. The many directors engaged for this project dropped out one by one, leaving only the adventurous John Huston. As a result, this film was the first and last in the series; its subtitle In the Beginning refers to the fact that only the first 22 chapters of Genesis ended up on film. After creation, we are introduced to the buff-naked Adam and Eve (Michael Parks and Ulla Bergyd), whose fall from grace segues into the Cain and Abel story. Next on the docket is the story of Noah, played by director Huston, who'd originally wanted Charlie Chaplin for the role. Abraham's sacrifice is then dramatized, with George C. Scott as the beleaguered protagonist. In quick succession, we are offered the Tower of Babel, the defiance of Nimrod, and Sodom and Gomorroh. Tying together these Old Testament episodes is Peter O'Toole as three angels; Ava Gardner also shows up in the role of Sarah. ~ Hal Erickson, All Movie Guide
- Starring:
- Michael Parks, Ulla Bergryd, (more)
- 1963
Director Giuliano Tomei has fashioned a male-oriented travelog of Japan in this standard documentary and he is not above exploiting some of the stranger or more prurient images captured by the camera crew. Aside from the usual Japanese highlights, he has several scenes with females in various stages of undress though there are technically no nude shots. He also notes the eye operations that at least some Japanese believe will make them look more Western. Along with this oddity, there are other cultural observations that confirm the fact that Japan is a male-dominated society -- in case there were any doubts. ~ Eleanor Mannikka, All Movie Guide
This 1962 Biblical epic was adapted by Christopher Fry from the novel by Pär Lagerkvist. Anthony Quinn stars as Barabbas, the thief who was pardoned in place of Jesus. For the rest of his life, the guilt-ridden criminal tries to justify his existence and to determine his place in the scheme of things. Along the way he encounters the self-righteous pomposity of Pontius Pilate (Arthur Kennedy), the stoning of Sara (Katy Jurado), the gladiatorial sadism of Torvald (Jack Palance), and the burning of Rome. The film's unbilled Christ is played by Roy Magnano, the brother of Quinn's second-billed costar Silvia Mangano. Watch for the genuine solar eclipse during the Crucifixion sequence, an effect that director Richard Fleischer spent several days preparing for. ~ Hal Erickson, All Movie Guide
- Starring:
- Anthony Quinn, Silvana Mangano, (more)
- 1962
This Italian drama tells the story of Christ's crucifixion from the viewpoint of the Roman emperor's procurator in Israel who must try to quell a Jewish revolt. In a bizarre twist, John Drew Barrymore plays both Jesus and Judas in the film. ~ Sandra Brennan, All Movie Guide
- 1960
Once branded himself by the House Un-American Activities Committee, award-winning director Martin Ritt focuses on the cruel branding of five women in this standard wartime drama. Some of his better-known films (The Spy Who Came In from the Cold, Norma Rae) also deal with the question of social and ethical choices in the face of pressure. In this story, the savagery of the Yugoslav partisans as they fight off Nazi occupation forces is also vented on five women accused of Nazi sympathies because of their sexual association with one German officer. The women (played by Silvana Mangano, Vera Miles, Barbara Bel Geddes, Jeanne Moreau, and Carla Gravina) have their heads shaved in order to brand them as traitors. What the partisans did to the German officer (Steve Forrest) in revenge for sleeping with these women was much worse. Intermittently shocking, the film with its excess cruelty and hatreds stands as a good indictment against war and its causes. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Silvana Mangano, Vera Miles, (more)
- 1958
Based on the Alexander Pushkin story The Captain's Daughter, Tempest is set in Russia during the reign of Catherine the Great. A Russian ensign named Peter Griniev (Geoffrey Horne), banished by Catherine (Viveca Lindfors) to a distant outpost, saves the life of Pugachov (Van Heflin), leader of a peasant uprising. Allowed to escape, Griniev tries to warn of the Pugachov's plans, but the Russian generals refuse to listen. When Griniev attempts to remove Pugachov's daughter (Silvano Mangano) from harm's way, he is accused of desertion. This time it is Pugachov's turn to rescue Griniev by convincing Catherine that the boy is innocent of treason. Tempest compensates for its overall dullness with a few brilliantly staged battle sequences. ~ Hal Erickson, All Movie Guide
- Starring:
- Van Heflin, Viveca Lindfors, (more)
War and Peace is a commendable attempt to boil down Tolstoy's long, difficult novel into 208 minutes' screen time. In recreating the the social and personal upheavals attending Napoleon's 1812 invasion of Russia, $6 million was shelled out by coproducers Carlo Ponti, Dino de Laurentiis and Paramount Pictures. Some of the panoramic battle sequences are so expertly handled by second-unit director Mario Soldati that they appear to be Technicolor-and-Vistavision newsreel footage of the actual events. Still, the film falters dramatically, principally because of a lumpy script and King Vidor's surprisingly lustreless direction. In addition, the casting is wildly consistent: for example, while Audrey Hepburn is flawless as Natasha, Henry Fonda is far too "Yankeefied" as the introspective Pierre. Proving too long and unwieldy for most audiences, War and Peace died at the box office; far more successful was the epic, scrupulously faithful 1968 version, filmed in the Soviet Union. ~ Hal Erickson, All Movie Guide
- Starring:
- Audrey Hepburn, Henry Fonda, (more)
- 1955
A rich man's attempts to steal away a poor man's wife set the stage for this comic farce, set in Naples in 1860. Luca is a simple but honest man married who runs a mill and his married to Carmela (Sophia Loren), a strikingly beautiful woman. Carmela's face and figure attracts the eye of the Governor (Vittorio De Sica), a Spanish nobleman who has been appointed ruler of Naples. Determined to have Carmela as his own, the Governor has Luca arrested on false charges, and sets out to seduce her while her husband is behind bars. When Carmella resists, the Governor plays his trump card -- he is willing to free Luca, but only under the condition that she sleeps with him first. Carmella is appalled, but dreams up a way to use the situation to her advantage; she slips the Governor a mickey, and after he's asleep, she makes haste to the prison, carrying the Governor's pardon of her husband. However, Carmella arrives to discover a surprise -- Luca has already escaped from the jail. When Luca makes his way home, he discovers the Governor, still fast asleep, and is convinced he's already seduced Carmella; enraged, he sets off to the Governor's mansion, determined to get revenge with the Spaniard's wife. Bella Mugnaia was based on a novel previously filmed as Il Cappello a tre punte in 1934. ~ Mark Deming, All Movie Guide
- Starring:
- Sophia Loren, Vittorio De Sica, (more)
- 1954
Unable to find work in Hollywood due to the Blacklist, director Robert Rossen filmed his 1954 production Mambo in Italy. Silvana Mangano stars as Silvia, who hopes someday to become a famous dancer. In the meantime, Silvia is torn between two lovers: Count Enrico (Michael Rennie), who hasn't much longer to live, and Mario Rossi (Vittorio Gassman), an irresponsible adventurer. Gaining success as a dancer after joining the troupe managed by Toni Burns (Shelley Winters), Silvia continues to waver in her affections between her two suitors. By the time she makes her choice, it turns out to be the wrong one. The plotline is rather hard to follow, reportedly because director Rossen was obliged to recut and re-recut the film when it previewed badly. At least Mambo affords modern-day viewers the pleasure of seeing Katherine Dunham, one of the greatest American dancers of the 20th century, in action. ~ Hal Erickson, All Movie Guide
- Starring:
- Silvana Mangano, Michael Rennie, (more)
This very expensive Italian-made adaptation of Homer's "The Odyssey" stars Kirk Douglas as seafaring hero Ulysses. The story begins, as ever, with Ulysses leaving his faithful wife Penelope (Silvano Magnano) behind as he goes off to fight in the Trojan Wars. Having the poor taste to set himself above the gods after a stunning military victory, Ulysses is doomed to journey aimlessly across the sea until he can make amends. Along the way, our hero battles a cyclops, resists the fatal singing of the Sirens, and enjoys a brief interlude with pig-fancying enchantress Circe (also played by Silvano Magnano). Years and years later, Ulysses returns to Penelope, where he must meet and master a final challenge. Acceptable enough when first released in 1954, Ulysses pales in comparison to the high-tech, all-star 1997 TV miniseries version of The Odyssey. ~ Hal Erickson, All Movie Guide
- Starring:
- Kirk Douglas, Silvana Mangano, (more)
- 1953
This filmed biography of 19th-century composer Pietro Mascagni ignores his eventual descent into poverty and obscurity. However, the script is unstinting in its re-creation of the tragedies facing Mascagni during his rise to fame. Pierre Cressoy plays Mascagni, whose ultimate success leads to a tender reconciliation with his long-estranged father. Highlighting Melodie Immortali is an abbreviated performance of Mascagni's greatest triumph--actually his only triumph--the one-act opera "Cavaleria Rusticana." This sequence is dominated by the superb tenor voice of Metropolitan Opera star Mario Del Monaco. ~ Hal Erickson, All Movie Guide
- Starring:
- Pierre Cressoy, Vera Molnar, (more)
- 1953
Le Infedeli is graced by two internationally popular leading ladies: Italy's Gina Lollobrigida and Sweden's Mai Britt. The two actresses are but small portions of a larger plot mosaic, all about keeping up appearances no matter what the provocation. A group of "respectable" people are all partly responsible for the suicide of a servant girl. They are pounced upon by a wily blackmailer (Pierre Cressoy), who knows that these people will pay dearly rather than inform on themselves or others. The villain's comeuppance may seem a bit extreme, but it's undeniably satisfying. This Carlo Ponti-Dino DeLaurentiis production also features Irene Papas and Marina Vlady. ~ Hal Erickson, All Movie Guide
- Starring:
- Gina Lollobrigida, May Britt, (more)
- 1953
Originally released as Trattedella Blanche, Girls Marked Danger offers a voyeuristic glimpse at the subrosa world of 20th century white slavery. Veteran Hollywood heavy Marc Lawrence plays a vice lord who recruits innocent young Italian ladies for his nefarious purposes, on the pretext of hiring them to be cabaret dancers in South America. Despite the fact that none of Lawrence's "girls" ever return home, the new candidates suspect nothing as they sign up for the tour. Since the plot and outcome of Girls Marked Danger are predictable, the film justifies its 78-minute length by concentrating on the backgrounds of some of the unfortunate lasses. The most tragic of the ladies is played by Eleanora Rossi Drago, who is not only brutally beaten and mishandled, but ends up dying in childbirth. The nominal romantic lead is played by Sophia Loren, who tends to be upstaged on this occasion. ~ Hal Erickson, All Movie Guide
- Starring:
- Silvana Pampanini, Sophia Loren, (more)
- 1952
Only a few of the films that grew from the notorious liaison between actress Ingrid Bergman and director Roberto Rossellini were truly worthy of their talents. One such was the Italian-made Europa '51. Playing a character far older than herself, Bergman portrays a society woman whose life is in ruins after her son's suicide. Attempting to give her life some purpose, she takes the advice of a leftist friend, and begins working with the ill and destitute of Rome. Her insensitive husband Alexander Knox finds Bergman's charitable activities distasteful; when the opportunity presents itself, he has her committed to a mental institution. By the time Europa '51 was released in the US in 1954, its title -- and much of its political ideology -- had been outdated. The film was pared from 118 to 110 minutes for US consumption, and retitled The Greatest Love. ~ Hal Erickson, All Movie Guide
- Starring:
- Ingrid Bergman, Alexander Knox, (more)
- 1951
Silvana Mangano portrays a fickle club chanteuse who must choose between the love of two men (Raf Vallone and Vittorio Gassman). She chooses neither, entering a convent for the sake of convenience. This overwrought drama was produced by Dino de Laurentiis, and reworked by five screenwriters including such respected names as Dino Risi and Franco Brusati, but comes up as a soggy soap-opera rather than an imposing star-vehicle. Nino Rota's fine score and the always watchable Mangano are its only saving graces. ~ Robert Firsching, All Movie Guide
- Starring:
- Silvana Mangano, Raf Vallone, (more)
- 1947
Two Anonymous Letters (originally Duo Lettere Anomine) was the first postwar directorial effort by Italian filmmaker Mario Camerini. While his colleagues were immersed in neorealism, Camerini relies on traditional cinematic techniques in unfolding his story of a star-crossed wartime romance. When her sweetheart Bruno (Andrea Checchi) joins the Italian army, Gina (Clara Calamai), bored by her lack of social life, weds Tullio (Otello Toso). She comes to regret her decision when Tullio proves to be a Nazi collaborationist. Casting her lot with the Resistance movement, Gina is forced into a difficult decision when the safety of ex-lover Bruno is endangered by the treachery of Tullio. Completed in 1945, Two Anonymous Letters was released in the U.S. in 1947, with English-language subtitles provided by erudite film critic Herman G. Weinberg. ~ Hal Erickson, All Movie Guide
- Starring:
- Clara Calamai, Andrea Checchi, (more)
