Judy Campbell Movies

The Forsyte Saga was a remake of the classic 1960s British miniseries which put the PBS anthology Masterpiece Theatre on the map. Whereas the original version covered all of John Galsworthy's novels about the upper-crust Forsyte clan, requiring 26 episodes to do so, the remake took in only the first two books, running five episodes in Great Britain and seven episodes when it was exported to the U.S. (several sequels were, however, promised should this "trial balloon" prove successful). This was more than ample time to detail the fortunes and follies of the Forsytes as they made the sometimes painful transition from the Victorian to the Edwardian era. The focus was on frosty, tradition-bound Soames Forsyte (Damian Lewis), whose sincere but sterile relationship with his beloved wife Irene (Gina McKee) was complicated by Irene's fondness for iconoclastic architect Bosinney (Ioan Gruffudd). And in another branch of the Forsyte family, Old Jolyon Forsyte (Corin Redgrave) was vexed by the bohemian lifestyle of his son Young Jolyon (Rupert Graves). Budgeted at ten million dollars and running approximately eight hours, the "new" Forsyte Saga debuted in the U.K. on April 7, 2002, and in the U.S. courtesy of PBS on October 6 of that same year. ~ Hal Erickson, All Movie Guide

Lisa Harrow and Peter McEnery were among the powerhouse performers appearing in the two-part British miniseries Witchcraft. The story concerned the efforts by a detail-obsessed movie director to film the biography of an infamous 17th century Witchfinder. To this end, the director insisted upon shooting at the same locations where the Witchfinder had carried out his atrocities. The "fun" begins when the ghost of the film's "hero" suddenly pops up to wreak fatal havoc upon cast and crew alike. Witchcraft was originally broadcast in 1992. ~ Hal Erickson, All Movie Guide

The best-known of the 12 filmed adaptations of Tolstoy's Anna Karenina include the 1936 Garbo vehicle and the 1947 Vivien Leigh vehicle. This made-for-TV version is every bit as elaborate and tasteful as those earlier efforts. Jacqueline Bisset makes her TV-movie debut as Anna, the wife of 19th century Russian nobleman Karenin (Paul Scofield). When she falls in love with the dashing Count Vronsky (Christopher Reeve), Anna runs afoul of the rigid social structure of the era-and of a husband whose anguish translates into revenge. The teleplay was by James Goldman, author of The Lion in Winter and screenwriter of another Russian-based period piece, Nicholas and Alexandria. Anna Karenina premiered March 26, 1985. ~ Hal Erickson, All Movie Guide

A great deal of director Al Viola's version of this film was pruned away for its general release. The missing portions are not only the heart of the story, but they are the heart of the novel by Graham Billings which gave rise to the film. The whole story is that Forbush (John Hurt) is going nowhere in his romance of Tara (Hayley Mills) because he is basically an uninteresting, shallow man. In desperation, he decides to go off to Antarctica and study penguins. He hopes that his heroism in doing this will prove his sincerity to Tara. Once there, he grows genuinely enchanted by his project and develops a real interest in penguins. It is this, rather than his courage, which wins him Tara's affections. The truncated version omits most of the film's reputedly spectacular and affecting Antarctic footage (shot by Arne Sucksdorff) in order to concentrate on the love story. ~ Clarke Fountain, All Movie Guide

In one of his rare visits to his home turf, British actor David Niven essayed the title role in Bonnie Prince Charlie. The film's principal challenge was to transform 18th-century Scottish Prince Charles into a sympathetic character, which, patriotism aside, he most decidedly was not in real life. The court-intrigue scenes are the weakest aspect of the film; the strongest moments take place on the battlefield, where Charles "the pretender" and his followers face down the battalions of King George II (Martin Miller). Even in defeat, Charles is the victor, successfully eluding his British pursuers and escaping to France. Filmed in Technicolor at a cost of $4 million, Bonnie Prince Charlie fell with a thud when it premiered at a kidney-busting 140 minutes. Subsequent reissues were cut by as many as 40 minutes, and some were economically reprocessed in black-and-white. Thanks to constant exposure on American television, this notorious flop finally posted a profit in the late 1950s. ~ Hal Erickson, All Movie Guide

In this melodrama, a pilot gets amnesia after a plane crash. A good friend helps him to remember by discussing the troop transport plane they built together. While still in the hospital recovering, the pilot asks the friend to marry him. He then learns that they are already married. ~ Sandra Brennan, All Movie Guide

The Strangler is the American title of the British East of Piccadilly. London's Soho district is terrorized by a strangler who favors silk stockings as his method of disposal. All evidence points to American millionaire George Pughe. Thanks to the diligence of girl reporter Judy Campbell, Pughe is condemned to be hanged. But Judy begins to have second thoughts, and together with mystery writer Sebastian Shaw she tracks down the real killer-nearly ending up a victim in the process. ~ Hal Erickson, All Movie Guide

Clive Brook heads the cast of this low-key British war film. Brook plays the skipper of a tiny English cruiser, performing convoy duty in the north seas. A German battleship targets the cruiser for a deadly game of cat and mouse. Just when it seems that Brook and his crew will be blown out of the water, a battle squadron comes to the rescue. One of the first World War II combat films, Convoy features future stars Stewart Granger and Michael Wilding in very minor roles. ~ Hal Erickson, All Movie Guide