Humphrey Pearson Movies

Previously filmed in 1918 and 1923, Harry Leon Wilson's novel achieved movie classic status when it was remade by Leo McCarey in 1935. The story opens in Paris, circa 1908. Ruggles, beautifully underplayed by Charles Laughton, is the ultra-obedient manservant to the bibulous Earl of Burnstead (Roland Young). During one of the Earl's nocturnal forays, nouveau riche American cattle baron Egbert Floud (Charles Ruggles) wins Ruggles in a poker game. Terrified at the prospect of being bundled off to the Wild West, Ruggles' resolve is weakened somewhat when he and the raucous but ingratiating Egbert spend a wild night on the town. (The besotted butler's periodic exclamations of "Whoopee!" are priceless.) Back in the frontier "boom town" of Red Gap, a misunderstanding obliges Egbert's social-climbing wife Effie (Mary Boland) to pass off Ruggles as an aristocratic British army officer, immediately arousing the suspicions of priggish social arbiter Charles Belknap-Jackson (Lucien Littlefield). The longer he spends in America, the more Ruggles grows to like the concept of democracy and self-determination. Of the film's many highlights, two are standouts: the scene in which Ruggles silences a rowdy saloon crowd with his recitation of Lincoln's Gettysburg Address, and the droll, semi-improvised vignette in which dancehall girl Nell Kenner (Leila Hyams) teaches the Earl of Burnstead how to play the drums. Ruggles of Red Gap was filmed for a fourth time in 1950 as the Bob Hope-Lucille Ball musical Fancy Pants. ~ Hal Erickson, All Movie Guide

Elmer and Elsie was adapted from To the Ladies, a play by George S. Kaufman and Marc Connelly. Former movie tough guy George Bancroft is uncharacteristically cast as Elmer Beebe, mildly henpecked husband of frail but formidable Elsie Beebe (Frances Fuller, in the role originated on Broadway by Helen Hayes). In the company of his pal John Kincaid (George Barbier), likewise wed to a browbeating wife, Elmer expansively espouses the theory that a woman should "know her place" and stay out of her husband's affairs. But when he tries to practice this theory at home, our hero meets strong resistance from Elsie, who has become convinced that hot-shot Rocky Cott (Roscoe Karns) will lead her hubby to financial success. It's a cute bit of domestic whimsy, but hardly a landmark in the career of George Bancroft. ~ Hal Erickson, All Movie Guide

When her tough boyfriend Red Branahan (William Gargan) is sent to jail, Aggie Appleby (Wynne Gibson) meets mild-mannered Adoniram Schlump (Charles Farrell), and decides to turn him into a real man. She teaches him how to talk tough, changes his name to Red Branahan, and gets him a construction job -- unaware that the real Red has been released from prison. ~ Bill Warren, All Movie Guide

In this romance, two travelling sign painters find themselves inspired by a young woman's lovely smile. Soon her face is found painted on signs and barns throughout New England. Eventually one of the painters and the girl get married. Soon after the wedding, the painters are offered job in New York. There they are challenged to paint an enormous sign. Again, it is the bride's lovely face that inspires them. Meanwhile, the lonely bride decides she cannot bear to be away from her love. By herself, she travels to the Big Apple and finds him on her very first day there. ~ Sandra Brennan, All Movie Guide

The peripatetic spouses referred to in the title are all travelling salesmen, scooting to and from their wives via train. In Detroit on business, young unmarried salesman Barry (Frank Albertson) finds himself at a wild party where his fellow drummers, husbands all, are being entertained by a bevy of call-girls. One of these cuties is Ruby (Evelyn Brent), who ends up shooting libidinous salesman Ben (Carl Miller). For a while, it looks as though the cops are going to pin the shooting on Barry, but Ruby confesses at the last moment; meanwhile, Ben recovers from his wound, but may not be able to patch up his marriage when his wife shows up unexpectedly at the scene of the crime. Some much-needed laughs are provided by Hugh Herbert, dropping his usual "woo woo" gestures in favor of a philosophical Jewish characterization. ~ Hal Erickson, All Movie Guide

In this light-hearted musical, an early color film, a successful actress tires of the bustle and hustle of her tawdry life and settles down to what she thinks is the blissful mundaneness of married life. Unfortunately, the actual drudgery of wifedom takes her by surprise and domestic turmoil ensues. Songs include: "Nobody Cares If I'm Blue", "I'm Crazy for Cannibal Love", "Song of the Congo", ""You're an Eyeful of Heaven"". ~ Sandra Brennan, All Movie Guide

Adapted from Vina Delmar's Sheba, Playing Around stars saucer-eyed blonde Alice White as Bronx stenographer Sheba Miller. Though she's sweet on 30-buck-per-week soda jerk Jack (William Bakewell), Sheba craves excitement and finds it in the arms of two-bit hoodlum Nick Solomon (Chester Morris). Unaware that Nick is a crook (she's that dumb), Sheba wises up in a hurry when her new boyfriend holds up the drugstore run by her own father (Richard Carlyle). Nick shoots down the old fellow and winds up in jail, whereupon the sadder-but-wiser Sheba returns to true-blue Jack. A holdover from the "flapper" era, Alice White had a tough time acclimating herself to talkies, but she makes a game effort to perform a couple of arbitrarily inserted song-and-dance numbers. ~ Hal Erickson, All Movie Guide

Broadway star Marilyn Miller's second starring film was an adaptation of her 1925 stage hit Sunny. Flashing her celebrated dazzling smile at every possible occasion, Miller is cast as a circus bareback rider, in love with wealthy Tom Warren (Lawrence Gray). Naturally, Tom's aristocratic family are dead set against the romance and do everything they can to degrade and our poor heroine. But Sunny prevails in the end, triumphantly marching to the altar arm and arm with her beloved Tom. The Oscar Hammerstein II-Jerome Kern score includes such lasting favorites as Who (Stole My Heart Away)? Sunny was remade by RKO in 1940 as a vehicle for Anna Neagle. ~ Hal Erickson, All Movie Guide

In this college romp, a free-spirited aunt decides to use a $10,000 insurance settlement to send her niece to college. She then accompanies her as a chaperone. The niece is quite pretty and immediately becomes the "hottest thing on campus." This causes riotous trouble for the protective aunt. Things get especially hot when the niece is discovered in the arms of the college Lothario. ~ Sandra Brennan, All Movie Guide

The popularity of the Universal musical Broadway resulted in a whole slew of minor films with similar titles. In First National's Broadway Babies, the eponymous "babies," Delight Foster, Navarre King and Florine Chandler, are portrayed respectively by Alice White,Sally Eilers and Marion Byron. Like most chorus girls of the late 1920s, Delight hopes to marry a millionaire but settles instead for "hundredaire" Billy Buvanney (Charles Delaney). Alas, Delight is also attracted to charismatic bootlegger Perc Gessant (Fred Kohler Sr.), who involves the girl in his crooked activities. She tries to keep this a secret from Billy, but he finds out and threatens dire consequences for Perc. The latter decides to rub out Billy, a consequence averted when Perc is himself killed by one of his own henchmen. Several songs and plenty of bare female legs were the principal attractions of this formula backstage drama. ~ Hal Erickson, All Movie Guide