Karen Allen Movies

Pumped up with energy to spare in its first half, this is an otherwise routine drama about a love triangle set in the turbulent late '60s on the Harvard campus. Harvard takes a remote backseat though, as Leo (Brad Davis) chases after Jessica (Karen Allen) while buddy Nick (Jameson Parker) also nurses a crush on her. Leo is in journalism, or wants to be, Jessica paints but she is leaning toward law school, and Nick is a solid, steady pre-med student. Their relationship takes a serious turn when Leo's number comes up on the Vietnam draft. Nick makes his feelings known to Jessica and whether it seems like a good idea or not, she suggests that the three of them move in together. ~ Eleanor Mannikka, All Movie Guide

In this enjoyable, lighthearted "he's fallen for her" situational, a music professor finds a science department faculty member too deeply engrossed in her inter-species communication studies (she talks to chimps) to even notice him. Since he can't get her mind off her studies, he decides to work part-time for her in the university laboratory. In this way he becomes aware of her dilemma: she's found that her research funds are set to be axed. He's there to help her figure out a way to prove their worth, and maybe spike her interest in him at the same time. There's plenty of clean fun and a satisfying outcome to be had here. ~ All Movie Guide

Made for television, The Challenger is at once a tribute and a eulogy to the seven courageous souls who perished when the Challenger space shuttle exploded 73 seconds after liftoff on January 28, 1986. Though all of the crew members are given three-dimensional, balanced treatment, the one we all remember is schoolteacher Christa McAuliffe. As played by Karen Allen, McAuliffe is neither superwoman nor saint: just an average human being with an insatiable thirst to learn more about the universe around her. The other members of the ill-fated crew are Cmdr. Francis R. Scobee (Barry Bostwick), Captain Michael J. Smith (Brian Kerwin), Dr. Judith A. Resnik (Julie Fulton), Lt. Col. Ellison Onizuka (Keone Young), Dr. Ronald E. McNair (Joe Morton) and Gregory B. Jarvis (Richard Jenkins). Wisely, the film concentrates on the crew's training, ending before the tragic real-life denoument. Filmed on location at the Johnson Space Center, the 3-hour The Challenger was originally telecast February 25, 1990. ~ Hal Erickson, All Movie Guide

The 1955 film version of John Steinbeck's East of Eden will always be popular because of the presence in the cast of James Dean. Even so, the film covered only a small portion of the original novel. For those Steinbeck completists who prefer a more thorough treatment, we submit for your approval the TV miniseries adaptation of East of Eden, which first aired February 8, 9 and 11, 1981. This eight-hour dramatization begins in the years following the Civil War. Braggadocio union officer Cyrus Trask (Warren Oates) is the father of gentle, loyal Adam (Timothy Bottoms) and hellraiser Charles (Bruce Boxleitner). Enter the bewitching, mean-spirited Cathy Ames (Jane Seymour), who leads both brothers on and causes an irreparable rift between them. Eventually, Adam marries Cathy, taking her and their twin sons to a 900-acre farm in California's Salinas Valley. Cathy rebels against this cloistered existence and runs off to work in a house of ill repute. In Part Three, we finally meet the "James Dean" character: Cal Trask (played by Timothy Bottoms' brother Sam), who can never hope to come up to the standards of his "good" twin brother Aron (Hart Bochner) in the eyes of his father. Cal's "bad" reputation obscures his good intentions, but by film's end he is compelled to reveal to brother Aron that their mother had not died as father Adam has claimed, but in fact has become a hard-bitten bordello "madam". Adapted for television by Richard Shapiro, East of Eden was part of ABC's informal "Novels for Television" series. ~ Hal Erickson, All Movie Guide

A serial killer is transformed into a computer virus out to destroy more than your hard drive in this sci-fi thriller. Terry Munroe (Karen Allen), a single mother, is looking for a gift for her boss and visits a computer store, where one of the employees demonstrates a hand-held scanner than can transfer the information from her address book into a software program that will store the information on her PC. Unknown to Terry, one of the employees of the store is Karl Hochman (Ted Marcoux), known in the press as "The Address Book Killer," who likes to steal other people's address books and murder all the people listed within, including the book's owner. Terry accidentally leaves her book behind at the store, and Karl lifts it, but as he drives to her house to strike her off the list first, he is injured in a serious accident and taken to a hospital. While Karl is being given a CAT scan, lightning strikes the building and Karl is transformed into a series of electrical impulses that can travel as computer code from one system to another, or as current through power lines. Soon Terry begins to suspect something is wrong as her friends succumb to attacks by microwave ovens, hot-air blowers, and other household objects. Terry and her computer-savvy son, Josh (Wil Horneff), realize that they're at risk after Karl appears in Josh's virtual reality games; it's up to Bram Walker (Chris Mulkey), a brilliant hacker-turned-computer maintenance technician, to isolate and destroy the Karl virus before it can kill again. The film's soundtrack features such hip-hop stars as D-Nice and Too Short, Schoolly-D, Grandmaster Slice, and Kool Moe Dee. ~ Mark Deming, All Movie Guide

Character actor and noted photographer Todd Field made his directorial debut with this emotionally powerful drama, which earned enthusiastic reviews at the 2001 Sundance Film Festival. Frank Fowler (Nick Stahl) is a handsome and amiable young man who has recently graduated from high school and is spending the summer working as a lobster fisherman before heading off to college in the fall. Frank is also involved with Natalie (Marisa Tomei), an attractive woman ten years his senior who is separated from her husband Richard (William Mapother), though their divorce has not yet been finalized. Frank's parents, Matt (Tom Wilkinson) and Ruth (Sissy Spacek) wonder if it's wise for their son to be pursuing a romance that he won't be able to continue in a few months; Matt trusts Frank and leaves him to make his own decisions, while Ruth quietly but firmly registers her objections. One day, Richard snaps, and breaks into Natalie's home; when he discovers Frank is there, he viciously kills him. The wheels of justice turn in an unexpected direction, and Richard is released on bail, free to go his own way as he awaits his trial. Matt and Ruth are both deeply traumatized by the event; while Matt tries to deal with his hurt by retreating into his work and avoiding his feelings, Ruth instead becomes increasingly withdrawn, losing interest in her job as a music teacher and spending her nights chain smoking in front of the television. In the Bedroom was adapted from the short story Killings by Andre Dubus. ~ Mark Deming, All Movie Guide

Steven Soderbergh, after the success of sex, lies, and videotape and the commercial failure of Kafka, pulls a rabbit out of his hat with this quiet and evocative recollection of a childhood lived in the Depression, based on A. E. Hotchner's memoir. Twelve-year-old Aaron Kurlander (Jesse Bradford) is coming of age in a rotting working class section of St. Louis in 1933. As the film begins, Aaron's family is coming apart at the seams due to the increasingly bleak economy. His father (Jeroen Krabbe) ekes out a living with a series of failed sales jobs as the family lives in the dilapidated Empire Hotel in a seamy section of town. When his younger brother (Cameron Boyd) is sent to live with relatives to save expenses, his consumptive mother (Lisa Eichhorn) goes away to a sanitarium and his father abandons him to sell watches in Iowa. At first Aaron retreats into a concocted fantasy world but he gradually becomes drawn into the shattered lives of the tenants of the hotel. Aaron sees the rotting social fabric laid bare and discovers he must temper his childhood dreams with the hard-hitting realities of adult existence. ~ Paul Brenner, All Movie Guide

Lovey: A Circle of Children, Part Two is that TV movie rarity: a sequel that is every bit as terrific as the original. Jane Alexander repeats her role from 1977's A Circle of Children as a volunteer teacher specializing in autistic and emotionally disturbed children. Hannah (Kris McKeon) is an 11 year old child nicknamed "Lovey." The girl is given to loud, unexpected and quite violent tantrums, and for a long time it looks as though Ms. Alexander will never get through to her. The social worker's efforts to help Lovey put a severe strain on her off-hours love life. Despite the soap-opera trappings, Lovey: A Circle of Children shines with the light of truth from first frame to last, with Jane Alexander matching the brilliance of her earlier performance in the same role. Like A Circle of Children, this sequel was based on the autobiographical novel by Mary MacCracken. ~ Hal Erickson, All Movie Guide

On the heels of Annie Hall, the Oscar-winning romantic comedy that rocketed Woody Allen to the front ranks of American filmmakers, Manhattan continued Allen's romantic obsessions in a slightly darker, more pessimistic vein. Allen stars as Isaac Davis, a TV comedy writer sick of the pap he is forced to churn out and harboring dreams of being the great American novelist. His love life is in barbed-wire territory: he is tormented by his second ex-wife Jill (Meryl Streep), a lesbian who has written a tell-all book about their marriage, and he is dating teenager Tracy (Mariel Hemingway), to whom he refuses to commit, and keeps hinting that a breakup may be imminent. Isaac's disillusioned (and married) best friend Yale (Michael Murphy) has begun an affair with the cerebral writer Mary Wilke (Diane Keaton). While Isaac makes a last minute, sink-or-swim decision to quit his job and devote all of his time to book writing, and neurotically moans about what the lack of a full time job will do to him ("My parents won't have as good of a seat in the synagogue," he moans. "They'll be far away from God... away from the action") Yale is crippled by his lack of resolve, as indicated by his inability to leave his wife Emily (Anne Byrne). Meanwhile, Isaac and {%Mary) begin to fall for one another. Tracy then tells Isaac the basic truth that none of his hung-up friends and past lovers fully realizes: "You have to have a little more faith in people." Manhattan is both a seriocomic dissection of perpetually dissatisfied New Yorkers and an ode to the city itself, filmed in glorious black-and-white by ace cinematographer Gordon Willis, and set to a score of rhapsodic George Gershwin music. ~ Hal Erickson, All Movie Guide

Director John Landis put himself on the map with this low-budget, fabulously successful comedy, which made a then-astounding 62 million dollars and started a slew of careers for its cast in the process. National Lampoon's Animal House is set in 1962 on the campus of Faber College in Faber, PA. The first glimpse we get of the campus is the statue of its founder Emil Faber, on the base of which is inscribed the motto, "Knowledge Is Good." Incoming freshmen Larry "Pinto" Kroger (Tom Hulce) and Kent "Flounder" Dorfman (Stephen Furst) find themselves rejected by the pretentious Omega fraternity, and instead pledge to Delta House. The Deltas are a motley fraternity of rejects and maladjusted undergraduates (some approaching their late twenties) whose main goal -- seemingly accomplished in part by their mere presence on campus -- is disrupting the staid, peaceful, rigidly orthodox, and totally hypocritical social order of the school, as represented by the Omegas and the college's dean, Vernon Wormer (John Vernon). Dean Wormer decides that this is the year he's going to get the Deltas expelled and their chapter decertified; he places the fraternity on "double secret probation" and, with help from Omega president Greg Marmalard (James Daughton) and hard-nosed member Doug Neidermeyer (Mark Metcalf), starts looking for any pretext on which to bring the members of the Delta fraternity up on charges.

The Deltas, oblivious to the danger they're in, are having a great time, steeped in irreverence, mild debauchery, and occasional drunkenness, led by seniors Otter (Tim Matheson), Hoover (James Widdoes), D-Day (Bruce McGill), Boon (Peter Riegert), and pledge master John "Bluto" Blutarsky (John Belushi). They're given enough rope to hang themselves, but even then manage to get into comical misadventures on a road trip (where they arrange an assignation with a group of young ladies from Emily Dickinson University). Finally, they are thrown out of school, and, as a result, stripped of their student deferments (and, thus, eligible for the draft). They decide to commit one last, utterly senseless (and screamingly funny) slapstick act of rebellion, making a shambles of the university's annual homecoming parade, and, in the process, getting revenge on the dean, the Omegas, and everyone else who has ever gone against them. ~ Bruce Eder, All Movie Guide

A conservative politician who believes he can count on his family for support discovers his son is not the man he thought he was in this drama. Jack Kray (Michael Lerner) is a United States senator from the South whose right-wing views have earned him the nickname "the Nazi from North Carolina." Jack is running for reelection and is looking for support wherever he can get it; told he needs to increase his appeal with younger voters, Jack tries to persuade his son Henry (Matt Newton), a college student, to make a few campaign stops with him. While Jack's wife (and Henry's mom), Eunice (Karen Allen), tries to convince her husband this isn't a good idea, Jack refuses to take no for an answer from Henry. But there's something Jack doesn't know about his son -- Henry is gay, and while he only shares this secret with a small handful of trusted friends and lovers, he can't bring himself to support his father's anti-gay "family values" platform. However, Henry's sexual preference may not stay a secret for long -- Henry has hooked up with Anthony (Jack Noseworthy), a student political activist who wants a long-term relationship with Henry and refuses to play coy about it, while some of Henry's other partners have come forward about his homosexuality. Poster Boy was originally announced as a project for director Herbert Ross, who died before the film went into production; Douglas Keeve took over as director, but resigned before shooting was completed, so editor Zac Tucker completed the movie and received sole screen credit. ~ Mark Deming, All Movie Guide

A darkly comic and surreal contemporization of Charles Dickens's A Christmas Carol, this effects-heavy Bill Murray holiday vehicle from 1988 sees the former SNL funnyman assuming the role of television executive Frank Cross, the meanest and most depraved man on earth. Cross will stoop to unheard of levels to increase his network's ratings -- even if it means mounting outrageous programs to retain an audience, such as "Robert Goulet's Cajun Christmas" and Lee Majors in "The Night the Reindeer Died," with an AK-47-toting Santa. Cross plots his foulest move, however, for the Christmas holiday, when he will force his office staff to mount a live production of A Christmas Carol on national television -- and thus work through Christmas Eve. Cross's life is turned upside down with visits from three ghosts: a craggy-faced cabbie known as The Ghost of Christmas Past (David Johansen); the sugar-plum fairy Ghost of Christmas Present (Carol Kane) (who gets her jollies by bonking Frank across the face with a toaster oven); and, eventually, the caped, headless Ghost of Christmas Future, who will send Frank sliding into a crematory oven -- just before he gives the sleazoid one last chance to redeem himself. Along the way, the spirits carry Frank to scenes from his past, present, and future (per Scrooge) and impart a glimpse of how he became so thoroughly rotten. The radiant Karen Allen co-stars as Frank's girlfriend, Claire Phillips, and the film packs in cameos from countless celebrities -- among them, Mary Lou Retton, John Houseman, Jamie Farr, and, in a truly grisly and tasteless bit, John Forsythe. Richard Donner directs, from a script credited to the late Michael O'Donoghue and Mitch Glazer. ~ Nathan Southern, All Movie Guide