André Paulve Movies

Originally titled Un Grande Campon, The Perfectionist is a tailor-made vehicle for Pierre Fresnay. The star plays a brilliant and celebrated surgeon, on the verge of achieving his life's goal: a membership in the Academy of Medicine. Unfortunately, the surgeon's medical accomplishments are counterpointed by his less-than-admirable private life. One of the victims of the surgeon's single-minded pursuit of success is his woefully neglected life. He finally awakens to his domestic responsibilities only to lapse back into his old habits at the first opportunity. A subplot concerns a young medical student who bids fair to achieve the same measure of success as the elder surgeon -- and to make the same grievous errors on a personal level. The Perfectionist was the 1951 winner of France's Les Victoire Cinema Francais, the Gallic equivalent to Hollywood's Oscar. The film was the third feature-length directorial effort of Yves Ciampi, himself a onetime medical student. ~ Hal Erickson, All Movie Guide

In this drama, a free-spirited vagabond's life changes dramatically when he learns that he has inherited a fortune. Unfortunately, he also learns that he has also been named the estate's executor. He refuses and this causes problems for the other two heir who cannot claim their share until he accepts his. They therefore endeavor to change his mind until a fourth heir, and impoverished woman, turns up. In the end, the wanderer can no bear longer to watch the wasteful excesses of the idle rich. He takes his share, creates a rest camp for vagabonds, and hits the road again. ~ Sandra Brennan, All Movie Guide

This psychological drama is set aboard a submarine carrying Nazi officials fleeing their country just before the end of World War II. They are trying to get to South America, but along the way they meet with many obstacles including a bout with a destroyer where they are depth-charged. When the count's wife, Marly, (she is also the on-board general's mistress) is wounded the sub lands in France where the Germans snatch a doctor. The doctor knows his life is in danger. To combat the self-exiles he begins manipulating their emotions, getting them to feel despair, defeat, and helping them realize that all their actions are hopeless. ~ Sandra Brennan, All Movie Guide

Claude Autant-Lara's literally haunting romantic tale Sylvia and the Phantom stars Odette Joyeaux as Sylvia, an imaginative young girl who lives in an old French castle. Fascinated by a portrait of the lover of her deceased grandmother, Sylvia fantasizes about having a romance with the lover's ghost. On Sylvia's 16th birthday, her father decides to amuse the girl by having the "ghost" make an appearance, and to that end engages the services of three men--a valet, a ham actor and a burglar--to impersonate the wraith. Though confused by the fact that the ghost seemingly has three distinct personalities, Sylvia nonetheless falls in love with the burglar, the most handsome of the trio. Disillusioned upon learning of her father's subterfuge, Sylvia is unfortunately unresponsive when the real ghost (poignantly enacted by comedian Jacques Tati) makes a surprise appearance. Unfairly lambasted by American critics as "worthless," Sylvia and the Phantom has since taken its place in cinema history as one of Claude Autant-Lara's most beguiling works. The film was adapted from a play by Alfred Adam. ~ Hal Erickson, All Movie Guide

Eternal Return (L'Eternel Retour) translates the Tristan and Isolde legend into contemporary (e.g. 1939) terms. The Tristan counterpart, Patrice (Jean Marais), falls in love with the modern-day Isolde, named Nathalie. Actually he has fallen for two Nathalies: when Nathalie I (Madeleine Sologne) spurns his offer of marriage, he turns his attentions to Nathalie II (Junie Astor). Still carrying a torch for Nathalie I, Patrice attempts a nocturnal rendezvous with his true love on the eve of his wedding. Because of a tragic blunder, Patrice and Nathalie I are reunited only in death. The dream-like quality of Eternal Return is due more to the input of screenwriter Jean Cocteau than director Jean Delannoy. The film, with its mystical trappings and ethereal performances, can now be viewed as a precursor to Cocteau's own Beauty and the Beast. ~ Hal Erickson, All Movie Guide

Originally released in 1942 as Les Visiteurs du Soir, The Devil's Envoys is another masterful collaboration between actress Arletty, writer Jacques Prevert and director Marcel Carne, who would team up one year later for the brilliant Les Enfants Du Paradis. The film is predicated on the 15th century French legend, wherein the Devil, disturbed by the encroaching forces of Good, sends his envoys to Earth to drive the citizens to despair. The Devil, played by Jules Berry in a subtly Hitler-like fashion (a chancy artistic decision in the days of the Occupation), is thwarted when his agents are unable to overcome the power of true love. Even after the lovers are turned to stone for defying His Satanic Majesty, their hearts continue to beat for each other. ~ Hal Erickson, All Movie Guide