Michael Pataki Movies
American actor Michael Pataki's first film credit was 1958's Ten North Frederick. In the early phases of his career, Pataki was reminiscent of a young Rod Steiger; in point of fact, he played the 25-year-old version of the Steiger character in the made-for-TV The Movie Maker (1965). His later television work included the weekly series Paul Sand in Friends and Lovers (1974), as Sand's brother Charlie; Spider-Man (1977), as Captain Barbera; and Phyl and Micky (1980), as Soviet consular official Vladimir Jimenko. The Slavic nature of the last-named role was typical of the sort of characters Pataki played in the 1980s, which included Nikoli Koloff in Rocky IV (1985) and Rocky V (1990). Additionally, Pataki is among those lucky thespians who played guest spots on both the original Star Trek and its 1987 grandchild Star Trek: The Next Generation. On the production side, Pataki was director of the soft-core sex farce Cinderella and the low-budget scarefest Mansion of the Doomed (both 1977), and served as producer of the 1981 TV adaptation of Broadway's Pippin. More recently, Michael Pataki was heard as "The Sewer King" on the animated TVer Batman: The New Adventures (1992). ~ Hal Erickson, All Movie GuideDistrict Attorney Sam Belden (William Shatner) is accused of murdering his wife and lover. Belden claims it was impossible, because he was 150 miles from the murder scene and he can prove it. It is up to prosecutor Bob Mathews (George Grizzard) to blow holes into Belden's alibi -- a difficult and painful assignment, since Mathews is Belden's best friend. Myrna Loy makes a rare TV appearance as the judge in the case. Indict and Convict made its ABC "Movie of the Week" premiere on January 6, 1974. ~ Hal Erickson, All Movie Guide
One of the least interesting efforts from American International Pictures, this dreary monster flick involves a scientist who is bitten by a rabid vampire bat while honeymooning in the desert, thereby transforming into a vampire-like creature (well, really more of a "were-bat") and setting out on nightly blood-drinking binges. He eventually puts the bite on his bride, and she undergoes a similar transformation. Apart from atmospheric photography, neat desert settings and some clever effects work from Stan Winston (mostly lost to sloppy editing), this dismal creature feature will probably lose viewers' interest long before the gory climax. Originally released as It Lives By Night. ~ Cavett Binion, All Movie Guide
The Mad, Mad Movie Makers is the alternate title of The Last Porno Flick. The plot (yes, there is a plot!) concerns a pair of two-bit movie producers who are anxious to cash in on the Deep Throat craze (the film, not the Watergate informant). They end up producing a lampoon of Deep Throat, meaning that they've produced a lampoon of a lampoon. Setting this one apart from the usual sleaze is its cast, peopled with such respectable names as Michael Pataki, Mike Kellin, Mariana Hill, and Anthony Carbone. At 88 minutes, The Mad, Mad Movie Makers wears out its welcome long before the final fadeout. ~ Hal Erickson, All Movie Guide
Long before his tenure on TV's Magnum PI, Roger E. Mosley starred in the blaxploitationer Sweet Jesus, Preacher Man. Mosely plays a streetwise mobster who goes undercover as a ghetto clergyman. This he does at the request of his boss, who wants to get the goods on a rival. "Preacher Man" has a change of heart along the way, but not before whuppin' some butt. The fact that Sweet Jesus, Preacher Man was distributed by Metro-Goldwyn-Mayer was overlooked in the otherwise all-inclusive coffee-table volume The MGM Story. ~ Hal Erickson, All Movie Guide
While moonlighting as a cab driver, Archie is held up and robbed of 50 dollars. At first, he insists upon prosecuting his assailant to the full extent of the law -- in fact, he'd be thrilled if armed robbery was a hanging offense. But an unexpected plot twist involving a prominent politician places an entirely new perspective on the situation. The supporting cast includes future Soap star Robert Mandan as Morrison. First shown on December 8, 1973, "The Taxi Caper" was written by Dennis Klein. ~ Hal Erickson, All Movie Guide
- Starring:
- Carroll O'Connor, Jean Stapleton, (more)
The Brute Corps is an alternate title for the no-budget cycle flick The Dirt Gang. Leather jacketed punks Monk (Paul Carr) and Snake (Michael Pataki) raise hell with motorists and innocent bystanders. When they're tired of all that, they take on each other. Let's just say that "Dirt Gang" is an appropriate moniker. If you happen across this American-International potboiler, keep an eye out for ex-Bowery Boy William Benedict as a gas station attendant. ~ Hal Erickson, All Movie Guide
John Vernon, usually cast as a corrupt prison warden, plays a sympathetic (by default!) role in this episode. Escaping from Federal custody, second-echelon mobster Mike Durgom (Vernon) quickly learns that crime boss Nelson Wayland (Gene Lyons) has ordered him killed to keep him from testifying at Wayland's trial. The rest of the episode finds Durgom on the lam from both Wayland and the FBI--in other words, between the proverbial Rock and Hard Place. This is the final offering of The F.B.I.'s seventh season. ~ Hal Erickson, All Movie Guide
This dark, violent British production stars Michael Pataki as a brutish vampire apparently lacking in Dracula's powers of seduction, since he finds it necessary to brutally rape a young woman (Kitty Vallacher) in order to sire a child. The product of this unholy mating is a half-human, half-vampire baby boy, bottle-fed on the blood of his now-insane mother (a truly sickening sight) until her eventual death from anemia. Later as a young man, the son (William Smith) is able to spend short periods in daylight, and his bloodlust is considerably lesser than that of his father. Tormented nevertheless by his evil condition, he curses his bloodline and defies his vampire heritage, tracking his father down to the university where he teaches occult sciences. Aside from Pataki's coarse but imposing performance, this low-budget film is a fairly routine genre entry, but the climactic, bloody duel between father and son vampires is quite gripping. ~ Cavett Binion, All Movie Guide
Anna Kosovo (Kathleen Widdoes), a friend of Ben Cartwright, has good reason to be terrified of her antagonistic immigrant husband Nick (Michael Pataki). Trapped in her own house by her husband, Anna-and her young son-must rely upon Ben to rescue them. Written by Preston Wood and Karl Tunberg, this episode is climaxed by a prolonged and tension-filled gunfight. "Frenzy" first aired on January 30, 1972-coincidentally just before the release of the otherwise unrelated Alfred Hitchcock theatrical feature Frenzy. ~ Hal Erickson, All Movie Guide
- Starring:
- Lorne Greene, Michael Landon, (more)
TV-movie perennial Ted Post served as director for the low-budget theatrical feature The Baby. Ruth Roman plays a boozy nutcase who, out of hatred for the husband who ran out on her years earlier, forces her teenaged son (David Manzy) to dress and behave like an infant. Social worker Ann Gentry (Anjanette Comer), understandably put off by the sight of a fully grown boy chewing on his toes in a playpen, sets about to rescue him. When sinister forces try to claim the "baby" from Ann, she resorts to murder. ~ Hal Erickson, All Movie Guide
A desert location becomes terrifying as a motorcycle gang disturbs a film crew working there. ~ All Movie Guide
Lonely vampire Count Yorga and his bloodthirsty cohorts begin living in a ramshackle mansion located near an orphanage. This slightly fang-in-cheek horror film chronicles what happens when the Count falls in love with a toothsome young woman and tries to make her his bride. Fortunately for her, her boy friend has other ideas. ~ Sandra Brennan, All Movie Guide
In this colorful outing, a band of transvestites hop on their Harleys and head for Los Angeles. ~ Sandra Brennan, All Movie Guide
Series regular Alejandro Rey once more essays the dual role of dapper casino owner Carlos Ramirez and Carlos' monumentally inept lookalike cousin Luis. Hoping to build up Luis' confidence, Sr. Bertrille casts him as Christopher Columbus in an upcoming convent pageant. And that's her first mistake! First telecast on January 30, 1970 (what, not on Columbus Day??), "Hello Columbus" was written by Arnold Horwitt. ~ Hal Erickson, All Movie Guide
Tossing wristwatches away, two bikers hit the road to find America in Dennis Hopper's anti-establishment classic. After a major cocaine sale to an L.A. connection (Phil Spector), free-wheeling potheads Billy (Hopper) and Wyatt, aka Captain America (Peter Fonda, who also produced), motor eastward to party at Mardi Gras before "retiring" to Florida with the riches concealed in Wyatt's stars-and-stripes gas tank. As they ride through the Southwest, they take a hitchhiker (Luke Askew) to a struggling hippie commune before they get thrown in a small-town jail for "parading without a permit." Their cellmate, drunken ACLU lawyer George Hanson (Jack Nicholson, replacing Rip Torn), does them a "groovy" favor by getting them out of jail and then decides to join them. Babbling about Venusians, George discovers the joys of smoking grass, but an encounter with Southern rednecks soon proves how right he is about the danger posed by Billy's and Wyatt's unfettered life in a country that has lost its ideals. With the straight world closing in, Wyatt and Billy try to revel in New Orleans with some LSD and hookers (Karen Black and Toni Basil), but the acid trip is shot through with morbidity. Once they reach Florida, Billy raves about attaining the American dream; Wyatt, however, knows the truth: "We blew it."
Produced and directed by two Hollywood iconoclasts with under a half-million non-studio dollars, Easy Rider shook up the languishing movie industry when it grossed over 19 million dollars in 1969; it captured the spirit of the times as it woke Hollywood up to the power of young audiences and socially relevant movies, along with such other landmarks of the late '60s as Bonnie and Clyde, The Graduate, and 2001. Shot on location by Laszlo Kovacs, Easy Rider eschewed old-fashioned Hollywood polish for documentary-style immediacy, and it enhanced its casual feel with improvised dialogue and realistically "stoned" acting. With a soundtrack of contemporary rock songs by Jimi Hendrix, the Band, and Steppenwolf to complete the atmosphere, Easy Rider was hailed for capturing the increasingly violent Vietnam-era split between the counterculture and the repressive Establishment. Experiencing the "shock of recognition," youth audiences embraced Easy Rider's vision of both the attractions and the limits of dropping out, proving that audience's box-office power and turning Nicholson into a movie star. The momentarily hip Academy nominated Nicholson for the Best Supporting Actor Oscar, and Fonda, Hopper, and Terry Southern for their screenplay. Though none of its imitators would match its impact, Easy Rider remains one of the seminal works of late '60s Hollywood both for its trailblazing legacy and its sharply perceptive portrait of its chaotic times. ~ Lucia Bozzola, All Movie Guide
Produced and directed by two Hollywood iconoclasts with under a half-million non-studio dollars, Easy Rider shook up the languishing movie industry when it grossed over 19 million dollars in 1969; it captured the spirit of the times as it woke Hollywood up to the power of young audiences and socially relevant movies, along with such other landmarks of the late '60s as Bonnie and Clyde, The Graduate, and 2001. Shot on location by Laszlo Kovacs, Easy Rider eschewed old-fashioned Hollywood polish for documentary-style immediacy, and it enhanced its casual feel with improvised dialogue and realistically "stoned" acting. With a soundtrack of contemporary rock songs by Jimi Hendrix, the Band, and Steppenwolf to complete the atmosphere, Easy Rider was hailed for capturing the increasingly violent Vietnam-era split between the counterculture and the repressive Establishment. Experiencing the "shock of recognition," youth audiences embraced Easy Rider's vision of both the attractions and the limits of dropping out, proving that audience's box-office power and turning Nicholson into a movie star. The momentarily hip Academy nominated Nicholson for the Best Supporting Actor Oscar, and Fonda, Hopper, and Terry Southern for their screenplay. Though none of its imitators would match its impact, Easy Rider remains one of the seminal works of late '60s Hollywood both for its trailblazing legacy and its sharply perceptive portrait of its chaotic times. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Peter Fonda, Dennis Hopper, (more)
In this action film, a racer of three-wheeled motorcycles meets another rider during a weekend competition and finds himself the object of his rival's girlfriend's attention. He rejects her and she retaliates by telling her boyfriend that the hero raped her. In return, the rival and his pals beat up the hero and rape and kill his fiancee. As soon as the hero heals from the beating he avenges her wrongful death. ~ Sandra Brennan, All Movie Guide
- Starring:
- Ross Hagen, Diane McBain, (more)
The title character in this episode of The Flying Nun is a light-fingered monkey. When valuable items turn up missing, Police Captain Fomento suspects the nuns of Convent San Tanco. Unaware of the simian's larcenous streak, the nuns think that Sr. Bertrille is the thief. First telecast on February 20, 1969, "The Kleptomaniac" was written by Sam Locke and Joel M. Rapp, and directed by radio's former "Henry Aldrich", Ezra Stone. ~ Hal Erickson, All Movie Guide
The nuns in general and Sr. Bertrille in particular offer to substitute for popular advice columnist "Dear Aggie." In attempting to solve the problems mailed in by one of her readers, Sr. Bertrille manages to neatly mess up the romantic life of one of Carlos' friends. Featured in the cast are Henry Corden as Ricky Moreles, Mike Pataki as Roberto and Anita Rich as Margareta. Written by Leo Rifkin, "Dear Aggie" was originally telecast on December 31, 1969. ~ Hal Erickson, All Movie Guide
Convinced that the nuns of San Tanco don't like him anymore, Carlos vows to turn over a new leaf. His sudden and baffling change in personality-and wardrobe-not only confuses the sisters, but also perplexes his new girlfriend Regina (Sandra Smith). Sr. Bertrille sets about to restore the "old" Carlos-then finds out the actual reason for his epiphany. Originally shown on December 17, 1969, "The New Carlos" was written by Michael Morris. ~ Hal Erickson, All Movie Guide
To keep a bunch of gangsters from taking over his business, Carlos Ramirez transfers the ownership of his casino to the nuns of Convent San Tanco. Carlos' reasoning is thus: The crooks won't bother the nuns, and he'll be able to sit by in safety and comfort as the sisters solve his present dilemma. Of course, leave it to Sr. Bertrille to figure out Carlos' strategy and to teach him a lesson. Bruce Gordon, best known for his portrayal of Frank Nitti on the original The Untouchables TV series, here spoofs his former image in the role of Morgan. First broadcast on January 18, 1968, "The Hot Spell" was written by James Henerson. ~ Hal Erickson, All Movie Guide
Ever anxious to pounce upon potential lawbreakers, Police Captain Fomento installs parking meters near Convent San Tanco. When the meters yield an abundance of marked coins previously in his possession, Fomento suspects the nuns of ripping him off. "Slightly Hot Parking Meters" was written by Elroy Schwartz and directed by Claudio Guzman, both veterans of another fanciful Screen Gems sitcom, I Dream of Jeannie. The episode first aired on December 12, 1968. ~ Hal Erickson, All Movie Guide
The bell of Convent San Tanco is broken, and the nuns are in desperate need of a quick substitute. The enterprising Sr. Bertrille tries to talk casino owner Carlos into helping her recover the convent's original, 200-year-old bell which currently rests on the ocean floor! Carlos' girlfriend du jour is played by future soap opera diva Louise Sorel. Written by Max Wylie and series producer Harry Ackerman, "A Bell for San Tanco" was originally telecast on September 28, 1967. ~ Hal Erickson, All Movie Guide
The first season of Mission: Impossible came to a close with the April 22, 1967 episode "The Psychic." Some valuable NATO secrets have been appropriated in a hostile corporate takeover by ruthless industrialist Alex Lowell (Barry Sullivan). The IMF heads to South America, where Lowell has relocated in hopes of selling the documents to the highest bidder. With Cinammon posing as a psychic, the other IMF agents lure Lowell into a cleverly rigged high-stakes poker game. Written by William Read Woodfield and Allan Baltar, "The Psychic" marked Steven Hill's final appearance as IMF head Dan Briggs.
~ Hal Erickson, All Movie Guide
~ Hal Erickson, All Movie Guide
- Starring:
- Steven Hill, Barbara Bain, (more)


















