Jennifer Parsons Movies

The jumbo-sized Baker family are back in this sequel to the 2003 box-office hit Cheaper by the Dozen. College football coach Tom Baker (Steve Martin) and his wife, author Kate Baker (Bonnie Hunt), have decided its time they took their sizable brood of 12 children on a summer vacation, and so they pack up the cars and take the kids to Lake Winnetka for some camping. Not all the kids are happy about this, but the one who is really annoyed turns out to be Tom, who discovers his old rival Jimmy Murtaugh (Eugene Levy) is also staying near the lake. Jimmy and his trophy wife, Sarina (Carmen Electra), also have a large family of eight children, and Jimmy and Tom seem intent upon one-upping each other at every opportunity. As the tensions mount, the Baker family and the Murtaugh clan face off in a not-so-good-natured series of family games to determine which of the parents have the greater bragging rights. In addition to Steve Martin and Bonnie Hunt, the actors playing the 12 Baker children from the 2003 film return for Cheaper by the Dozen 2, including Hilary Duff, Piper Perabo, Tom Welling, and Kevin Schmidt. ~ Mark Deming, Rovi

Humanity's war against the bugs continues in this sequel to Paul Verhoeven's sci-fi soap opera epic, Starship Troopers. This time, when a squad of troopers is stranded on a bug-infested planet, their only hope for survival lies in an abandoned outpost, where things take a turn for the worse. A lone survivor by the name of Captain Dax (Richard Burgi) awaits them there, locked away for killing his crazed commanding officer. When a group of strangers arrives at the base, the squad is faced with a new threat from their alien enemy that will pit every surviving human against each other. With an army of bugs surrounding the compound and mysterious internal forces plotting against the group, it's up to Dax and Pvt. Lei Sahara (Colleen Porch) to try and hold out before the rescue team arrives. Effects maestro Phil Tippett (Star Wars, Jurassic Park) makes his directing debut in this made-for-cable movie that features a script by the series' original scribe, Edward Neumeier. ~ Jeremy Wheeler, Rovi

Two of the members of popular boy band 'N Sync make their feature acting debuts with this light romantic comedy. Lance Bass stars as shy Kevin Gibbons, an advertising executive in Chicago who's notoriously maladroit at dealing with the opposite sex. After a chance encounter with his dream girl (Emmanuelle Chriqui) aboard the El train, Kevin forgets to ask for her name and phone number and plasters the Windy City with posters seeking his lost love connection. Kevin's quest to find the mystery girl soon attracts the attention of a newspaper reporter and he becomes a media darling, while his roommates Rod (Joey Fatone), Randy (James Bulliard), and Eric (Gregory Qaiyum) take full advantage of the amorous response by Chicago's female population to their friend's heartbroken search. On the Line (2001) co-stars Dave Foley and Jerry Stiller, along with singer Al Green as himself. ~ Karl Williams, Rovi

Just when you thought the game was over, along comes the second movie inspired by the popular video game Mortal Kombat. While Liu Kang (Robin Shou) led his warriors Princess Kitana (Talisa Soto), Sonya Blade (Sandra Hess), Rayden (James Remar), and Johnny Cage (Chris Conrad) to victory, and the safety of the world seemed certain, no one counted on the treachery of Shao-Kahn (Brian Thompson), the evil Emperor of the Outerworld, who has a new plan to overtake the Earth. Shao-Kahn has discovered a portal between Earth and Outerworld, and if it stays open for seven days, the two worlds will merge, with Shao-Kahn controlling both planets. Rayden and Sonya set out to find his colleague Jax (Lynn Red Williams), while Liu Kang and Kitana are on the trail of Nightwolf (Litefoot) as they race against time to defeat Shao-Kahn, who has brought Kitana's mother Queen Sindel (Musetta Vander) back from the grave to aid his evil scheme. Mortal Kombat II: Annihilation marked the directorial debut of cinematographer John R. Leonetti. ~ Mark Deming, Rovi

This episode is a showcase for semi-regular Louis Herthum, here essaying his usual role as Cabot Cove's deputy sheriff Andy Bloom. Having just purchased a house, Andy realizes that there are several things wrong with the structure, and he vents his anger upon the former owner. Not long afterward, the ex-owner is killed--and the murder weapon is found in Andy's car. It is up to Jessica (Angela Lansbury to get to the bottom of the case, which becomes even dicier when a second person is murdered. ~ Hal Erickson, Rovi

This is the first mainstream film to deal with the harrowing true story of a Uruguayan rugby team whose plane crashed in the Andes mountains in October of 1972 and who were forced to resort to cannibalism to survive more than two months of isolation. (The only other film to tackle the subject, Rene Cardona's Survive! was a seedy little mess that delighted in exploiting the cannibalism aspect.) The events depicted are primarily based on the novel of the same name by Piers Paul Read. The interview-style prologue features an uncredited John Malkovich as one of the survivors, whose spiritual ruminations on the disaster kick off the film's main action. We are briefly introduced to the characters before disaster strikes, in the film's most horrifying set-piece -- the depiction of the crash in grueling detail. The handful of survivors who manage to extricate themselves from the twisted wreckage seem incapable of working through their panic as they hope against all odds that a rescue party will locate them. One of the survivors, Nando (Ethan Hawke), awakens from a coma and makes a remarkable recovery -- enough to demonstrate level-headed leadership after team captain Antonio (Vincent Spano) begins to lose his nerve. As the weeks wear on and rations are depleted, the survivors are forced into a moral dilemma: the only remaining source of food seems to be the bodies of the dead. Those who choose for religious reasons not to consume their former companions must face the realization that they will soon starve or freeze to death. In the end, three men who choose survival above all else find the strength to set out on a treacherous mission to a ridge, where hopefully one of them will make it to civilization. Director Frank Marshall infuses the proceedings with sufficient intensity to keep the story moving, but the film fails to fully explore the often-recounted spiritual aspects of the ordeal as established in the opening monologue. Ironically, the writers' apparent attempts to remain true to Read's account of events -- resulting in some rather odd stretches of dialogue -- impede the drama even more than the Hollywood glamorization of the story's nominal "heroes," who remain rugged and handsome despite months of malnutrition and severe frostbite. ~ Cavett Binion, Rovi

John Hughes re-works his already over-used formulas from Planes, Trains, and Automobiles, and Uncle Buck in this bald-faced rip-off directed by Peter Faiman. Ed O'Neill stars as working stiff Dutch Dooley. Dutch is in love with Natalie (JoBeth Williams), who is recovering from a failed marriage to the priggish Reed (Christopher McDonald). Her 13-year-old son Doyle (Ethan Randall) blames Natalie for the break-up of the marriage. Doyle is an effete and snobbish rich kid betraying inflections of William F. Buckley. When he refuses to join his mother for Thanksgiving, Dutch heads off to Doyle's Atlanta boarding school to kidnap him and force him to go on a ride to Chicago to spend Thanksgiving with his mother. Doyle hates Dutch for his loutish working-class ways, but when the vengeful teenager destroys Dutch's car, the two must join forces to get to Chicago by any means necessary. Along the way the two learn to love and respect each other. ~ Paul Brenner, Rovi

Blonde-haired, blue-eyed women's libber Molly McGrath (Goldie Hawn) quits her teaching job at a comfortable middle-class school to take a new position as varsity football coach at a predominantly black inner-city school. Culture and gender clashes abound; she must win over the hard-boiled youths, convince them to practice hard and show up for class, and convince them they can win football games. Her job begins to take a toll on her family, however, when her ex-husband (James Keach) attempts to take away her daughter, claiming she is neglecting her responsibilities as a mother. Wildcats marked the fourth sports film directed by Michael Ritchie. ~ Jeremy Beday, Rovi

In this made-for-TV film, a high-school counselor (Joyce Brothers) faces ineffectual help from administration in combating drugs, so she recruits several students to help in the battle. ~ John Bush, Rovi

Hal Ashby's 1978 melodrama examines the impact of the Vietnam War on the "war at home" among the men who fought it and the women in their lives. Left alone in Los Angeles when her gung-ho Marine husband Bob (Bruce Dern) heads to Vietnam in 1968, proper wife Sally Hyde (Jane Fonda) decides to volunteer at the V.A. hospital where her new friend Vi (Penelope Milford) works. There she meets Luke Martin (Jon Voight), a former high-school classmate and Marine who has returned from 'Nam a bitter paraplegic. As their relationship grows, Sally sees the effect of the war on the soldiers after they come back, inspiring her to rethink her priorities; Luke's spirits begin to lift, and a hospital tragedy helps focus his anger toward meaningful protest. After a Hong Kong visit with her increasingly withdrawn husband, Sally finds a love and companionship with Luke that she had never known with her husband. Once Bob comes home with his own injury, however, the three must find a way to deal with a changing world and with a system that betrayed the men fighting for it. ~ Lucia Bozzola, Rovi

One of a cycle of '70s post-Women's Liberation "women's pictures," Herbert Ross's drama uses the ballet world to examine the conflict between family and career. Former dance colleagues Deedee (Shirley MacLaine) and Emma (Anne Bancroft) are reunited when Emma's New York ballet company stops in Oklahoma City for a performance. Having dropped her career for marriage and motherhood, Deedee envies prima ballerina Emma's limelight life; aging Emma, realizing that her days as a star are numbered, wishes that she had the fulfillment of a family like Deedee's. Tensions simmer when Deedee's talented teenage daughter, Emilia (Leslie Browne), moves to New York to join Emma's company. As Emma maternally bonds with Emilia, and Emilia falls in love with womanizing dancer Yuri (Mikhail Baryshnikov), Deedee feels that she's losing her place even as a mother. After Emilia's triumphant debut, Deedee's and Emma's resentments boil over into an all-out catfight that ends when they realize they can unite in happiness for Emilia's future. Splitting the desires to nest and to work between two characters, Ross and writer Arthur Laurents reveal the difficulty faced by women in a world of expanding options. As in Michael Powell's and Emeric Pressburger's seminal ballet film The Red Shoes (1948), dancing and a personal life don't mix, even as the films display ballet's seductive power here in the gracefully integrated numbers by dance stars Browne and Baryshnikov. Despite reservations about its melodramatic aspects, The Turning Point earned box-office success and eleven Oscar nominations (but no wins). Even if its wife/work struggle seems a bit old-fashioned, Deedee's and Emma's final bond suggests that the next generation may not have the same regrets. ~ Lucia Bozzola, Rovi