Marion Parsonnet Movies

Hoss Cartwright is forced to kill neighboring farmer Willie Twilight (Keith Richards) in self-defense, whereupon Willie's brother Red (Adam Williams) promises to get even. When Hoss is shot in the back, it is Little Joe's turn to swear vengeance against Red. Beverly Tyler rounds out the guest cast as Mary, who is caught in the middle of the hostilities. First telecast February 11, 1961, "Vengeance" was written by Marion Parsonnet. ~ Hal Erickson, All Movie Guide

Using his own money, actor Franchot Tone mounted this courageous film version of Anton Chekhov's Uncle Vanya. The cast is the same as the one seen in Tone's stage production of 1956, with one exception: Signe Hassso, who'd played Elena on stage, is replaced by Tone's then-wife, Dolores Dorn-Heft. Translated by Stark Young, the screenplay follows the Chekhov original faithfully: Tone is cast as Dr. Astroff, who falls in love with a woman beyond his reach. All the while, Sonia (Peggy McCoy), the woman who loves Astroff, is neglected and ignored. The titular Uncle Vanya (George Voskovec) watches the passing parade of humanity, embittered over the opportunities missed in his own life. The sets are cardboard and the lighting inconsistent, but the acting in Uncle Vanya is first rate. Completed in 1958, the film did not receive a general release until 1960. ~ Hal Erickson, All Movie Guide

When wealthy Ballin Mundson (George Macready) rescues down at his heels gambler Johnny Farrell (Glenn Ford) and invites him to the Buenos Aires casino he owns, both men get more than they wagered on. Farrell convinces Mundson to hire him as casino manager, but is shocked when Mundson introduces his new bride, and Farrell's old flame, Gilda (Rita Hayworth).Though Farrell is unwavering in his loyalty to his employer, and he and Gilda treat each other with contempt, Mundson realizes that the torch never died for either of the former lovers. Ordered to guard Gilda, Farrell tries to convince himself that he's protecting Mundson's interests, but Gilda sees through his self-deception. Meanwhile, Mundson reveals to Farrell that his primary business is control of an international tungsten cartel that he plans to use to further his fascist ends. With the police closing in on the cartel, Mundson fakes his death, apparently leaving Gilda and Farrell free to marry. They do so: Gilda for love, but Farrell to punish her for being unfaithful to Mundson. When Mundson returns to kill them, it is he who dies, thereby freeing the lovers to apologize to each other and return to the U.S. Charles Vidor's Gilda is a voyeuristic film noir treat that engages the viewer in a complex web of sado-masochistic triangles. When, for example, Gilda performs her signature number, "Put the Blame on Mame," she is not simply enraging both Mundson and Farrell with her open sexuality, she is also crying out in pain for the love she is being denied. ~ Steve Press, All Movie Guide

Ginger Rogers gives a dramatic performance in this moving romantic drama in which a woman named Mary Marshall, who was convicted of manslaughter (she defended herself when her lecherous boss attempted to rape her and she accidentally killed him), is granted a ten-day furlough for Christmas to visit relatives. Once out, she encounters a shell-shocked vet (Joseph Cotten) on leave from the VA psych ward on a train. The unstable vet has been allowed out by his doctors to see if he is ready to function in normal society. At first, the vet is nervous around Mary, but something clicks and she invites him to stay at her house during their respective breaks. Together they attempt to have a happy Christmas while dealing with the vet's problems. At first Mary keeps her own past and troubles to herself, but as they begin falling in love, she decides to tell him the whole story. In this way, the two reconcile their pasts and move closer toward forming a relationship. ~ Sandra Brennan, All Movie Guide

In this wartime drama, a doctor discovers that one of his patients isn't as crazy as he thought, with dangerous consequences for the whole world. Dr. Michael Lewis (John Garfield) is an intern at a hospital where a woman named Jane (Nancy Coleman) is admitted. Jane was injured in a car wreck, and she tells Michael a remarkable story. She claims that she is actually an espionage agent with top-secret information that could help the Allied war effort; the accident occurred while she was trying to escape from Axis spies who will do anything to get her documents. Michael, who is supposed to keep an eye on Jane, thinks she must be delusional, and when psychiatrist Dr. Ingersol (Raymond Massey) arrives with Jane's father, Mr. Goodwin (Moroni Olsen), he signs Jane out in their custody. However, Michael soon discovers that Mr. Goodwin isn't Jane's father at all; he and Ingersol are actually the Nazi spies Jane was fleeing in the accident, and someone must rescue her before it's too late, both for Jane and the Allied war effort. Dangerously They Live was scripted by Marion Parsonnet from her novel, Remember Tomorrow. ~ Mark Deming, All Movie Guide

With a little extra effort, Washington Melodrama might have passed muster as an A picture. Frank Morgan stars as millionaire philanthropist Calvin Claymore, who comes to Washington in hopes of promoting a Senate bill on behalf of European war relief. Away from his wife (Fay Holden) and daughter Laurie (Ann Rutherford) for the first time in years, Claymore succumbs to tempation and spends a night on the town with chorus girl Mary Morgan (Anne Gwynne). Though nothing of a sexual nature transpires, Claymore finds himself in a compromising-and possibly fatal-position when Mary later turns up murdered. Blackmailed by slimy nightclub emcee Whitney King (Dan Dailey), Claymore is unable to turn to the police, and must stand by helplessly as the trail of clues leads inexorably to himself. Making matters worse, reporter Walt Thorne (Kent Taylor), the principal investigator on the case, has fallen in love with Claymore's daughter Laurie. It's a melodrama, all right, done up in style by MGM and a topnotch cast. ~ Hal Erickson, All Movie Guide

Though its title suggests a war picture of some sort, MGM's Gallant Sons actually concerns the efforts of a group of kids to solve a murder. Young Johnny Davis (Gene Reynolds) is beside himself when his gambler father (Ian Hunter) is arrested for murder. In truth, Davis' pop is shielding several other people, whose reputations might have been ruined during his trial. Sensing that something is amiss, Johnny's pal Byron Newbold (Jackie Cooper) and his ragtag collection of tenement cronies play detective themselves to clear the elder Davis' name and trap the actual killer. Bonita Granville, at the time Jackie Cooper's girl friend, plays the only female member of the crime-solving gang. Coincidentally, Cooper, Granville and costar Gene Reynolds would later go into the production end of the business; in fact, in the early 1970s Reynolds would hire Cooper to direct an Emmy-winning episode of MASH. ~ Hal Erickson, All Movie Guide

Merlini the Magician, Clayton Rawson's crime-solving illusionist, has been singularly ill-used by Hollywood, having appeared in a mere two films, "starring" in only one. Miracles for Sale compounds the oversight by rechristening Merlini as "Michael Morgan", in the person of Robert Young. The picture starts well, with a grisly political execution revealed to be an elaborate bit of stage magic perpetrated by the personable Morgan. The story then goes into a fraud and murder scheme perpetrated by Dave Duvallo (Henry Hull), whose consummate skill with makeup and Houdinilike escape devices comes in handy for phony spiritualist Madame Rapport (Gloria Holden). The film's highlight finds Morgan exposing several tricks utilized by magicians and fortune-tellers to gull the public, a sequence which incurred the wrath of the Pacific Coast Association of Magicians, who took a dim view at having the secrets of their trade revealed for the cost of a movie ticket. Of historical interest is the fact that Miracles for Sale was the final directorial effort of Tod Browning (Dracula, Freaks etc.) ~ Hal Erickson, All Movie Guide

In this entertaining comedy, an American expatriate lives in Paris and fancies himself a clever con artist. Getting cocky, he invites his wife and daughter to join him. The daughter is about to marry and he promises her an exquisite French chalet. Now he must quickly find one before she arrives lest he end up with egg upon his face. ~ Sandra Brennan, All Movie Guide

The 1937 Thirteenth Chair was the third film version of the 1919 stage melodrama by Bayard Veiller. Dame Mae Whitty dominates the proceedings as Mme. La Grange, a phony mystic who is on hand when a man is killed during one of her seances. The killing takes place in the home of a provincial British Indian governor, and the victim was a blackmailer whom everyone present had good reason to despise. Complicating matters for Mme. La Grange is the fact that one of the suspects, Nell O'Neill (Madge Evans) is her own daughter. Dissatisfied with the manner in which brusque Scotland Yard inspector Marney (Lewis Stone) is investigating the case, La Grange takes matters in her own hands, stage-managing a second seance so that the guilty party will be frightened into a confession. More slickly produced than the 1929 version of Thirteenth Chair, the remake isn't quite as enjoyable, lacking two vital ingredients: Margaret Wycherly and Bela Lugosi, the earlier version's Mme. LaGrange and Inspector Marney. ~ Hal Erickson, All Movie Guide