Michael Parks Movies

Larry Cohen's pseudo-biography of J. Edgar Hoover (Broderick Crawford) was virtually howled off the screens upon its release in 1977. Today, with the cross-dressing Hoover so much a matter of historical record that even Oliver Stone didn't bother to make too much of a point of it in Nixon, the Cohen film plays more like a dramatic re-enactment rather than the puerile paranoid fantasy it appeared to be at the time. Unfortunately, Cohen's method is part exploitation and part historical tableau. On the one hand, Cohen dramatizes historical moments in Hoover's momentous life story -- the shooting of John Dillinger in front of Chicago's Biograph Theater, his first arrest -- with a deadening solemnity (even abandoning the backlot facsimiles to shoot on the actual historical locations). On the other hand, Cohen relishes his scenes of Hoover's homosexuality and his propensity for sitting in the dark with a bottle of whiskey, replaying tapes of the amorous liaisons of high government officials -- the decadently homosexual Hoover built his political power base by getting all the dirt he could on the government's movers and shakers -- particularly their sexual liaisons -- and blackmailing them for their support when he could not get it in any other way. A true schizophrenic masterwork in its time, the film is now muted by a reality more incredible than Cohen ever imagined in his wildest dreams. ~ Paul Brenner, All Movie Guide

In this action film, motorcross racer J. W. Wyatt (Michael Parks) works to develop a high-performance motorcycle while pursuing a romance with the wealthy Chris Gentry (Susan Howard). ~ Iotis Erlewine, All Movie Guide

In this actioner, a rebel leader hijacks a boat and holds the passengers hostage in the hopes of beginning a coup. ~ Sandra Brennan, All Movie Guide

Having already overrun most of South America, a swarm of vicious African killer bees prepares to descend upon the United States. Almost as if rehearsed, the tiny menaces converge on New Orleans during Mardi Gras. With revellers dropping left and right, thanks to the fatal stings of the bees, it is up to the local constabulary, represented by Sheriff McKew (Ben Johnson), and a team of scientists, commandeered by Dr. Mueller (Horst Buchholz), to end the deadly plague for good and all. As usual, however, it is such "civilians" as Jeff DuRand (Michael Parks) and Jeannie Devereaux (Gretchen Corbett) who are best equipped to ward off the buzzing scourges. An Emmy-award winner for Best Sound Mixing, The Savage Bees debuted November 22, 1976, on NBC. ~ Hal Erickson, All Movie Guide

Tony Baretta (Robert Blake) is partnered with neurotic, pill-popping police officer Scotty (Michael Parks) during a frustratingly long drug stakeout. What Baretta doesn't know -- at least not at first -- is that Scotty is at the end of his financial rope, having been spent into the poorhouse by his selfish girlfriend. Can it be that Scotty is open for a bribe from the very perps he has been assigned to nab? ~ Hal Erickson, All Movie Guide

A group of rape victims form an organization in hopes of bringing their attackers to justice. At present, the group is fighting legal red tape and procedure to convict the man who raped Nancy Price (Deirdre Lenihan), a close friend of Mike Stone's (Karl Malden) daughter Jeannie (Darleen Carr). Frustrated in her efforts, the outraged head of the organization (Vera Miles) is poised to rely upon truly desperate measures. ~ Hal Erickson, All Movie Guide

This 1974 TV movie was based upon recent news stories about brainwashing techniques practiced by certain religious communes. Ellen (Kathy Cannon) is a confused teenager who falls in with a group of fanatics, who promise that they'll purge the "Devil" from her soul. Her anguished parents (Leslie Nielsen, Louise Fletcher) hire John Saxon to kidnap Ellen from the commune, and to exorcise the fanatics' influence from her psyche. This film was outdated within a year, but would come back in fashion during the height of the "Moonie" activity in the late 1970s. The original title of Can Ellen Be Saved?, understandably rejected by the network, was Children of God. ~ Hal Erickson, All Movie Guide

Michael Parks guest stars as MacDane, a college professor who for years has been a good friend of Sgt. Ed Brown (Don Galloway). Now MacDane is "persona non grata" on campus, due to the suicide of a female philosophy student for which the professor is held responsible. With someone making anonymous death threats, MacDane turns to Ed for help--which of course brings Ironside onto the scene to sift through a malaise of contradictory clues and sinister secrets. ~ Hal Erickson, All Movie Guide

Get Back is a "loser" film: not a film that is itself a loser, but one about losers. Michael Parks and Chuck Shantana play a couple of over-aged surfers who sit around wondering why life has passed them by. With nothing else to occupy their time, the duo stages a holdup. The two have a falling out over leading lady Bonnie Bedelia, who is frankly too good for either of them. Though the protagonists seem doomed from the start, they still manage to evoke audience empathy. Filmed in Canada, Get Back's U.S. distribution was limited to festival showings and TV exposure. ~ Hal Erickson, All Movie Guide

A prime early example of how to make a truly worthwhile TV movie, Stranger on the Run is a tough, minimalist western in the tradition of the theatrical oaters of director Anthony Mann (one of whose favorite actors, Dan Duryea, has a supporting part in Stranger). Michael Parks is painfully convincing as a sadistic 1880s railroad detective who has a curious notion of fun and games. Upon catching drifters who hitch rides on the trains in his Southwestern jurisdiction, Parks allows the "criminals" one hour head start in the desert, with horse and supplies; then he and his deputies track the men down and kill them. Parks' latest victim is hard-bitten ex-convict Henry Fonda, who has come to town to deliver a message to his cellmate's sister. Fonda proves to be more of challenge than Parks is accustomed to, a fact that gives this brutal little tale its teeth. Anne Baxter costars in this superior TV-movie outing. Stranger on the Run's multilayered teleplay is by Reginald Rose. ~ Hal Erickson, All Movie Guide

Four neophyte criminals get some unexpected help from their first victim in this caper comedy. A quartet of Miami Beach bohemians -- Sureshot (Michael Parks), Taurus (George Maharis), Herby (Robert Walker Jr.), and Sandy (Faye Dunaway) -- are looking for kicks and some fast money, and they hatch a scheme that they're sure will bring them both. Roc Delmonico (Anthony Quinn) is a well-known local restaurateur believed to be connected with the Mafia; the four beach bums kidnap Roc and hold him for ransom. To the surprise of the first-time kidnappers and the great annoyance of Roc, neither his wife, Monica (Martha Hyer), nor his business partners are willing to pony up 200,000 dollars to set the former gangster free. The angry Delmonico soon joins forces with his kidnappers, and with his background in crime, he advises them on how to make a hostage situation work. Roc's advice is right on the money, and the price for his safety zooms from 200,000 dollars to three million dollars. Roc's new friends are happy about this unexpected windfall, and Delmonico likes the idea of putting the screws to the so-called "friends" who let him down, but actually getting their hands on the money turns out to be far more complicated than any of them expected. The theme song from The Happening proved to be a major hit for Diana Ross & the Supremes -- in fact, a much bigger hit than the movie itself. ~ Mark Deming, All Movie Guide