Alan Parker Movies
An advertising gofer-turned-writer and director, Alan Parker began his film career through his association with producer David Puttnam, another ad man with cinematic aspirations, who hired Parker to write the screenplay for the preteen romance Melody (1971). After a stint directing television commercials and short films for the BBC, Parker made his first movie, Bugsy Malone, in 1976. He joined the front ranks of young filmmakers two years later with the fact-based thriller Midnight Express, a brilliant and brutal retelling of the experiences of a young American who escaped from a Turkish prison where he had been incarcerated for drug possession. Both an exposé of government corruption and an indictment of American pomposity, it earned lavish acclaim and a number of honors, including a Best Director Oscar nomination for Parker.The director followed this success with the megahit Fame in 1980. A box-office smash, it spawned a long-running TV series and became a fixture in the American pop-culture lexicon. Parker's next movie, Shoot the Moon (1982), was a relative failure despite several superb performances, owing in part to its unpleasant subject matter, the agonizing breakup of a marriage. Later that same year, Parker rebounded with a spectacular achievement in a more difficult category of film with Pink Floyd: The Wall, an adaptation of a Pink Floyd concept album that received critical approval and attracted a substantial audience. Parker's next film, Birdy (1984), was similarly acclaimed. The tale of a Vietnam veteran who experiences flight fantasies, it won the Jury's Grand Prize award at the Cannes Film Festival. The director had his next major success with Mississippi Burning (1988). A recreation of the investigation of the murders of three civil rights workers in Mississippi in the mid-'60s, it struck a responsive chord with the public and critics alike. Parker's 1991 movie, The Commitments, a blissful, beautifully structured adaptation of Roddy Doyle's novel of the same name, proved to be a genuine sleeper hit and earned a number of honors, including a Best Director BAFTA award for Parker.
After the disappointment of his next film, The Road to Wellville (1994), Parker was back two years later with Evita, a high-profile version of Andrew Lloyd Webber's hit musical. Starring Madonna in the title role of the beloved, controversial Argentinean first lady Eva Peron, the film received mixed critical notices, although it did prove popular with many audience members. Parker returned to Irish soil in 1999 to direct Angela's Ashes, an adaptation of Frank McCourt's Pulitzer Prize-winning novel. Starring Emily Watson and Robert Carlyle, it was one of the year's more highly anticipated films.
Four years passed before Parker returned with a new directorial effort, the longest gap of his career. The Life of David Gale was due to be released in time for Oscar consideration in 2002, but was bumped to early 2003 after the studio realized the inane death penalty thriller would surly disappear from theaters in the face of such stiff year-end box office competition. It opened to almost unanimously negative criticism. ~ Bruce Eder, All Movie Guide
- 2007
When a grizzled Navy captain reluctantly retires from service due to health reasons, he discovers how truly dysfunctional his family has become in this downbeat family drama from director Alan Parker and screenwriter Mark Richard. Now stuck in the Chesapeake Bay with his daughter - a single, heroin-addicted mother (Charlize Theron) - the sailor finds his unexpected presence threatening to destabilize what is already an extremely volatile situation. ~ Jason Buchanan, All Movie Guide
As the employees at a London restaurant prepare for the arrival of a high-profile Hollywood actor, it quickly becomes apparent that the five women working to make this important meal a success suffer form delusions of grandeur. In the eye of most customers they're three waitresses, a cook, and a dishwasher, but ask these dejected young workers to describe themselves and chances are you'll get an ear-full. Whether discussing weighty issues of love and art, attempting to capture a rat, or contending with a kitchen coup d'état, the workers at this restaurant are always up to something behind the scenes. Later tonight, a famous Hollywood movie star is set to dine at the restaurant, a revelation that sends each one of the imaginative workers into a tailspin of anticipation. Neve Campbell, Shirley Henderson, and Danny Huston star in a film from writer/director Oliver Parker (St. Trinians, An Ideal Husband). ~ Jason Buchanan, All Movie Guide
- Starring:
- Neve Campbell, Shirley Henderson, (more)
The mystery of one man's guilt or innocence literally becomes a matter of life and death in this drama. David Gale (Kevin Spacey) was the head of the philosophy department at Austin University and the author of several well-regarded books; he was also an active and visible member of Deathwatch, an anti-capital punishment activist group. One of Gale's best friends was Constance Harraway (Laura Linney), a fellow Deathwatch activist with whom he became especially close, particularly since Gale's wife, Sharon (Elizabeth Gast), who had taken a lover in Spain, was usually absent. One night, Gale was seduced by an attractive student from his class, Berlin (Rhona Mitra), who had too much to drink; later, the remorseful student accused Gale of rape. While Gale was eventually cleared of the charges, the negative publicity cost him his career as an educator, and with no job and no wife, Gale turned to drink. When Harraway was found raped and murdered a few years later, Gale was charged with the crime, and convicted despite the best efforts of his well-meaning but ineffectual lawyer Braxton Belyeu (Leon Rippy). Now Gale awaits execution, and less than a week before his date with the fatal injection, Gale agrees to tell his story to Bitsey Bloom (Kate Winslet), a nervy journalist from a major newsmagazine, who arrives with her assistant, Zack Stemmons (Gabriel Mann). As Bloom discusses the facts of the Harraway murder with Gale, it occurs to her that the details simply don't add up, and soon a mysterious stranger slips evidence to her that suggests Gale has been framed -- leaving Bloom and Stemmons only a few days to solve the mystery and save Gale from the executioner. The Life of David Gale was co-produced by actor Nicolas Cage, who originally commissioned the script and intended to star in the film before prior commitments led him to hand the project over to director Alan Parker. ~ Mark Deming, All Movie Guide
- Starring:
- Kevin Spacey, Kate Winslet, (more)
- 2001
- Add Stanley Kubrick: A Life in Pictures to QueueAdd Stanley Kubrick: A Life in Pictures to top of Queue
Stanley Kubrick was one of the most acclaimed and controversial filmmakers of his generation, but he was also an intensely private man who rarely gave interviews and produced most of his films under a shroud of secrecy, which tended to foster a great deal of rumor and speculation about his working methods. Jan Harlan, who worked as Kubrick's assistant and executive producer on several projects (and was also his brother-in-law), directed this documentary, which offers a rare in-depth look into Kubrick's career as a filmmaker, structured around interviews with a number of actors, writers, technicians, composers, friends, and family who speak on the record about his relentless perfectionism, his creative vision, his life both on and off the set, his relationships with actors, his unrealized projects, and his importance and influence as an artist. Among those who share their thoughts in Stanley Kubrick -- A Life In Pictures are actors Jack Nicholson, Tom Cruise, Nicole Kidman, Malcolm McDowell, Peter Ustinov, and Keir Dullea; writers Arthur C. Clarke and Michael Herr; special effects artist Douglas Trumbull; composers Wendy Carlos and Gyorgy Ligeti; filmmakers Woody Allen, Martin Scorsese, Steven Spielberg, Paul Mazursky, and Sydney Pollack; and Kubrick's spouse Christiane Kubrick. Stanley Kubrick -- A Life In Pictures was originally produced as a television project, to be aired in three parts, though the project was shown in its entirety at the 2001 Berlin Film Festival. ~ Mark Deming, All Movie Guide
- Starring:
- Woody Allen, Martin Scorsese, (more)
Based on the Pulitzer Prize-winning memoir by Frank McCourt, Angela's Ashes is an alternately funny and heartbreaking look at growing up in Ireland. Born in Brooklyn, NY, young Frank (Joe Breen) moves at an early age to Limerick, Ireland, with his parents Angela (Emily Watson) and Malachy (Robert Carlyle), who have been unable to support their family in America and are hoping for better prospects in their home country. But things hardly improve once they settle in Limerick; as McCourt puts it, "Worse than the ordinary miserable childhood is the miserable Irish childhood. Worse yet is the miserable Irish Catholic childhood." Illness and death are commonplace in Limerick, and Malachy's drinking and inability to hold a job make matters worse. Angela's Ashes was directed by Alan Parker, who previously looked at Irish life in The Commitments (1991); Laura Jones wrote the screenplay. ~ Mark Deming, All Movie Guide
- Starring:
- Emily Watson, Robert Carlyle, (more)
Evita is based on the musical by Andrew Lloyd Webber and Tim Rice. Actually, the film is more of an opera, with only short moments devoted to dialogue. "Evita" is the friendly, family version of the proper name "Eva," and this film tells the story of Eva Peron (1921-52), a woman whose name evokes powerful feelings in her native Argentina. Throughout this film, as in the musical, the story is explained and commented on by a character known as "Che," played here by Antonio Banderas. The film begins with the news of Evita's death, and then turns to a much earlier scene at her father's funeral. Eva (Madonna) was an illegitimate child (one of many) of a rural landowner and her seamstress mother. Hers is not a wealthy childhood by any means, and she is constantly discriminated against because of her lowly birth. She is refused admission to her father's funeral for this reason. This scene is contrasted with her own funeral, a spectacular affair, not different from the funeral of a beloved head of state. Eva Peron leaves her village at age 15, in the arms her lover Agustin Magaldi (Jimmy Nail), a traveling singer. With his help, she goes to Buenos Aires and begins her campaign to become a performer, actress, and public figure. Many men help her during these years, and she is reported to have given her favors freely. That changes when she becomes involved with Juan Peron (Jonathan Pryce). In 1944, when they meet, Peron is an ambitious young army officer, serving in the right-wing government of the time. When he falls afoul of the government and is imprisoned, Eva uses her position as a celebrity and radio performer to get him released. Peron marries his feisty mistress when he is freed from prison. Eva is a formidable supporter, and her help is crucial to his later becoming head of state. Once Juan Peron becomes the President of Argentina, Eva expects better treatment from Argentina's high society, but they snub her brutally. She, in response, diverts government money from society-led charities, and starts the Eva Peron Foundation. As its president, she works tirelessly to directly better the lot of Argentina's poor. For this work, and for having risen from poor origins to glory, she is beloved by huge masses of her fellow citizens, if not by those in high society. She also arranges for the enfranchisement of women in Argentina. Thus, her death of uterine cancer at age 33, while she was at the height of her power and influence, strikes the whole world as tragic. ~ Clarke Fountain, All Movie Guide
- Starring:
- Madonna, Antonio Banderas, (more)
- 1995
This documentary from British director Stephen Frears represents England's entry in the British Film Institute commissioned series, "Century of Cinema," designed to be a collection of the personal opinions of renowned international filmmakers concerning the cinema of their native countries. Frears is joined by four other notable British directors who sit 'round a table sipping tea while discussing the past, present and future of English films. Included is Alexander Mackendrick, who died before this film was released. ~ Sandra Brennan, All Movie Guide
This adaptation of the comic novel by T. Coraghessan Boyle is the story of real-life Corn Flakes inventor Dr. John Harvey Kellogg (Anthony Hopkins), an eccentric health nut in the early 20th century. Convinced of the benefits of holistic health practices (mostly involving irrigation of the bowels and colon), Kellogg opens a spa in Battle Creek, Michigan that immediately attracts the well-to-do of his time, including Will (Matthew Broderick) and Eleanor Lightbody (Bridget Fonda). A young couple with sexual and marital problems, the Lightbodys aren't helped much by the forced separation of sexes at Kellogg's sanitarium, and the situation is further exacerbated by Will's obliging nurse (Traci Lind) and Eleanor's encounters with a group of German sex therapists. Also at the spa are Charles Ossining (John Cusack), an ambitious con man who sees a fortune in Kellogg's cereal, and the unwashed, cretinous George Kellogg (Dana Carvey), one of the doctor's several dozen adopted children. A spoof as obsessed as its protagonist with its scatological subject matter, The Road to Wellville was an unusual effort for director-composer Alan Parker, known better for darker dramatic material and musicals. ~ Karl Williams, All Movie Guide
- Starring:
- Anthony Hopkins, Bridget Fonda, (more)
"The Irish are the blacks of Europe, Dubliners are the blacks of Ireland, and the North Siders are the blacks of Dublin ... so say it loud -- I'm black and I'm proud!" Or so Jimmy Rabbitte (Robert Arkins) tells his slightly puzzled friends as he tries to assemble a rhythm & blues show band in a working class community in Dublin in Alan Parker's film The Commitments. Jimmy is a would-be music business wheeler and dealer, and he's decided what Dublin needs is a top-shelf soul band. However, top-shelf soul musicians are hard to find in Dublin, so he has to make do with what he can find. However, after a long round of auditions, Jimmy makes two inspired discoveries: Deco (Andrew Strong), an abrasive and alcoholic streetcar conductor who nevertheless has a voice like the risen ghost of Otis Redding, and Joey "The Lips" Fagan (Johnny Murphy), a horn player who knows soul music backwards and forwards and claims to have played with everyone from Wilson Pickett to Elvis Presley. Before long, the band -- called the Commitments -- is packing them in at local clubs. But do they have what it takes to make the big time? Based on the novel by Roddy Doyle, who also co-wrote the screenplay, The Commitments is sparked by fine performances by its young cast and enthusiastic performances of a number of '60s soul classics; the cast, who play their own instruments, reassembled the band for a concert tour after the film became a hit. ~ Mark Deming, All Movie Guide
- Starring:
- Robert Arkins, Michael Aherne, (more)
One of the few American films to deal with the tragic story of the internment of Asian-Americans during World War II, Come See the Paradise opens in the late 1930s, as Jack McGurn (Dennis Quaid) is working as a union organizer in New York City. Jack finds himself on the wrong side of the law after he gets involved in an ill-advised bombing of a scab shop, and he flees to Los Angeles, where Hiroshi Kawamura (Sab Shimono) gives him a job as a projectionist in L.A.'s Little Tokyo. Jack soon meets Hiroshi's beautiful daughter Lily (Tamlyn Tomita) and it's love at first sight. Jack and Lily decide to get married, but Hiroshi opposes the match and California law prevents mixed-race couples from obtaining a marriage license. Jack and Lily move to Seattle, where they are wed and soon have a daughter. Jack, however, begins working with the union again, which puts a strain on their marriage; Lily takes their child and returns to Los Angeles. But before long the United States enters World War II, and the Kawamura family is sent (along with all other Americans of Japanese descent living in California) to an internment camp, as it is believed they will become traitors against America if left to their own devices. Jack, ironically, is drafted into the Army and soon goes AWOL to return to California, where he tries to find his wife in the camps. ~ Mark Deming, All Movie Guide
- Starring:
- Dennis Quaid, Tamlyn Tomita, (more)
- 1988
After the success of the British mini-series The Beiderbecke Affair and its sequel The Beiderbecke Tapes, the BBC followed with The Beiderbecke Connection, the final installment of the trilogy. The lives of jazz lovers Trevor (James Bolam) and Jill (Barbara Flynn), now married and raising their first child, become more complicated after they agree to take in a friend who has recently fallen on hard times. Though at times it seems their unexpected house guest be more trouble than they bargained for, he is, at least, a fellow jazz fan.
~ Tracie Cooper, All Movie Guide
~ Tracie Cooper, All Movie Guide
Mississippi Burning is an all-names-changed dramatization of the Ku Klux Klan's murders of three civil rights workers in 1964. Investigating the mysterious disappearances of the three activists are FBI agents Gene Hackman (older, wiser) and Willem Dafoe (younger, idealistic). A Southerner himself, Hackman charms and cajoles his way through the tight-lipped residents of a dusty Mississippi town while Dafoe acts upon the evidence gleaned by his partner. Hackman solves the case by exerting his influence upon beauty-parlor worker Frances McDormand, who wishes to exact revenge for the beatings inflicted upon her by her Klan-connected husband Brad Dourif. Many critics took the film to task for its implication that the Civil Rights movement might never have gained momentum without its white participants; nor were the critics happy that the FBI was shown to utilize tactics as brutal as the Klan's. The title Mississippi Burning is certainly appropriate: nearly half the film is taken up with scenes of smoke and flame. ~ Hal Erickson, All Movie Guide
- Starring:
- Gene Hackman, Willem Dafoe, (more)
The time is the 1950s: seedy Brooklyn private eye Harry Angel (Mickey Rourke) is hired by shady Louis Cyphre (Robert De Niro) to locate a pop singer who reneged on a debt. Harry ventures into Harlem, the first step of a Heart of Darkness-inspired odyssey. Each time Harry makes contact with someone who might know the singer's whereabouts, he or she is killed in a horrible, ritualistic fashion; a Satanic cult seems to be at the bottom of all the carnage. Harry solves the mystery, all right. He just didn't know that he had the answer all along -- even before Louis entered his office. Also available in the "unrated" video version, Angel Heart is best known as the film that nearly got an X-rating due to a no-holds-barred sex scene involving Mickey Rourke and Lisa Bonet. ~ Hal Erickson, All Movie Guide
- Starring:
- Mickey Rourke, Robert De Niro, (more)
Director Alan Parker tackles this adapation of William Wharton's novel, which retains much of the source material's texture and complexity. Matthew Modine is Birdy, who comes back from Vietnam mentally shattered and deludes himself into thinking that he is a bird, an animal that has obsessed him since childhood. Birdy is confined to a military hospital, where he spends his time sitting naked in his room, not acknowleding anyone, moving and acting like a parakeet. His best friend Al (Nicolas Cage), also a wounded Vietnam vet, visits Birdy every day, determined to bring him back to reality. Birdy is occasionally disjointed but enriched by strong performances from Modine and Cage and a number of hard-to-forget moments. ~ Don Kaye, All Movie Guide
- Starring:
- Matthew Modine, Nicolas Cage, (more)
Inspired by Pink Floyd's album of the same name, Pink Floyd: The Wall is a dark, expressionistic musical, told from the point of view of Pink, a depressed rock musician. The film is structured around Pink's reflections on his life, all of which center on the building of "the wall." This wall is a metaphor for psychological isolation, a barrier Pink creates to distance himself from his pain. The foundations for this wall are lain in childhood, with the death of Pink's father leaving him to be raised by an overprotective mother and a repressive school system. He seeks freedom from this world through writing and music. However, even after he achieves success as a rock star, the wall continues to grow, with Pink feeling trapped by fame and wounded by his failed personal relationships. Lost in despair and self-loathing, he attempts to isolate himself from the world entirely. Director Alan Parker approaches this material in a highly stylized manner, mingling animation and dream-like sequences to suggest Pink's perception of the world. These techniques complement the almost constant music, which the film often uses in place of dialogue. Songs include "Another Brick in the Wall" and "Comfortably Numb". ~ Judd Blaise, All Movie Guide
- Starring:
- Bob Geldof, Christine Hargreaves, (more)
Director Alan Parker and writer Bo Goldman chronicle the emotional disintegration of an unhappy marriage. Albert Finney and Diane Keaton play George and Faith Dunlap, a seemingly happily married couple living with their four daughters in a converted farmhouse in Marin County, California. George is inwardly empty and decides to have an affair with Sandy (Karen Allen), who has doubts about how long their affair will last. Faith is also suffering from ennui and takes up with Frank Henderson (Peter Weller), the contractor for the Dunlap's tennis court. Frank, after discovering about Faith's affair, is in a confused state: he wants to leave and live with Sandy but doesn't want his wife to date other men and demands the love of his daughters -- all of whom now detest him. ~ Paul Brenner, All Movie Guide
- Starring:
- Albert Finney, Diane Keaton, (more)
Fame is set at New York's High School of Performing Arts, where talented teens train for show-business careers. The film concentrates on five of the most gifted students: singer Irene Cara, actors Paul McCrane and Barry Miller, dancer Gene Anthony Ray, and musician Lee Currieri. More so than the subsequent TV series Fame, the film emphasizes the importance of keeping up one's academic achievements in this specialized school. The faculty includes no-nonsense English teacher Ann Meara, erudite musical instructor Albert Hague, and martinet dance teacher Debbie Allen. Of the film's cast, Ray, Currieri, Allen and Hague were carried over to the TV version of Fame, which premiered in 1981. The score for the film version of Fame was honored with an Academy Award. ~ Hal Erickson, All Movie Guide
- Starring:
- Irene Cara, Paul McCrane, (more)
Midnight Express is a harrowing tale of a naïve American caught in a nightmare of his own making thousands of miles from his home. Billy Hayes (Brad Davis) is an American tourist visiting Turkey with his girlfriend Susan (Irene Miracle) when he's caught by customs officials trying to smuggle a large amount of hashish out of the country. The crime would normally carry a sentence of four years, but officials decide to make an example of Billy, and he draws a 30-year sentence despite the promises of his Turkish legal counsel. While Susan and Billy's father (Mike Kellin) pledge to do everything they can to speed Billy's release, in fact there's little than can be done. Billy quickly finds himself in a hellish prison that's a nightmare of filth, violence, rape, inedible food, and unspeakable health conditions. However, Billy gains a few confidantes behind bars: Jimmy (Randy Quaid), an American in a constant state of emotional overdrive; Max (John Hurt), an intelligent, drug-addicted Englishman; and Erich (Norbert Weisser), a gay Scandinavian who is attracted to Billy but accepts his gentle refusals of sex. Before long, Billy is convinced that he can take no more, and he makes plans to take the "midnight express" -- jailhouse slang for escape. While his friends are willing to help, they also make clear that almost no one who has tried to escape has lived to tell the tale. Based on a true story, Midnight Express was a box-office hit which won wide acclaim for the performances of Brad Davis and John Hurt; and the screenplay, by Oliver Stone, won an Academy Award. ~ Mark Deming, All Movie Guide
- Starring:
- Brad Davis, Randy Quaid, (more)
- 1976
- G
Here's the basic "shtick" of Bugsy Malone: it's a gangster picture enacted by children. Acted out before scaled-down sets, the film details the career of Bugsy Malone (Scott Baio), who rises to the top of the criminal ladder in 1920s New York. Whenever gunfire is called for, the kiddie crooks substitute whipped cream for bullets. Paul Williams contributes several songs, which are performed by adult singers and lip-synched by the pint-sized actors. The cast includes John Cassisi as diminutive Capone clone Fat Sam, and then-13-year-old Jodie Foster as the sultry nightclub thrush Tallulah. ~ Hal Erickson, All Movie Guide
- Starring:
- Scott Baio, Jodie Foster, (more)
- 1974
Originally made for British television, The Evacuees was the first feature-length project of director Alan Parker. The film concentrates on the early war years, when London was under nightly attack from the German luftwaffe. It becomes necessary to evacuate the city children to the comparative safety of the country, and this sets the stage for a string of compelling, bittersweet anecdotes. Parker's acute sense of period detail and his handling of his young actors helped earn The Evacuees several industry awards. It also led to his being selected to direct his first theatrical feature: the "all-kid" musical spoof Bugsy Malone. ~ Hal Erickson, All Movie Guide
- 1971
An excellent musical score by the Bee Gees adds appeal to this curious little movie about two ten-year olds, Daniel and Melody (Mark Lester and Tracy Hyde) who are completely taken with each other and announce to their parents, in all seriousness, that they plan to get married. This marriage is not planned for the distant future, but as soon as possible. The uproar that is caused when their seriousness becomes clear is not too surprising. Their best friend Ornshaw (Jack Wild) is not too thrilled with their plan either. What makes the film work is that the entire story is told from the children's point of view in which the grownups' objections, since they have no relation to the truth of what the children are feeling, come across as silly or inconsequential. This film is a reunion of sorts for Oscar-winning Oliver! co-stars Mark Lester and Jack Wild ~ Clarke Fountain, All Movie Guide
- Starring:
- Jack Wild, Mark Lester, (more)
