Marcel Pagnol Movies

This 1990 French film presents idyllic episodes from the childhood of novelist and filmmaker Marcel Pagnol (1895-1974). Together, the episodes present a portrait of an ordinary family with an extraordinary ability to love. Set in Provencal in the late 19th and early 20th centuries, the film first introduces members of the family, including Marcel (Julien Ciamaca). When he is still a preschooler, his father Joseph, a teacher, takes him to classes to watch over him. Marcel, however, learns along with the other children and starts to read out loud in class. Astonished, Joseph (Philippe Caubère) writes a sentence on the blackboard and asks, "What does that say?" Marcel, reading the words, says, "The father is proud of his little boy." This little scene establishes the tone and meaning of the film. Flashing ahead seven years, the camera then follows the Pagnols after they leave Marseilles for a summer vacation in the Provencal countryside, there to bask in the simplicity of rural life. From then on, it is not what happens to the family that engages audiences; it is how it happens -- with a quiet exuberance and joie de vivre. Besides Marcel and his father, the vacationers include his mother, Augustine (Nathalie Roussel), a beautiful and kindly homemaker; Marcel's little brother Paul (Victorien Delamare); and his Uncle Jules (Didier Pain) and Aunt Rose (Thérèse Liotard). After they arrive at their cottage, 11-year-old Marcel wastes no time wading into the greenery in search of adventure. What he finds is another adventuresome boy, Lili de Bellons (Joris Molinas), a native of the region. They become friends and fellow explorers, capturing cicadas, climbing rocks, and even invading an eagle's cave. Sometimes they just have fun shouting to hear an echo boomeranging back. At meal times -- often outdoors -- fresh fruit and good-natured repartee satisfy appetites. For spectator sport, the diners listen to the occasional religious arguments between Uncle Jules, a God-fearing Catholic, and Joseph, a God-doubting agnostic. Augustine and Aunt Rose avoid the polemics, for they have more important matters on their minds: keeping house, watching children, and planning the next day's menu. And then the film takes a turn toward real drama. Uncle Jules, full of tales about his prowess as a hunter, persuades Joseph, full of ignorance about guns and hunting, to go on a bird hunt. Woe is Papa, Marcel thinks. When the day of the great hunt arrives, Marcel secretly follows Joseph and Uncle Jules into the woods, setting the stage for the film's climactic moment. ~ Mike Cummings, All Movie Guide

Co-adapted by director Claude Berri from a novel by Marcel Pagnol, this hugely successful French historical drama concerns a bizarre battle royale over a valuable natural spring in a remote French farming community. City dweller Jean Cadoret (Gérard Depardieu) assumes ownership of the spring when the original owner is accidentally killed by covetous farmer Cesar Soubeyran (Yves Montand). Soubeyran and his equally disreputable nephew Ugolin (Daniel Auteuil) pull every dirty trick in the book to force Cadoret off his land, but the novice farmer stands firm. Although the Soubeyrans appear to gain the upper hand, the audience is assured that they will eventually be foiled by the vengeful daughter of the spring's deceased owner -- thus setting the stage for the film's equally successful sequel, Manon of the Spring. ~ Hal Erickson, All Movie Guide

Mr. Topaze was based on a play by Marcel Pagnol, previously filmed twice before with John Barrymore and Fernandel. Peter Sellers stars as a French college professor, known far and wide for his integrity. He refuses to improve a grade on the paper of one student, whose influential father sees to it that Sellers is fired. Cast adrift in the business world, Sellers is hired by a crooked liquor executive (Herbert Lom) to act as "front" for the benefit of the authorities. When Sellers catches on how much money there is in the business, his honesty evaporates and he becomes as underhanded as the next fellow. The love of Joan Sims enables Sellers to change his ways before his dishonesty can become disastrous. Mr. Topaze was rereleased in 1963 as I Like Money; once again, however, no one wanted to see a "straight" Peter Sellers in a role that called out for the broad comedy he did so well. ~ Hal Erickson, All Movie Guide

Letters from My Windmill (Les Lettres De Mon Moulin) was adapted by French-filmmaker Marcel Pagnol from three short stories by Alphonse Daudet. The first, "The Three Low Masses," involves a clergyman whose taste for gourmet foods leads him to confrontation with Satan. "The Elixir of Father Gaucher" tells of a group of monks who deal in homemade wines and spirits to replenish their church coffers. And "The Secret of Master Cornille" is the story of businessman's harmless ruse which snowballs into near-tragedy. Roger Crouzet plays Alphonse Daudet, who repairs to a deserted windmill to write the three stories dramatized herein. The US prints of Letters from My Windmill contain subtitles written by Hollywood expatriate Preston Sturges. ~ Hal Erickson, All Movie Guide

French novelist-turned-film director Marcel Pagnol made this black and white feature in 1953, He later wrote a novel based on his original script, which in turn was the source material for two much better known films made by director Claude Berri in 1986 - - Jean de Florette and Berri's own version of Manon des sources. Released uncut for the first time in 1988, Pagnol' s feature has a hefty running time of over four and a half hours. The story concerns the efforts of the beautiful shepherdess Manon Cadoret (played by the director's wife Jacqueline Pagnol) to avenge the death of her father Jean de Florette. The chief culprit in that death is a hapless peasant (played by veteran Marseilles comic Rellys), who, sadly, is desperately in love with Manon. Manon's revenge involves cutting off the town's water supply, drawing the wrath of the villagers. Her only ally is the town's somewhat haughty schoolteacher (Raymond Pellegrin), who she eventually marries. The action of this film corresponds roughly to Berri's version of Manon des sources. His Jean de Florette focused on events surrounding the father's death, which is here covered mostly in dialogue. ~ Clarke Fountain, All Movie Guide

Previously filmed twice in 1933, Marcel Pagnol's satirical stage comedy Topaze was again adapted to the screen in 1936, this time with Pagnol himself as director (he would have directed the first version, but was contractually prohibited from doing so). This time around, Arnaudy stars as M. Topaze, the incorruptible schoolteacher who loses his job when he refuses to pass the unruly son of a wealthy and powerful businessman. Topaze decides to apply his intelligence and integrity to the world of business, only to discover that he's as susceptible to corruption as the next man. But though he loses his "soul," he gains the love of the beautiful mistress (Delia-Col) of his ex-business partner. Pagnol later directed the fourth version of Topaze in 1951, this one starring Fernandel. ~ Hal Erickson, All Movie Guide

This little-known Marcel Pagnol production stars his wife Jacqueline as a miller's daughter. The film concerns her romance with the rich and powerful Schubert, played by Tino Rossi. However, the storyline of La Belle Meuniere is not as fascinating as the film's technical history. It was lensed in an experimental process called Rouxcolor, wherein four black-and-white images were projected on the screen simultaneously through special tinted lenses, thereby giving the illusion of color and depth. Pagnol had intended to make film in the usual "flat" black-and-white process, but when he became intrigued with Rouxcolor he scrapped his completed footage and started all over. Unfortunately, Rouxicolor proved too cumbersome for widespread distribution. ~ Hal Erickson, All Movie Guide

The Well-Digger's Daughter served to reunite star Raimu and writer/director Marcel Pagnol, who'd earlier scored an international hit with the "Marseilles trilogy" (Fanny, Marius, Cesar). The title character played by Josette Day, is impregnated by aviator George Gray. Her father, Raimu, orders Josette out of the house so that her younger sisters won't be likewise "corrupted". There's many a moment of pathos and hilarity before Raimu realizes the folly of his behavior. Filmed in 1940, just after France's acquiescence to their Nazi conquerors, The Well-Digger's Daughter didn't make it to the US until 1946. ~ Hal Erickson, All Movie Guide

James Whale directed this screen adaptation of Marcel Pagnol's French classic Fanny. Madelon (Maureen O'Hara) is a lovely young woman who lives in a seaside community, where she has fallen in love with Marius (John Beal), a sailor. Marius is called to duty and sets sail, shortly before Madelon makes the discovery that she'd pregnant with his child. Not sure what to do, Madelon confesses her predicament to Panisse (Frank Morgan), a longtime friend who is pals with Cesar (Wallace Beery), Marius's father. To spare Madelon the shame of a child born out of wedlock, Panisse offers to marry Madelon, and she agrees, though both realize this will be a union of convenience rather than love. When Marius returns after his hitch is up, he declares his love to Madelon, but time has forced her to realize that the older but loving Panisse would be a better father for her child than Marius, who she loves but rarely ever gets to see. Port of Seven Seas was written for the screen by Preston Sturges, who came aboard for the project when William Wyler was originally slated to direct. ~ Mark Deming, All Movie Guide

Originally Regain, this Marcel Pagnol masterwork was distributed in the US in 1939, two years after its completion; the hold-up was due to complaints from the New York censors, who disapproved of the plotline's harmlessly adulterous undertones. Told in a simple, straightforward fashion, the film deals with the trials and tribulations of peasant farmer Panturie (Gabriel Gabrio) and his lover, apprentice knife-grinder Arsule (Orane Demazis), as they struggle to revitalize their failing wheat farm. Despite one setback after another, Panturie and Arsule refuse to give up, and it is their devotion to their land-and each other-which sparks a revival of optimism and solidarity throughout the countryside. Fernandel provides wistful comedy relief as Gedemus, the itinerant knife-grinder to whom Arsule is married at the outset of the film. ~ Hal Erickson, All Movie Guide