Grant Page Movies

Filmmaker Mark Hartley explores Australia's hidden genre in this documentary that casually casts aside "official" film history to celebrate the demented genius of director Brian Trenchard-Smith, and the exciting wave of little-known but supremely entertaining films that entertained adventurous Australian filmgoers throughout the 1970s and '80s. Every film student worth his or her weight in celluloid has seen Breaker Morant and Picnic at Hanging Rock, but what about the lesser-known gems that didn't make the film-school textbooks? In his forward to Tim Lucas' book Mario Bava: All the Colors of the Dark, director Martin Scorsese states, "We have to keep resisting the idea of official film history, a stately procession of 'important works' that leaves some of the most exciting films and filmmakers tucked away in the shadows." In this documentary, director Hartley explores the films forgotten by "official film history" with the comprehensive eye of a true film buff. As a child watching such films as Snapshot and The Man from Hong Kong, Hartley immediately recognized how wildly disparate they were in tone and execution from the films that comprised Australia's traditional film library. Appearing like American genre films that just happened to be shot in Australia and cast with Australian actors, these so-called "Ozploitation" flicks flourished in the wake of relaxed censorship laws down under. Yet despite constant chatter about the "new wave" of Australian cinema, financially successful films like The Man from Hong Kong and Patrick that were popular both at home and abroad were never mentioned, sneeringly dismissed as "genre" films rather than Australian films. Perhaps in the wake of such successful Australian films as Wolf Creek and Undead -- and looking ahead to such films as the slasher shocker Storm Warning and the eagerly anticipated remake of Long Weekend -- curious filmgoers are finally prepared to discover what they've been missing all these years. ~ Jason Buchanan, All Movie Guide

Experimental director Rolf DeHeer's film The Tracker depicts a controversial moment in the Australian justice system, in doing so taking on a popular topic among Australian filmmakers--the complicated and too often racist relationship between Aboriginals and locals. When an Aboriginal tracker (David Gulpilil) leads the manhunt for a fugitive native, a series of atrocities are performed on the ancient tribe by a sadistic policeman participating in the search party. The line between savage and civilian is blurred beyond recognition when Fanatic (Gary Sweet), the policeman, massacres a large group of peaceful Aboriginals. It eventually becomes clear that the tracker, who purposely keeps the Aboriginal a half-day ahead of the search party, is in control of the operation and has his own mysterious agenda. DeHeer takes a unique approach in the direction of this film; opting to show graphic paintings by artist Peter Coad during violent moments in lieu of filming bloody scenes among the actors. The drama itself is often contradicted by haunting, plaintive songs with lyrics written by DeHeer himself. ~ Tracie Cooper, All Movie Guide

A diverse group of seedy characters live their lives in the tawdry King Cross district of Sydney, Australia in this low-budget romantic drama. Mitch (Jo Kennedy) is a female hairdresser who loves Rex (Nique Needles), a petty crook and drifter who is jailed after he is convicted of attempted burglary. Robert Menzies plays a drugged-out character called Yawn. Gaye (Anna Phillips) is a hooker who lives with her lover and pimp Tony (John Polson). None of them tries too terribly hard to work at their "jobs," or their lives, and it seems certain that they will all do yet more time in prison -- sooner rather than later, nor will they mind it much. ~ Dan Pavlides, All Movie Guide

An adventure tale for movie buffs, Jake Speed deftly lifts scenes from detective films of the '40s through the '70s to bring an added dimension to its spoof of the detective and adventure genres. When a family gets word that their daughter has been kidnapped in Paris, her father comments that they should get "Jake Speed" to find her. However, Jake is a comic strip character, and the reaction is that he might as well ask for Batman. But lo-and-behold, the other daughter Margaret (Karen Kopins) gets a message to meet Speed (Wayne Crawford) and his author, Remo (Dennis Christopher), and the men tell her they must go to Africa, where her sister is being held. After a certain amount of trial and error, they eventually find the nation where she's being held -- which happens to be in the middle of a revolution. ~ Eleanor Mannikka, All Movie Guide

An introverted girl who yearns for popularity (Kristy McNichol) attends a pirate festival in her seaside community, featuring a swordplay demo led by a curly haired hunk (Christopher Atkins). After selecting Mabel (McNichol) to participate in the act, the instructor invites her aboard his boat for a real ride on the high seas -- at which point a gaggle of her catty acquaintances latches on for the trip. Sent to get hamburgers for the outing, Mabel is "accidentally" left behind when one of her "friends" pulls the anchor prematurely. Determined not only to fit in, but to track down her dream guy, Mabel steers a tiny sailboat into stormy waters in pursuit, and gets shipwrecked. Thus begins a fantasy in which the unconscious Mabel imagines herself in a real pirate adventure, complete with her dashing pirate hero, a legion of his crusty shipmates, and dozens of unwed sisters who must rise to the altar before she can. The fantasy mixes film parodies, love songs, animation, and the score of Gilbert & Sullivan's The Pirates of Penzance. The story also loosely follows the structure of said operetta. ~ Derek Armstrong, All Movie Guide

Hollywood's Stacy Keach stars in Australia's Road Games. Keach is a truck driver who takes the law in his own hands to capture a serial killer. When the police fail to nab the murderer of hitchhikers, Keach takes to the road, conducting his own search. En route, he picks up hitcher Jamie Lee Curtis--and it is her presence that brings the killer out of hiding and into the bloody finale. Director Richard Franklin's fondness for Hitchcock, which would come to full fruition in Psycho II (1982), is very much in evidence throughout Road Games. ~ Hal Erickson, All Movie Guide

This stunning, post-apocalyptic action thriller from director George Miller stars Mel Gibson as Max Rockatansky, a policeman in the near future who is tired of his job. Since the apocalypse, the lengthy, desolate stretches of highway in the Australian outback have become bloodstained battlegrounds. Max has seen too many innocents and fellow officers murdered by the bomb's savage offspring, bestial marauding bikers for whom killing, rape, and looting is a way of life. He just wants to retire and spend time with his wife and son but lets his boss talk him into taking a peaceful vacation and he starts to reconsider. Then his world is shattered as a gang led by the evil Toecutter (Hugh Keays-Byrne) murders his family in retaliation for the death of one of its members. Dead inside, Max straps on his helmet and climbs into a souped-up V8 racing machine to seek his bloody revenge. Despite an obviously low budget and a plot reminiscent of many spaghetti Westerns, Mad Max is tremendously exciting, thanks to some of the most spectacular road stunts ever put on film. Cinematographer David Eggby and stunt coordinator Grant Page did some of their best work under Miller's direction and crafted a gritty, gripping thrill ride which spawned two sequels, numerous imitations, and made Mel Gibson an international star. One sequence, in which a man is chained to a car and must cut off a limb before the machine explodes is one of the most tense scenes of the decade. The American version dubbed all the voices -- including Gibson's -- in a particularly cartoonish manner. Trivia buffs should note that Max's car is a 1973 Ford Falcon GT Coupe with a 300 bhp 351C V8 engine, customized with the front end of a Ford Fairmont and other modifications. ~ Robert Firsching, All Movie Guide

In The Odd Angry Shot director Tom Jeffrey provides a cathartic Australian answer to Michael Cimino's The Deer Hunter. Australia's participation in the Vietnam War was as much of an alienating and soul-searching experience for Australians as for Americans, and Jeffrey's frank portrayal of a group of Australian volunteers casts the war in a different light from the perspective of a Cimino or Oliver Stone. The story concerns a corp of Australian elite soldiers -- the Special Air Service troops (the equivalent of the United States' Special Forces group) -- and the elite group's more pragmatic and hopeful attitudes -- whiling away the time in mindless diversions and cracking jokes. Then one of their own is killed and their feelings about the war suddenly change. ~ Paul Brenner, All Movie Guide

Two veterans of Vietnam special-forces (John Hargreaves, Grant Page) have retired to the relatively painless field of stuntwork. They return to active duty, however, when the Australian government hires them to retrieve documents and destroy the fortress of a Filipino overlord. ~ John Bush, All Movie Guide

Dennis Hopper plays the title character in this true story of a 19th-century Australian gold-digger who is pressed into a life of crime. A six-year stint in jail doesn't provide reform, but does introduce him to an Aboriginal partner-in-crime (David Gulpilil). The duo then proceed to terrorize the province of New South Wales with no lack of violence. The TV version was retitled Mad Dog. ~ John Bush, All Movie Guide

The Far East and the Land Down Under are about to have a head-on collision in this action drama. Fang (Jimmy Wang Yu) is an undercover detective from Hong Kong sent to Australia to crack open the operation of a Sydney mob boss named Wilton (George Lazenby). Fang puts his skills as a hang glider pilot and martial arts master to work as he sets up Wilton for a literally explosive finale. Samo Hung (aka Kim Po Hung), later to become a major martial arts star in his own right, appears in a supporting role and has an impressive battle with an Australian cop. The film also features the song "Sky High" by Jigsaw, which would go on to become a Top 40 hit. ~ Mark Deming, All Movie Guide