Rod Cameron Movies

Adam-12 takes on an "Old West" flavor in this episode, as Officers Pete Malloy (Kent McCord) and Jim Reed (Kent McCord) investigate the theft of valuable riding equipment from a rancher. Later on, the two cops temporarily abandon Adam-12 and mount a pair of horses to pursue a gang of car thieves. The supporting cast includes former B-western heroes Rod Cameron and Donald Barry, and celebrated Hollywood reporter Army Archerd. ~ Hal Erickson, All Movie Guide

The scene is Las Vegas, where William Benson (Arthur Hill) has dropped a bundle at the gaming tables. But Benson's luck seems to change when he finds a fancy money clip containing 92,000 dollars. Ultimately determining that honesty is the best policy, Benson turns the clip over to the authorities -- only to find that it originally contained 102,000 dollars, and thus he is now suspected of stealing the missing ten grand. Surprisingly, the clip's owner, Curtis Newsome (Rod Cameron), gets Benson off the hook by telling the cops that he'd only lost the original 92,000...but as it happens, Newsome is not quite the generous glad-hander he appears to be. ~ Hal Erickson, All Movie Guide

Shortly before Universal Pictures disbanded its "B" unit, the studio inaugurated an energetic western series starring Rod Cameron. In Beyond the Pecos, Cameron plays a rancher at odds with longtime rival Eddie Dew (himself a "B" sagebrush star at other studios). The two brawny men in Stetsons battle over rights of oil land that borders both their properties. When they tire of squabbling over money, Cameron and Dew fight over the attentions of pretty Jennifer Holt (daughter of Jack Holt). Director Lambert Hillyer handles Beyond the Pecos with his customary speed and efficiency. ~ Hal Erickson, All Movie Guide

Written by Paul Schneider, "Ride the Wind" was Bonanza's first two-part story. Ben Cartwright is willing to provide Charles Ludlow (Victor Jory) with money to help finance the new Pony Express service, but isn't keen on allowing his son Joe to join Ludlow's riders. Nor is the Paiute Indian tribe amenable to allowing the Pony Express to go across their land. Exacerbating the problem is Ludlow's assistant, Curtis Wade (Rod Cameron), who hopes to make a name for himself as an Indian fighter. The story is sufficiently exciting to make one forget that the real Pony Express had been disbanded some three years before the events depicted in this episode. Part One of "Ride the Wind" first aired on January 16, 1966. ~ Hal Erickson, All Movie Guide

Boss of Boomtown was Rod Cameron's first western at Universal Pictures. The film's action highlights are loosely basted to a nickel's worth of plotline. Much of the footage is given over to the friendly-enemy banter between Cameron and his co-star Tom Tyler. Neither leading man was known for his quick wit or gift for repartee, so it's best to ignore the dialogue exchanges and concentrate on the first-rate ridin' and shootin' sequences. Cameron's tenure in Universal's B mill lasted only a year; the actor's greatest fame would rest upon his prolific TV series work of the 1950s. ~ Hal Erickson, All Movie Guide

The age-old enmity between cattle ranchers and settlers once again takes center stage in this slightly above-average Western filmed in Republic Pictures' Trucolor system. Walter Brennan plays Pop "Brimstone" Courteen, an ornery rancher who avenges the loss of the free range by robbing stagecoaches and banks. The Courteen gang, which also includes Pop's three sons, Nick (Jim Davis), Luke (Jack Lambert), and the reluctant Bud (James Brown), gets a bit of competition from The Ghost, a mystery outlaw who really is Marshal Johnny Tremaine (Rod Cameron). Tremaine's undercover investigation leads to McIntyre (Forrest Tucker), the sheriff of Gunsight, who is in the employ of the Courteens. In love with Molly Bannister (Adrian Booth), a settler, Bud turns against his ruthless family, but will Tremaine be able to save the boy from his father's wrath? ~ Hans J. Wollstein, All Movie Guide

Rod Cameron heads the cast of the Monogram "B-plus" western Cavalry Scout. Cameron plays army scout Kirby Frye, who has been assigned to track down a stolen cache of weaponry. Frye suspects that local troublemaker Martin Gavin (James Millican) is the criminal mastermind, but he needs proof. The film matriculates into a tense cat-and-mouse game between Frye and Gavin, culminating in a long-overdue action finale. Cavalry Scout was lensed in Cinecolor, a pleasing two-color process which Monogram reserved for its prestige productions. The film was produced by Walter Mirisch, who'd later turn out such "A"-flicks as The Apartment, West Side Story and The Great Escape. ~ Hal Erickson, All Movie Guide

Although Marie Windsor plays the title role in Dakota Lil, she is shunted away to third billing, right after male leads George Montgomery and Rod Cameron. Montgomery is cast as a secret service agent Tom Horn, sent West to round up a gang of counterfeiters. He starts by gaining the confidence of dance-hall girl Lil (Windsor), one of the ringleaders. She, in turn, leads Horn to the brains of the operation, Harve Logan
(Cameron). When Lil finds out that Horn is a Fed, she's tempted to fill him full of holes; instead, having fallen in love with him, she tries to help him get the goods on Logan. Dakota Lil was based on a story by Frank Gruber, later one of the leading lights of the TV-western craze. ~ Hal Erickson, All Movie Guide

George Hamilton produced and stars in this appealing bio-pic about real-life stunt daredevil Evel Knievel. Knievel's famous motorcycle stunts and early life are remembered in flashback by the performer in the moments before a big jump. The cast includes familiar drive-in movie faces like Vic Tayback, Sue Lyon, Cheryl Rainbeaux Smith, and Dub Taylor, and much of it was filmed on location in Knievel's hometown of Butte, Montana. Though Hamilton is quite good in the lead, most fans prefer the real thing -- Knievel portraying himself in the later Viva Knievel! (1978). ~ Robert Firsching, All Movie Guide

Johnny Hart (Rod Cameron) is on the run from the law after killing one of the men who shot his partner. He passes through a town and stops at a saloon owned by singer Lorena Dumont (Yvonne de Carlo). The two seem a good, albeit tempestuous match, although Johnny has no plans to marry -- Lorena has other ideas and a shotgun wedding ensues. Blackie (Sheldon Leonard), an outlaw who is jealous of the marriage, informs Lorena of Johnny's wanted status, and he ends up getting caught by the law after their wedding night. He serves six years and returns to find that he and Lorena don't get along any better than they did before, and that he's also the father of a five-year-old girl (Beverly Simmons). Also lurking about is Blackie, whom he recognizes as one of the men who killed his partner, and Blackie wants Johnny out of the way so he can marry Lorena. Johnny and Lorena fight over custody of their daughter and Blackie nearly gets them each killed at one point or another. He kidnaps their daughter before Johnny dispatches him. He finally realizes that the only way he can win Lorena is to meet her cup for cup and blow for blow, until she understands that he loves her. The film, a sort of Western Taming of the Shrew, ends on a note of romance and reconciliation. ~ Bruce Eder, All Movie Guide

Accepted in 1943 as standard wartime propaganda, Gung Ho can be seen today as an outrageous exercise in raging machismo. Randolph Scott plays Thorwald, a marine colonel assigned to assemble a crack squadron of fearless jungle fighters for the all-important raid on Japanese-held Makim Island (which in real life was recaptured only a few weeks before the film's release). Thorwald seems determine to select the dregs of the earth for this mission: most of his squadron is comprised of misfits, barroom brawlers, borderline psychos and outright murderers. It is suggested that these sociopaths are the only men truly qualified for the mission at hand, and by film's end the squadron members-living and dead-are lauded as true-blue patriots. Once one gets past the questionable premise, Gung Ho is a fairly exciting WWII melodrama, with a particularly thrilling climax. The film is currently available in its original form and in a computer-colorized version. ~ Hal Erickson, All Movie Guide