Ernie F. Orsatti Movies

A young rollerblader is torn between money and his personal morality in this family friendly made-for-TV movie. Andy Brinker (Erik Von Detten), known to his friends as "Brink," is a teenager who lives for in-line skating. Andy and his skating buddies skate for the sheer love of the sport, and view professional skaters with no small degree of suspicion. However, when Andy's family falls on hard times financially, he wants to do something to help, and after Andy is approached by Val Horrigan (Sam Horrigan), the manager of a team of pro skaters, he decides to swallow his pride and sign up. Andy's friends think he's betrayed his principles, and begin to shun him. What's worse, Andy soon learns just how corrupt and underhanded Val can really be, and he has to decide if bringing in a few bucks for his family is worth having to deal with someone so inherently dishonest. Brink first aired on The Disney Channel on August 29, 1998. ~ Mark Deming, All Movie Guide

Three loosely interrelated stories of dysfunctional relationships are played for edgy laughs in this dark comedy drama from writer and director Don Roos. An unexpected assignation between stepsiblings Mamie and Charley results in Mamie becoming pregnant, with the child being put up for adoption shortly after birth. Twenty years later, Mamie (Lisa Kudrow) is approached by Nicky (Jesse Bradford), an aspiring filmmaker with an abrasive personality who claims to know where her long-lost son is living. However, there's a catch -- Nicky wants to shoot the reunion for the student film he's working on, and won't tell her about her child unless she agrees, though her lover, Javier (Bobby Cannavale), attempts to work out a compromise. Meanwhile, Charley (Steve Coogan), now out of the closet, has a longstanding relationship with Gil (David Sutcliffe), and the couple are involved in a legal battle over whether or not Gil's donated sperm produced a baby who has been adopted by a lesbian couple they know (Laura Dern and Sarah Clarke). And finally, Jude (Maggie Gyllenhaal) is a bohemian malcontent who becomes involved with Otis (Jason Ritter), a sexually ambiguous rock musician. Otis has a difficult relationship with his father, Frank (Tom Arnold), but when Jude meets Frank, she likes him fine -- in fact, she soon falls in love with him and leaves Otis for his dad. Happy Endings had its world premiere at the 2005 Sundance Film Festival. ~ Mark Deming, All Movie Guide

This military drama is based on the true story of Carl Brashear, who was the first African-American to serve as a diver in the United States Navy. Brashear (played by Cuba Gooding Jr.) was born to a poor farming family in the deep South, and joined the Navy in hopes of bettering himself. When Brashear applies for diving school, he first encounters Master Chief Billy Sunday (Robert De Niro), a gruff and tyrannical diving instructor who holds absolute sway over his charges. Sunday does little at first to encourage Brashear's ambitions, and the would-be diver discovers racism in the military is an ugly fact of life when his white comrades refuse to share barracks with him. But Brashear's courage and determination make an impression on Sunday, and the two men become allies as Brashear must fight prejudice, military bureaucracy, and even a crippling injury in order to realize his dreams. Originally announced under the title Navy Diver, Men of Honor also features Hal Holbrook, David Keith, Michael Rapaport, Charlize Theron, and Powers Boothe; Bill Cosby served as an executive producer for the project. ~ Mark Deming, All Movie Guide

Two centuries after Ellen Ripley's death, doctors aboard the space station Auriga clone her using a blood sample taken from Fiorna 161, in hopes of harvesting the queen embryo that was incubating inside of her when she was trapped on the remote penal planet. Finally succeeding after numerous attempts, they remove the alien and repair the clone for further study. Before long, the Ripley clone has gained consciousness, and displays superhuman capabilities that suggest it possesses alien DNA. When Ripley discovers that General Perez (Dan Hedaya) is keeping the queen in a heavily fortified room of the space station, she warns the military man and his scientists that the creature cannot be contained no matter how hard they try. Meanwhile, General Perez has hired a crew of space pirates to deliver the cryogenically frozen bodies of another ship to the Auriga so they can be used to breed more aliens. The leader of the pirates is Johner (Ron Perlman), a gruff mercenary who engages Ripley to no avail. When Call (Winona Ryder), one of Johner's crewmembers, admits that she was sent to assassinate Ripley, General Perez attempts to have the pirates executed. The result is a tense standoff between the pirates and the military men, with the aliens causing havoc after breaking free of their containment cells. Attempting a daring escape, Ripley and the pirates discover the lab where she was cloned before being forced to swim through the mess hall, which has been submerged in water during the aliens' escape. Discovering a carefully guarded secret about Call's past, Ripley attempts to convince her to alter the Auruga's course, which was set to Earth when the ship went into emergency mode. With the fate of mankind hanging in the balance, Ripley is captured by the aliens and taken to their nest, where she comes face to face with the mutated results of the scientists' experiments. ~ Jason Buchanan, All Movie Guide

Once again, Charles Bronson plays a renegade cop out for vigilante justice in the darkest heart of the urban jungle. This time, he is targeting an especially ruthless pimp who has been leading innocent young girls into prostitution. When the pimp kidnaps the beautiful daughter of a Japanese businessman, rapes her and forces her to begin streetwalking, the cop decides to let nothing, not even the law, stop him from bringing the slimeball to graphically violent justice. ~ Sandra Brennan, All Movie Guide

Charles Bronson, weary and comatose, is trotted out again as the cocked crusader Paul Kersey in Death Wish 4: The Crackdown. Director Michael Winner has jumped ship for this installment, replaced by J. Lee Thompson (who has seen better days). Kersey is back in L.A. and dating attractive reporter Karen Sheldon (Kay Lenz). Of course, the clock is ticking, and the gong goes off when Karen's daughter overdoses on crack. Before you can say "kaboom" the drug dealer, along with a large cast of bit players, are blown to bits by the single-minded vigilante. An enterprising publisher whose own daughter has died from a drug overdose hires Kersey to wipe out the city's two rival drug dealers and their legions of flunkies. Kersey has no trouble agreeing, and using the technique limned in Yojimbo, he methodically eliminates gang members, first from one side and then the other, until one gang's paranoia about the other gang causes the two competitors to engage in a major confrontation that impacts both groups. ~ Paul Brenner, All Movie Guide

In yet another slick, formulaic Charles Bronson vengeance film (they would continue until the actor was in his mid-70s, still playing the morally insulted friend/husband/lover), Bronson is Holland, an assassin for hire who has just come out of retirement to finish off a Guatemalan thug by the name of Moloch (Joseph Maher). Moloch tortures and terrorizes the good guys and is protected by a misguided American government agency -- though nothing can stop Holland once he starts killing his way to the chief villain. No one except the wife of one of Moloch's victims -- and perhaps a few viewers now and again -- raises any questions about Holland's trail of corpses. ~ Eleanor Mannikka, All Movie Guide

A murderous car wreaks havoc on a small Western town in this thriller that has gone on to achieve a small degree of cult status in spite of its own silliness. After a pair of bikers and a horn-playing hitchhiker are viciously mowed down, local police realize they have a motoring maniac on their hands. In a show of boldness, the mysterious black automobile kills the sheriff (John Marley) on the town's main street, leaving the post to officer Wade Parent (James Brolin). A supernatural element enters the picture when the car motors through a parade practice, but refuses to enter the hallowed ground of a cemetery. The cops chase the car through the desert, but it takes out several squad cars and disappears after injuring Wade. Things take a personal turn when the car eliminates Wade's girlfriend Lauren (Kathleen Lloyd) in a shocking sequence. Gathering his remaining officers, Wade concocts a plan to stop the horsepower-laden psychopath. ~ Patrick Legare, All Movie Guide

A middle-aged man finds a callow twentysomething usurping his professional life and worming his way into his family in this alternately funny and poignant comedy drama. Dan Foreman (Dennis Quaid) is a middle-aged man who has spent 20 years as the head of advertising sales for Sports America, a leading athletics magazine. Dan is happily married to Ann (Marg Helgenberger) and has a college-age daughter, Alex (Scarlett Johansson), whom he dotes on, but Dan's comfortable life is given a major shake-up when a large multimedia firm buys the magazine. Seen as a bit long in the tooth to be truly competitive, Dan is demoted to second in command of advertising, and his position is handed over to Carter Duryea (Topher Grace), a 26-year-old who talks a good game about sales but has no practical experience in the field. Dan's wounded ego makes working with the arrogant Carter an uphill battle, but when he learns that Ann is expecting another baby, Dan is in no position to quit. Before long, Dan becomes aware of Carter's intense insecurities about his new job as the younger man reaches out to him for guidance, but this doesn't make Dan any less angry when Carter begins a romance with Alex after his marriage to Kimberley (Selma Blair) crashes and burns. In Good Company marked the solo directorial debut of Paul Weitz; he previously worked in collaboration with his brother Chris Weitz, who serves as producer on this film. ~ Mark Deming, All Movie Guide

In this comedy, a cop assumes a new identity in his valiant battle against crime: an elderly grandmother! Malcolm Turner (Martin Lawrence) is an FBI agent who is a master of disguise and will stop at nothing to get his man. When a bank robber escapes from prison and goes on a violent crime spree, Malcolm is assigned to bring him in. The thief's girlfriend Sherry (Nia Long), who is also the mother of his child, lives in a small Southern town, and Malcolm plans to set up a stake-out in the house across the street from Sherry's. However, the house is owned by Big Momma (Ella Mitchell), an older woman with a sharp tongue and no patience for back talk, and when Big Momma has to leave town, it leaves her house suspiciously empty. Determined to maintain his cover, Malcolm disguises himself as Big Momma, and now has to convince Sherry (and everyone else in the neighborhood) that Big Momma's still in town. Big Momma's House gained considerable pre-production publicity when Lawrence fell into a coma while jogging in a heat wave before the film's start date; Lawrence claimed that he was trying to lose weight to fit more comfortably into his character's "fat suit." ~ Mark Deming, All Movie Guide

The Graboids are back in this sequel to the campy comedy horror hit that finds luckless Earl Basset (Fred Ward) and survivalist Burt Gummer (Michael Gross) teaming up to destroy the monsters that are wrecking havoc in the Mexican oil fields. It's been a good few years since Earl and Burt saved the town of Perfection, Nevada from the strange pre-Cambrian predators, and these days Earl is doing his best to find success as an ostrich farmer. Trouble is, none of Earl's birds want to breed, and it looks as if the farm is about to go under. Just when it seems that things couldn't get any worse for this monster-slaying cowboy, a pair of visitors arrives with a rather unusual proposition. According to the strangers, the Graboids have recently resurfaced in Sonora, Mexico, and they're currently getting fat on a steady diet of frightened oil field workers. Local businessman Carlos Ortega is willing to pay $50,000 a head for each worm killed, but Earl isn't so sure he wants to put himself in harm's way like that again. Still, Earl knows that he's the right man for the job, and after a bit of goading from ambitious cabbie Grady Hoover (Christopher Gartin) the pair are loading up their weapons and heading for the border. Upon arriving in Sonora, Earl quickly warms up to beautiful geologist Kate White (Helen Shaver), but the Graboid population has grown faster than suspected so in order to be successful this group will need the kind of firepower that only Burt Gummer can supply. Ever since Burt's wife walked out on him and the threat of World War III went away, the lonely survivalist has lost all direction in life. This is Burt's chance to prove that he's not just a useless middle aged man. But what the humans have failed to realize is that the Graboids have evolved to become deadlier than ever before, and they're not staying underground anymore. ~ Jason Buchanan, All Movie Guide

Movie references, sight gags, silly puns, and double entendres abound in Hot Shots! Part Deux, Jim Abrahams' sequel to Hot Shots -- only now the object of the skewering is the Stallone Rambo movies instead of Top Gun. Charlie Sheen returns as the lunk-headed Topper Harley, who has retreated to a Buddhist monastery after being dumped by Ramada Rodham Hayman (Valerie Golino). In this far-off retreat, the monks have "taken a vow of celibacy, just like their fathers and their fathers before them." But Topper bulks up and goes back into action when his superior officer, Colonel Denton Walters (Richard Crenna) is captured by a Saddam Hussein look-alike, missing somewhere between "Iraq and a Hard Place." Topper charges into Iraq (after barreling through a Beverly Hills barbecue) along with sexy CIA operative Michelle Rodham Huddleston (Brenda Bakke) in tow, his guns ablazing. ~ Paul Brenner, All Movie Guide

Saturday Night Live star Dana Carvey had his first leading role on the big screen in this comedy. Eddie (Carvey) and Lou (Todd Graff) are a pair of small-time con artists deep in debt to Pinkie (Mike Bacarella), a loan shark. During a lean period, Eddie and Lou resort to breaking and entering to make some money, but as they're clearing out a house, they overhear the answering machine announce that the owner is away on business for a few weeks -- and the housesitter won't be able to stop by. Eddie and Lou settle in and enjoy their good fortune, which just gets better when Milt (Robert Loggia) pays a visit. Milt assumes that Eddie is the housesitter, who is a close friend of his son. Eddie is soon introduced to Milt's beautiful daughter, Annie (Julia Campbell), and Milt decides that Eddie is executive material at his successful manufacturing firm. Soon Eddie starts to wonder if he should go on lying to the people he's come to like -- and there's the little matter of the 60,000 dollars that Eddie and Lou swiped from Pinkie's car. Opportunity Knocks also features Milo O'Shea and James Tolkan. ~ Mark Deming, All Movie Guide