Samuel Ornitz Movies

In this propaganda film, a courageous group of Chinese children risk their lives to assist downed American pilots escape the ruthless Japanese oppressors. ~ Sandra Brennan, All Movie Guide

The Refugee was the original release title for the offbeat John Wayne vehicle Three Faces West. Wayne, Sigrid Gurie and Charles Coburn are starred as John Philips, Leni Braun and Leni's father Dr. Braun, who like so many other victims of the Depression are forced to move bag and baggage from the Dust Bowl to the West Coast. A fugitive from fascist oppression in Austria, Dr. Braun hopes to carve out a new existence for himself and his daughter Leni by tilling the soil, but she is more interested in being reunited with her Austrian boyfriend Eric von Scherer (Varno) once she arrives in Oregon. In charge of the migration westward is John Phillips who loves Leni but keeps his feelings to himself. But when Leni discovers that her sweetheart has thoroughly embraced the Nazi cause, she finds solace in the arms of the faithful Phillips. Among the screenwriters of The Refugee was Samuel Ornitz, later one of the blacklisted Hollywood Ten. ~ Hal Erickson, All Movie Guide

Harold Gray's long-running comic strip Little Orphan Annie was first brought to the screen in 1932, with Mitzi Green as Annie. This 1938 version was produced by Paramount, with Ann Gillis (best known for her performance as Becky Thatcher in Selznick's Adventures of Tom Sawyer) as Gray's resourceful, saucer-eyed heroine. Surprisingly, there's no "Daddy Warbucks" in this story of Annie's efforts to help the impoverished residents of a tenement neighborhood. Befriending would-be boxer Johnny Adams (Robert Kent), Annie persuades the tenement dwellers to subsidize Johnny's pugilistic career, with the promise that they'll be compensated with his championship prize money. Unfortunately, the loan sharks who've been terrorizing the neighborhood get wind of Annie's scheme, and it looks bad for both Annie and Johnny until a group of angry housewives come a-marching to the rescue! Needless to say, this Little Orphan Annie bears zero resemblance to the hit Broadway musical of the 1970s. ~ Hal Erickson, All Movie Guide

In this drama, a young man aspires to a life of wealth and power in the newspaper business. Unfortunately, it takes time and money to be successful. The young man's girl is not patient and decides to dump him in favor of a wealthy gangster. This inspires the jilted youth to achieve his dreams. He begins newspaper delivery business that becomes so successful that he can afford a penthouse on Park Avenue. Still he has not forgotten the girl he once loved. This is fortuitous as she has become fed up with the gangster. Eventually, the young man loses his business and his fancy flat, but in exchange, he regains the affections of the woman he always loved. ~ Sandra Brennan, All Movie Guide

A Doctor's Diary is told through the eyes of Dr. Dan Norris (John Trent), resident physician in a private hospital. In his search for a cure for spinal meningitis, Norris recklessly runs roughshod over the feelings of his colleagues. The doctor's older, wiser supervisor, Dr. Clem Driscoll (George Bancroft), tries to curb Norris' impatience, pointing out that nothing takes place overnight. Angrily, Norris accuses Driscoll of malpractice and is forced to resign from the clinic -- just when a meningitis epidemic breaks out. Hoping to get back into the hospital lab to complete his experiments, Norris makes his peace with Driscoll -- who, as it turns out, was really on Norris' side all along. For reasons unknown, the filmmakers decided to complicate this perfectly acceptable plotline with a secondary story involving the mentally unstable mother of an ailing violin prodigy. ~ Hal Erickson, All Movie Guide

Two Wise Maids was an attempt by Republic Pictures to recapture the magic of MGM's Marie Dressler-Polly Moran vehicles. Dressler, alas, had died, but Republic was able to secure the services of Moran, teaming the raucous comedienne with the magnificent Alison Skipworth. The two leading ladies are cast as Prudence and Agatha, a pair of old-fashioned schoolteachers in an old-fashioned small town. Disdaining the wimpy theories of "progressive" education, Prudence and Agatha stick to the reliable "Three R's," often teaching to the tune of a hickory stick. Though ridiculed for their so-called outmoded methods, the heroines manage to turn out quite a few prize students, earning the undying gratitude of the local citizenry. The obligatory romantic subplot involves school principal Bruce (Donald Cook) and substitute teacher Ellen (Hope Manning, later billed as Irene Manning). ~ Hal Erickson, All Movie Guide

Mary Ellis, Paramount's answer to Columbia's Grace Moore, stars in the title role in this musical melodrama/whodunit. When her fiancé dies under mysterious circumstances, neophyte opera diva Mary Stuart (Ellis) flees to South America, assumes a new identity, and obtains a position with a local opera company. Although promising her new boss, Glinka (Guy Bates Post), to concentrate wholly on her art, Mary, now Maria, spends most of her energy rebuffing several lovesick gentlemen, including Philip Roberts (Norman Foster), whose uptight brother, David (Walter Pidgeon), at first dismisses her as a sordid femme fatale. Another marriage proposal leads to another murder and David finally begins to see a connection. While not fending off would-be suitors, Mary Ellis performs selections from the operas Isabelle and Bad Masque. ~ Hans J. Wollstein, All Movie Guide

The indomitable May Robson is firmly in the driver's seat of this Runyonesque comedy-drama. While riding through Central Park, peppery millionairess Mary Jane Baxter (Robson) is thrown from her carriage and rescued by three scruffy orphans (Frankie Darro, Billy Benedict, Billy Burrud). The kids take her to the home of their guardian, Italian barber Tony (Henry Armetta), with the intention of letting her recuperate. Upon awakening, Mary Jane assumes that she's been kidnapped and imperiously demands to be released. Eventually won over by her lovable young "abductors," Mary Jane is able to rise to the occasion magnificently when a real kidnapping occurs. ~ Hal Erickson, All Movie Guide

This truly offbeat filmization of Jean Bart's stage drama The Man Who Reclaimed His Head has been misleadingly released to TV as part of the "Shock Theater" package, even though the film is more melancholy than horrific. At the height of WW I, the trembling, near-lunatic Paul Verin (Claude Rains) arrives at police headquarters, carrying an ominously heavy handbag. Before revealing the bag's gruesome contents, he relates his tragic story in flashback. At one time a promising writer, Verin was married to the beautiful and ambitious Adele (Joan Bennett), who pushed and prodded him to advance himself. Accordingly, he sold his "head" -- that is, his integrity -- to powerful publisher Henri Dumont (Lionel Atwill), ghostwriting Dumont's anti-war editorials. By the time he realized that the hypocritical Dumont had himself sold out to the pro-war business interests, Verin had lost his wife and child to the scheming publisher. Driven mad on the battlefield, he made his way back to Dumont's mansion, exacting a horrible but appropriate revenge (hence the film's title). The Man Who Reclaimed His Head was remade in 1945 as Strange Confession -- with the pacifist angle completely removed! ~ Hal Erickson, All Movie Guide

In this romantic drama, set at the turn of the century, a womanizing Irish motorman ignores his marital vows, but only to a point. Though he has many affairs, he will not leave his wife. As the years pass, he holds many jobs, and many different women before he retires in Atlantic City where he becomes a moralistic fortune teller for women. He actually helps some of his clients and dies knowing he was not a total lout. ~ Sandra Brennan, All Movie Guide

Often referred to as an imitation of Warner's legendary prison drama I Am a Fugitive From a Chain Gang (1932), RKO's stirring Hell's Highway was actually released a few months earlier. The two films were in production at the same time, but RKO was determined to beat the competition (which also included Universal's Laughter in Hell, 1933) and not a few corners were cut. All three films were set in a generic Southern state (read Georgia) and depicted a horrid penal system more akin to the Middle Ages than the supposedly enlightened 1930s. In Hell's Highway, the chain gang prisoners wear uniforms with a large target printed on the back and the torture instrument du jour is a so-called sweatbox, in constant operation so that unscrupulous contractor Billings (Oscar Apfel) may construct his "Liberty Highway" on time and under budget. When a prisoner dies from exposure in the dreaded contraption, Duke Ellis (Richard Dix) concocts a plan to escape. The escape comes to an abrupt halt with the sudden arrival of his kid brother, Johnny (Tom Brown). The latter ends up in the sweatbox, but Duke has the kid transferred to office duty by using a bit of blackmail. There is a climactic prison riot, during which Duke is killed after saving his brother once again. Or at least that was what a preview audience saw. The death of the film's hero proved so shocking that RKO hastily filmed an alternative ending and Hell's Highway, as it survives today, concludes with Billings being charged with murder (the sweatbox situation) and Duke asked to testify against him. Typical of pre-code Hollywood, Hell's Highway features an openly gay prisoner (who bats his eyes at the prison guards), several scenes of torture, an appearance of near equality between black and white inmates, a bible-quoting polygamist (Charles Middleton), a wife-murdering guard (Warner Richmond), and, for added verisimilitude, a handicapped character who, when mortally wounded during the riot, signs his farewell to this world. Hell's Highway may not have enjoyed the status of I Am a Fugitive From a Chain Gang, but it remains a powerful indictment of the Georgian penal system of 1931 and a fine, well-acted film in its own right. ~ Hans J. Wollstein, All Movie Guide

In this suspenseful drama, an embittered woman exacts revenge upon the 12 women who wronged her in college. The trouble began when the woman, who was of Japanese and Indian heritage, was ejected from a college sorority because she wasn't white. Still angry, the woman hires an astrologer to create 12 terrifying horoscopes for each of the dastardly dozen. These grim predictions terrify the victims into doing dreadful things. One commits suicide, while another commits murder. More mayhem ensues until the astrologer makes some dire predictions about the vengeful woman herself. She doesn't like it, and using her psychic powers she forces him in front of an oncoming train. She then resumes her revenge by trying to poison the son of the remaining woman. This causes a police inspector to get suspicious, and he follow the murderous woman to the train station where she plans to kill the woman. A chase ensues culminating in the evil woman's demise. ~ Sandra Brennan, All Movie Guide