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Tom Oreb Movies

1951  
G  
Add Alice in Wonderland to Queue Add Alice in Wonderland to top of Queue  
This Disney feature-length cartoon combines the most entertaining elements of Lewis Carroll's Alice in Wonderland and Through the Looking Glass. Chasing after the White Rabbit, who runs into view singing "I'm Late! I'm Late!," Alice falls down the rabbit hole into the topsy-turvy alternate world of Wonderland. She grows and shrinks after following the instructions of a haughty caterpillar, attends a "Very Merry Unbirthday" party in the garden of the Mad Hatter and the March Hare, stands in awe as the Cheshire Cat spouts philosophy, listens in rapt attention as Tweedledum and Tweedledee relate the story of the Walrus and the Carpenter (a sequence usually cut when Alice is shown on TV), and closes out her day with a hectic croquet game at the home of the Red Queen. The music and production design of Alice in Wonderland is marvelous, but the film is too much of a good thing, much too frantic to do full honor to the whimsical Carroll original, and far too episodic to hang together as a unified feature film. One tactical error is having Alice weep at mid-point, declaring her wish to go home: This is Alice in Wonderland, Walt, not Wizard of Oz! Its storytelling shortcomings aside, Alice in Wonderland is superior family entertainment (never mind the efforts in the 1970s to palm off the picture as a psychedelic "head" film). ~ Hal Erickson, Rovi

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Starring:
Kathryn BeaumontEd Wynn, (more)
 
1947  
G  
Add Fun and Fancy Free to Queue Add Fun and Fancy Free to top of Queue  
A blend of live-action and animation, Fun and Fancy Free is comprised of two distinct tales linked by additional footage featuring Jiminy Cricket. Disney had been planning to use each story for separate feature films but the involvement of the United States in WWII disrupted his plans and the stories were shelved until after the war. The first is a musical story based on a children's story by Sinclair Lewis and is narrated by Dinah Shore, who also sings. It is the tale of a sad little circus bear named Bongo who is adored when performing but ignored after the show. Tired of travelling and being mistreated, he escapes into the forest where he discovers that life in the wilderness is not as free and easy as he thought. Despite the obstacles awaiting him, Bongo manages to find the thing he most longed for -- true love. By contemporary standards, the story is almost 'unbearably' sweet, but it should be remembered that such candy-coated fluff as "Bongo" was the remedy war-weary audiences needed to lift their spirits. The second tale is more zesty thanks to the peppery repartee between ventriloquist Edgar Bergen and his two dummies Charlie McCarthy and Mortimer Snerd. Together the three tell would-be Disney child star Luana Patton, a story based on "Jack and the Beanstalk" featuring Mickey Mouse, Donald Duck and Goofy, who climb a magic beanstalk and try to retrieve a stolen singing harp to restore wealth to their impoverished kingdom.

In 1997, to commemorate the film's 50th anniversary, it was released on video tape in a restored version (the executive producers in charge of restoration were Phil Savenkic and Harry Arends) that has brought the colorful animated sequences back to their original depth and vibrance. This video version also contains a brief but informative documentary hosted by noted film historian Leonard Maltin and narrated by Corey Burton at the end that gives the fascinating history of the films. It also contains rare footage of the making of the films and a priceless segment in which Walt Disney performs as Mickey Mouse. "Mickey and the Beanstalk" was the last time Disney provided his voice. ~ Sandra Brennan, Rovi

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Starring:
Edgar BergenDinah Shore, (more)
 
1946  
 
Add Make Mine Music to Queue Add Make Mine Music to top of Queue  
In his first postwar animated feature, Walt Disney attempted to repeat the Fantasia formula, substituting "pop" music for the Classics. Make Mine Music consists of ten unrelated cartoon vignettes, each one featuring a popular recording artist. "A Rustic Ballad" is the story of the Martin-Coy hillbilly feud, narrated musically by the King's Men. "A Tone Poem" is an impressionistic interpretation of the song "Blue Bayou", sung by the Ken Darby chorus and rendered artistically by Disney's ace animators. "A Jazz Interlude", done in "sketchbook" style, is performed by Benny Goodman and His Orchestra, and features the jitterbug specialty "All the Cats Join In". Jerry Colonna is next on the program in "A Musical Recitation", offering his own inimitable version of "Casey at the Bat". "Ballad Ballet" features Ballet Russe stars Tatiana Riabouchinska and David Lichine, dancing to Dinah Shore's vocalization of "Two Silhouettes". "A Fairy Tale with Music" turns out to be Prokofiev's "Peter and the Wolf", narrated by Sterling Holloway. Next, Benny Goodman and company return with a surreal visualization of "After You've Gone", followed by "A Love Story", which features the Andrews Sisters' rendition of the ballad "Johnny Fedora and Alice Blue Bonnet." The hilarious "Opera Pathetique" finale finds Nelson Eddy narrating the story of Willy, "The Whale Who Wanted to Sing at the Met". Better in its individual components than its sum total, Make Mine Music was drubbed by critics, who felt that Disney had abandoned his "artistic" aspirations in favor of crass commercialism, but performed reasonably well at the box office, inspiring several more "omnibus" animated features. In later years, the ten individual segments would be released as separate short subjects, both theatrically and as episodes of Disney's various TV series (where the original narration was often supplanted by the unfunny interpolations of Professor Ludwig Von Drake). ~ Hal Erickson, Rovi

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Starring:
Benny GoodmanSterling Holloway, (more)