Don Ohlmeyer Movies

Set amidst the glorious greens and blues of one of the many islands of Washington's Puget Sound, this made-for-cable television family drama centers on three generations of women and their lovers. The main story centers on one insecure bride who though madly in love with her spouse, still cannot quite trust him. She berates herself because she can see no obvious reason for her distrust. ~ Sandra Brennan, Rovi

Raquel Welch's astonishing performance in the made-for-TV Right to Die compensates for any number of script deficiencies. Ms. Welch plays a successful psychologist with a happy home life who is suddenly stricken with the dreaded neurological affliction ALS (aka "Lou Gehrig's Disease"). At first, she is determined to fight for her life, but as her conditions deteriorates and she becomes more of a human vegetable, Ms. Welch begs her husband (Michael Gross) to help her die. The producers of Right to Die chose Raquel Welch not so much for her resemblance to the real-life person upon whom the story is based, but in the hopes that this "offbeat" piece of casting would attract a large TV audience. Ms. Welch accepted the role to counter industry accusations that she was impossible to work with. Thus the motivations behind Right to Die were more commercially oriented than the film's subject matter deserved, but this can be excused in the light of Welch's harrowingly accurate portrayal of a woman literally dying by inches before our eyes. ~ Hal Erickson, Rovi

Advertised as "a realistic depiction of fictional events," the harrowing speculative drama Special Bulletin was shot on videotape and staged as an actual late-breaking news event. The story concerns a group of anti-nuclear activists who take over the waterfront of Charleston, South Carolina. The group wants the 968 nuclear warheads located in the Charleston area to be disarmed immediately; if this demand is not met, the activists will detonate their own nuclear device. Written by Marshall Herskovitz and directed by Ed Zwick (who would later collaborate on the TV series thirtysomething), the Emmy-winning Special Bulletin first aired on March 20, 1983. This initial broadcast was accompanied by repeated disclaimers, assuring the audience that what was transpiring on their TV screens was not really happening. Even so, the production was so authentic-looking (right down to the fabricated previews of upcoming network dramatic programs) that thousands of panicky viewers called in to NBC, demanding further information on the siege of Charleston. ~ Hal Erickson, Rovi