Robert O'Neil Movies

In this action movie, a wanderer goes looking for a missing woman's brother and instead gets entangled in a war between two gangs of smugglers along the Arizona-Mexico border. The film is also titled "Dalton." ~ Sandra Brennan, Rovi

Secrets of the Phantom Caverns is a goofy fantasy filmed on the cheap by the ever-canny Don Sharp. The story involves a team of anthropologists and military men who busy themselves exploring a serpentine system of subterranean caves. They discover of lost race of Albinos, which wreaks havoc upon the surface dwelling humans. The British actor Robert Powell and Timothy Bottoms star. According to some sources, Sharp and co. approached the production with extreme carelessness; thanks to an unfortunate accident, a large percentage of the cast and crew were almost fatally poisoned by carbon monoxide in the caves where the movie was filmed. ~ Hal Erickson, Rovi

The original "honor student by day, hooker by night" melodrama, Angel stars Donna Wilkes in the title role. During the daylight hours, the 15-year-old Angel is known as Molly, a model prep school student. Devoid of parents, Molly must find some way to keep up the cash flow, so she hits the Hollywood mean streets as a prostitute. While we thankfully don't see Angel "in action", as it were, the film makes up in violence what it lacks in raw sex. Psycho John Diehl is on the loose murdering prostitutes; detective Cliff Gorman tries to stem the murder spree, but soon the hooker ranks are sorely diminished, leaving Angel the next likely target. With the help of such friends as ex-cowboy star Rory Calhoun and transvestite Dick Shawn, Angel manages to avoid becoming a statistic. We're not giving anything away here: after all, there was a 1986 sequel, Avenging Angel. ~ Hal Erickson, Rovi

James Coburn is "The Baltimore Bullet", a legendary pool player who's seen better days. Coburn "adopts" aspiring pool champ Bruce Boxleitner, teaching him practically everything he knows. As we know it must, the plot requires Coburn and Boxleitner to face each other in the climactic winner-take-all match. As much fun as Baltimore Bullet is, the film can't help but be dwarfed by the 1986 Hustler sequel The Color of Money. Ronee Blakely proves an appealing heroine, while several real-life pool greats (Willie Mosconi, Irving Crane, Steve Mizerak etc.) show up in cameo roles. ~ Hal Erickson, Rovi

Several good actors are laid low by the tawdriness of Bonnie's Kids. The title characters, played by Tiffany Bolling and Robin Mattson, are sisters of a single mind. They intend to be criminals, and they succeed beyond their wildest dreams. Before the film's 107 minutes has run its course, Bonnie's Kids have blazed a trail of murder, robbery and soft-score sex. Scott Brady and Alex Rocco, both of whom looking befuddled if not downright embarrassed, costar. ~ Hal Erickson, Rovi

The inhabitants of a small, remote island have been practicing voodoo rites and worshipping an evil priest named Damballah for years, but the local law officials generally turn a blind eye to this death cult's bizarre activities. Captain Labesch (Rafael Bertrand) arrives from the mainland, determined to crack down on the island's lawlessness and clean up the ineffectual, hard-drinking police force. He appeals for assistance from wealthy plantation tycoon Carl Van Molder (Boris Karloff), who owns nearly half of the island and wields a great deal of influence over the population. Van Molder has made the study of parapsychology his life's work and believes in the secret powers of the mind. He warns Labesch not to interfere with this forgotten island's ancient ways. Also visiting is Van Molder's niece, Annabella (Julissa), a temperance crusader who wants her uncle to help fund the International Anti-Saloon League. She falls in love with handsome police lieutenant Andrew Wilhelm (Carlos East), despite his fondness for rum. Meanwhile, beautiful native girls are being transformed into zombies, and a sinister snake dancer named Kalea (Tongolele) leads them to attack and devour any meddling policemen who get too close to their unholy rituals. When Annabella is kidnapped and prepared to be the cult's latest human sacrifice, Labesch and Wilhelm have to infiltrate their ranks to save her, and they finally learn the secret identity of the all-powerful Damballah. ~ Fred Beldin, Rovi

Blood Mania -- a low-budget, rather sleazy exploitation horror film -- tells the story of a woman who kills her abortionist/physician father for his money only to find out that she is not the beneficiary of his will. Blood Mania, the first film directed by Robert Vincent O'Neil, is a lurid, sensationalized, gory, implausible horror story with a silly screenplay and poor acting. ~ Linda Rasmussen, Rovi

Tossing wristwatches away, two bikers hit the road to find America in Dennis Hopper's anti-establishment classic. After a major cocaine sale to an L.A. connection (Phil Spector), free-wheeling potheads Billy (Hopper) and Wyatt, aka Captain America (Peter Fonda, who also produced), motor eastward to party at Mardi Gras before "retiring" to Florida with the riches concealed in Wyatt's stars-and-stripes gas tank. As they ride through the Southwest, they take a hitchhiker (Luke Askew) to a struggling hippie commune before they get thrown in a small-town jail for "parading without a permit." Their cellmate, drunken ACLU lawyer George Hanson (Jack Nicholson, replacing Rip Torn), does them a "groovy" favor by getting them out of jail and then decides to join them. Babbling about Venusians, George discovers the joys of smoking grass, but an encounter with Southern rednecks soon proves how right he is about the danger posed by Billy's and Wyatt's unfettered life in a country that has lost its ideals. With the straight world closing in, Wyatt and Billy try to revel in New Orleans with some LSD and hookers (Karen Black and Toni Basil), but the acid trip is shot through with morbidity. Once they reach Florida, Billy raves about attaining the American dream; Wyatt, however, knows the truth: "We blew it."

Produced and directed by two Hollywood iconoclasts with under a half-million non-studio dollars, Easy Rider shook up the languishing movie industry when it grossed over 19 million dollars in 1969; it captured the spirit of the times as it woke Hollywood up to the power of young audiences and socially relevant movies, along with such other landmarks of the late '60s as Bonnie and Clyde, The Graduate, and 2001. Shot on location by Laszlo Kovacs, Easy Rider eschewed old-fashioned Hollywood polish for documentary-style immediacy, and it enhanced its casual feel with improvised dialogue and realistically "stoned" acting. With a soundtrack of contemporary rock songs by Jimi Hendrix, the Band, and Steppenwolf to complete the atmosphere, Easy Rider was hailed for capturing the increasingly violent Vietnam-era split between the counterculture and the repressive Establishment. Experiencing the "shock of recognition," youth audiences embraced Easy Rider's vision of both the attractions and the limits of dropping out, proving that audience's box-office power and turning Nicholson into a movie star. The momentarily hip Academy nominated Nicholson for the Best Supporting Actor Oscar, and Fonda, Hopper, and Terry Southern for their screenplay. Though none of its imitators would match its impact, Easy Rider remains one of the seminal works of late '60s Hollywood both for its trailblazing legacy and its sharply perceptive portrait of its chaotic times. ~ Lucia Bozzola, Rovi