Ron O'Neal Movies

This humorless comedy finds Hiram Jaffe (Elliott Gould) earning a living as a pornography writer and dog walker to the rich in New York. When he and wife Dolly (Paula Prentiss) decide to move to a new apartment, the problems cause Hiram to blur the line between his fantasy writing and reality. John Larch is the mounted policeman who tickets Hiram repeatedly while remaining oblivious to continual and more serious criminal activity. Music is inflicted by Marvin Hamlisch. ~ Dan Pavlides, Rovi

An African-American man finds that leaving behind his life of crime is harder than he imagined in this groundbreaking crime drama. Priest (Ron O'Neal) is a stylish and successful cocaine dealer who drives a fancy car, commands a small army of street salesmen, and lives a life of luxury. However, Priest is just smart enough to know that there's no real future in dealing coke, and one day he makes a proposal to his partner Eddie (Carl Lee) -- they take their 300,000-dollar savings, buy 30 kilos of cocaine, and use their street team to move it out in four months, leaving a million dollar profit for both Priest and Eddie, allowing them to get out of the business for good. Eddie is wary but willing to go along, but Scatter (Julius Harris), a former dealer who set Priest up in the cocaine trade, is both unwilling and unable to sell them that much product. As Priest looks for a new source for his big score, one of his underlings, Fat Freddie (Charles McGregor) is picked up by the police, and under violent interrogation, Freddie tells the cops about Priest's underground empire. When Priest is confronted by the police, however, he learns they're less interested in putting him behind bars than in making him a partner. While Superfly was a box-office smash and (along with Shaft and Sweet Sweetback's Baadasssss Song) one of the key films of the nascent blaxploitation movement of the early '70s, it's best remembered today for the soundtrack composed and performed by Curtis Mayfield, which included the hit songs "Freddie's Dead," "Pusherman," and the title tune. ~ Mark Deming, Rovi

After the success of his three Billy Jack films, actor, director, and screenwriter Tom Laughlin decided to expand his range a bit with this Western, which was adapted from Goyokin, a popular Japanese samurai film. However, since Finley (Laughlin's character here) is trained in martial arts and often defends himself (and others) by violence, while frequently espousing a nonviolent philosophy, it could be said that this wasn't much of a stretch for the once and future Billy Jack. Don Santiago (Richard Angarola) is a vicious man who helps provoke an Indian massacre that will allow him to steal the Indians' land and claim it as his own. However, his son-in-law, Finley (Tom Laughlin), is an expert hand with both guns and swords and will not allow him to push around the peace-loving Indians or fellow settlers of the West. The supporting cast features Ron O'Neal and Barbara Carrera, who received a Golden Globe nomination for her work in this film. As with his first two films, Tom Laughlin directed The Master Gunfighter but didn't take screen credit, in this case listing the director as Frank Laughlin, who happened to be Tom's son. ~ Mark Deming, Rovi

Ron O'Neal stars in this boxing drama. He plays a Baltimore prizefighter named Otis who quit boxing when he accidentally killed a man in the ring. A washed-up fight promoter (Adolph Caesar) trying to get back to the big time teams up with Otis and tries to get him to start fighting again. ~ Brian Gusse, Rovi

Muhammad Ali made his TV-movie dramatic debut in this adaptation of Howard Fast's novel Freedom Road. Though some of the names are changed, the story concerns the true-life efforts of senators Charles Sumner and Thaddeus Stevens to bring political order and racial equality to the post-Civil War South. Ali is cast as Gideon Jackson, an ex-slave who is elected to the U.S. senate during the Reconstruction Era. Interestingly enough, the character upon whom Jackson is based was depicted as the villain of D.W. Griffith's 1915 Civil War epic Birth of a Nation. Just as Griffth offered his own biased slant on the facts, so too did Fast rewrite history to promote his own political ideology. As for Muhammad Ali, his performance is no threat to Olivier, but he acts with sincerity and a commendable lack of bravado. Made for TV, Freedom Road represented the final film effort of Czechoslovakian director Jan Kadar. It was first telecast in two parts on October 29 and 30, 1979, an event that warranted a cover story in TV Guide. ~ Hal Erickson, Rovi

This two-part TV movie was, of course, sparked by the November 1978 mass suicide of 913 people at the South American religious "colony" of Jonestown. The catalyst for this tragedy was cult-leader Reverend Jim Jones (played by Powers Boothe, who won an Emmy for his performance), head of the so-called People's Temple. The film traces the life of Jones from his days as an idealistic 1960s activist. He drifts into penny-ante confidence scams and bed-hops from woman to woman, before electing to pass himself off as a modern messiah--eventually believing his own feverish sermons. The climactic scenes are chillingly staged in a near-documentary fashion, with Puerto Rico and Georgia substituting for Guyana. Ned Beatty plays the ill-fated Representative Leo Ryan, while James Earl Jones has a cameo as 1930s religious-leader Father Divine; most of the other main characters are composites of real people. Originally broadcast April 15 and 16, 1980, The Guyana Tragedy was adapted by Ernest Tidyman from the Washington Post and Charles A. Krause's Guyana Massacre: An Eyewitness Account. ~ Hal Erickson, Rovi

Ernest Pintoff--jazz trumpeter, painter, animated cartoonist, film theorist--directed his first dramatic feature, Harvey Middleman, Fireman, in 1965. Since that time, Pintoff has refused to be stylistically pigeonholed, turning out everything from comedy concerts (Dynamite Chicken) to spoofish T&A exploitation (Lunch Wagon Girls). St. Helens takes Pintoff into the realm of docudrama, using film clips of the May 18, 1980 eruption of the eponymous volcano to lend credibility to his dramatic re-enactments. Art Carney plays Harry Truman--not the President, but a real-life stubborn old codger who refused to leave his St. Helen's vacation cabin despite the oncoming natural disaster. Carney brings so much vitality to the proceedings that it seems a shame Pintoff couldn't alter the facts and provide Truman with a happy ending. Appearing fleetingly in St. Helen's are Ron "Superfly" O'Neal, Albert Salmi and Nehemiah Persoff. ~ Hal Erickson, Rovi

Set at an indeterminate point in the future, this drama with an overt anti-communist message begins as an ostensible war movie: Russian and Cuban forces have invaded the U.S. and are viciously eliminating the inhabitants of a small town, when a group of teens escapes and plans a counterattack. Jed (Patrick Swayze), Robert (C. Thomas Howell), and six of their friends watch in amazement as soldiers parachute into their town and start shooting. The teens grab a pickup truck, stock up on supplies at the local store, and head for the hills. Meanwhile, the men in the town -- after a minimal resistance -- are rounded up and held at a drive-in theater converted into a concentration camp. The sadistic Soviet military then make them watch acclaimed Russian director Sergei Eisenstein's 1938 classic Alexander Nevsky, as their punishing rehabilitation begins. Meanwhile, after minimal resistance from the adults, a Cuban, Bella (Ron O'Neal), is put in charge and is not certain how he can really defeat the teen army. The Soviets and Cubans have so far defeated the American Army, Navy, Marines, and Air Force, but these teens are really something else. After a successful ambush, the teen guerrillas gear up for future forays, when they are suddenly betrayed by one of their number and by doubts about the morality of what they are doing. Red Dawn is noteworthy for being the first movie released with the PG-13 rating, created by the MPAA after public outcry over violent content in the PG-rated Indiana Jones and the Temple of Doom and Gremlins. ~ Eleanor Mannikka, Rovi

In this drama, a disturbed teenager turns to arson in order to vent his anger and frustration over his parent's upcoming divorce. ~ Sandra Brennan, Rovi

In this graphically violent exploitation film, an insane colonel tests out his newly invented virus, HV8-B, designed to significantly alter the behavior of convicts serving life sentences. As soon as they are injected, the unwilling subjects become mad-killers. Later they become slimy walking corpses in various states of decay, constantly oozing highly contagious bodily fluids that infect the whole cellblock. Soon the uninfected inmates begin to riot. Now only wrongly-imprisoned Vietnam-vet Dennis Cole can stop the crazed colonel from turning them into killer zombies. Meanwhile, blonde biochemist Tanya works to find a vaccine to stop the terrifying erosion of humanity. ~ Sandra Brennan, Rovi

A team of mercenaries, led by Colonel Virelli (Peter Fonda), is hired by an African nation to get rid of a tribe of people who are trying to block a proposed dam. After the men learn that the tribe is merely fighting to save its life, they face mutiny and confusion as to which side they're on. ~ John Bush, Rovi

O'Brien (Chuck Norris) is a detective who captured the psychotic maniac Simon Moon (Jack O'Halloran), aka the Terror, by mistake. When the obese 6' 6'' villain fell from a ladder trying to escape, he was knocked cold and the lucky O'Brien got the credit for his collar. With his psychiatrist sweetheart Kay (Brynn Thayer), pregnant with their first child, the Terror escapes. Although he is large and unforgettable, the terrible Titan manages to evade the police, and no one even notices him when he carts cadavers on his massive shoulders. This routine actioner provides a view of several historic sights in Santa Monica, California. ~ Dan Pavlides, Rovi

In the conclusion of a two-part story, Whitley (Jasmine Guy) is outraged that her fiance Dwayne (Kadeem Hardison) has been dating an attractive science professor, and never mind that it was Whitley's own bad attitude that drove Dwayne away from her. At the same time, Whitley's mom Marion (iahann Carroll) and Dwayne's mom Adele (Patti LaBelle) meet for the first time--and detest each other on sight. Eventually, Marion and Adele negotiate a temporary detente...which, alas, is more than can be said for Whitley and Dwayne. ~ Hal Erickson, Rovi